Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: stan lee

Pack Up The Soapbox

Stan Lee taught me how to read. Not personally. He didn’t come to the house with a hornbook or anything. But he wrote “With great power comes great responsibility,” and “Petey, eat your wheatcakes,” and “UNCLE BEN! NOOOOOOO!” and that was my very first education. Spider-Man comics. Alexander the Great had Aristotle as a tutor, but I had Peter Parker stashed in milk crates under my bed. My mother deciphered the squiggles for me, or maybe just underlined the words with her finger as she read them to me. The precisities of my mother’s pedagogical methods are not known to historians. Then Stan took over. He had words, oh such words. Zounds and forsooth and uncanny and hero and villain and neighborhood. Super fucking words, True Believer.

He wasn’t perfect–he was a vain, gullible, credit-stealing, gloryhound–but neither are you and you didn’t create the Fantastic Four. Or name the Hulk. And you certainly didn’t teach me to read. ‘Nuff said.

 

EDITOR’S NOTE: That’s Stan the Man in the monitor in the above page; this is from 1978’s Marvel Team-Up #74 and Spidey is “teaming up” with the Not Ready For Prime-Time Players while Stan hosts the show. I swear.

Marvel Team-Up, hereafter known as MTU, was Spidey’s second book. Until Wolverine showed up, Spidey was the most popular of the Marvel characters, and so he got two titles. Marvel used MTU to introduce new heroes or reintroduce forgotten ones, and workshop new bad guys. The guests varied wildly: sometimes Peter would run into Thor or the Black Panther, and other times he would fight Frankenstein’s Monster. I swear.

I need you to stop doubting me when I tell you that comic books are dumb. I feel like I offer you a piece of evidence, and you refuse it, even though I’ve proven myself correct time and time again while speaking on this particular subject. You must not take my word on medicine, or politics, or business, or love, but I am a goddamned expert in the subject of “How dumb superhero comics are.” Please stop resisting me on this. LISTEN TO ME, FUCKERS.

That escalated. Stop it immediately.

I can’t help it, man. I’m all about consent. And I want the Enthusiasts to consent to me. I need them to, really. How do I make them consent?

We’re going to have another HR meeting if you keep this up.

CONSENT TO ME, FUCKERS.

Just show the nice people what kind of pickle our friendly neighborhood wallcrawler has gotten himself into.

Okay.

They always left Spider-Man’s mask on when they shackled him to the spagmoidinizer.

I wasn’t kidding. Look at these scrubs Spidey has to deal with:

Points for “Tatterdemalion,” Marvel. That is a good word and an even better bad guy name. Points off for literally everything else. For God’s sake, the man has been an Avenger, and now he’s gotta hang out with poorly-drawn werewolfs in a sewer? Oh, and that character’s name isn’t “Werewolf,” it’s “Werewolf By Night,” which you shouldn’t think about too much, or at all. That’s not water. It’s effluvia. Spidey made out with Kirsten Dunst and Emma Stone, but now he’s up to his spider-balls in shit soup. It’s not right to do to a man.

At least that’s the last time Peter will have to deal with werewolfs.

I should have been more specific.

(Oh, the Man-Wolf? That’s J. Jonah Jameson’s son, John. John was an astronaut, and he went to the moon. While there, he saw a glowing rock and picked it up. The rock, naturally, turned him into a Man-Wolf. How many times do I have to tell you that comics are dumb?)

Anyway, back to the dead guy. Peter and Mary Jane Watson score tickets to Saturday Night Live, hosted by Stan Lee because Marvel Comics exists within Marvel comics. In the fictional universe that the heroes punch one another in, there is a company called Marvel that publishes comic books starring the heroes from that reality. There’s a Captain America comic book in the reality where Captain America’s real. In fact, Captain America once drew his own comic book. Don’t think about that.

Stan Lee does a monologue–he is drawn as elaborately coiffed, lean, and dapper–and makes several jokes about meeting with The Thing. It is at this point that one could begin pointing out logical inconsistencies like that tiresome fellow on YouTube who notices errors in films, but one could also remember that this is a story in which John Belushi sword-fights with a 7-foot samurai.

The issue’s not been reprinted since, due to rights bullshit, but I remember every panel. The hero was ineffectual and wouldn’t shut up, and the bad guy mostly paid the hero no mind anyway, and everyone learned a valuable lesson in the end, though no one could agree what it was. It was my kind of story. Thank you for writing it, Stan Lee.

He didn’t. Chris Claremont wrote it, Bob Hall did the pencils, and Marie Severin inked.

Excelsior!

You’re an asshole.

Thoughts On Deadpool

  • It turns out the movie theater with the 85-foot Ultra-Screen© down the street has $6 Tuesdays, so you might be seeing some more reviews than previously.
  • Anyway, Deadpool is Deadpool and don’t take children to go see this.
  • Y’know that thing when the Avengers or the Star Warriors bloodlessly mow down an army of faceless robots/aliens?
  • Deadpool doesn’t do that.
  • He kills people with knives.
  • It is an extraordinarily simple movie: there are no sub-plots or “universe-building” scenes, and Deadpool is in every shot, it seems.
  • Boy meets girl.
  • Boy is wronged by British person.
  • Boy loses girl.
  • Boy kills British person.
  • Boy gets girl back.
  • That’s it.
  • Oh, sorry: spoilers.
  • But let’s be honest: the only way you do not know how this movie ends five minutes in is if you have never seen a movie before.
  • Or heard a story told.
  • Deadpool is a wonderful example of “singer, not the song” just like Mad Max  was last year, which was a similarly basic story.
  • Action movies have the same relationship to plot as humans do to iodine: a little is necessary, but too much is lethal.
  • Get to the sword-fighting and explosions, please.
  • Deadpool does, and quickly, plus there are boobs.
  • There are also tushees belonging to men and women, plus the innertubes say that Ryan Reynolds has his wang out at one point, but I saw no wang.
  • Again I implore you not to take children to this film: there is even the Gratuitous Titty Bar Scene: all 80’s and 90’s action movies required the hero to go searching for clues in a strip club at least once during the flick so the director could add some production value.
  • All the actors were good, Morena Baccarin in particular, although the bad guy looks exactly like Nicolas Hoult, who played the War Boy in Mad Max, and plays Beast in the other X-man films.
  • I may have spent an hour of the movie wondering idly why Beast was a bad guy now.
  • He was not Beast; he was some other dude; it’s not particularly important.
  • Actually, it’s a little important because Deadpool is, apparently, in the X-Man Universe, whatever the hell that means.
  • Colossus and Negasonic Teenage Warhead are in it, too, and they were great fun and I would gladly pony up $6 on a Tuesday down the line to watch their further adventures.
  • Colossus (who has been an X-Man forever and completely wasted in his movie cameos up ’til now) at last gets a personality, that of a well-meaning doofus; his fight with Gina Carano is one of the highlights.
  • (Gina Carano has been given the perfect role: she has no lines, and she punches people very hard.)
  • Negasonic Teenage Warhead has a pitch-black crewcut and supremely cool trousers; she nearly steals the film.
  • NTW was a one-off joke from Grant Morrison’s legendary New X-Men run; it was one of the last things I read before I tapered off my comic habit and it’s still one of my favorite superhero books ever.
  • Her name is a wonderful and subtle dig at comic book protocols and teenage rebellion.
  • One of the tenets of Mutant Pride has been choosing your own name, and abandoning your human name.
  • But: if mutants, Grant Morrison wondered, were allowed to choose their own names when their powers manifested (puberty), then would they really choose such lame, fuddy-duddy sobriquets like “Cyclops” or “Storm?”
  • (Well, Cyclops would have chosen Cyclops, but Cyclops is a dick. Cyclops was the Ted Cruz of the X-Men: everyone hated him, and he kept doing and saying fucked up stuff, but he was somehow in charge.)
  • Letting a 14-year-old choose their own name will lead to ridiculous bullshit.
  • “Good morning, students. I am Charles Xavier; welcome to my school. The first item on this year’s syllabus shall be choosing your own names. These names will be your names within the Mutant world, and should reflect your abilities and personalities. Please think very deeply about–“
  • “Professor? I know my name! I wanna be Mister Fister.”
  • “–your names and…what? No. Ew. No.”
  • “You said we could choose!”
  • “Professor, can my Mutant name be Fuckmaster Sex?”
  • “Like the DJ?”
  • “Yeah, he’s swag.”
  • “No.”
  • “Can I be Professor Sex?”
  • “No, I’m Professor Sex. X. DAMMIT. No. Choosing your Mutant name is a sacred responsibility, children. Please don’t just shout out the first dirty thing that comes to mind.”
  • “Can I be the Philadelphia Foreskin?”
  • “What’s your power?”
  • “Prehensile foreskin.”
  • “How’d you get in here? We have students that have eaten universes.”
  • “Affirmative Mutant Action.”
  • “Ah. Well, are you from Philadelphia?”
  • “Tucson.”
  • “Then you can’t be the Philadelphia Foreskin, can you? Next one of you that says something stupid has to shave Professor Logan.”
  • And so on.
  • Ryan Reynolds is very Ryan Reynoldsy.
  • He does that Ryan Reynolds thing.
  • Ryan Rynolds ryanreynolds as hard as possible.
  • This is also one of those movies that is best not thought about after leaving the theater.
  • For example, police do not exist in the Deadpoolverse: you can have shootouts on the highway for as long as you’d like without any bothersome cops showing up.
  • There is also a ship-breaking yard within view of a major American city.
  • They don’t put ship-breaking yards in cities; they don’t even put them in decent countries.
  • Also, Deadpool and the bad guy both have the Vaguely Defined Superpower Bundle: the main power (Deadpool has a Wolverine-like healing factor and the bad guy has super-reflexes) plus they can jump off bridges and across city streets and whatnot.
  • Finally: I won’t give it away if you haven’t see it, but Deadpool has the best Stan Lee cameo to date.