Listen to this (especially the mammoth Shakedown opener) while reading Tom Wolfe on the New Vegas. It’s been too long since you read Tom Wolfe.
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great show. why is Bobby speaking French?
Because he’s classy.
they pooch the start of Shakedown, which i think happened at least 90 percent of the time, and its just so goddamn funny and thoroughly in character. Any beginner garage band could yell out a 4 count and then hit a d minor chord in unison 10 times out of 10. For some reason the Dead struggled with this tremendously to the point of high comedy. So entirely Grateful Dead.
Great piece by Wolfe, and a Wildwood mention. I would guess a very young Raul Duke was influenced by Tom Wolfe.
At about 2:20 of that Shakedown, I though I was hearing Donna. In a good way. It made me think “funky keys for Keith,” and then a little later I realized it was Brent singing and playing. In a good way.
I make the Brent/Donna mistake all the time. Early Brent had some serious high notes.
That era’s a big hole in my listening rotation. Something about the mixes and sound quality, generally, not necessarily the playing. I owe it some revisitation.
Why do the 80 and 81 SBD’s sound different? Like a vacuum. Sounds like the crowd is turned down and the keyboards are extra tinkley. The Anchorage show sounds just like this
I don’t know. Perhaps that’s when everyone went to cassette tapes. The previously used wider, faster reel-to-reels just held more info, maybe.
Rather hilarious that Relisten has this show as being in San Diego. Riiiight – they took 77 from Amsterdam to SD to Barcelona, and got the p.a. delivered on time.