Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: hart (Page 2 of 2)

Playing To The Tide

Seven individuals with disparate backgrounds get thrown together by chance, fate, and poor map skills to find themselves eternally stuck in a paradise that is beautiful, but also quite inescapable. Has the cast of Gilligan’s Island actually been the Grateful Dead all along? Did they merely intend to go on a 3 show tour of Guam, Diego Garcia, and Midway and get hopelessly shipwrecked, an occurrence almost definitely attributable to choosing to combine marine navigation with cocaine.

Obviously, Garcia is the Skipper. Same body shape, same propensity to pick an outfit and stick with it, same love of hammocks. Phil is the Professor. We know who Bobby is, don’t we?

This week, Phil the Professor has lashed together 20 palm fronds, 9 coconuts, some vine, and 85,000 of the largest amplifiers ever invented by man.  He will not tell anyone else where he got these things. His plan is to drop the biggest Phil Bomb ever and use the fronds as rudimentary surfboardsto ride the giant tsunami wave to civilization. Then he will eat all the coconuts. However, Skipper Garcia thinks there is more to the story. Plus, he knows this: to be in the Dead is to choose the most expensive option, always and eternally. Will I supersize that? I’m in the fucking Dead, what do you think?

Skipper Garcia tells Bobbigan that Phil has had the amps shipped in, meaning that there’s a boat somewhere on the island.

“Do you know what this means, Little Bobby?”

“Yeah, Skip! We gotta find that boat so we can…

“So we can?”

“…ask the crew for drugs! And to cook us brown rice. Skipper, no one has cooked me my brown rice in, like…forever. I miss it, Skipper. I miss my brown rice.”

Hat!

Professor Phil is trying to explain the plan to the Billy the Millionaire and his wife, Lovey Hart. Billy is wearing the blue jacket and little sailing cap that Jim Backus used to wear. You can totally see him in it, can’t you? Like now you can’t unsee it, right? It’s kind of fucked up. I hope I didn’t just ruin Billy for you forever.

Lovey Hart is recording a song cycle based on the Polynesian pookapooka drum that requires thirteen drummers playing 19 drums apiece. Prime numbers are very important to the Polynesians. Each drum is situated on its own island, so the drummers must helicopter from island to island at staggering expense, costing $800,00 and the lives of two drummers and a dog named Colin. Colin was also a drummer. The album will never be released.

And then in walk…Keith and Donna. As Ginger and Maryanne. Okay, the conceit breaks down at that point.

Turn On Your Light

I don’t know who the audience for this nonsense is: in my previous post, there was a joke that literally only makes sense if you have seen one specific picture taken at Mickey’s ranch. I am betting, somehow, on the fact that someone else in the world has, filed in the same mind they keep the location of their keys and childrens’ birthdays, a memory of a photo featuring John “Marmaduke” Dawson.

Planet Dumb

Mickey once convinced his father to retool a music store into an all-drum extravaganza named Drum City. Mickey once made an album called Planet Drum. Mickey was not well-rounded.

The unholy spawn of Oates and Baba-Booey, Mickey Hart was the Other One of the Dead’s rhythm section. Astonishingly, he also manages to be the silliest man in a group full of deeply, almost constitutionally silly people. There are no stories concerning Mickey in any of the multitude of books about the Dead that do not end one of two ways: with fortunes disappearing in exceedingly foreseeable ways, or Mickey attacking another human being in public.

Money was allergic to Mickey, in the sense that anytime he got near any appreciable amount of cash, it would flee into the night, generally after gathering up any other money that just happened to be in the area. If Mickey had gone on a tour of San Simeon, it would have burned down immediately. We can only assume that, even though he grew up in the Bay Area, Bill Gates never happened upon Mickey Hart. We know this because had it occurred, Gates would today be gulping dongs to get paint to huff. Such is Mickey’s magic, because he thought big.

Rick Wakeman once took a book of finger-limbering exercises, renamed it after King Arthur, and rented a hockey arena so otherwise unemployable 35-year-old former Olympic ice dancing hopefuls could salchow their way through three hours of arpeggios played by a man in a spangly cape. Mickey thought Rick Wakeman was a piker. In 1984, Mickey spent 2.5 million trying to get all of Hands Across America to clap along to a 15-beat bouzouki rhythm. The album was never released.

As for the random–yet entirely predictable–violence, perhaps you’re saying, “But rock music has always been fraught with explosive personalities.  What about the fights between the Davies brothers or Daltrey and Townshend or Metallica and their reputation?” Yes, yes: all true. Except you will notice that the examples, and all the other fightin’ twosomes you’re thinking of are basically long-running personality disputes. Sure, the Gallagher brothers are, statistically speaking, punching each other as I write this, but if they weren’t rock stars, they would be doing the same thing. If they were Liam and Noel’s Plumbing Service and you called them, your house would be rapidly filling with feces as they rolled around on the floor biting each others’ necks and using their adorable Brummie accents to transform the word ‘cunt’ into something that sounds like a pet name.

That wasn’t Mickey. Mickey tackled producers in studios. He choked crew members in delicatessans. Accountants in auto-supply shops. Florists in winnebagos. The only person, I believe, he didn’t attack was his good ol’ pop. You know his dad: the guy that stole so much money from the Dead that instead of precisely calculating the figure, the FBI just rounded it up to “all of it.” The rat in the proverbial drain ditch.

Every time I see a picture of Mickey at his ranch, all I can picture is the guy raising his camera and Mickey going, “Wait!  Let me get my serape!”

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