Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: dead50 (Page 4 of 7)

Mustrat Love*

IMG_1905Hey, Bobby.

“Hey, pal.”

You’re more mustache than man now, aren’t you?

“Sucker got a heft to him, don’t he?”

You look like one of those Presidents everyone forgets.

“A Harrison, maybe?”

Sure. What’s with the Strat? You went 50 years without one.

“Oh, her? Not a Strat, no. Looks and plays precisely like a Strat, but one crucial difference: this cost around nine grand.”

Wow.

“Yeah.”

So, you spent nine grand on a guitar that looks exactly like the one sitting in my living room that I bought for sixty bucks.

“Yeah.”

That’s awesome. You have taken Grateful Deading to a new level, man.

“Don’t you forget it.”

Does your mustache talk to you, Bobby?

“In the middle of the night, sometimes, sure.”

Okay.

 

* Muskrat+Mustache+Strat=Mustrat

I Have A Cunning Plan

There have been terrible ideas–invading Russia, Godfather III, reaching for Garcia’s candy–but they are pikers compared to these ten. Ah, I’m feeling mean: let’s go through them one by one.

1. Trey pulls out one of Jerry’s guitars made by Doug Irwin which is a stupid idea because Trafficjam plays his Laser Duck. Just like Eddie Van Halen played his red and white Frankenstein guitar, or B.B. King played Lucille, or Willie Nelson plays Trigger. Guitarists, more than other musicians, are all fanatically picky about their toys. (Except for punk rockers, who are fanatical about not being picky when it comes to their gear.)

2. Cameos! are a stupid idea because no one needs more people onstage who haven’t rehearsed. There were already 45 to 50 old white guys who hadn’t shown up for rehearsal; we cannot keep throwing musicians at this problem.

Also, Dylan? Sure, everyone wanted Branford to show up, but Dylan? Will he do that thing where he isn’t good? He has been for two decades now; no reason to think he wouldn’t have mumbled through a deep cut no one else knew in Chicago.

3. Tom Constanten! What! is a stupid idea because everyone was fine with TC leaving in the first place. TC is the Chuck Cunningham of the Dead.

4. A Phish song  is a stupid idea because it makes me want to strike you in your whore mouth. Fuck: they barely remembered the Dead tunes.

5. A New Cover is a stupid idea because (again) they barely remember the old cover tunes, and (again) rehearsal is for the hoi polloi, and (first time for this) the Dead’s choice in cover tunes towards the end of the run could be described as “obvious.” Satisfaction, Hey Jude…if Garcia had lived, they would have gotten to Like A Rolling Stone, I guarantee it.

6. A New Original Song is a stupid idea because how does one top Liberty? That’s the peak right there.

7. Hologram Garcia is a stup…ah, dammit: DO NOT MAKE HOLOGRAM GARCIA.

8 and 9. Something we didn’t think of/None of the above are stupid ideas because they’re clearly padding. These two entries are like the Ninth and Tenth Amendments.

Ahem.

There’s no ten. The entries aren’t numbered in the “article.”

It says that there’s ten entries in the title, but there aren’t and no normal human being would notice?

No.

I think I respect them for that.

A little bit, yeah.

Enter Freely

mickey enter“Ah, Thoughts on my Ass!”

I see that name has stuck.

“Oh, yeah. I’m glad you’re here. I have a favor and I need a favor.”

You have a favor? What does that mean? That’s not a thing.

“I was going to give you the tour and a short, but thorough, explanation of the histories and social significances of all my drums.”

Pass.

“Some are from Africa.”

Pass.

“The Motherland.”

I am aware that Africa is the Motherland: I cannot hear lectures about the tabla right now.

“Tabla are–”

India, yeah.

“–from India. Okay: not tour. You still owe me a favor.”

It’s weird to me that a Jew doesn’t understand the favor system.

“I was planning on addressing the masses again after the Donor Rap, or before the Donor Rap: basically, whenever there’s a clear shot to a mic, I’m seizing my moment.”

Like in Santa Clara.

“Yeah, but here’s the thing: it turns out I am not a great extemporaneous speaker.”

Your theme was unimpeachable, but in the delivery…there were issues of petering.

“One big peter! That’s what we had on our hands: petering from beginning to end.”

Yeah. Phrasing, but: yeah. What do you want from me?

“You up for some temp Benjy-work?”

Oh, God.

“All I’m looking for is, like, 30 seconds that summed up the weekend, and encouraged people to love one another, and also maybe brought about world peace.”

Urgh. Why? Why not just let the music do the talking?

“Oh, I like that. The phrasing. Let’s use that.”

We’re late to that parade. Anyway: is there pay for this?

“I tried to pay you with knowledge.”

You whacking on congas while listing black guys you’ve jammed with does not count as knowledge.

“Doesn’t it?”

No.

“Okay.”

I’m gonna go, Mick.

“Great. If you see any drums, bring them back here.”

You love drums.

“I love them so much, I do.”

Bil Walton: Eugenicist

trey walton garcia daughter
“Trey, you’re the Garcia now.”

“Um, not really.”

“Garcia’s daughter: you are Garcia’s rightful heir.”

“Lawyers have opinions on that, but: yeah, I guess.”

“I want to mate the two of you.”

“Bill.”

“I’ll need rum drinks, but I have a thing for gingers.”

“Yeah?”

“Why not?”

“Let’s do this.”

“AND THE REBIRTH COMMENCES!”

“You can’t be in the room, Bill.”

“Yeah, no.”

Make It Interesting?

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Easy: Sunday morning. Far, far, almost farcically easier than Sunday morning: being a white guy.

OR

The game had started out fun and low-stakes; it was part of the Precinct’s push towards “cooperative security” at big events this summer. Ten minutes in, Officer Dugan had lost his badge to the dad on the left, his gun to the dad on the right, and was now playing the dad in back for “one free murder.”

OR

One is born with grace.

OR

That ramp cleverly conceals $40 grand worth of nitrous tanks.

OR

Chicago was one of the more mellow crowds I’ve ever been in; I’m sure the cops were needed at some point, but I didn’t see it. Now: there were crimes being committed literally everywhere, but they were the temporarily sanctioned ones. What’s this jamoke doing? Are the cops trying to “build trust?” Because suburban dads trust the fuck out of cops. The relationship between cops and suburban dads is tight.

OR

The person who designed that hat hates cops.

Second Set (Post-Drums)

    • There is no light that is not for commercial or artistic purposes left in Chicago.
    • This is what it looks like, from somewhere.
    • Backstage pano from Chicago, it
    • These are not the Lord’s lights, now: no, these flash down the aisles like they were chasing robbers, and run in rivulets across the ball caps of the crowd.
    • These lights are sinful and they boast.
    • When the Dead played New Potato Caboose in 1968, they had many excuses.
    • For example, it was 1968 and all sorts of bullshit was allowed.
    • Also, they were very young men.
    • Pretty much just boners with mustaches.
    • Soon enough, though, Playin’ starts and it’s hilarious if you listen closely.
    • Within the space of the intro and first verse, Billy forgets and remembers how the song goes three or four times, Bruce has to reintroduce the tempo to the rest of the band by Pounding! Very! Loudly! On! The! Beat! for a couple of bars, but then they settle into the jam.
    • A proper Playin’ jam should never be rushed into.
    • After all, you might be there for twenty minutes or so.
    • They do not attack the jam like children.
    • They woo the jam.
    • Woo.
    • Truman tells the jam how pretty it looks; Bobby takes the jam’s coat; Jeff Chimenti shows the jam all of his hand-made shirts.
    • The jam cannot believe how beautiful Jeff Chimenti’s shirts are.
    • The jam says, fuck it: let’s do this.
    • And they make love to the jam – some gently, others are Billy, but the love gets made as the jam envelops them all around 8 minutes in.
    • ©Jay Blakesberg
    • The Grateful Deads did this at one another.
    • Twelve minutes or so in: tell me if I’m crazy – West LA Fadeaway Jam.
    • I turned to Martin and said, “West LA Fadeaway jam!”
    • He denies this happened.
    • We’ll talk about Martin and Chris when we get to the Colonnade; that’s where we became friends, I think.
    • I swear I have a plan here.
    • Although, Triplet is really going on Bobby in an aggressive fashion up there.
    • If they were gorillas, Bobby would have to kill Trey or leave the nest and all the other gorillas to die alone in the forest.
    • But gorillas are terrible musicians, so they would never have gotten to this stage, so it’s a moot point.
    • Speaking of Thermidor Alobster, he has truly been studying Garcia, because he is doing nothing but soloing over this Let It Grow.
    • Which is exactly what Garcia used to do.
    • “Oh, don’t mind me. Just gonna solo. Play your farm song.”
    • I was the only person out of 65,000 that heroically thrust my fist into the air while screaming, “BLACK DIRT LIVE AGAIN,” but I’d do it again and twice on Sunday.
    • With no context, sheerly on its own musical merits, LIG is the most interesting and vital thing played yet tonight.
    • It is just a tiny bit too slow, so it does have that in common with what’s been played so far tonight.
    • The Dead have long employed the strategy they’re using to navigate the tough bits of Let It Grow: everyone but Garcia kinda stop playing, except now Garcia is not Garcia.
    • A shiny quarter to anyone who can tell me why Trump wasn’t standing by Bruce.
    • The whole point of hiring the man to be Garcia is that he was never a Jerry.
    • Let Garcia be Garcia, even if it’s Trey.
    • By now, the majority of the crowd on the floor is not so much dancing as they are shifting their weight from their bad knee to their shitty foot and back again.
    • The perimeter of the field is now littered with old, drunk men and young, drunk women.
    • Mud has been tracked in, somehow.
    • Women are more pregnant than you would think possible.
    • There are dancers and some accept their space and occupy it with grace and others bully their ways here and there.
    • There are babies where there should not be babies.
    • Baby wants to be a baby; baby couldn’t give two fucks about whether they nail the Slipknot.
    • Leave baby home.
    • Get away, baby.
    • I don’t need you now, baby.
    • Got my own shit to deal with.
    • ©Jay Blakesberg
    • During Slipknot!, Troposphere made this face.
    • He made that face a lot.
    • I’m pretty sure it’s his go-to face.
    • All of the Phishes can do an impression of that face.
    • Phil is singing Franklin’s Tower, and that’s a thing.
    • We will discuss Phil’s singing and its sociopolitical ramifications starting with Bird Song on July Fourth and ending with Terrapin on the Fifth.
    • To make up for the tempos of the previous two hours, the Dead (kinda) has decided to play Franklin’s entirely too fast.
    • On paper, this makes it average out, but reality is less mathematical than that.
    • Bruce and Truckmonster have taken this Franklin fellow out back and beaten him with tire iron.
    • Jeff Chimenti is like Ricky Jay taking a gig at a kid’s party: he’s doing all the stuff he’s supposed to do, but occasionally just lets loose with some organ-playing of both a slanderous and libelous nature.
    • There must be better combinations than the biggest sound system in the country, a Hammond B3, and LSD, right?
    • Fried chicken and waffles is pretty good, but not quite as impressive.
    • Also of note: Bobby stayed off his stool, and I ran into an old friend; she had flowers in her hair.
    • She had married since I last saw her; she found the whitest human being on the planet.
    • If this were a movie, he would be the guy trying to shut down the community center, forcing the Dead to put on a show.
    • Phil blatantly fucks up the “long, strange trip” line during the Donor Rap.
    • Making fun of the Donor Rap makes you an asshole.
    • Noting that they got longer every night is fine.
    • phil bobby ripple chicago
    • Bobby played acoustic and sang Garcia’s old parts and everyone else sang whatever parts they felt like, just like they always did.
    • We sang our parts, too, and when Bobby asked for songs to fill the air, we obliged him.
    • We would have obliged them anything that night.
    • I did not get my transcendental moment; it did not come and they cannot be forced.
    • I tried, anyway.
    • Maybe tomorrow.

Second Set (Pre-Drums, Plus Drums)

  • It is dark and we are together in this place; we own this place now, tonight.
  • Security is not even trying to look busy; there are no cops, it seems, inside.
  • The ushers are in blue tie-dye, and the security is in red.
  • Both groups are black, almost exclusively.
  • I do not claim to be an expert in black people, but I can recognize when a black person has had enough of white people and their foolishness.
  • It’s a very specific facial expression: the equivalent of a blackjack dealer clapping their hands after a shift.
  • “That’s it! I officially disengage from the follies of these white folks!”
  • For example, the white folks they were being paid (half of them) to shepherd tonight seemed to care about something called a “Mason’s Children opener,” whatever that was.
  • Child, it was like white boys was talking in code up in here.
  • Phil seems to be the driving force behind putting the old songs back in the rotation, but forty-five years hasn’t helped: they still can’t sing Mason’s Children, but nothing matters when Trey smiles his way into the first line of Scarlet Begonias.
  • Because the place lost it.
  • My fav pic from Fare Thee Well.
  • The sky was yellow, and you’ve heard the news about the sun, and Trabant played the solo he used to play in front of his mirror, but better louder so much louder and we cheered along with the redhead because we always knew, no matter how many times he denied it, he always wanted to be a Grateful Dead.
  • Who wouldn’t?
  • Bruce is all over the tapes and so is Jeff Chimenti with the old-school Moog laser-sounds in the Scarlet jam; they were audible that night in the sense that they were part of the big loud noise coming from the north end zone of Soldier Field.
  • Bobby makes more sense in this mix, too: he was too high up live and the minimalist stuff he’s doing fits in with the band (which, let’s not forget, has 93 people in it) but sounded weird real loud.
  • Bruce sang everything well all weekend, but it should be noted that he steps on the opening riff to Fire on the Mountain.
  • We are somewhere around the fifty-yard-line on the left.
  • Page side.
  • The one place the security is keeping order is the stairs between the field and the seats.
  • Deadheads love stairs.
  • After the war, when everything is ground to dust, there will be one stairwell left on earth.
  • And a security guard will be chasing a Deadhead off of it.
  • Mickey has now assumed control of both the show and the mammoth HD screen on the far side of the stadium.
  • It is 128′ by 40′ and cost $7 million, along with its brother behind the stage.
  • This is the first time they have been used for real; they were installed only in May.
  • No one had even noticed the thing until it was turned on for the Mickey and Billy Power Hour, which is like suddenly realizing an elephant has been in your house for a few weeks.
  • The whole field turned as one and the picture was so bright that some people put their sunglasses back on, but they were probably on drugs or something.
  • I both do and do not want to watch pornography on Soldier Field’s 128′ by 40′ HD video screens.
  • Space is also shown on the screens, but not New Potato Caboose.
  • I hit the bathroom, myself.
  • Are the just gonna play the version from Two From the vault?
  • Not, like, play that arrangement: just slide that AUX cord this way and drop that THIRTEEEEEEEEEEN, yo.
  • No?
  • Then: bathroom.

First Set

  • I missed the first two or three songs of the July 3rd show.
  • Stadiums are built so they can fill up or empty in ten minutes, but not the field.
  • The field is deliberately designed to be tricky to get to.
  • There are only two points of access, and one of them is being taken up by a temporarily-funct choogly-type band.
  • You’ve created a nice little choke point for yourself, plus the folks on the floor need wristbands.
  • Which they ran out of just as I got to the gate.
  • Back-up began immediately, and then people started helping.
  • Helping is to be pronounced sarcastically.
  • Couple of fuckers literally tried to start a riot.
  • There were no cops, and no security: just volunteer ushers trying to do the best job they could.
  • If you didn’t have a wristband, you wouldn’t be able to leave the floor, which seems reasonable, but the stronger the waves of pressure on my back, the less I cared.
  • Years ago, WBCN hired Green Day to play a free concert in the Hatch Shell in Boston.
  • Someone punched the bass player, or something or other, and the band left the stage after four songs.
  • Riot.
  • Crowds are stupid beasts, but they turn quickly.
  • The assholes kept helping, and yelling for the crowd to do what crowds will do.
  • The volunteer usher I was standing with was in law school and wanted to see the Dead for free; I figured I would throw her under a table and hunker down in there.
  • Trey played the opening chords to Bertha a little too slowly, and a small brown guy and a large white guy sprinted up with the missing wrist bands.
  • Welcome back, my friends.
  • It looked like this:
  • rosebucassidy3rd
  • But with more people, and with more Trellis Abdominizer.
  • He began the weekend like a motherfucker, motherfucked his way through the holiday, and then deliberately got a non-direct flight home so he could fuck mothers all the way back.
  • Which brings us to the first of problems.
  • Not problems, really.
  • Problems have solutions: this is intractable.
  • Not only is there nothing like a Grateful Dead concert, but there’s nothing like any kind of concert.
  • Sitting on your couch with headphones on, listening to a crisp Charlie Miller SBD has so little in common with the actual event that it makes more sense to judge them as separate events than even as facets of the same diamond.
  • Tripp sounds great on Bertha instrumentally, but the tape reveals his voice as weaker than I remember.
  • Mostly because when he sang about getting tested and arrested, 65,000 people were screaming along with him.
  • I don’t know about the rules regarding the SBD’s of the Chicago shows, but they are available; I won’t post them, but if they get posted in the comment section, they won’t be taken down.
  • They just finished up Passenger and Bobby asked the crowd if they were “ramping up for a sane Fourth?”
  • They didn’t play Passenger for all that long: ’78 to ’80 or ’81, and the song never felt the need to be ten minutes long.
  • There really isn’t ten minutes worth of song in Passenger, if we’re honest.
  • The sun is now setting on Soldier Field and the closest thing there is to a Grateful Dead is going into The Wheel, and the Deadheads are taking off their sunglasses and swaying and davening and asking each other if this isn’t really more of a second set song.
  • It totally is.wpid-wp-1435974553355
  • I did not notice that Bobby was wearing what had been sold to him as a lengthy short but were in fact jeans.
  • I only had a direct view of the band on the second night: on the 3rd, I was on the floor and am not Bill Walton; on the 5th, there was a speaker bank in between our seats and the stage.
  • Transom is doing quite a bit of Phishy bullshit in this The Wheel, but then he nails the transition into Crazy Fingers, which may be our first honest-to-gosh “>” of the night.
  • The Grateful Dead may have played Crazy Fingers at an acceptably professional level, like, four times in the history of the song.
  • Although, Garcia was the one who always fucked it up, so maybe his death was a good thing for Crazy Fingers.
  • OHMIGOD, CRAZY FINGERS HAD GARCIA KILLED.
  • Stop it.
  • Fine.
  • It was almost dark now, and Candace Brightman started doing this sort of thing:
  • blimp view2
  • And as she does this in the soft and magic last light, Trey sings the line “I try” over and over, too many times, and it is a mantra and you cheer with him and for him.
  • We will all try, Treyvon, and we will do our parts as the spotlights pick out love and point out kindness and pin joy down like a butterfly in the perfect Chicago dusk.
  • The acid has kicked in.
  • So has The Music Never Stopped, which is too damn slow, and the tape reveals a frustrated Billy trying to goose the thing up to no avail, but it doesn’t matter when Bobby proclaims that everybody’s dancing and all of us rush to prove him no liar.
  • And then he asked us if they were ever here at all, and a stadium got a catch in its throat and knew it would be the first of many.
  • Mickey is audible for the first time during the jam, and Bruce is whanging on the bottom octaves of his Steinway as his right hand bounces down the top notes.
  • And now Bobby is ranting about Never Stopping and you know no one’s phoning this sucker in: Bobby’s gonna Bobby as hard as he can and then Trey starts fanning the guitar like the old man.
  • THE THING WITH THE NOTES.
  • THAT THE OTHER GUY DID
  • I LOVE THAT FUCKING THINGYAAAAAAAAAY.
  • It is dark now and all the people are a crowd and we are there to see the Grateful Dead and against all odds, they might have shown up.
  • Set break.

Kicking And Screaming

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I’m not getting home, am I?

“You are.”

How?

“Just stop fucking around, please. That Spam Jam fellow was right, and rather polite about it, but: you know. It’s getting on everyone’s nerves.”

Chicago?

“Please and thank you.”

I’m gonna make a cup of coffee.

“This late? Wow. You take it with milk and rebellion.”

I rule.

“Sure, champ.”

Are you still the Wook of Wisdom?

“No. Italics guy. I incepted the Wook.”

You can do that?

“For the exact same reason you can go back to 2015.”

Ironic.

“It is not ironic at all.”

Fungible.

“You don’t use words right and someone should cut off your fingers and replace them with snorkels.”

Ow.

“Yeah. Get hopping, froggy.”

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