Musings on the Most Ridiculous Band I Can't Stop Listening To

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An Open Letter To Amir Bar-Lev

Dear Amir Bar-Lev,

Hi. How are you? Been a while since we talked. I see you have either put on or lost weight. Do you family? If you do, then I hope you are familying well. Similarly, I wish prosperity to the sports team you follow.

I wish we could chit and chat this way for hours, Amir, but we must get to the point because I do not have too much time. You seem like an intelligent and well-informed man. After all, your name is Amir and you make documentaries for a living; I would not assume so much of you if your name was Stump and you earned your keep as a human alarm clock.

Surely a smart and well-informed man would have heard of the numerous times a dying fan has been permitted to see a movie ahead of its release date. This is a great publicity move, and also a mitzvah.

Yes, Amir Bar-Lev: I am dying. My heebie-jeebies have metastasized; the doctors say I only have anywhere from one minute to seventy years left to live. The end could come at any second.

Still not convinced why you should let me see the documentary early, Amir? What about these wonderful reasons:

  • If I do not succumb to my heebie-jeebies during or immediately after the film, I will almost certainly write nice things about it.
  • Think of the inspirational and touching Instagram photo we can take of you showing me the film while I lie in my hospital bed. (I am not actually in the hospital, but would totally sneak into a hospital with you and look real sick while you took the picture.)
  • If you don’t, and I die before seeing the movie, then I will come back to earth and haunt the living shit out of you; I would be your personal Babadook.
  • Dying
  • Man’s
  • Last
  • Fucking
  • Wish.
  • Usually when this kind of stuff happens, the filmmakers are forced to hang out with sick kids, but it would be cool with me if you just sent the file by e-mail or something.
  • Bobby said it was okay, I swear.
  • Cough cough cough.
  • So weak.
  • Fading.

In conclusion: I am a dying person and would like to see Long Strange Trip: A Trip Of Strange Longevity before everyone else because I am special I die. I would call the Make-A-Wish Foundation, but my research shows that they are a front for the Clinton Foundation to launder Saudi money through, and I decided to cut out the middleman. Also, the Make-A-Wish Foundation has blocked my number.

Let’s make this happen, Amir Bar-Lev.

Sincerely,

TotD

Direct From Park City

Hey, Amir Bar-Lev, director of the recently-purchased-by-Amazon documentary about the Dead. Whatcha doing?

“Sundance, baby.”

Congratulations, buddy.

“The boys are playing a little set at the party, and then the movie’s screening has been scheduled.”

That’s an odd and lawyerly way to phrase that.

“I don’t know what you’re talking about.”

Goddammit, are you going to steal the film?

“IT’S NOT DONE! I just need another 18 months. Three years, tops.”

Amir.

“I just have to do a few more edits and a couple reshoots, and also I’ve rethought the whole third act.”

Amir.

“What if Garcia lives?”

“Did you see Rogue One?”

Do not make CG Garcia.

“ILM has made some incredible strides with beard replication.”

How do his eyes look?

“Like a cheap doll.”

Do not make CG Garcia.

“There are other options. I could take old footage of him and Forrest Gump it into new scenes.”

No.

“My agent knows John Goodman.”

No.

“There’s always alternative options.”

Amir? Pal? Boss? If you even look at that damned Time Sheath, I’ll scoop your eyeballs out of your head and feed them to ducks.

“Not the Time Sheath. No, not the Time Sheath.”

Then what am I missing?

Oh, goddammit.

“AH WILL FINALLY KARATE WITH HAIRY GARCIA USIN’ MAH HOLLYWOOD CONNECTIONS AND TIME PARKA.”

Aren’t you supposed to be at the White House?

“ISS LIKE NO ONE ‘ROUND HERE UNNERSTANDS THE POWER OF A TIME MACHINE, MAN.”

Yeah, okay. Stay out of this.

“AH WILL FINISH MAH SOUP, AN’ AH WILL TAKE THE JEWISH FELLOW TO FIND HAIRY GARCIA. IT IS MAH DESTINY. AH AM THE LAST ELVIS.”

Great.

“YOU WAN’ SOME SOUP?”

What kind is it?

“SOME SORT O’ BISQUE.”

Pass.

“MORE F’R THE KING.”

In Which I Blackmail Amir Bar-Lev

If you let me see the documentary early, then I can make this stop. No favors will be called in to computer folks I know so that we can make this the top hit when someone googles your name. This can all stop happening. You are in control of your destiny, Amir Bar-Lev.

When this film comes out, people will surely be interested in its director, who is you, and they will google you only to find that. Could that photo possibly be your new Wikipedia picture? It could. It doesn’t have to. This can all be avoided.

I await your reply.

A Big Week For Sundance

Hey, Amir Bar-Lev, director of the upcoming Dead documentary which will be premiered at Sundance. Whatcha doing?

“Holding a baby.”

Why?

“Punting them is frowned upon.”

Sure. Still nuts, huh?

“Making this documentary about the Dead has changed me.”

How so?

“Last Wednesday, I punched the mailman in the dick, set my bedroom on fire four times, and cut all the legs off my jeans.”

Okay.

“Then I took piano lessons, and then I died.”

That’ll happen. This is exciting, though! Movie’s finally coming out.

“If it’s done, yeah.”

Done? The festival’s a month away. And you’ve had, like, five years.

“You can’t rush perfection.”

Five years is not rushing perfection. That is just precisely the right amount of time to achieve it.

“Some of the CG isn’t right.”

Why is there any CG? This is an archival documentary.

“Yes, but some of that archival footage was wrong. Remember Altamont?”

Yeah.

“The Dead plays their set now.”

Goddammit.

“Andy Serkis plays all the members of the band via motion capture. Except for Mickey.”

Who plays Mickey?

“Mickey. He insisted. I think he’s bored.”

I think you’re right. Don’t change the past, please.

“Very small changes.”

What else?

“Phil shoots first.”

I protest this course of events.

“Just some tweaks! Little tiny things that add up to a better presentation. Remember how the stage looked in the 80’s?”

Terrible.

“Right! So now it looks better.”

Please say you didn’t insert–

“I put the Wall of Sound behind them.”

–the Wall of…dammit, Amir, you can’t do that.

“It’s much more dramatic.”

It’s a lie!

“It’s a movie.”

Well played. Still, though: this is not right.

“Also, I digitally erased all the cigarettes.”

FUCK YOU, BUDDY!

“What?”

How will people recognize Garcia?

“I didn’t think of that.”

No shit.

“Okay. Welp. Sundance 2019, I guess.”

See you soon.

An Update From Amir Bar-Lev

amir bar lev

Hey, Amir Bar Lev, director of the long-awaited Grateful Dead documentary. Whatcha doing?

“What year is it? Where am I? Why is Pokemon back?”

You okay, buddy?

“I had Parish nail the door to the editing suite shut. I’ve been in there for…a while.”

Wow.

“What’s that fiery thing?”

In the sky?

“Yes.”

The sun.

“It’s amazing. Have people thought about worshipping it?”

Amir, how is the project coming?

“It keeps expanding.”

How so?

“We bought Yahoo.”

No, you didn’t.

“We did. Martin Scorsese took his eye off the ball after Vinyl got canceled, so I took the bull by the horns. And then I ground the horns up into traditional boner medicine.”

Oh, please don’t say’–

“We got Chinese funding.”

–you got Chinese funding. Dammit.

“They have so much cash it’s unbelievable. I brought a tall, blond guy in a suit to the meeting and they threw an extra hundred million in. The Grateful Dead Cinematic Universe is a go, and Bobby is now being played by Matt Damon.”

He’s everywhere.

“We’ve also started an animation division. It’s amazing how cheap Chinese animation is. It’s like they’ve eliminated labor costs.”

That’s because they’ve eliminated labor costs.

“Oh, that’s great: people drawing for the love of it.”

Amir, might this constant goalpost-moving be symptomatic of something else?

“Such as?”

I dunno. Maybe you’re under a little pressure?

“Pressure? No pressure. All I have to do is make the most perfect piece of art ever created by anyone ever in the whole world. I can knock that out before lunch.”

Aw, buddy.

“Also, Taylor Swift keeps calling and harassing me.”

She’ll stop. She’s dating Kim Jong-Un now.

“What?”

Nothing.

Volution, Happy To Get A Lay

SEXUAL REVOLUTION A nebulously-dated period that may or may not still be going on characterized by women taking control of both their sexuality and reproduction, and a general relaxing of societal mores towards, and legal repercussions from, sexual expression.

SEXUAL EVOLUTION Men grow extra dicks on their shoulders so they can hump in a crowded subway car. Breasts become USB 3.0-compatible. Human buttholes split into two orifices: one for business, one for fun.

SEXUAL DEVOLUTION Civilization is reduced to people wandering around while pointing at their exposed genitals and screaming, “MOUTH TIME!”

SEXUAL AMIR BAR-LEVOLUTION Started off as a quickie and lasted four days.

SEXUAL MALEVOLUTION Shit gets dark. Knife-dicks are the least worst thing about the Sexual Malevolution.

SEXUAL TEVALUTION Everyone is required to wear Teva sandals while having sex, and people just stop doing it; humanity dies within a generation.

SEXUAL KEVOLUTION If you see Kevin McHale, you have to fuck him.

The Neverending Story Ever Told

Amir

Hey, Amir Bar-Lev, director of–

“Hi, there! How are you? Hi. I’m fine. Hi. Hi! Hi.”

–the upcoming…hey, buddy.

“Got my second wind!”

Why do you need a second wind?

“Been up for four days editing.”

You’ve been editing the film for four days straight?

“Not the film. A scene.”

You’ve been editing one scene for four days?

“It’s an important one.”

What is it?

“Closing credits.”

They just scroll upwards, man.

“BUT HOW FAST?”

You need a nap, Bar-bar?

“I couldn’t sleep now even if I wanted to. I can see through my eyelids. And also the back of my skull. I have achieved omnivision. Perhaps jumbovision.”

How long is the movie–

“FILM!”

–now?

“It’s not short.”

Right. How long is it?

“Are we including the comic book tie-ins?”

No.

“There are comic book tie-ins now.”

I inferred that. How long?

“A little over four months.”

How much over?

“Two months over.”

So, six months long?

“If you want to be pedantic about it.”

Solid six months, or installments stretched out over six months?

“The first thing. 4,382.91 hours.”

Wow.

“There’s an three-week intermission.”

I think you’re overshooting the moon on this one, pal.

“Children will be conceived, gestated, born, weaned, whelped, educated, broken, and buried during my film.”

That’s longer than six months.

“What about rats?”

Oh, you could get ten or twenty generations of rats in that time.

“And then I shall lead the rats.”

Amir, please go to sleep.

“How can I sleep now that I am so woke?”

Are you taking pills?

“Not pills.”

Aaaaand I’m not going to ask any follow-up questions.

“My only fear is the economic turmoil my film will cause.”

How so.

“There will be no point in making another movie after mine. All the woods would shut down: Hollywood, Bollywood, Polleywood.”

Polleywood?

“That’s the Canadian film industry. Sarah Polley is a god up there.”

I enjoy her work.

“She rules with an iron hockey glove.”

Amir Bar-Lev, you’re making very little sense.

“Stop saying my full name over and over to make this page show up higher on Google.”

Okay, you’re making some sense.

“My movie will not be mocked! Believe in my vision!”

What is your vision?

“Well, I’m a director, so my vision generally includes my hands in front of my face doing that “L” thing.”

The frame.

“The frame.”

That’s a great move.

“Like, half the reason to be a director is that move. You stand on a location and you do The Frame, then you maybe mutter some director bullshit and make big sweeping motions with your arms.”

That’s awesome.

“It’s cool. Old days were better.”

Dunno about that. We have a pretty firm “the past was terrible policy” around here.

“You got to wear jodhpurs and yell at actors through a megaphone.”

Yeah, okay. Score one for the old days.

“You’re not supposed to yell at people any more.”

That’s a better system.

“I yelled at a guy outside the window this morning for two hours. He was a tree, it turns out.”

You need to sleep.

“I need to work.”

You need to sleep!

“I need to work!”

Duck season!

“Rabbit season!”

KNOCK IT THE FUCK OFF!

I got him to do it.

“I don’t understand who’s speaking.”

Don’t worry about it.

“Is he friend or foe?”

Just go to sleep.

Go to sleep.

Go to sleep.

Go to sleep.

Duck season.

Rabbit seaMOTHERFUCKER!

SHPLOIK

whuff whuff whuff whuff

whuffwhuff whKAHBLAMMO

Did you just stick the needle of a bicycle pump into your belly and inflate yourself until you exploded?

I did.

“Could someone explain to me what’s happening?”

No.

Go to sleep.

Go to sleep.

Stop it.

It’s All Connected, Man

As TotD revealed exclusively yesterday, the Martin Scorsese-produced documentary about the Dead has had its scope significantly expanded to become the Grateful Dead Cinematic Universe (GDCU), with a strategically-planned docket of solo films, team-ups, and spin-offs scheduled from now until the end of time.

After speaking with director Amir Bar-Lev, I received an anonymous text that said “Hey, this is Amir Bar-Lev.” I told him he was terrible at being sneaky, and then he sent me a picture of Billy’s dick and the texts stopped. After the precise amount of time it would take to set up a number to text anonymously from, I got an anonymous text. “Hey, this is NOT Amir Bar-Lev,” and I just went with it to save time. Then he asked me to call him Deep Throat, but I would not go with that, even to save time. “Okay, call me Margaret, because I’m leaky.”

And I asked him to stop texting me, but he sent me the official schedule for the GDCU and was all “You didn’t hear this from me,” and sent me more dick pics, at least one of which was not Billy’s. I asked him if he would stop contacting me if I leaked the information, and then he sent me a selfie, and then a text that read, “Shit. That’s not me lol,” and at that point I put the phone in the other room.

It’s still a good scoop, so here we go: The Official Schedule for the Grateful Dead Cinematic Universe.

2017

GARCIA: THE FIRST GRATEFUL DEAD Directed by the Russo Brothers, and starring T.J. Miller as Garcia (with abs), the film sets up the other films for around two hours. It’s set during Garcia’s five months in the Army, where his drill sergeant  (Javier Bardem) is secretly a monster or a demon or some bullshit. Bardem hopes to get hold of one of the Six Cumberlands of Power, which will tie the GDCU together.

PIGPEN: THE OTHER FIRST GRATEFUL DEAD Ang Lee will helm this fractured, angular take on a complicated man. Keenan Thompson stars, and the Big Bad of the GDCU is introduced in the post-credits scene: it is Sean Penn sitting in a space-chair, and when we figure out what to do with him, you’ll be the first to know. Pig’s girlfriend will be played by Lupita Nyong’o. In the after-credits scene, Bill Graham appears to invite Pigpen to join the Grateful Dead Initiative.

2018

BOBBY: BOBBY Instead of a straight-forward tale, Nicolas Winding Refn planned a lyrical and evocative poem about Bobby’s summer on the ranch; he even had the synthesizer score written. Then Bobby insisted on playing himself and now it’s just three hours of a 68-year-old guy on a horse. (The horse is motion-capture, and played by Andy Serkis.) The second Cumberland of Power is involved, somehow.

PHIL & BILLY: COURT IN THE STREET Phil is played by Donnie Yen; Billy is played by Tony Jaa; the two of them kick the living shit out of each other for an hour. Then, Ned Lagin (The Rock) shows up and the two of them team up to fight him for control of the fourth Cumberland of Power. (The third Cumberland was claimed by the road crew on the Netflix spin-off show Front Street Blues.)

2019, 2020, 2021

Cancelled due to war.

2022

MICKEY: HART OF THE GALAXY Mickey, played by Miles Teller, is some sort of space pirate. Billy appears, now played by Shailene Woodley, as Flapjack the Space Fucker. (Billy was allowed to write his own part.) Keith and Mrs. Donna Jean are introduced, setting up their solo film.

KEITH & MRS. DONNA JEAN: WAR IN THE PARKING LOT Keith is played by Donnie Yen; Mrs. Donna Jean is played by Tony Jaa; the two of them kick the shit out of each other for an hour. Then, the second set of an ’88.

2023

GRATEFUL DEAD: WAR FOR THE HEAVENS Set in 1974, the band unites for the first time (somehow) to defeat a sentient and power-mad Wall of Sound. (The Wall is motion-capture, and played by Andy Serkis.) The Grateful Dead save the world…but at what cost? The entire movie is the post-credits scene.

BOBBY II: BOBBIER This solo film is about a solo album: none of the other Grateful Deads appear, as Bobby is instead surrounded by the Midnites (John Cena, Quvenzhané Wallis, Fred Ward in an alien costume). The fallout from the Wall’s rampage–the Reno Incident–have had sever repercussions and now the Dead is feared and loathed. Bobby just wants to play music and be treated like a rock star, so he puts together the Midnites. At their first show, though, Bobby uncovers a vast conspiracy that could rip the GDCU to shreds! Aliens? Nazis? Fuck it: alien Nazis.

2024

GARCIA 2: JERRY BAND Garcia, too, is on the run: he joins John Kahn (Adrien Brody) and a talking dog named Pumpkin. (The dog is motion-capture, and played by Andy Serkis.) Billy is along for the ride, now played by Sam Rockwell. They have been chased to China, where they have fun adventures and note what progress China has made, and how many strides the Party has taken; Garcia receives a sidekick, Choog Li (John Cho), and the production receives a billion potential viewers.

TBA

2025

UNTITLED BRENT MOVIE

Been Too Long At Sea

amir bar lev arms crossed

Hey, Amir Bar-Lev, director of the upcoming Dead documentary. Whatcha doing?

“Wishing stuff.”

What kind of stuff?

“That I was a bird.”

Wanna fly away?

“So far.”

You look skinny. Are you eating?

“I had a fruit roll-up.”

When?

“Tuesday”

Not good. Cherry?

“Strawberry.”

Not good.

“Tomorrow begins production on the ocean set.”

The what now?

“We have built a set on the ocean. Filming the Egypt scenes there.”

Why?

“Symbolism.”

Oh. Isn’t shooting on the water almost impossibly difficult and time-consuming and expensive?

“It is the Grateful Dead way.”

Oh, no. Do not start doing things the Grateful Dead way. Money disappears and people die.

“Yeah, we’ve lost two keyboardists already.”

Why does a movie crew need–

“We have waterproof cameras, and jet-skis, and a giant reef built out of shipping containers.”

Wow. Where is this?

“Nesia.”

What? No. There’s Micronesia and Macronesia and Polynesia.

“There’s also a Nesia. How else would you know if a nesia was big, or small, or many? Gotta have something to measure against.”

Okay, whatever. This is a terrible idea. The ocean doesn’t cooperate.

“No, no: the ocean is our friend.”

Frenemy at best.

“We’ve already done some test shoots. They went wonderfully.”

Oh? How much footage did you get?

“Camera boat sank.”

Yeah.

“People died.”

Sure. Ocean’ll do that. Plus, you know: how much is this costing?

“Not as much as you’d think. Guess.”

A hundred million dollars.

“Okay, exactly as much as you’d think.”

Holy shit, man! A hundred million? Why? How? No, wait: the question is “who,” isn’t it? Who paid for this?

“Peter Theil.”

He is getting around.

“He’s already declared it a country. It’s called Seasteading.”

It’s called pretending you’re Robinson Crusoe.

“Either way. He also bought the robot killer whales.”

Why would you need those?

“I told you: this is the Egypt scene. I need killer whales.”

Okay.

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