Thoughts On The Dead

Musings on the Most Ridiculous Band I Can't Stop Listening To

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A Plethora Of Mariachis

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Let’s not let the innertubes see this, please. Every year, a few white people get yelled at for Cinco de Mayo-related bullshit, and I would prefer that one of them not be Phil. Mostly because Phil yells back at the innertubes, and he will give Twitter the finger, and then the Beyhive will get involved and someone will ‘shop a Crying Jordan onto Phil’s head; no one wants this to happen.

Also: why does the black lady not even get to be a Mexican? White guys get to be Mexicans, but not black ladies? Let Jay Lane be a floating head; he is a bad influence on Jeff Chimenti and does not deserve to be any sort of Mexican, let alone a Mariachi Mexican. (The Mariachi suit is the southern equivalent of a Mountie’s uniform: the single coolest piece of clothing allowed a man in that particular culture.)

The very definition of White privilege is denying black ladies the right to be Mexican guys.

Also, Phil is having the busboys do the Photoshopping for the Insta feed.

Let’s just put all this silliness away in the problem Attic, shall we, and instead enjoy Radio Busterdog streaming from the free–seriously!–show at TXR this evening. Phil and his Phriends are playing and maybe if you ask real nice, they’ll play the Creature Cantina song in honor of Star Wars Day.

Computer, Blue

Okay, Enthusiasts: got a question, a serious one, an honest one. (I reserve the right to stop taking the question seriously at any point, though.)

If my MacBook were a horse, then the French would not eat it: it is strung-out and slipping, and I spend more time with the spinny beachball than I do writing, or enjoying various pornographies. And, you know: that’s pretty much all I do on the computer, with an occasional detour to Salon because I hate myself.

A new device must be procured, and fairly quickly; this is where I reach out to you: what the hell should I get? I’m fairly positive I despise Apple and its overpriced geegaws, but all the other bullshit in my house is from Apple, and I may be trapped into a digicology.

Can I leave Apple? If I do, will they declare me a Suppressive Person like Nicole Kidman? I don’t need that, as I already get mistaken for Nicole Kidman far too much.

A further question: a quick glance at the innertubes shows that there are dozens of non-Apple laptops in the $500 range. My cynicism says that they do the same thing as the Macs costing a grand, but I need someone to confirm this for me. Basically what I’m asking here is for someone to make me believe the same thing about Apple that I already believe about, say, Beats by Dre.

So: recommendations, warnings, plugs? Or–even better–does anyone have an extra new computer lying around? If you did, you could send it to me, and I would not even be mad if you sent it three-day delivery.

(Plus, if you did send me a computer, that would make you just like a De Medici or a Borgia, but not the assassinating and political machinating parts, just the patronage.)

Come Back To Me, Fare Thee Well

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1.

Sunday night, the last night, we were in Section 331 or maybe 313: the top section on the right, maybe an inch in from the right border of the picture. Second row in the middle. The Captain was in front of us, and Hobbit was to the right.

These are not cruel nicknames; one is not a nickname at all: Hobbit introduced herself to me as “Hobbit. (Right, right: Hobbit was technically a nickname, but what I’m saying is that I’m not calling her “Hobbit” to be a dick and comment on her appearance. Although, she did get that nickname because she looks like a hobbit.)

The Captain was a Jew in his 30’s in a captain’s hat; he shushed Martin and I because we were having a giggling fit naming all of our favorite Phil songs. (Terrapin, Stella Blue, Deal, etc.) In the Captain’s defense: we were being boisterous. On the other hand, when I say that he shushed us, I do not speak euphemistically: he pouted his lips and exhaled forcefully, resulting in a sound we onomatopoetically refer to as a “shush.”

It wasn’t a “Hey. Guys?” You’d expect one of those. You trail off on the “guys” a little. People are being too loud? You turn around and go, “Hey. Guys?” and everyone knows what has transpired.

Nope.

SHHHHHH.

I am uncertain as to whether or not the Captain put his index finger to his lips to underscore the shush.

2.

I managed to fuck up a grocery run.

Martin is a chef and prepared the three of us breakfast in the morning at around 1 in the afternoon. Left to my own devices, I would have stopped at the taco truck before and after the show and called it a day, but Martin is not just a chef, but an adult, so he made breakfast.

Nothing fancy. Eggs and bacon. The kind of breakfast Charles Bronson would approve of.

Supplies had run low and I, wanting to be a good guest, volunteered to shop. It was a short list; I had cash and a credit card; the store was two blocks away.

Sadly, there was a Ukranian grocery next door to the regular grocery, which I entered. Now: did I walk back out on to the street and check to see if there was another place to buy food where all the labels weren’t in Cyrillic? Of course not: I circled and re-circled the aisles as if that were the way to learn the language.

Not only was all the writing in gobbledygook, I’m pretty sure Ukrainians have a different definition of “food” than we do: I did not recognize some of the animals hanging behind the butcher case. I think they eat a lot of elk.

On my fifth or sixth circumambulation of the store, the babushkas were giving me the eye; I got eggs and orange juice, then tried to hide my failure with a shitload of fruit. (I regret not buying the Latvian version of Fanta, which is called Blug.)

I got back to the apartment and explained what had happened; neither Martin nor Chris brought up the fact that the store I was supposed to go to was right next door, which is polite of them.

3.

Chicago made me realize that we need autonomous cars, and we need them quickly.

I checked my phone during a Dead show. (Kinda. Not I kinda checked my phone; I mean they were kinda the Dead.) Not obsessively–less than normal–but I did. I would never throw friends under the bus, but Chris and Martin totally did, too. And all the people in our general area the first night, and all the people in our rows the following nights.

Everyone in that stadium who had a phone played with it at one point, and not just to take pictures: they would get a text and take their phones out of their pocket to see who it was, and then notice they had a notification on Twitter, and so on.

Please understand that I am not just talking about the sober and the dragged-there: people on acid who had not been on acid in a very long time played with their phones. A headful of LSD and the Grateful Dead (kinda) onstage, and all of us chose at least briefly to fuck around with our magic toys.

And you expect people to stop using their phones while they drive? Bring on the robot chauffeurs; we have made our choice.

4.

You don’t make eye contact in the Men’s Room: it’s a rule. It’s an impersonal room for a personal act. However, laws supersede rules, so when someone shreds the fabric of the social contract by walking into the Men’s Room barefoot, you are allowed to make eye contact with the guy next to you.

I don’t remember what the barefoot guy looked like, but my fellow witness was tall and had a brown beard; we both saw him–naked heels and toes squishing and semi-sliding on the slick, sickly tile–at the same time.

We looked at each other.

And then back down.

How often do you know the totality of a complete stranger’s mind? And have him know yours? We shared the kind of instant communion that only onlookers to terrorist attacks or natural disasters are privy to. (Pun semi-intended.)

I couldn’t tell you the set list of any of the shows I attended; I will never forget that moment in the Men’s Room.

5.

If there had been no show, no music at all, and was just a crowd of happy people in the summer, then that might have been okay, too.

Soldier Field was not built to be wandered around. The outside, I mean: unlike most stadia plunked in the middle of ten-acre parking lots, Soldier Field is on a little strip of land in between the highway and Lake Michigan; there are natural choke points for movement, plus there are hills and multiple levels so you can’t ever get a vantage point on where the hell you are.

(Grant Park, which is right next to the stadium, was built to be wandered around in. It is a park.)

You had to show your ticket twice: first to get in to what you could call the front yard of the joint, and then again to get in the building proper. Once you got inside the wire, there was open space, flat, on three sides of the stadium; space and grass and sun and opportunities to buy anything you could ever want, as long as the only things you ever wanted were Dead merch and RC Cola.

People were in wheelchairs: the unlucky, with their legs in casts; and the really unlucky, with nothing obviously wrong. Hobbit’s left leg was in a massive brace, the canvas one that wraps around your entire leg from the back like a tortilla, and the velcro straps in front.

6.

Soldier Field was refitted around the turn of the century (the most recent one, not the old-timey one) and it was necessarily a bit of a kludge: there’s at least one part where changing levels on the concourse involves going both up and down. They had a certain amount of space, and they fit a football stadium into it. It’s a little discombobulating on the best day.

But during a Dead show, the place becomes completely uncombobulatable.

“Chris,” I said. “Can you combobulate?”

And he said nothing, because that conversation did not actually occur. (The fictionality of that anecdote takes nothing away from the fact that I will now be using the word “combobulate” to mean “finding your way with purpose and efficiency.”)

We were not so confused as to disregard the cardinal rule of show-wanderin’: follow the tall guy and you’ll get there eventually. If you try following the short guy and getting there soon, you will fail.

While we were walking, we talked loudly about the soon-to-be-announced shows at CitiField in two weeks. We were hoping, perhaps, to return to our seats and have the people around us buzzing like extras in a screwball comedy.

“Didja hear, Marge? They’re taking the show to Queens!”

“Queens! This bunch of jokers?”

“Why I oughtta…”

This did not happen. That people who heard us did not believe us.

7.

RC Cola should use the marketing strategy that they employ in Soldier Field in more places: I would buy RC Cola much more if it were the only product available. People have brand loyalty when it comes to soda–I’ll admit to preferring Pepsi to Coke–but it’s all the same poison; I have one every two weeks or so. In Chicago, I had one every two songs or so. The trick is to get the soda/sweating ratio just right; this limits both bathroom runs and the chance of sunstroke.

Chris and Martin, who I have mentioned previously are adults, had beer.

After the show, back at the house, we watched Ferris Bueller in honor of the city. There was whiskey or whisky or scotch or whatever that brown stuff is officially called. Martin and Chris relaxed with their drinks; again: like adults.

I asked for a glass, pounded the shot like I were in a biker bar, and then made this noise MANACXHblech HOO nHOO and I also made a face like a six-year-old forced to finish her broccoli.

They judged me a little.

8.

The stadium was protected by being a stadium: they build them to be defensible, and while most of the security was “security,” there were also the requisite number of enormous private guards and bemused cops. There was also a fence, and nothing can get through a fence.

In the corner of the stadium, by the taco truck, someone managed to crack the fence code: he climbed it.

“I never would have thought of that,” Chris, whose book Paradise Now is garnering rave reviews and you should really buy, said.

“So that’s how you do it,” Martin said.

“You use your hands and feet. Right,” I said.

He was a little wiry guy with a massive backpack; it didn’t slow him down as he scampered up the chain-link, over, around a cop, and into the crowd.

We were mild. “This is why we can’t have nice things,” was our first thought and then we remembered it was 2016 and that backpack was enormous; we talked about something else until nothing blew up, and then we talked about the kid with the backpack a little.

Requiem For A Dick Joke

You’re the victims here, Enthusiasts. The Lost Post (it’s been capitalized) was yours, it was your birthright; the Devil snatched it from you. Once again: you are all victims. I suggest you start on your memoirs immediately.

As I mentioned, the 2000-words (so many words!) were an overview of the Dave’s Picks series, but do you think that’s all there was? No, no, a million times no: the post spread and unfurled this way and that. To where, precisely, did it get to?

Excellent question.

It was in English for sure. 100% guarantee it was in English, plus a couple words I made up that follow the rules of English but are not technically English. Was the English good, and in the correct order? Possibly, some, in bits and pieces: we can assume that the punctuation was idiosyncratic and far too many semi-colons were used.

Were the Powerball number cyphered into the dick jokes? Did I confess to my many crimes? Did I commit many further crimes? Are there others out there like me? Should we fight crime? How much crime? Gotta leave the police some, after all. Did I team-up with other super-heroes and fight a pre-determined amount of crime?

What’s the frequency, Ned Lagin?

First there is a post. Then, there is no post. Then, there is. That shit’s kinda heavy if you don’t think about it, or you’re a gullible white person on drugs. (If you ever want to get a gullible white person to sign over his power of attorney to you, give him drugs and then have a really foreign guy say deep bullshit at him for a while. Loosens him right up; he’ll sign anything.)

There were congratulations to David Lemieuxssolini for the high quality of the series that bears his name, and words of respect and gratitude for his hard work. I showed the world what DL looked like when he began answering the whistle that started his shift down in the Choogle Mines:

David Lemieux young hat

Look at that smile, that cherubic face unburdened by the years, the toil, the dank of the Choogle Mines. That’s a Canadian ready to shovel the walk and face the day. Look at his eyes! They twinkle and dash, like elf purse-snatchers. He has joie de vivre, which is French for “a hat on.”

This is a screencap from Dave’s latest Seaside Chat:

[PDF] Fishermen - Street Kids -

He did this to himself for you people.

The whole post was crammed full of stuff like that: I would neither exaggerate, nor lie to you. (I totally would, and I frequently do.)  There was hilarity, sure, and pithy bon mots (the pithiest), and perhaps even words to live by. I mean: that’s on you, the words-to-live-by thing. You’re allowed to live by any words you want. If you disregard the author’s intent hard enough, you can live by a VCR repair manual.

That would be silly. In fact, that would be outrageous and I am now angered. Allow me to now lash out at you, Enthusiasts, and accuse you of things. None of you helped me. None of you even asked if I needed help! How dare you.

Saw this coming.

I J’ACCUSE YOU.

You profess to have respect for the English language, and then you do things like that to it.

You have a problem with my j’accusing the Enthusiasts?

Oh, God, don’t conjugate it.

Fine: I’ll just talk about my j’accusations.

KUH-CHACK

KREEEEEEEEEEEE

TIGERNOISE

MRONCH NOMNOMNOM

Did you just walk into a tiger cage and then the tiger ate you?

Yes.

I like when we do that. It’s fun to do stuff together.

I hate you.

Anyway, there was more of everything and a little bit on top of that, but nothing’s gonna bring it back. (Dead reference.) There were, however, two points I made that have been alluded to in the Comment Section. I shall address them, and then we shall never speak of this again. It’ll be the ’72 studio album that never happened, or one of Aristophanes’ lost plays.

(I am just like Aristophanes.)

First: DaP 12 from Colgate. I don’t remember the specifics, but I went out of my way to couch my criticisms as personal and preferential; my language was conciliatory; weasel words were employed willy-nilly. My argument was this: Keith’s PLONK PLONK PLONK PLONK four-to-the-bar box chords are not just annoying, but mixed so high as to be so distracting that the rest of the music is lost to me. It was, I said numerous times, just my opinion.

And then I was cyber-bullied and stripped of my First Amendment rights by some SKWs (Social Keith Warriors) in the Comment Section. When other people disagree with my opinions, I feel like I’m being opinion-shamed; that’s wrong, because opinions come in all shapes and sizes. Some opinions are beautiful and true, and others are dumb as shit, but all opinions are beautiful. Even the ugly ones.

Plus the whole disappearing post thing has me cranky, so I am choosing to double-down on my argument: Dave’s Picks 12 is the musical equivalent of putting a cat in a cannon, and then firing the cat at a brick wall. Not fucked-up cat, either: real cute fucker. Cuddly, purrs, the whole nine yards.

And depending on far away the wall was, the BOOM and the SPLAT might be almost simultaneous: BOOMSPLAT. Or perhaps the sound would be more like a SHPLORF. No, not SHPLORF: it would be wetter. What about PLUNF?

Please stop. Please stop firing the cats at the wall.

I’m not actually doing that.

You’re doing it in your head, and I’m in there with you.

I want to know what it would sound like if you shot a kitty out of a cannon at a brick wall, and a thought experiment is the only way to do it. Even if there is a video on the innertubes, I don’t want to actually see it.

There’s a video.

There’s probably a whole site.

Move on.

And second: a request has been made for a definition of “80’s Truther.”

80’s Truther [Brentus veritasus] – This small but vocal verbose sub-species of Deadhead is identified by two core beliefs.

  1. The 80’s were the musical high point of the Grateful Dead’s career.
  2. David Lemieux and Big Dead are keeping this information from the world.

The 80’s Truther is found in forums and comment sections everywhere, but can be reliably sighted at Dead.net with the announcement of each new release from the 70’s.

Now, the 80’s Truther is not to be confused with the First Show Proselytizer, even though they often overlap. Also, just by the very laws of math, some FSPs have to be right when they say that their first show was the best show EVAR. Somebody’s first show was Veneta; at least one guy got dragged to Cornell and then got on the bus. But, you know: most FSPs want to preach to you about how ’92 is a truly underrated year.

It should further be noted that the 80’s Truther needs to believe there is a conspiracy afoot to be properly labeled as such. There must be a blithe disregard of any excuse about how “the tapes are shit,” or “Garcia falls asleep during Crazy Fingers,” or “the tape is shit and Garcia fell asleep during The Wheel.” No, these things can’t be true. It’s gotta be personal. David Lemieuxligatawny has it out for the 80’s. For reasons.

It was a good post, but now it’s in its own reality and won’t take our calls.

Was it ever here at all?

Possible Reasons Why Ray Fucking Davies’ Biography Is 1900 Pages Long

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  • Publisher is trying to go out of business like in The Producers, and half the pages are blank.
  • Ray Davies was secretly Margaret Thatcher.
  • “Johnny Rogan” pen name for William T. Vollman.
  • Only ten words per page.
  • A dare?
  • Author’s previous book: How to Conquer Writer’s Block.
  • You think this is long, you should see the book about Dave.
  • 400-page tangent about the history of Greenland.
  • Typesetter accidentally pressed the “double-space” button.
  • Is it possible that Ray Davies is fascinating?
  • Also contains the Spanish, French, and Mandarin translations of itself.
  • Author didn’t have the courtesy to break his obsessive logorrhea into smaller chunks–like, say, on a blog–which hid the scope of his madness.

Lu And Gu

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I usually don’t pay too much attention to Phriends or Midnites or Ratdogs or Kids, but this is Phil’s keyboardist Scott Guberman with George Lucas and it made me laugh, so here you go.

Also: this picture is about nine different “before & after” shots mixed together.

Also also: I both assume and hope that Scott asked George Lucas if he “wanted to burn one.”

Also also also: George Lucas should really have Scott’s beard: it would cover up his fatty wattle. (Fattle?)

Quiet, Too Quiet

2000 fucking words. I wrote 2000 fucking words on the Dave’s Picks series last night, and this piece of shit computer ate every single one. I went through the entire run until 2:30 in the fucking morning. I came up with many funny ways to say David Lemiuex’s name, and I was very mean to DaP 12 from Colgate ’77. (Tl;dr: Keith is terrible and mixed too high.) I mocked 80’s Truthers, and then eventually took their side.

We even visited with DL’s children. You remember the Lemieux Septuplets: Gordie, Girl Gordie, Northstar, Jean-Luc, Fleece, and the twins, Mickie and Billie.

Well, they’re gone. Canadian government took the kids and are raising them in a zoo for their own health and safety.

So here we are: you have nothing to read, and I came face-to-face with the utter pointlessness that is my continued existence.

Happy fucking Tuesday.

An Evening With A Grateful Dead Show

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You know I never do the whole Show of the Day thing: there’s nothing wrong with it, but I prefer my show selection process to be more stochastic. A random walk through the Vault, if you will. (Or even if you won’t. You don’t get a vote.)

But, you know: Harpur College, man. Not just a night with the Grateful Dead, but An Evening With The Grateful Dead. Maaaaaan. New Riders and Acoustic Dead and then they play so loud, maaaaaaaaaaaaan.

Stop that.

It’s the little things about this show: the way Garcia absent-mindedly sings along with the chords in Dire Wolf, or the banter between Dire Wolf and BIODTL, or the way they start BIODTL with the number of beats they started it with.

Stop this, too. You’re just describing what’s currently happening in your headphones, not enumerating highlights.

Highlights are for lowlifes. Harpur College must be savored in its totality. You can’t nibble at the edges: relax your throat and take Harpur College down all at once. You can do it. Breathe through your nose. Sloooooooowly.

Holy shit, stop that.

The Cumberland is surely one of the Six Cumberlands of Powers.

Yes. There can be no doubt.

Praise be to the Cumberland.

Praise.

(Some of you might not have it on your hard drives, I suppose. That’s fine: we were all noobs at one time. The important thing is realizing that you’re a noob. The next step: stop being a fucking noob, noob.)

An Open Letter To Kidd Candelario In 1972

Dear Kidd Candelario in 1972,

Hi. How are you? I’m fine, but the future is terrible. You should stay in 1972.

Anyway, when you are recording Dead shows in 1972, could you please turn Keith up? Betty made me Keith really loud, except by the time Betty took over the tape deck, Keith was playing kinda shitty some nights. In 1972, however, Keith was a god; you cannot hear him.

To reiterate: make Keith louder. Also, if this letter reaches you in the first half of 1972, then you need to stop the Olympics. I don’t know how that might be accomplished, but if anyone can get the Olympics cancelled, it’s the Dead. If you are reading this in the latter half of the year, then I am sorry about what happened at the Olympics.

Sincerely,
TotD

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