Musings on the Most Ridiculous Band I Can't Stop Listening To

Author: Thoughts On The Dead (Page 54 of 1031)

If You Didn’t See This Coming, You Just Haven’t Been Paying Attention

Hey, Josh. Whatcha doing?

“Isolating myself, but not my fit.”

Sure.

“People are sad and scared and unhappy, and so I thought I’d do the only thing I can–”

Playing music for them?

“–which is letting them look at my clothes.”

Ah.

“Dude, everyone’s doing concerts from their living rooms. But I’m the only one doing fashion shows in a forest.”

You are. I’ll give you that. Is that a turtle?

“Where?’

Next to your left foot.

“Yes.”

I like turtles.

“Can we talk about my outfit, please?”

Venmo me a thousand dollars.

“Absolutely not.”

Fine. Two thousand.

“I’m ignoring you and describing my threads. The jacket is Visvim’s new line called Kung Fu Drip.”

Uh-huh.

“You see how it looks like a utilitarian garment that any Japanese guy would have worn a few decades ago?”

I do.

“But it cost five grand!”

Does that make it better?

“Oh, God, yes. And my sweatshirt was handmade by Amy Sedaris’ slaves.”

What now?

“Funny story: Amy Sedaris owns people. And not just a couple. Like, she’s got a whole dormitory out back at her place.”

Wow. You Hollywood people lead such interesting hidden lives.

“She treats them great, though. Knows all their names. Of course, she gave them their names, so maybe that’s not so impressive.”

Not really. Does David Sedaris know about this?

“There is no David Sedaris. His books and articles are written by a Humorbot.”

Humorbot?

“It’s a program that produces amusing essays. One of the really early versions does all of Andy Borowitz’s stuff.”

Now that makes sense.

“Right? A human being would have been funny at least once just by accident.”

Sure. We’re getting along so well.

“Does that mean–”

CELL PHONE NOISE

“–the phone’s gonna…goddammit. Is it Nixon?”

No.

“Aw.”

You like him.

“The man tells it like it is.”

Pick up the phone.

“Dick.”

“You’re on with John.”

“Leave the forest now, Jonathan. It is made of rancid spices and leftover gods. The forest compels one to invent coal plants, iron foundries, shops where one can find sexual items of abnormal size.”

“Hey, Werner.”

“How did you know it was me?’

“The guy who writes this shit is predictable as hell.”

“As is the forest! It is shit, and piss, and apples that cannot be eaten for fear of tummy problems. The forest will never surprise you. Imagine! It is your 50th birthday. You walk into your home. The lights are darkened, but suddenly they blaze to life. ‘Surprise!’ is yelled. But not by the forest. Never by the forest. The forest was defecated into being by a God that was not paying attention.”

“I’m honestly just in my backyard.”

“Backyards are worse!”

“Listen, it’s an honor to talk to you, but is there a point to the call?”

“Of course. I want you to help me float a 747 across Lake George.”

“Why?”

“ART!”

“Could you hold, please?”

“Yes. I will lecture my parrot on the glory of non-existence.”

“Awesome.”

“Jackass?”

Ich?”

“Du. Is he gonna become a thing?”

Depends on how fun he is to write.

“Awesome.”

Thoughts On Some Werner Herzog Movies

  • Aguirre, the Wrath of God.
  • Fitzcarraldo.
  • Two movies, one story.
  • “Klaus Kinski attempts to defeat the jungle using only the power of his face, fails.”
  • The man had a face.
  • His skull was well-hung.
  • Not a beautiful face.
  • Klaus Kinski was not a Chris.
  • He wasn’t All-American Chris.
  • Or Aussie Bro Chris.
  • Or The Other Chris, what’s his name, I think he was maybe in the new Star Trek films.
  • No, Klaus Kinski was not a Chris.
  • This was him (left):
  • Also: Yes, that is a real monkey.
  • Y’know that credit that informs the viewer that “no animals have been harmed in the production of this film?”
  • Aguirre does not bear that credit.
  • It actually got worse for the little guy.
  • I’m not even gonna get into what happened to that poor horse.
  • (If you haven’t watched Aguirre yet, and are wondering if you would enjoy it, then just look at the GIF and ask yourself, “Do I wanna know what led to that man who looks like Satan yeeting that primate ?” And, Christ, I hope you answer “Yes.” Worst thing a person can be is incurious, especially about hurled monkeys.)
  • LOOK AT THIS GUY’S FUCKING FACE!
  • DID YOU LOOK LIKE I TOLD YOU?
  • Stop yelling about dead, poorly-behaved foreigners, please.
  • HIS FACE IS TOO BIG FOR HIS HEAD!
  • Stop it right the fuck now.
  • Ahem.
  • Although, if we’re honest about our math, Klaus Kinski’s face only generates two miili-Helens.
  • Helen’s punim launched a thousand ships, and Klaus’ only two.
  • Can’t argue with the numbers, Enthusiasts.
  • Aguirre is 80% Klaus Kinski’s face, and 20% the opening scene where the whole of the expedition walks down an Ande.
  • You never realized that each individual mountain in the Andes was called an Ande, did you?
  • This here’s an educational site.
  • Anyway, it’s 1560 or so and the Spanish are conquistadoring.
  • It’s not like the French could do it.
  • They couldn’t even pronounce “conquistadoring.”
  • But the Spanish, freshly free of Moorish rule, could conquistador you up one side and down the other before you could say “Why did you kill my entire village?”
  • They weren’t slow, like a conquistawindow; they were fast, like a conquistador.
  • THAT DOESN’T MAKE SENSE!
  • But it made me giggle, and that’s all that matters during these trying times.
  • The indigenous folks the Spanish have enslaved have stories about a city made of gold.
  • Donde esta este ciudad de oro? the Spanish ask.
  • And the natives would point to the jungle and say De esa manera. No tan lejos. Es fácil de detectar. 
  • (The natives had learned Spanish by that point, or at least had access to Google Translate.)
  • So the Spanish went hot-assing into the Amazon, via the Amazon, and that was just the worst idea.
  • Everything named Amazon wants you dead.
  • The mythical lesbians with bows.
  • The next evolution of the Company Store owned by that little penishead.
  • The river.
  • The rainforest.
  • You ever meet a guy named Amazon Hufnagle, RUN.
  • But there’s one tenet that white people have held sacred since time immemorial: If the locals tell you not to go somewhere, go there immediately.
  • “Rapids, shmapids. You are talking to a Christian, sir. Ready the rafts!”
  • And then no one ever sees them again.
  • Both Aguirre and Fitzcarraldo are loosely based on true stories.
  • Incredibly loosely.
  • Imagine a ghost giving you a tugger.
  • Or that 38 Special is specifying how you should hold on.
  • Or that Precarious Lee had a cousin who slept around a lot.
  • That loosely.
  • Both Don Lope de Aguirre and Brian Fitzgerald (known as Fitzcarraldo because the locals can’t pronounce Fitzgerald) existed, and each sort of performed the main action of their fictional iterations.
  • Aguirre really did go searching for El Dorado, lead a mutiny, and then declare himself King of All This Shit Right Here.
  • Fitzcarraldo really did (force enslaved natives to) drag a steamboat over a mountain.
  • But that’s it.
  • We don’t know much about Aguirre because he lived in 1560 and everyone who knew how to write was too busy lopping off the heads of everyone who didn’t to keep a journal.
  • But he wrote letters back and forth to the King, and the King wrote letters about him, and the Court Archivist (Don David de Lemieux) kept the correspondence, so we know the general parameters of Aguirre’s spiral into madness and monkey-tossing.
  • The shit about Fitzcarraldo’s just made-up.
  • Yes, he did get a boat over a mountain, but he had it disassembled and carried over the pass.
  • And it only weighed 30 tons.
  • That almost sounds reasonable.
  • Werner Herzog is not a reasonable man.
  • He is A German man with a dream.
  • It involves climbing a mountain.
  • All German dreams involve climbing mountains.
  • And schnitzel.
  • All German dreams involve climbing mountains, and schnitzel.
  • In Werner Herzog’s dream, the mountain was smack in the dampest asshole of the world’s largest jungle, and instead of climb it, he wanted to shlep a 300-ton steamboat over it.
  • I am unaware of Werner Herzog’s schnitzel dreams, but I do know that his new documentary, Wener Herzog’s Schnitzel Dreams, will be airing on the Food Network in June.
  • 300 tons.
  • The original was 30, and–once more–it was humped over in pieces and then reassembled in the new river.
  • (This was all about rubber. During the Industrial Revolution, Europe needed it, and the Amazon was still the only place in the world where it grew. Until a European stole some tree bulbs and started plantations in Asia, but that’s another story that’s exactly like the silk story. But I digress.)
  • Aguirre and Fitzcarraldo are certainly not merely entertainment, but art.
  • Entertainment makes promises, and then succeeds or fails by measure of how well it’s lived up to said promises.
  • A comedy is successful if it makes you laugh.
  • A babadook movie is successful if it frightens you.
  • Art asks questions.
  • And one of the questions that Fitzcarraldo asks is “Was this all really necessary?”
  • Go watch this:

  • Did you watch that?
  • Who do you think the villain of the piece was?
  • I think it’s the guy who shanghaied several tribes worth of people into the middle of a jungle and underpaid them to literally pull a literal steamboat up a literal mountain, all the while permitting Klaus Kinski to scream at them.
  • He could’ve filmed five miles outside of town.
  • Or–and this is a wild idea–built a fake boat.
  • I think that’s called a prop.
  • They use ’em in movies all the time.
  • But, no, Werner Herzog wanted realism in his completely made-up story that sprung from a vision and originally starred Mick Jagger.
  • (Fitzcarraldo was the South American version of Apocalypse Now: the production was protracted and throughly unhinged, the weather and locals conspired to destroy everything, and the documentaries are–in their way–just as good as the films. Fitzcarraldo might have been more fucked, as the original leads were Jason Robards as Fitzcarraldo and Mick Jagger as his dumbfuck sidekick. Robards got sick and went home with 40% of the scenes shot, which meant a production hiatus, which meant Mick had to go home and assemble Tattoo You out of scraps so the Stones would have an excuse to go on tour. Klaus Kinski signed on after many, many raving fits on the telephone to play Fitzcarraldo, and Mick’s dumbfuck was written out of the script.)
  • It is mind-boggling how many people took concrete steps towards murdering Klaus Kinski.
  • Not just wishing him dead.
  • Pretty much everyone who ever met him did that.
  • I’m talking about making a plan, gathering the tools, plotting an escape from the scene.
  • People on at least two continents aborted attempts on his life only at the very last moment.
  • Plainly, the man was mentally ill.
  • Movie stars are tops at throwing strategic tantrums; Klaus Kinski did not do that.
  • I always had the sense that Marlon Brando was an asshole because he knew he could get away with it; that’s not why Klaus Kinski misbehaved.
  • He was a crazy person.
  • Here, go read this.
  • Klaus Kinski was the German Ginger Baker.
  • Go watch Aguirre and Fitzcarraldo, or go watch ’em again.
  • They’re on Amazon Prime, which has a deeper collection of old and obscure films than Netflix, but which keeps recommending that I watch not one, but three of Tyler Perry’s Madea pictures, and I don’t know why it would do that.

Cemetery Shivers In Little Aleppo

Helvetica Dropfoot woke up one morning to find that everyone in Little Aleppo was dead. She did not realize this immediately, as she lived alone in an apartment on West Timbale Road and did not see anyone, dead or not, until she had had her coffee, shower, shit, small depressive episode. Sometimes she meditated, and other mornings she mouthed the sweetly terrifying prayers learned during her Catholic childhood, and when it was warm she would go out to the little yard behind her kitchen and do Tai Chi badly.

But then all the people on the sidewalk were dead. Going about their business, not obviously rotting, there was no smell. But dead nonetheless. Mailman fresh onto the route, and the guy trying to steal parcels straight from his roller-sack, and the cop who tackled the package thief (toppling the mailman in the process), and the youthful fuckabouts who now saw an opportunity and yoinked the remaining bundles while the cop and the thief and the mailman were all tangled up in one another, and two grandmas leaning out their windows hooting and betting with each other, and a cadre of cheering schoolchildren, also betting. All dead.

Amazing how graceful the dead were, Helvetica thought. They lurched so much more in the movies. Panic nibbled; she kept walking. Dr. Standish might not be dead, and he despised lateness and several ethnicities, and so Helvetica tried to always be on time and never be Brazilian. She did not run. She thought that might make them notice her, and she instinctively did not want that.

They were having conversations, arguments. She witnessed three distinct pow-wows, and two sets of negotiations, one of which was high-level. Flirting. The dead were all around Helvetica, and they were flirting. The dead boys smirked and lied, and the dead girls pretended to believe them. Cheerleaders draped themselves on tight ends, and middle-aged men pretended not to look. Everyone was dead and everyone was horny. She breathed in through her nose and still did not run but kept a hot clip west towards the Main Drag.

“Rabbi,” said the little shit.

“Yes?”

“I watched you die.”

“I saw you in the crowd.”

It was cool for Nisan, and there was no breeze. The vendors stocked their tables, and women threw open their windows, and the week began after the Sabbath.

The rabbi could see the hill planted with crosses. Roman soldiers. Many goats. The sun.

All the same now.

“How much did you make?”

“Did all right,” the little shit said. Pockets had not been invented yet, but pickpockets had.

“Buy me breakfast. They buried me without a shekel.”

It was a small cafe. Fish, bread, figs. The rabbi ate quickly, and drank two cups of wine despite the early hour. One head poking in the door, withdrawn quickly. Another, another, another, and a swell of noise and racket.

And now Peter.

And now Matthew, Mark, and Luke and John.

And now Thomas with his eyebrow raised.

And now the rest.

Then come the Magdalene, in her curls and her sandals, elbowing the men from her path until she is in front of the rabbi. She kneels. With a lock of her hair, she wipes the dust from the rabbi’s feet. Rising, she whispers into his ear. Her words were unrecorded in any Gospel, even the most apocryphal.

The street outside is swelling. Resurrections did not happen every day. The rabbi was drawing looky-loos.

His friends lead him from the shop, through the city, to a hill that fronts a natural bowl. It fills.

The rabbi looks at the crowd, expectant faces and greedy smiles and most at least a little drunk, and thought about his mother because he was tired of thinking about his father. The rabbi needed to have a long talk with his father. Maybe go out to the lawn and punch it out.

Now he sits before them, cross-legged and straight-backed and playing with his beard.

A minute passes.

Two.

He can hear Roman soldiers, and many goats.

Three.

The rabbi said nothing for almost an hour, and the multitudes did not diminish, and then he rose and walked away. He waved off the Apostles, and the Magdalene, and they found that they could not follow him, no matter how fiercely they struggled.

He walked back into the city, and saw the little shit standing in front of a tavern.

“Buy me wine.”

“Didn’t you pass the hat around at your sermon?”

“I forgot to take any money.”

They drank many cups of wine cut only slightly with water, and the rabbi said nothing, just stared ahead blinking slowly or not at all. The little shit clocked where the other patron kept their coins, and ate pistachios, and finally he asked,

“How does it feel?”

The rabbi did not answer for three days, and when he did, he said,

“What?”

“Being dead. How does it feel?”

And now the rabbi was silent for forty days and forty nights, and when he finally spoke his voice was battered and low.

“It hurts so bad.”

Helvetica had still not panicked, and had she not been so busy not panicking, she would have been a little proud of the fact. A mouse had run through the office she shared with Mrs. Titleframe, who had shrieked for an hour after demanding a helping hand onto her desk. Mrs. Titleframe was not cut out for waking up and finding out everyone was dead.

She crossed the Main Drag and turned right, north, towards the Upside, and shared the wide sidewalk with the dead, who paid no heed. She thought about movies again, the lying piles of shit. The dead are obsessed with the living in movies. They wanna eat ’em or warn ’em about things. This was not, so far, Helvetica’s experience. It was just, you know, Tuesday morning in a grubby neighborhood.

Past Midden Avenue, which separated the Downside from the Upside, and was named by someone who thought “midden” was a fancy way of saying “middle” and whom no one corrected because they thought it was funny. Past Rubirosa Way, where the gigolos all hang out at a barbershop called Mouse’s, and Samperand Street, where the Fifth First Bank of Little Aleppo is located, and past Randy’s Record Barn, which had barbaric and rough-hewn speakers hanging from the rigging that held up the awning; they were blasting Polish wedding songs.

A woman’s shoulder struck hers.

“I’m sorry,” the woman threw behind her as she kept going.

Maybe she should panic, Helvetica thought. A drink first, though. Yes. How could one panic sober? It required a certain looseness.

She passed the hair salon and the movie palace and Rose Street, where all the churches are, but did not turn down it, walking still north until she hit Lamour Street and made a left towards the Salt Wharf. The containers were every color in the world, and all the stevedores were dead. A right onto Widows Way, where a phallic entranceway made from thick layers of black rubber jutted out halfway to the gutter. Three sets of overlapping curtains separated out from in. The sun had been 86’ed from the Morning Tavern a long time ago.

The bartender was tall, with arms full of tattoos, and she was dead. Helvetica sat down, anyway. The Gary twins were at the bar, too. Not too much later, they would begin biting one another, but for now they were still only muttering threats at each other in their made-up twin language. The women ignored them.

“What can I fetch ya?”

“I have no idea,” Helvetica said. She drank wine with her friends, and in her apartment. Wine seemed deeply insufficient.

“When someone comes into my bar and says they don’t know what they wanna drink, I always figure that means tequila.”

Her back was turned before Helvetica could object, and then back with two coasters, two shot glasses, bottle. Place, set; place, set. Pour, pour. The bottle goes on the bar WHAP the cork replaced and the bartender is holding her glass out before her.

“To life,” the dead bartender toasted.

Helvetica did not panic. She repeated the tribute, and the women shot their tequila. The bartender wiped at her chin with the heel of her hand, and poured another two.

“To life,” Helvetica toasted.

She decided not to tell the bartender that she was dead. Or the Gary twins, who were rapidly approaching the toothy portion of their visit, or anyone else in the Morning Tavern, or Dr. Standish and Mrs. Titleframe the next day, or her mother when they spoke on the phone that Sunday, or anyone else at all for the rest of her life, which was seven weeks from the morning the tumor behind her left eye told her that everyone was dead in Little Aleppo, which is a neighborhood in America.

 

The Warden Led The Prisoner Down The Hallway To His Zoom

“Hey, everyone. Welcome to Yuri’s Night, a celebration of humanity’s first entrance into space. Here with me on Zoom is the legendary Bob Weir from the Grateful Dead.”

“I’ve always wanted to meet you, Phil. You’re a hell of a drummer.”

“I’m not Phil Collins, Bob. I’m Scott Kelly, an astronaut.”

“I rescind my statement about your drumming prowess. An honest-to-gosh astronaut?”

“Yes.”

“Gee, willikers.”

“I spent a full year in space on the ISS testing the effects of long-term microgravity on the human body.”

“Ah. I spent 25 years on the road testing the effects of long-term microreality on the human body. So, uh, we’re kinda like twins.”

“I actually have a twin.”

“Triplets, then.”

“Let’s change subjects. How have you been quarantining?”

“Mostly by not leaving the house.”

“Yes, but how has it been going for you?”

“Thinking about giving myself bangs.”

“That bad, huh?”

“This is, uh, the longest I’ve been at home since 1975. Usually, I get about three weeks in my own bed, and then it’s back onto the bus.”

“You’re known as a relentless tourer.”

“Well, someone‘s gotta play Poughkeepsie.”

“True.”

“I have several questions about astronauting for you.”

“I’d be glad to answer them.”

“Are there long pants on all the spacesuits, or just the ones you wear in the winter?”

“All of them. Space is not the place for shorts.”

“Is there a dress code?”

“Not that I was aware of. Next question?”

“How much wood would a woodchuck chuck if a woodchuck could chuck wood in space?”

“We’ve never brought a woodchuck into orbit, so I couldn’t possibly speculate.”

“Good call. You’re a man of science.”

ZOOM CALL WAITING NOISE

“Buzz, I gotta take this.”

“We can get call waiting? I thought this was a secure hookup.”

“I’ve learned not to question my technology.”

“Weir here.”

“Mr. Bobby, you gotta get me outta here!”

“You back in the brig?”

“I have been transported to a soil-situated prison! Mr Bobby, all my husbands have been confiscated and I am only allowed two hours a day to breed tigers! Whatever happened to the Constitution?”

“I think Nicolas Cage stole it.”

“Please help me! This is not a good location to be quarantined. Y’know how we’s supposed t’be social distancing?”

“Yuh-huh.”

“Well, in here there is social closening! Forced social closening!”

“I’ll see what I can do.”

“Oh, God bless you, Mr. Bobby.”

DIAL TONE NOISE EVEN THOUGH ZOOM ALMOST CERTAINLY DOESN’T DO THAT

“Buzz?”

“I’m not Buzz Aldrin, Bob.”

“Hell of a guy, Buzz Aldrin. Really gave that moon what for.”

“Sure. Who was that?”

“Joe Exotic.”

“What now?”

“He is more popularly known–”

“I know who the Tiger King is, Bob.”

“–as the Tiger King. Oh, good. You’re familiar. Well, uh, he’s got himself in a pickle. Another one. That guy’s got more pickles than a deli. Quick question: do you know anyone real high up in the Arkansas state government?”

“No.”

“Okay. Do you have access to a spaceship? One with stealth capabilities would be preferable, but anything’ll do as long as it’s fast.”

“I’m not gonna steal a spaceship with you and break Joe Exotic out of jail. That’s not even how spaceships work. You want a helicopter.”

“Ah. Follow-up question.”

“I don’t know how to fly a helicopter.”

“I’ve heard they pretty much fly themselves.”

“No. The opposite of that.”

“Ah.”

Need-To-Know Basis

Hey, Nephew on the Dead! Long time, no see. Whatcha doing?

“Having a blast. Just enjoying everything life throws at me. I literally scream with joy several times a day.”

Nice to be a baby.

“Nothing’s gone wrong so far. I fell a couple times when I was learning to walk, but that’s the depths. I mean, look how I’m allowed to dress.”

There’s a lot going on there, Nephew.

“And yet I’m complimented everywhere I go. Hey, question.”

That’s what uncles are for.

“And I want the truth on this one, cuz The Guy and The Lady have been, like, whispering and tense about stuff around me lately.”

I will always tell you the truth, unless I need to borrow money.

“Cool. Here goes: What the fuck is going on?”

Pandemic.

“Uh-huh. What’s that?”

It’s a long story.

“I got nothing to do. No one’s time is more unscheduled than mine right now.”

Okay. There’s a new disease.

“What’s a disease?”

Oh, I don’t wanna tell you about any of this. It’s all so depressing and you don’t need to know it.

“Dude, I’m old enough.”

Still pooping in your pants?

“There’s other options?”

Yeah, you’re an innocent little baby and I don’t wanna tell you what’s going on. Just know that you’ve gotta hang out in the house with The Guy and The Lady for a while.

“No problem. I love hanging out with The Guy and The Lady. They’re probably my best friends.”

Probably?

“Might be Zebra.”

Is Zebra your stuffed zebra?

“Yeah. Me and Zebra are tight.”

Cool. Does that gun shoot bubbles?

“Like you wouldn’t believe. Uncle?”

Mm-hmm?

“Have I been born into an age of miracles?”

Kinda yes, and also kinda no. It’s complicated.

“Good to hear. I’m gonna shoot some bubbles, and then chase after the bubbles swatting clumsily at them, and then stare at a piece of wood for five minutes. And I’m gonna giggle angelically throughout the sequence.”

God bless you, Nephew on the Dead.

“Back atcha. You sure you don’t wanna tell what this pandemic thing is?”

I am quite positive.

“All right then.”

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