Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: 1985 (Page 2 of 3)

Thoughts On Led Zeppelin’s Live Aid Set In Real-Time

  • Do not watch this.
  • I did it for you so that you would not have to; do not watch this.
  • To set the scene: it is 1985 in Philadelphia.
  • Women’s hair is enormous; men’s shorts are tiny.
  • Led Zeppelin broke up five years previous, choosing not to soldier on after the death of drummer John Bonham.
  • It was a good decision, as every single reunion they’ve performed has been atrocious, starting with this one.
  • Which starts out with an introduction from Phil Collins.
  • Who is also playing drums.
  • Live Aid was like Phil Collins’ bar mitzvah.
  • Smiling little fucker was everywhere.
  • Okay, so Phil introduces Led Zeppelin because I guess Joe Piscopo refused to do it or something, and from the INSTANT they take the stage, it is obvious that this will be a debacle.
  • Remember Queen?
  • This is how they took the stage:
  • [There used to be a GIF here of Queen making their entrance, with Brian waving to the crowd and Freddie doing his kicky run, but it’s gone now and I can’t find it. Pretend you see it.]
  • A little bit of energy, confidence, excitement.
  • Led Zeppelin wanders out, and Jimmy Page trips over a mic stand.
  • Then Robert Plant starts complaining about the monitors and doing the ol’ “One, two. One, two” bit and then his voice cracks.
  • His voice cracks while he’s speaking, not singing.
  • It’s gonna be a long 20 minutes.
  • Plus: Jimmy Page’s guitar is out-of-tune, and he’s shitfaced.
  • Aw, who cares: it’s Rock and Roll!
  • Which is a confusing song, honestly.
  • The narrator states quite plainly that it’s been a long time since he rocked and rolled.
  • And yet he makes this admission via a rock and roll song.
  • Perhaps the song’s true theme is self-abnegation, and the lies we tell ourselves.
  • Anyway, it’s a mess: literally every bar band in the world plays this song better than Led Zeppelin did at this performance.
  • Like I said, Phil Collins in involved.
  • This did not need to end up in tears: Phil Collins was (he fucked up his back and can’t play any more) a monster drummer, and could have filled the role had he rehearsed with the band.
  • But he didn’t, and didn’t even seem to know the songs that well, and plus there was another drummer.
  • Cuz that’s how badass John Bonham was: it took two guys to replace him.
  • Maaaaaaan.
  • The other guy was Tony Thompson, who drummed for Chic, and played on the sessions for about half of the great disco hits.
  • Two legitimately great drummers.
  • Who had never played together before.
  • And the band had not rehearsed.
  • In front of 100,000 people and for a global audience of 1.5 billion.
  • In a way, the arrogance of this performance is amazing: only a Rock Star could expect this to work.
  • It didn’t.
  • John Paul Jones–who Wikipedia says was there, but has received no close-ups yet–is playing with Tony Thompson on stage right; Jimmy Page is playing with Phil Collins on stage left; Robert Plant is in the middle wearing an outfit from Chess King and praying that he will wake up from this nightmare, and he is also singing an octave down from where he used to and it sounds like a boring man vomiting.
  • Oh, thank God it’s over because now we get to hear Robert Plant address the crowd: he asks if they have any requests, and–apparently enjoying his joke–asks the same thing three more times.
  • Robert Plant was always a dipshit, but he looked like this:

  • And you really don’t have to be witty when you look like that.
  • But in 1985, at Live Aid, he looked like this:

  • And the Golden God routine had a bit of tarnish on it.
  • So they start Whole Lotta Love, which is a dreadful song I’ve always hated, and Jimmy Page is still out of tune.
  • Did he only bring one guitar to Philadelphia?
  • I know he owns many.
  • Did he not want to pay to check them on the plane?
  • Jimmy Page is so out of tune that Garcia from 1971 was giving him the stink-eye.
  • And this is where the true train wreck begins: Rock and Roll is easy to fake your way through for a drummer, but Whole Lotta Love has a specific groove to it.
  • Phil Collins does not know the specific groove.
  • So he just plays straight time, with the backbeats on the two and the four.
  • That is not how Whole Lotta Love goes.
  • Y’know the part where the drumsĀ  go WHOMP WHOMP, and then Jimmy Page goes BADEEDLE DEEDLEWHEEDLEDEEDLE?
  • (They do that part two times.)
  • Well, Phil Collins did not know that part, and so he just kinda stopped playing for a bit and watched Tony Thompson (who did know how the song went) and then Phil Collins said to himself, “Hey: I’m Phil fucking Collins,” and commenced bashing on his kit without a care in the world.
  • When they all try to come back into the song, it’s hilarious.
  • Remember when the Dead would come back into the song from the Playing Jam?
  • Exactly like that, but the Dead were never surprised when it happened: they had lived through train wrecks before.
  • But Robert Plant was, like, ashen.
  • Utterly humiliated.
  • Jimmy Page is too high and/or drunk to care.
  • John Paul Jones may or may not be there.
  • John Bonham remains dead, and an asshole.
  • OHMYGODJIMMYPAGEHASTHEDOUBLENECKTHEDOUBLENECK.
  • Yup, they’re both out of tune.
  • Ugh, Stairway to Heaven.
  • The worst Mott the Hoople song is better than Stairway.
  • Is it because I loved Led Zeppelin so as a 15-year-old that I despise them so now?
  • Jimmy Page plays without intent, or at least he did at this show: it’s not sloppy because that’s the choice he made, it’s sloppy because he’s failing to hit the right notes at the right time.
  • (I really don’t know if I want to do Thoughts on the Led Zep, but I do enjoy saying mean things about them; it might happen.)
  • It’s been years, maybe decades, since I actually listened to Stairway.
  • Have these always been the words?
  • They are not good words.
  • Even if sometimes they do have two meanings.
  • Oh, don’t say it, Robert.
  • Don’t.
  • Have your dignity.
  • “Does anyone remember laughter?”
  • Oh, sweetie.
  • (The crowd cheered. “HE SAID THE THING THAT HE SAID THAT TIME!”)
  • We have not seen Phil Collins since the camera caught him out looking confused and sheepish, and someone has handed Robert Plant a tambourine; he plays it not well; and now the shot is once again of Phil Collins because Live Aid is the First Church of the Infinite Phil Collins, and he is lost again; Jimmy Page’s hair is now out of tune, and John Paul Jones is reported by Wikipedia to be there.
  • And…
  • She’s…
  • Buy-ay-ing…
  • Oh, just get on with it, you preening prick.
  • A.
  • For fuck’s sake.
  • Stair-a-way.
  • Yes?
  • To…
  • SAY IT.
  • Hea-vuuuhhhhhhn.
  • Good night, Philadelphia; there will be no encore.
  • Phil Collins has left the building.

You’re So Vein

bobby guns mickey hat borealHey, Bobby. Whatcha doing?

“Taking the crowd to the gun show.”

Well, it’s hot out.

“Especially with me here.”

Well played.

“Thanks. Check out the vein. Couldn’t wear Snake T-Shirt, cuz she would have gotten jealous.”

Sure.

“The vein is snake-y.”

I got it. Bob?

“Yeah?”

Garcia still alive?

“Mostly.”

Whose decision was it to bring the obese, chain-smoking, opiate-addicted man to the top of a mountain?

“Someone’s.”

Great. Hey, Mickey.

“Yo.”

That’s some good Dead-hat wearin’, Mick.

“I aim to please.”

Okay.

Long, Run

boreal ridge panoramaAnother pic from the Worst Dead Show EVAR (That’s Actually Just Kinda Flat) at Boreal Ridge in ’85: you can see Bobby being Bobby on the left, and a large crowd of white people on drugs on the right.

To the rear of the panoramic photo is the resort’s ski lift, and if you enhance the picture, you can make out a man on the lift. That is Soup; he cannot remember how he got into the chair, and he cannot figure out how to get off of it.

Truckee-in’

boreal ridge skiliftsBoreal Ridge is a ski resort in California, more specifically in Truckee, which might be the crystal methiest name a town could have. This winter wonderland in Northern (or perhaps Southern, or Central) CA suffers from the same seasonal lulls as other weather-reliant business, such as water parks or al fresco prostitution: what to do the other half of the year?

In 1985, at least, Boreal Ridge invited the Dead up in August and Garcia nearly died. He would go on to actually die (for a few minutes) soon after that; this was sort of a dress rehearsal.

The show is known, in the common wisdom at least, as the WORST EVAR, and I’m listening to it now; it sounds like an average to below-average show of the time, and the amps keep popping and humming, but it’s not a complete trainwreck on the tape.

As far as what it was like at the show, well: that’s a different story. This is from the Archive, and can also double as Exhibit 1 in the case of Why TotD Doesn’t Trust Eyewitness Accounts, Especially Of First Shows:

This was my first show and WOW. Also my first trip. First time for a lot of things. My experienced deadhead cousin turned me on. Drove up the day before and spent the night in the woods around a campfire with about 20 folks from San Fran sharing tales. These 2 guys just handed me what they called 5 hits of purple gels. That morning i bit me off a piece of that KitKat bar, and remember beautiful scenery, beautiful people and good music. There was such a long pause between sets that i took the other 4. Don’t remember what was real or not after that. I was up against the stage in front of Jerry hanging on for dear life. Big dust swirls that contained the music. Hot . Bunch of amp kicking on stage. I kept looking back at the big ass crowd that was there. i remember crazies had climbed all the ski lift poles. Very strange surreal atmosphere. The best show ever.

Eloquently

boreal ridge stage construction
“We mint our own coin.

“Do you understand what that means? Reality is controlled via the franchise on violence. That franchise is secured by the creation of value. To create a new society using the money of the world you wish to leave behind is quixotic, at best.

“Our pennies are notes; our dollars, amplifiers; our rubber-banded rolls are the trucks that fly us through the night and up into the hills and mountains, far away from the women and children.

“We’ll bring our own women and children.

“Our freedom is purchased by the mile, and earned via each gas station hot dog. Our liberty exists for a few hours a day, for several days a week, for half the months of the year.

“That’s as free as we can afford to be; we mint our own coin, and the work is hard.”

That was a lovely speech, Precarious.

“Thank you.”

Is that guy wearing any safety equipment at all?

“I told him to be careful.”

Good enough.

86 The 85

But feel free to join me in the 85-est show that ever stomped the plains. Everything’s either too fast, too slow, or just plain wobbly; the transition between Gimme Some Lovin’>Stella Blue is the definition of “not even trying;” there is a Gimme Some Lovin’>Stella Blue.

For the entire show, the drummers are almost, but not quite, playing together. They also fuck up the ending to Samson so badly that Garcia almost, but not quite, wakes up. Also, Billy spends the first five minutes straight of Drums making bloopy noises on his talking drum.

There’s nothing enviable about this show, either: they’re in Philadelphia in November (which is always a rawboned and windy month) at the Community War Memorial Auditorium (which doesn’t even make internal sense.)

But Bobby loses his shit entertainingly on Throwin’ Stones, and he’s backed up solidly by Brent’s tinkly Fender Rhodes and there are no scarves of any sort, so…

Not all that good at all: just exactly perfect. 11/7/85 in Philly.

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