Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: baxter building

Comic Book Colors #5

pass doom

Victor, Victor, Victor. First of all, his super-villain name is Dr. Doom because his real, actual, swear-on-my-dong name is Victor von Doom. That’s his name because the guy who created him, Stan Lee, spells subtle with an exclamation point.

Doom is the most wonderful character in comic books–perhaps in all of Western Literature (harrumph, harrumph; tweed, tweed)–due to his utter lack of self-awareness. This is a man who invented a working time machine (sound familiar?), created artificial life, and gone toe=to-toe with Death himself. (in the Marvel Universe, Death is a guy who gets into fistfights).

What does he choose to do with these abilities?

Launch the Baxter Building into orbit. He has done this on a number of occasions, to the point where you start wondering about the psychology behind it, maybe it’s a dick thing, but he does it a lot. It’s kind of Doom’s fallback position–toilet overflowing: blame Richards, launch Baxter Building into orbit. Doom’s launched that damn building into orbit so many times that The Thing has begun accumulating frequent flyer miles.

PLUS, he’s the ruler of Latveria, so Doom’s got diplomatic immunity, and that’s what he chooses to do? Hurl skyscrapers into the wild blue yonder? HE INVENTED A TIME MACHINE and this was his best plan. Now, if I had diplomatic immunity, it’d be nothing but long afternoons at the supermarket showing my testicles to strangers, but I’m a doofus. This was a guy whose armor could go full-on with Iron Man

And how does diplomatic immunity even help with the throwing buildings into space thing? I don’t even know if that’s a crime.

Dr. Doom : Reed Richards :: Healy : Bobby

Comic Book Colors #4

pass moleman

We stay in the Fantastic Four’s playground with their first super-villain nemesis (their first, and perennial, nemesis being Reed Richards’ hubris), the Mole Man.

He was sort of Dr. Moreau in the Center of the Earth. He raised or hatched or grew or whatever an army of little spastic yellow people and a few monsters, and occasionally he would sneak below Manhattan and steal the Baxter Building.

It’s nice to see him on the pass, though: he’s completely C-List. I’m pretty sure Daredevil could kick his ass. The Marvel Universe was full of jobbers: Spidey’s were the worst. the Shocker, Sandman, freaking Hydro-Man (worst name ever). Plus the seemingly endless animal bad guys that got a few one-liners and a snoot full of webs each month: (Doing this from memory, I promise: let’s see how I wasted my childhood) Vulture, Grizzly, Beetle, Rhino, Lizard, Tarantula, Scorpion, Doctor Octopus, Cobra, Chameleon. One might or might not include the Red Ghost and his Super-Apes, which were an actual team of apes with super-powers that used them for evil and were also communists. I swear to every god there is that what I just wrote is a fact.

p.s. I was at this show. I was not invited backstage.

Spinal Dead

One of Nigel Tufnel’s guitars–a sunburst Les Paul Custom–reportedly produced the greatest sustain of any guitar in the world. The Dead fired Keith and hired Brent in order to–among many other reasons, most notably the booze, heroin, and protracted “I know the chords!” comping–bring more sustain into the band. Nigel just took care of an object in his search for this almighty, mysterious sustain, but the Grateful Dead threw an entire goddamn family off of their payroll to hear certain notes decay slower.

These were deeply, almost frighteningly passive-aggressive men. This is the a transcription of the final conversation between Keith, one of the various criminals “managing” the band, and Phil, who is the only band member there. Garcia is hiding in the closet, having accidentally burned down both his hotel room and, against all reason, a Burger King he hadn’t even been to. Weir is at a local tailor’s shop, screaming at the poor immigrant, “I’ll tell you when they’re short enough, Giuseppe!” Mickey has found a new percussion instrument in Mongolia called the Ggggggggggggg and he is now spending $1.5 million of the band’s money to create a drum-opera around it. This album will never be released. Billy’s down at Old Salty’s Tavern; look for him at the corner of the bar, his captain’s hat pulled low and throwing back Tequila Sunrises.

This exchange  was recorded by Betty Canter and only recently made available to the public when she couldn’t make the rent on her bus terminal locker. Things have not been just exactly perfect for Betty in quite some time.

“Keith, there’s something we need to talk about.”

“Glorfabooble makka makka,”

This was pretty much all you could get out of Keith at this point. It didn’t matter all that much because even fucking Bobby told Keith what to do. They didn’t treat Keith right: they got him hooked on drugs, slept with his wife, and pretended like he didn’t look like a hairy Eric Stoltz from Mask. Every time Keith started feeling his oats, Mickey would throw his drumsticks down and  scream, “You’re not my REAL keyboard player!  I hate you!” Then he would run upstairs and slam his bedroom door and cry.

(Honestly, you can see Mickey doing that, can’t you?)

“Keith it’s about the playing. We really need to hear more sustain, so…”

“You’re gonna buy me a Hammond B-3?”

“No, we’re going to fire you and your wife. And within the year, we’re going to sabotage your car so you die in a fiery car crash that everyone will think is an accident, but WE’LL KNOW! Because you KNOW TOO MUCH, Keith Godchaux! Mwah-ha-ha!”

There are two things you should have gotten from the above exchange: 1: Phil Lesh is a diabolical mastermind who once launched the Baxter Building into space; and, 2: That is the only instance on the internet of the phrases “Keith Godchaux” and “knows too much” getting that close together.