Thoughts On The Dead

Musings on the Most Ridiculous Band I Can't Stop Listening To

Page 478 of 1031

Ad, Nauseam

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This picture’s been going around, and it’s primary source evidence of the nadir of the Dead’s guitaristic evolution. The Moduluses (Modula? Moduloi?) were drastically uncool tech-y, gadget-y, pocket protector-y instruments, plus they were clearly named by the twelve-year-old son of the company’s owner. Blackknife! Quantum! Other guitars in the Modulus line included:

  • Fistkicker
  • Ninjalien. (It’s an alien ninja. Or a ninja who goes to another planet, and then he‘s the alien.)
  • Laser.
  • Funkynunchuck.
  • Tank made out of dicks. (And here I must apologize, Enthusiasts. “Tank made out of dicks” doesn’t fit the premise: the others are absurd, but still follow the rules of the bit. But I include it because in the writing–if you can call it that–of this little list, I asked myself, “What would a 12-year-old boy think is cool?” and the first thing that popped into my head was “tank made out of dicks,” and it made me laugh so hard that I called an audible on the premise  so I could share it with you.)

Phil has stuck with the headless guitars, mostly, since then; I stand by my distrust of the configuration. There’s something wrong about it. You know when you’re talking with a person and you feel uneasy and can’t put your finger on it, but then later you realize that the person you were talking to was actually several raccoons? Headless guitars are just like that.

An Unusual Pose

burner-girl-sunny-vagina

The sun is in your vagina.

“That must be what draws people to it.”

How’s the arch support in those things?

“Walk a mile in them.”

What is patience?

“To forbear; to foreswear.”

Just a little patience?

“Yeah, yeah.”

What’s the longest word in the English language?

“‘No’ seems to last for a bit longer than the others, doesn’t it? Or pneumonoultramicroscopicsilicovolcanoconiosis, if you’d rather be humdrum about things.”

Say it once and it sounds like praying.

“Say it twice and it sounds like you were doing deep breathing exercises next to an active volcano.”

Is that what that means?

“Lava-induced pneumonia.”

Weird that it happens so often that a word is needed.

“But heartening to know that it happens so rarely that the word is stupidly long. If it happened all the time, it would be ‘a cold’ or ‘the flu.’ We talk about that shit so much they needed one-syllable names.”

Your linguistic theories are fascinating. May I do yoga with you?

“Are you asking sincerely, or are you using ‘yoga’ as a euphemism for grabbing on me?”

The second thing.

“Hmm. I’m sorry, but I’m dating someone. And you’re simply not up to my standards. Any of them.”

I can’t argue. Who’s the lucky fellow?

“Not a fellow. I’m dating The Most Confusing Flag In The World.”

What?

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Eww.

“OH, I GUESS YOUR SO-CALLED TOLERANCE ONLY EXTENDS SO FAR, HUH!?”

Yes. It’s not an open-door policy.

“FUCK YOU, WEAKLING! DEATH TO SOMEONE, OR EVERYONE, OR NO ONE. I DON’T KNOW WHO I HATE, BUT IT’S SOMEONE!”

I wish I had more material so I didn’t have to do this bit.

Superpowers Left Off The Superpower Wiki, Which Is An Actual Thing*

  • Bulletproof hair.
  • Being able to psychically know what Monsanto’s stock price is at any given moment.
  • Necrography. (Super corpse-photography.)
  • Ability to change the hunger level of everyone in the area from “peckish” to “ravenous.”
  • Flight from jurisdiction.
  • Self-induced comas.
  • Super-politeness.
  • Dick made out of pancakes and you cum maple syrup; the Avengers have not returned any of your calls.
  • Refrigerator repair.
  • Monk-belief inducement. (You can make people think they’re monks. Not as helpful as being super-strong or smart, but always good for a laugh; plus, sometimes when people think they’re monks, they will take off all their world clothes and give them to you, and there is usually money in their pockets.)
  • Being really good at cyber.
  • Solve any riddle.
  • You can fly, but only two feet off the ground, and you have to do the Superman pose, so you would be at waist-height to most of the world, and you could only go at normal walking pace.
  • Tachyon field-reversal.
  • The power to generate beams of incredible force from your eyes and also from a team of overworked CG animators in South Korea.

*Here ya go. I wasn’t lying. It’s an actual thing that actual people used their actual time on.

Let’s Play A Fun Game

Review: Grateful Dead’s Bob Weir delivers earthy solo effort

September 28
Bob Weir, “Blue Mountain” (Columbia/Legacy and ROAR)

The Grateful Dead’s Bob Weir, showing more than a little touch of grey at age 68, delivers a heartfelt and earthy solo record with “Blue Mountain.”

It’s Weir’s first solo effort in a decade and the first of entirely original material in 30 years.

Weir, who sang with the Dead that he may be going to hell in a bucket but at least he’s enjoying the ride, strikes a more reflective pose on “Blue Mountain.” It’s a deeply personal collection of cowboy songs drawn on his memories working as a teenager on a Wyoming farm.

Say “cowboy songs” to many Grateful Dead fans and they will go running for the skip button. And, to be sure, songs like “Ki-Yi Bossie” on “Blue Mountain” aren’t likely to convert those who can do without tales from the dust-covered trails.

 Still, Weir’s collaboration here with Josh Ritter and The National’s Bryce and Aaron Dessner results in a moody, dense record unlike anything he’s done before. The production, and subject matter, fits his road-weary vocals.

The closer, “One More River to Cross,” feels as heartfelt as anything Weir has ever written and should resonate with fans who have been along for any part of the long, strange trip of his unparalleled career.

Copyright 2016 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Here’s the game: is “Scott Bauer” a real person or the Grateful Dead Reviewbot 2000?

The Bookstore With No Title

There’s a bookstore in Little Aleppo with no title: it’s just The Bookstore, but that’s not its name, so it’s just the bookstore. It’s been there for a while. Across the street in the House of Inappropriate Trousers, Creepy Ernie says it was here when he took over his shop from the former owner, About-To Be-Murdered-For-His-Shop Dwayne. (There’s a sale this week: 10% off everything in the store, 20% if you’re willing to let Ernie whack you in the nipples with a snorkel.) Sheila, who owns Big-Dicked Sheila’s Hair Salon for Rock Stars and Their Ilk right down the street, swears that the bookstore used to be around the corner on Good Jones Street.

All the men drinking at dawn in the Morning Tavern had their own theories about the bookstore; all the women had two, because women have to work twice as hard. It was best not to ask about the place: you’d be there forever; everyone in the joint were self-taught polymaths in between ideas, or poetic stevedores, or playwrights who liked stabbing people. Inquiring about the bookstore at C.C.H. Pounder’s Head Coverings for Those who can Leave their Foolishness at the Door will get you admonished. For foolishness.

The windows were large, big bays on either side of the door, but piles of books and shelving and some haphazard curtains blocked out most of the sun, and the door was set back a few feet, scuffed and black with nine glass panes on the top half, and a brass knob with an actual latch like a proper door. There was a little bell that went tinkadink when you came in, and the front of the shop was an open space with two tables overflowing with books in no particular order on the right, and a desk on a small stage to the left.

One assumed it was a desk. There was a lamp poking out from the stacks of hardcovers, softcovers, pads, bills, newspapers, folders, and half-eaten sandwiches; occasionally, a phone could be heard ringing from under the mound of papers. Plus, there was a man in a suit sitting at it with his feet up, and that is a very strong clue that the piece of furniture in question is a desk.

“Why the desk was invented, you see,” Mr. Venable would explain occasionally to customers. “The chair was already in use, but when men in suits sat in them, they had nowhere to prop their feet up. These men also required a flat surface for coffee, and hidey-holes for weapons and pornography. Voila: the desk.”

Mr. Venable owned one black suit, or perhaps many black suits that were the same black suit. He did for certain only own one black tie, and he kept that in the bottom drawer of his desk and put it on for funerals, but otherwise he left the collar of his dark red shirt open. One day, a customer asked why he wore a suit every day

“It’s a business,” Mr. Venable said.

The customer agreed, but mentioned that most business-owners were dressing more casual these days.

“Fuck ’em,” Mr. Venable said.

The shop continued past the tables and Mr. Venable’s platform:  two tall double-sided shelves that made three aisles, and the outer walls were row after row of books, too. Beyond the aisles, there was a dogleg to the left and more books, and there was an alcove off that, and up the ladder on your right was the attic, which had more books and several people had never returned from.

The problem with owning a semi-fictional bookstore, Mr. Venable had come to understand, was that–in any universe with even the slightest amount of magic in it–it was a terrible idea to put too many books in the same location. They tried to open a public library in Cahokia, off Route 77, and the place was infinite within days. Mr. Venable knew logically that the books were not humping, and he had never caught any of them in the act, but he was sure that he could hear them at it when it was quiet. It sounded like paper being wadded up, rhythmically.

And it was just books: no coffee, records, toys, magazines, calendars, espresso makers, tote bags, or hand puppets. Just endless miles of books, ten feet in a row of them at a time, and with others stacked on top of them. The place was a browser’s paradise, mostly because Mr. Venable has his own idiosyncratic categorization system.

There was no Fiction, or YA, or Travel. Instead there was Author’s Name Is Murray; and Books About Death (Directly); and Books About Death (Indirectly); and Clearly Made-Up Non-Fiction; and Poetry By Tall Women. There was Cranky White Guy Travelogues, and Mr. Venable put that right next to Overly Long Sci-Fi; within a few days, he was happily reading Paul Theroux bitching about the hyper-railroads on Felicidae IV, Throneworld to the Felis Empire.

Once you found what you were looking for, though, you could really find what you were looking for: Mr. Venable’s sub-sectioning was precise. After you’d found the Horror section, then you could look through the Vampire sub-section, which was broken into Sexy Vampires, Scary Vampires, Tough Urban Vampires, Christian Vampires, and Irish Vampires. (Which is split into further sub-strata: Irish Vampires Who Are Not Bono and Irish Vampires Who Are Bono.)

You could walk around for hours looking for something specific; most people who tried gave up and bought the book they really came in for. Precarious Lee shopped there regularly and had never even attempted to find something particular. He looked for the shop cat, who also did not have a name, and bought the book it was sitting on. What’s the use of going to a magic bookstore if you’re not going to get all hoodoo about it, Precarious figured.

Mr. Venable did not care for cats, or about them; the cat seemed to feel the same way about him. They never squabbled. A bookstore needs an owner, and a bookstore needs a cat, just like a nighborhood–Little Aleppo, in this case–needs a bookstore.

America Del Surly

The big groups all toured South America, the harder rocking members of the music industry mostly. There had to be a Brazilian version of The Eagles; every country has their own sappy bullshit, so why import another culture’s? KISS or Queen, though, could sell out stadiums down there: South Americans love it loud, and they enjoy when others rock them.

Which is why the Grateful Dead’s ’81 tour through Brazil, Argentina, and several other countries that Billy had to be discouraged from referring to as “Lower Mexico” is such a mystery. The concept, the agreement by the band to do it, actually getting them on the planes (and in 1981 it took a series of increasingly smaller planes to get anywhere in South America), the bookings: everything, really. To this day, no one knows whose idea it was in the first place, but lately people have been blaming Brent.

Thankfully, the original idea of driving down was nixed, even though it took a few days to explain to Bobby that the Darien Gap was not a clothing store. Mickey pushed hard for the overland journey, wanting to record indigenous drums and native cymbals and hopefully a half-civilized tambourine or two; he hoped to locate and capture on tape drums never before seen or heard, and then he would have the right to name those drums when he wrote up the article for the Journal of American Drumming. (Mickey was planning on naming the newly-found drums after his penis.)

The plane landed safely in Guatemala and Phil asked, “Why are we in Guatemala?”

To which Billy replied, “Because we’re touring South America, shitbird.”

“That’s unnecessary.”

“It’s been a long flight.”

“To Central America. The flight has only been to Central America. We’re supposed to be on a South American tour.”

“South, Central: what’s the difference?”

“Location. Location is the difference.”

“Ah, stop being such a Phinicky Phil, shitbird.”

And then there was a fist fight on the plane in Guatemala; Garcia got conked in the head by accident; he was in a foul mood about it for days. After consulting both the itinerary and a map, it was determined that Guatemala was, in fact, not where they thought it should be, which led to a vote of “no confidence” in both Guatemala and the map. The plane took off again, pointed downwards.

45 hours later, the Grateful Dead touring party landed in Buenos Aires, where there was a press conference for them. Billy was given a microphone, because otherwise he’d start swinging chairs around, and kicked off the question-and-answer session by thanking the Argentinians for being so welcoming.

“People have been so nice, you would think we were escaped Nazis!” Billy said and then they were all immediately thrown out of the country.

From there it wasn’t on to Chile, as it had been decided by everyone to skip the country: in the very beginning of the planning process, someone mentioned hitting Chile, and Bobby said, “We should bring sweatshirts,” and everyone in the room realized they would be hearing variations of that one for months to come, so it was tacitly agreed to never bring up the place again.

After that was Brazil, where they do not speak Spanish because a Pope drew a line on a map in the 1500’s. What Brazilians do have in common with the rest of the continent is a philosophy in stadium-building: as big as a Midwestern city. They are built so large because the architects want to give the peaceful sections of the crowd somewhere to run to once the riot breaks out. In Paraguay’s largest stadium (El Stadio Grande de Paraguay), any given Tuesday night will see four futbol matches and two unassociated riots going on at the same time.

The Maracanã hold 78,241 people. The Dead sold around three thousand tickets, and the place seemed kind of empty, but the crowd rioted anyway. The band did make at least one fan, who showed his appreciation the traditional way: chucking a lit flare at Bobby during Estimated.

Venezuela was next, but no one wanted to go and everyone hated South America and Brent, who they were blaming the whole thing on, so the plane stopped in Colombia even though the flight logs do not say that it did and the tour was never spoken of again.

From The Desk Of Rufus T. Firefly

In 1946, the Marx Brothers released a movie for United Artists called A Night In Casablanca. It was one of their later, lesser efforts that doesn’t hold up to the earlier films, but this is not a movie review.

In 1942, y’see, Warner Brothers had released a film you’ve certainly seen called Casablanca and saw this new title as possibly infringing on their intellectual property; they sent a letter to Groucho.

He replied:

Dear Warner Bros.,

Apparently there is more than one way of conquering a city and holding it as your own. For example, up to the time that we contemplated making this picture, I had no idea that the city of Casablanca belonged exclusively to Warner Brothers. However, it was only a few days after our announcement appeared that we received your long, ominous legal document warning us not to use the name Casablanca.

It seems that in 1471, Ferdinand Balboa Warner, your great-great-grandfather, while looking for a shortcut to the city of Burbank, had stumbled on the shores of Africa and, raising his alpenstock (which he later turned in for a 100 shares of common), named it Casablanca.

I just don’t understand your attitude. Even if you plan on releasing your picture, I am sure that the average movie fan could learn in time to distinguish between Ingrid Bergman and Harpo. I don’t know whether I could, but I certainly would like to try.

You claim that you own Casablanca and that no one else can use that name without permission. What about “Warner Brothers”? Do you own that too? You probably have the right to use the name Warner, but what about the name Brothers? Professionally, we were brothers long before you were. We were touring the sticks as the Marx Brothers when Vitaphone was still a gleam in the inventor’s eye, and even before there had been other brothers – the Smith Brothers; the Brothers Karamazov; Dan Brothers, an outfielder with Detroit; and Brother, Can You Spare a Dime?. (This was originally “Brothers, Can You Spare a Dime?” but this was spreading a dime pretty thin, so they threw out one brother, gave all the money to the other one, and whittled it down to “Brother, Can You Spare a Dime?”)

Now Jack, how about you? Do you maintain that yours is an original name? Well it’s not. It was used long before you were born. Offhand, I can think of two Jacks – Jack of Jack and the Beanstalk, and Jack the Ripper, who cut quite a figure in his day.

As for you, Harry, you probably sign your checks sure in the belief that you are the first Harry of all time and that all other Harrys are impostors. I can think of two Harrys that preceded you. There was Lighthouse Harry of Revolutionary fame and a Harry Appelbaum who lived on the corner of 93rd Street and Lexington Avenue. Unfortunately, Appelbaum wasn’t too well-known. The last I heard of him, he was selling neckties at Weber and Heilbroner.

Now about the Burbank studio. I believe this is what you brothers call your place. Old man Burbank is gone. Perhaps you remember him. He was a great man in a garden. His wife often said Luther had 10 green thumbs.

What a witty woman she must have been! Burbank was the wizard who crossed all those fruits and vegetables until he had the poor plants in such confused and jittery condition that they could never decide whether to enter the dining room on the meat platter or the dessert dish.

This is pure conjecture, of course, but who knows – perhaps Burbank’s survivors aren’t too happy with the fact that a plant that grinds out pictures on a quota settled in their town, appropriated Burbank’s name and uses it as a front for their films.

It is even possible that the Burbank family is prouder of the potato produced by the old man than they are of the fact that your studio emerged Casablanca or even Gold Diggers of 1931.

This all seems to add up to a pretty bitter tirade, but I assure you it’s not meant to. I love Warners. Some of my best friends are Warner Brothers. It is even possible that I am doing you an injustice and that you, yourselves, know nothing about this dog-in-the-Wanger attitude.

It wouldn’t surprise me at all to discover that the heads of your legal department are unaware of this absurd dispute, for I am acquainted with many of them and they are fine fellows with curly black hair, double-breasted suits and a love of their fellow man that out-Saroyans Saroyan.

I have a hunch that his attempt to prevent us from using the title is the brainchild of some ferret-faced shyster, serving a brief apprenticeship in your legal department. I know the type well – hot out of law school, hungry for success, and too ambitious to follow the natural laws of promotion. This bar sinister probably needled your attorneys, most of whom are fine fellows with curly black hair, double-breasted suits, etc., into attempting to enjoin us.

Well, he won’t get away with it! We’ll fight him to the highest court! No pasty-faced legal adventurer is going to cause bad blood between the Warners and the Marxes.

We are all brothers under the skin, and we’ll remain friends till the last reel of A Night in Casablanca goes tumbling over the spool.

Sincerely,

Groucho Marx

A Terrible Poem About A Vietnam Vet

I saw a liar today;
Said he was a Vietnam vet.
Had the hat and everything.
Faded bulldog on his left forearm, and
Bowlegged in his velcro sneakers.

Liar.
You served in Korea, old man.
The second World War eye-eye.
Maybe you rode rough up San Juan Hill.
But not Vietnam.
Vietnam vets are in their 40s.
They’re my father’s age.

(Well, not my father,
but my friend Matt’s,
and Glenn’s.
And some teachers, mostly history.
Not my father.)

When did you get like this, and
Who’s going to take care of Charlie now?
I was told you were 19.
Nuh-nuh-nuh-nuh-nineteen.

How’d you get so old when I’m still so young?
Someone’s lying and I’ll find out who one of these days.

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