Musings on the Most Ridiculous Band I Can't Stop Listening To

Month: January 2017 (Page 16 of 17)

Appropriate Acts For The Inauguration

A women named Rebecca Ferguson, who is a foreign singer I’ve never heard of, has volunteered to play at Trump’s inauguration. Oddly enough, the President-Elect is having trouble filling the slots for his show, possibly due to being an unqualified sociopath or maybe people just have scheduling conflicts. Ms. Ferguson has added one condition, though: she will only perform if allowed to sing Strange Fruit, which is about lynching and was made famous by Billie Holiday and Nina Simone.

TotD applauds Rebecca Ferguson, whoever the fuck she is, and thinks she has the right idea. In fact, I think I can help. Here are some other performers and what their acts might look like:

  • R.E.M. – It’s the End of the World as I know It (And I Feel Fine).
  • Anal Cunt – Any song. Literally any single song, just as long as they’re introduced as “Anal Cunt” and the band’s name is written legibly on the bass drum.
  • Reanimated Sam Kinison – Ten minutes straight of screaming: OH-OHHH! Not even any material, just screaming.
  • Nikolai Volkoff – Soviet National Anthem.
  • Extreme Elvis – Dixie. (Google “Extreme Elvis” at your own discretion.)
  • DMX – Any song that includes barking, so: any song.
  • Charles Manson – Don’t Do Anything Illegal.
  • Axl Rose, three hours late – It’s So Easy>Tantrum>Riot.
  • Sly Stone, seven hours late – Don’t Call Me Nigger, Whitey.
  • Phil & Ned – Seastones.
  • G. G. Allin, but not reanimated: the rotted and half-gone corpse of G. G. Allin laid out on a cheap beach chair with an obese Elvis imitator manipulating his jaw so it looks like he’s singing – My Way.*

*It’s what G.G. would have wanted. Honestly, it is.

What’s Black, White, And Rando All Over?

Hey, Bobby. Whatcha doing?

“Vacation. All I ever wanted.”

Yeah?

“Happy to get away.”

This is Hawaii?

“If not, then Taj’s hand gesture is inappropriate.”

Wow, Taj Mahal.

“He’s smaller in person.”

You talking about the guy or the building, Bobby?

“Yup.”

You’re playing a show while you’re there, right?

“Well, yeah. You bet. Best kind of vacation is one someone else pays for.”

Got that right. Where you playing?

“Private party for some billionaire.”

Rock and roll.

“Neither of my daughters’ colleges accept teenage rebellion and principled stands against The Man as tuition.”

You’re not wrong. Isn’t Phil on Hawaii, too?

“Different island.”

And you’re playing with Billy?

“Yup.”

Anyone call Mickey?

“Nope.”

Have a good time, Bob.

“Always.”

One Flew Over The Cuckoo’s Lawn

“Good evening, ladies and gentlemen of the press. Let me start off by saying ‘Fuck Paul Simon.’ Just a schmuck. A real schmuck, y’know? It’s a charity concert, we’re trying to raise money for Africans who are very hungry, and I gotta deal with calls about his hairpiece budget. I say to him: Paul, every dollar we spend on your skull is a dollar less to put in an African’s stomach. He says: no toupee, no Paul play.

“So again: Fuck Paul Simon.

“When Bob Geldof, who is a schmendrick, called Bill Graham Productions and begged us to produce Live Aid, I was honored but then I wound up screaming at him over the phone for two hours. He wasn’t thinking big. ‘Bill,’ he says to me. “I’m thinking about inviting Status Quo out for drinks.’ I say, ‘No, let’s have two simultaneous concerts on two continents.’ Geldof says, ‘Your idea is better.’ It was a transatlantic call, so it probably cost around a hundred bucks just to call an Irishman an asshole.

“And what does he do, this little pisher, this one-hit wonder mieskeit? He torpedoes me! This whole time, he torpedoes me.The Beatle he keeps, The Who he keeps, Bowie he keeps. All the good limeys. Sends me fat Ozzy and that little Phil Collins person. I didn’t ask for Phil Collins. Duran Duran? I didn’t want one Duran, but he sent both.

“The whole production, Geldof’s treating it like a competition. He calls me up, ‘I got Charles and Diana.’ He’s so excited, he’s bipping and bopping on the phone, and I just couldn’t bear to hear him so happy. Though the show was only two weeks away, I got on a plane to London so I could scream at him in person.

“On the plane ride back home, I thought about names. Royalty. They got royalty? Fuck ’em, we got royalty, too. Who, though?

“If this were next year, I could have called Refrigerator Perry, but he’s not famous yet.

“If we were doing the show in the Bay Area, I would call up Willie Mays and Joe Montana and be done with it. Montana ain’t gonna fly in Philly. I need a movie star. Stallone is perfect, but he’s out of the country. Clint! Clint Eastwood, right? Who’s bigger than Dirty Harry?

“Clint refuses to take my calls. I fly out to whatever that little beach village he rules with an iron fist is called, and the police meet me at the town line and throw me in the local jail. The charges are Conspiracy to Bother Clint and Vulgar Ethnicity.

“It’s a white little town. I stood out.

“Luckily, I was wearing my lock picks on my giant necklace right next to my Africa medallion. Just as I escaped from the Nazis, I escaped from Clint Eastwood’s goons.

“Now, your normal promoter–your Ron Delsener, your John Scher–is going to need a day or two to decompress after that experience, but I immediately made for the Hollywood Hills. Jack Nicholson. I’ll get Jack Nicholson, who is a better actor than Clint Eastwood anyway, and isn’t the tyrant of a seaside bedroom community.

“Jack refuses to take my calls. Luckily, he lives right next door to Marlon Brando, who I know from doing Apocalypse Now with him. I call the great Marlon Brando and explain my plight. Marlon won’t talk to Jack, but he will let me use the zip-line the two of them have in between their homes.

“I say, ‘Why the hell do you two have a zip-line?’ He says, ‘Girls and cocaine.’

“The great Marlon Brando.

“The plan is that Marlon will call Jack up and tell him there’s something coming. Then I zip over, and I figure I got maybe ten seconds before Jack starts shooting or calls the cops, right? Marlon agrees, and hands me a tranquilizer gun that he had handy.

“This is the part of the story where I remind you that I’ve been up for 60 hours straight at this point, and also I was abusing cocaine quite heavily with the great Marlon Brando.

“He says, ‘Just start firing away first thing. Jack’s quick, and he’s armed. He is a dangerous adversary, Bill Graham. Use your Jewish instincts.’ And before I had time to ask him what he meant by that, Brando pushes me out the window. ZZZZZZIPPP I cross the lawn twenty feet up, and I crash into Jack’s bedroom.

“There he is! I shoot him, like, seven times with the tranquilizer gun. WHAM! Right down!

“I hear laughing from Marlon’s place. It’s Marlon, but it’s also Jack! The sonofabitch is in the window with Marlon, and he’s grinning. You know, Nicholson. The grin.

“I yell over, ‘So who did I tranq?’ And they’re laughing so hard they can’t answer. It turned out to be a teenaged hooker that Jack was bored of! When he can breathe, Jack says that he’ll do the show. And then the grin, you know? Nicholson. The girl died, but I had my royalty.

“We’re also please to announce that Ashford & Simpson have been added to the lineup, and fuck Paul Simon.

New Year, New Bar Band

As the swallows return to Capistrano, each new year sees Billy molt out of his previous bar band and pupate himself a new one. The redheaded bass player is Reed Richards, and he was in Billy’s last group; his presence in the current ensemble suggests he did not ask for a raise.

Can Jambase and Relix please credit me? I stole this picture fair and square from Benjy Eisen’s Instagram account, so it’s my news. Thank you.

You burying the lede a little, skipper?

Huh?

Is Benjy managing this group?

Oh, God, I hope so.

I hope so for all of us.

Other Reasons The Grateful Dead Did Not Play Live Aid

  • Phil thought it was jive.
  • Numerous warrants out for various band members and crew in Pennsylvania.
  • At the meeting, Bobby said that “Live AIDS sounds like the worst kind of AIDS” and even though that makes no sense, everyone agreed just a little bit.
  • In 1985, Garcia looked like Santa Claus and we know how they treat Santa Claus in Philadelphia.
  • Madonna had taken out a restraining order on Billy due to an incident involving the 2016 version of Billy, a time machine, a thumb, and her butt.
  • Feared being blown off stage by the raw animal power of a reunited Led Zeppelin feat. Phil Collins.
  • Brent owed money to three of the Four Tops.
  • Also at the meeting, Bobby asked “Why are we playing if Kenny Rogers isn’t?” and no one could answer him.
  • The band wanted to play London instead of Philly, and Bob Geldof sent back a message saying that he wasn’t about to pay for two dozen hippies’ British vacation; everyone was rather impressed at how quickly Bob Geldof saw through their bullshit.
  • It’s not bad enough they have to deal with Bill Graham on the west coast; now they have to go to Philly to be yelled at in Yiddish?
  • Had to get ready for the big Boreal Ridge show.
  • Didn’t wanna.

Randos Stopping Garcias, Just To Shake Their Hands

Did you get stung by a bee?

“I just closed my eye weird in the shot. Don’t read too much into it.”

You look happy.

“The guy’s shirt, man.”

Yeah.

“Look how fat I look.”

Oh, so it’s not that it’s a shirt with you on it, just that you don’t like the particular version of you on the shirt.

“Something like that. It’s tough to explain, man. You ever meet a stranger wearing a shirt with your picture on it?”

No.

“Right. It’s tough to explain.”

Question.

“Shoot.”

Why didn’t you guys do Live Aid?

“We had a gig, man.”

Okay.

“And we didn’t want to.”

There ya go.

A Predictable Visit With Billy

Hey, Billy. Whatcha doing?

“Thoughts on my Ass! Getting ready for Live Aid.”

Do NOT use that damn Time Sheath to go back to 1985 and appear at Live Aid.

“Gonna feed the Etruscans!”

Ethiopans

“Who gives a shit? Party time! I’m gonna punch Eric Clapton in his dick.”

I support that, actually.

“They call him Slowhand, right? Not me, baby. Punch that dick so fast he won’t have time to be boring.”

Or racist.

“There’s always time for racism.”

True. Don’t go back to Live Aid.

“I want to. 80’s skank, man. Arcade skank.”

Billy.

“Skanks on rollerskates.”

Billy.

“Rollerskank.”

“And Madonna was there. I wanna stick my thumb in her butt.”

Why?

“Same reason people stuck their thumbs in Mt. Everest’s butt: because it’s there.”

But it’s not there, Billy. Madonna’s butt is in 1985. I mean, there’s also one in 2016, but you–

“Hard pass.”

–don’t want to stick your thumb in there any more. Please don’t go to Live Aid.

“Already packed. Gonna bring a couple pounds of 2016 weed, too. Those fuckers’ll think I’m a god.”

Please don’t sell drugs in 1985, Billy.

“Need a little spending money for this Mexico bullshit coming up.”

Is that who the keyboardist is?

“Jesus!”

Did you not see him?

“Nope.”

Wow.

Live/Aid

Just where were our heroes the Grateful Dead–this is a blog about the Dead–when the rest of the planet was feeding the world with Sir Bob Geldof in London and Bill Graham in Philly? Why was the Dead not at Live Aid?

Several reasons, first and foremost being that they had a gig at a county fair. (Okay, it was just at the fairgrounds, but it’s still verging on Spinal Tapness.) Live Aid was 7/13/85, and the Dead were in Ventura, California. This is what Garcia, who was a glamorous Rock Star, looked like:

Living the dream.

Later on, he switched to a red shirt; this inspired the same joke told a billion times, and looked like this:

The first set–which has a truly peculiar set list–looked and sounded like this:

So, you know: they were busy. And if they weren’t, they would have pretended to be: they had tanked every festival they’d played before this (except Watkins Glen, where they played better at soundcheck than at the gig), and at those festivals they had been allowed to play for an hour or so.

And gotten paid. The Dead insisted on getting their money–in cash–before even leaving the hotel at Woodstock, and they shook Wozniak down for a hundred thousand or so at the US Festival. It’s not that the Dead didn’t do benefit shows: they did quite a few, and then started their own foundation to streamline their charity efforts.

But mostly the time thing. There was no way they could get their act across given the constraints of the show. The Dead didn’t play for 20 minutes; the Dead tuned for 20 minutes. Were they going to take the stage with vigor and bludgeon the crowd with hit after hit? The Dead didn’t even have one hit, let alone another one to follow it, and–even if they did–they certainly weren’t going to rehearse for the gig.

Now back to the money: the bands had been paying their own way, which is why so many performers showed up by themselves. The smaller acts got their tabs picked up by the record companies in exchange for the publicity, but I would assume the record companies figured out a way to make the acts pay them back. The Dead was four years into the Arista contract in ’85 and had not given Clive Davis a hit, so he wasn’t paying for the plane tickets; also, it’s not like they would have just shown up by their lonesomes and performed on borrowed gear: the Grateful Dead traveled heavy. The band may not have been able to afford to go.

AND Garcia was messy at the time AND they might have said no just to piss Bill Graham off AND who the fuck is Bob Geldof? AND they all hated MTV.

Plus, Bobby hates Phil Collins. Always has. Bobby doesn’t hate anyone, but he hates Phil Collins.

Thoughts On Led Zeppelin’s Live Aid Set In Real-Time

  • Do not watch this.
  • I did it for you so that you would not have to; do not watch this.
  • To set the scene: it is 1985 in Philadelphia.
  • Women’s hair is enormous; men’s shorts are tiny.
  • Led Zeppelin broke up five years previous, choosing not to soldier on after the death of drummer John Bonham.
  • It was a good decision, as every single reunion they’ve performed has been atrocious, starting with this one.
  • Which starts out with an introduction from Phil Collins.
  • Who is also playing drums.
  • Live Aid was like Phil Collins’ bar mitzvah.
  • Smiling little fucker was everywhere.
  • Okay, so Phil introduces Led Zeppelin because I guess Joe Piscopo refused to do it or something, and from the INSTANT they take the stage, it is obvious that this will be a debacle.
  • Remember Queen?
  • This is how they took the stage:
  • [There used to be a GIF here of Queen making their entrance, with Brian waving to the crowd and Freddie doing his kicky run, but it’s gone now and I can’t find it. Pretend you see it.]
  • A little bit of energy, confidence, excitement.
  • Led Zeppelin wanders out, and Jimmy Page trips over a mic stand.
  • Then Robert Plant starts complaining about the monitors and doing the ol’ “One, two. One, two” bit and then his voice cracks.
  • His voice cracks while he’s speaking, not singing.
  • It’s gonna be a long 20 minutes.
  • Plus: Jimmy Page’s guitar is out-of-tune, and he’s shitfaced.
  • Aw, who cares: it’s Rock and Roll!
  • Which is a confusing song, honestly.
  • The narrator states quite plainly that it’s been a long time since he rocked and rolled.
  • And yet he makes this admission via a rock and roll song.
  • Perhaps the song’s true theme is self-abnegation, and the lies we tell ourselves.
  • Anyway, it’s a mess: literally every bar band in the world plays this song better than Led Zeppelin did at this performance.
  • Like I said, Phil Collins in involved.
  • This did not need to end up in tears: Phil Collins was (he fucked up his back and can’t play any more) a monster drummer, and could have filled the role had he rehearsed with the band.
  • But he didn’t, and didn’t even seem to know the songs that well, and plus there was another drummer.
  • Cuz that’s how badass John Bonham was: it took two guys to replace him.
  • Maaaaaaan.
  • The other guy was Tony Thompson, who drummed for Chic, and played on the sessions for about half of the great disco hits.
  • Two legitimately great drummers.
  • Who had never played together before.
  • And the band had not rehearsed.
  • In front of 100,000 people and for a global audience of 1.5 billion.
  • In a way, the arrogance of this performance is amazing: only a Rock Star could expect this to work.
  • It didn’t.
  • John Paul Jones–who Wikipedia says was there, but has received no close-ups yet–is playing with Tony Thompson on stage right; Jimmy Page is playing with Phil Collins on stage left; Robert Plant is in the middle wearing an outfit from Chess King and praying that he will wake up from this nightmare, and he is also singing an octave down from where he used to and it sounds like a boring man vomiting.
  • Oh, thank God it’s over because now we get to hear Robert Plant address the crowd: he asks if they have any requests, and–apparently enjoying his joke–asks the same thing three more times.
  • Robert Plant was always a dipshit, but he looked like this:

  • And you really don’t have to be witty when you look like that.
  • But in 1985, at Live Aid, he looked like this:

  • And the Golden God routine had a bit of tarnish on it.
  • So they start Whole Lotta Love, which is a dreadful song I’ve always hated, and Jimmy Page is still out of tune.
  • Did he only bring one guitar to Philadelphia?
  • I know he owns many.
  • Did he not want to pay to check them on the plane?
  • Jimmy Page is so out of tune that Garcia from 1971 was giving him the stink-eye.
  • And this is where the true train wreck begins: Rock and Roll is easy to fake your way through for a drummer, but Whole Lotta Love has a specific groove to it.
  • Phil Collins does not know the specific groove.
  • So he just plays straight time, with the backbeats on the two and the four.
  • That is not how Whole Lotta Love goes.
  • Y’know the part where the drums  go WHOMP WHOMP, and then Jimmy Page goes BADEEDLE DEEDLEWHEEDLEDEEDLE?
  • (They do that part two times.)
  • Well, Phil Collins did not know that part, and so he just kinda stopped playing for a bit and watched Tony Thompson (who did know how the song went) and then Phil Collins said to himself, “Hey: I’m Phil fucking Collins,” and commenced bashing on his kit without a care in the world.
  • When they all try to come back into the song, it’s hilarious.
  • Remember when the Dead would come back into the song from the Playing Jam?
  • Exactly like that, but the Dead were never surprised when it happened: they had lived through train wrecks before.
  • But Robert Plant was, like, ashen.
  • Utterly humiliated.
  • Jimmy Page is too high and/or drunk to care.
  • John Paul Jones may or may not be there.
  • John Bonham remains dead, and an asshole.
  • OHMYGODJIMMYPAGEHASTHEDOUBLENECKTHEDOUBLENECK.
  • Yup, they’re both out of tune.
  • Ugh, Stairway to Heaven.
  • The worst Mott the Hoople song is better than Stairway.
  • Is it because I loved Led Zeppelin so as a 15-year-old that I despise them so now?
  • Jimmy Page plays without intent, or at least he did at this show: it’s not sloppy because that’s the choice he made, it’s sloppy because he’s failing to hit the right notes at the right time.
  • (I really don’t know if I want to do Thoughts on the Led Zep, but I do enjoy saying mean things about them; it might happen.)
  • It’s been years, maybe decades, since I actually listened to Stairway.
  • Have these always been the words?
  • They are not good words.
  • Even if sometimes they do have two meanings.
  • Oh, don’t say it, Robert.
  • Don’t.
  • Have your dignity.
  • “Does anyone remember laughter?”
  • Oh, sweetie.
  • (The crowd cheered. “HE SAID THE THING THAT HE SAID THAT TIME!”)
  • We have not seen Phil Collins since the camera caught him out looking confused and sheepish, and someone has handed Robert Plant a tambourine; he plays it not well; and now the shot is once again of Phil Collins because Live Aid is the First Church of the Infinite Phil Collins, and he is lost again; Jimmy Page’s hair is now out of tune, and John Paul Jones is reported by Wikipedia to be there.
  • And…
  • She’s…
  • Buy-ay-ing…
  • Oh, just get on with it, you preening prick.
  • A.
  • For fuck’s sake.
  • Stair-a-way.
  • Yes?
  • To…
  • SAY IT.
  • Hea-vuuuhhhhhhn.
  • Good night, Philadelphia; there will be no encore.
  • Phil Collins has left the building.
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