Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: indiana jones

Ships Of A Fool

Enthusiasts, I have been stumped. Befuddled. Codswalloped, even. Grateful Dead archivist David Lemieuxveitonoverslideitonover noted today on Twitter that he saw “one of his favorite boats.” This sizzled my synapses, friends! First of all because DL was not posting about moose. (The man’s feed is easily 65% moose-related content. I’m not making one of my little Ha ha, he’s Canadian jokes here: the man sees, photographs, and uploads maybe nine or ten moose a day. Do the creatures seek him out as though he were St. Francois of Assisi?  he speak to the moose like some sort of Doctor Doolittle? I do not know, and I will do no research to find out.)

The second question is the one his statement begs: Does David Lemieuxvingonuptotheeastside have a list of favorite boats? If so, is this list written down and regularly updated? Did he make a spreadsheet? DL is an archivist, after all. When the man makes a list, he does it right.

The third question, of course, is a simple on: What are the greatest boats in history?

Again, I will do no research; instead, I will use the opportunity to make up some bullshit and–almost certainly–tell some “poop deck” jokes. Thoughts on the Dead now presents:

BOATS, RANKED

ONE: LOVE BOAT Best boat. All hands down. Yeah, the Celeste Marie is spooooooooky and all, but the Pacific Princess welcomed Charo onboard eight times. (Okay, I did a little bit of research, but since it’s such a dumb topic, it technically doesn’t count.) Plus, the Princess went to sunny Acapulco and never fired torpedoes at anyone. The ship also had a Lido Deck, which means that it was always appropriate to blast this Boz Scaggs rocker:

Enthusiasts, we now come to the rarest of all occasions here at Fillmore South: LISTICLE WITHIN A LISTICLE:

BOZZES, RANKED

  1. Boz Scaggs.
  2. Bosley from Charlie’s Angels. (John Forsythe version.)
  3. Brian Bosworth.
  4. Bosley from Charlie’s Angels. (Bill Murray version.)
  5. T-Boz from TLC.
  6. Ah, shit.
  7. Hold up.
  8. Wait a minute, wait a minute.
  9. Apparently, Charles Dickens was known to his friends and family as “Boz.”
  10. And, you know: Dickens has to ranked above Brian Bosworth in any honest assay.
  11. It’s fucking Dickens.
  12. I should change it, but then I’d have to reformat a bunch of bullshit.
  13. Enthusiasts, I’ll be honest: I have made a complete hash of this post.
  14. Boz Burrell. (He was in King Crimson, and I’m only including him because one specific Commentator would get all pissy if I left him out.)
  15. BACK TO THE BOATS!

TWO: THE HOUSEBOAT WHERE DON JOHNSON LIVED IN MIAMI VICE Don Johnson’s character on the hit cop drama, Sonny Crockett, was the result of a coked-up 12-year-old’s brainstorming session: he lived on a boat with his pet alligator named Elvis, drove a Ferrari (on a cop’s salary, somehow), and was allergic to socks.

THREE: THE HOUSEBOAT WHERE SHEL SILVERSTEIN LIVED AND HAD JAM SESSIONS WITH DR. HOOK & THE MEDICINE SHOW Shel Silverstein wrote children’s books. Real good ones, too. He didn’t treat the kids like dumbfucks, and he snuck a lot of Buddhism in there while no one was looking. He wrote The Giving Tree, and Where The Sidewalk Ends, and dozens more. Drew the cartoons in the books, too. Spindly, scratchy pen drawings.

And he wrote songs. Big hits. Boy Named Sue is his. Johnny Cash composed a lot of his own material, but not that one. Queen of the Silver Dollar got recorded by a bunch of artists, but Cousin Emmylou did it best:

The bulk of the songwriting Shel did, though, was for Dr. Hook & the Medicine Show, which was–and this a scientifically prove fact–the most unpleasant-looking band ever formed. I don’t mean “goofy-looking.” Rush was goofy-looking. DH&tMS was flat-out ugly.

Here, look:

They were on the houseboat because local authorities had banished them from the land. That’s how ugly this band was. Sang real purty, though.

(AN ASIDE: Everyone who lives on a houseboat is a sex maniac. Normal people do not live on boats. The marina is full of weirdos and perverts.)

FOUR: VENICE TAXI FROM INDIANA JONES AND THE LAST CRUSADE Look at this boat, and answer one question:

Would you fuck that boat? How about now?

You’d fuck that boat. Don’t lie to me, boatfucker.

NOT A BOAT AND THEREFORE NOT NUMBER FIVE: RED OCTOBER Submarines aren’t boats. I know they are colloquially referred to as such, and that the Navy owns a bunch of ’em, but subs are not boats. The entire raison d’etre of a boat is that it stays on top of the water. Samuel Johnson’s entire definition of “boat” was “That which has a great big steering wheel and does not sink.” (In fairness, Dr. Johnson had been working on his dictionary all by himself for around seven years when he wrote that and was at least half-crazed.) Red October and her whisper-drive was super-bitchin’, but subs are not boats and so she cannot be on this list.

SIX: THIS PARTICULAR JET SKI

I will never not laugh at that picture.

SIX: U.S.S. INDIANAPOLIS

Japanese submarine slammed two torpedoes into our side, chief. It was comin’ back, from the island of Tinian to Laytee, just delivered the bomb. The Hiroshima bomb. Eleven hundred men went into the water. Vessel went down in twelve minutes. Didn’t see the first shark for about a half an hour. Tiger. Thirteen footer. You know how you know that when you’re in the water, chief? You tell by lookin’ from the dorsal to the tail.

What we didn’t know… was our bomb mission had been so secret, no distress signal had been sent. Huh huh. They didn’t even list us overdue for a week.

Very first light, chief. The sharks come cruisin’. So we formed ourselves into tight groups. You know it’s… kinda like ol’ squares in battle like a, you see on a calendar, like the battle of Waterloo. And the idea was, the shark comes to the nearest man and that man, he’d start poundin’ and hollerin’ and screamin’ and sometimes the shark would go away. Sometimes he wouldn’t go away. Sometimes that shark, he looks right into you. Right into your eyes. You know the thing about a shark, he’s got…lifeless eyes, black eyes, like a doll’s eye. When he comes at ya, doesn’t seem to be livin’. Until he bites ya and those black eyes roll over white. And then, ah then you hear that terrible high pitch screamin’ and the ocean turns red and spite of all the poundin’ and the hollerin’ they all come in and rip you to pieces.

Y’know by the end of that first dawn, lost a hundred men! I don’t know how many sharks, maybe a thousand! I don’t know how many men, they averaged six an hour. On Thursday mornin’ chief, I bumped into a friend of mine, Herbie Robinson from Cleveland. Baseball player, boson’s mate. I thought he was asleep, reached over to wake him up. Bobbed up and down in the water, just like a kinda top. Up ended. He’d been bitten in half below the waist.

Noon the fifth day, Mr. Hooper, a Lockheed Ventura saw us. He’s a young pilot, a lot younger than Mr. Hooper, anyway he saw us and come in low. And three hours later a big fat PBY comes down and start to pick us up. You know that was the time I was most frightened? Waitin’ for my turn. I’ll never put on a lifejacket again.

So, eleven hundred men went in the water, three hundred and sixteen men come out, the sharks took the rest, June the 29, 1945.

Anyway, we delivered the bomb.

And I can’t beat that writing, so I won’t try.

Thoughts On The Indiana Jones Trilogy

  • Raiders is way better than you remember.
  • Temple is far worse.
  • Crusade is a hoot.
  • There was no fourth film.
  • The hero of the Indiana Jones movies is not Indiana Jones; it’s John Williams.
  • You’re singing it now, aren’t you?
  • Bum-ba-BUM-BAAAA!
  • Although, if we’re completely honest, the Indy score is not all that far from the Star Wars score.
  • I think the main themes are even in the same key.
  • “We need more brass.”
  • “John, we’ve already got every trumpeter, trombonist, and tuba player in England in the studio.”
  • “JOHN WILLIAMS NEEDS MORE BRASS.”
  • Let’s get this out of the way and then make our way through the flicks: whips do not work that way.
  • Everything Indiana Jones taught you about whips was a lie.
  • First off: most archaeologists do not carry them.
  • Second: they do not automatically adjust length according to the necessities of the scene.
  • Third: if they’re wrapped tightly enough around a providentially-located pipe or support beam that you can swing across a chasm, then you can’t unwrap the sucker by shimmying your wrist.
  • Fourth: any honest reading of the Second Amendment says that you can open-carry your bullwhip into Old Navy, and use it to fetch clothing from the high shelves.
  • Okay, enough about whips.
  • We did the whip.
  • We did not do the nae-nae.
  • So: Raiders of the Lost Ark is a poorly named masterpiece of action and fun and hats and punching and Karen Allen’s adorableness.
  • No one raids the ark.
  • It gets dug up, stolen, stolen again, opened, and then hidden in a warehouse.
  • No raiding whatsoever.
  • Also: no Raiders.
  • It would have been nice to see a cameo from Ken “The Snake” Stabler, but it didn’t happen.
  • Would Indy be afraid of Ken “The Snake” Stabler?
  • TotD: Asking The Important Questions.
  • One of the reason’s the first one’s the best one is because it has the best female lead: Karen Allen gets the badass intro out-drinking foreigners in Nepal, and a very fetching pair of red wide-legged trousers in the Cairo section, and she yelps “JONES!” in the most pleasingly hoarse manner.
  • Other than that, she’s just as much a damsel-in-distress as Kate Capshaw in the second one.
  • Allison Doody, the blonde in the third flick, is not a damsel-in-distress.
  • She is a Nazi, though.
  • If those are your two options, go with D-I-D.
  • Which brings us to Nazis.
  • There’s a billion reasons that Temple of Doom sucks, but first on the list: no Nazis.
  • Indiana Jones punches Nazis.
  • He doesn’t have Twitter debates about whether punching Nazis just emboldens the Nazis, or the morality of the act, or slippery slopes, or any of that college bullshit.
  • Indy sees a Nazi?
  • Indy punches a Nazi.
  • Unless she is a hot blonde Nazi with big Teutonic titties.
  • Then, he fucks the Nazi.
  • In Indy’s defense:
    • He did not know she was a Nazi when he fucked her.
    • She was really hot
  • In Temple, you will recall, Indiana Jones fights Scary Brown People.
  • It’s like someone made an action movie out of Orientalism by Edward Said.
  • Not that Mola Ram and the Thugee weren’t just the worst.
  • What with the stealing of children and hearts.
  • But Indiana Jones had a kid sidekick, so can we really claim that one culture is better or worse than the other?
  • A half-hour into Temple, I was rooting for the elephant to attack Screaming Woman and Accent Kid.
  • Just knock both of them to the ground and step on their chests until they died.
  • And then Indy goes on with the adventure, maybe meeting a hot Indian lady–whoever the 1985 version of Aishwarya Rai was–and she doesn’t shriek constantly and isn’t a 60-pound human being whose roundhouse kicks send enormous men flying backwards.
  • I will suspend my disbelief, but I can’t levitate the motherfucker.
  • Magic rocks?
  • Fine.
  • Short Round can knock a grown man unconscious with one flying kick?
  • No.
  • Stop that.
  • Don’t fucking do that.
  • Temple also has the most special effects shots, and they are all incredibly janky and adorable.
  • Green screens behind the mine carts during the big chase, and cheesy matte paintings for the palace, and animated explosions.
  • Whereas Raiders and Crusade go mostly old-school for the action sequences: if the script says “INDY GETS DRAGGED BEHIND TRUCK,” then the crew got a rope and a stunt double.
  • Go back and watch the truck sequence from the first one again.
  • I’ll wait.
  • Oh, fine, I’ll do your homework for you:

https://www.youtube.com/watch?v=F1ZyHNmb1yU

  • There’s one effects shot in the whole sequence: the jeep plummeting over the side of the cliff; otherwise, it’s just stunt men, editing, John Williams’ music, and Harrison Ford’s smirk.
  • Imagine this scene in a movie from 2018.
  • Indy would be leaping from car to car in a shimmery, weightless, digital frenzy; cars would be somersaulting  all over the place; way more product placement.
  • (True, there technically was product placement in the Raiders scene, but it was historically accurate: the Nazis did drive Mercedes trucks. It’s not like in certain franchises I could name where American government agencies are driving Acuras for some reason.)
  • Y’know what?
  • Go back and watch that shit again.
  • But this time keep this in mind: it works not because of the stunts or the excitement, but because of the storytelling.
  • The sequence is a mini three-act structure.
  • ONE: Indy is presented with a problem. (The Ark is being transported out of town in surrounded by Nazis.)
  • TWO: Indy begins to succeed in his mission, but then suffers a massive and life-threatening reversal. (He throws the driver and navigator out of the cab, takes the wheel, drives off his enemies, BUT the Level Boss throws him out of the cab and under the truck, where he nearly gets run over and is then dragged behind the truck in a very unpleasant manner.)
  • THREE: Indy wins the day. (Learning from his past mistakes, he does not throw the Level Boss out of the cab, instead throwing him under it just as he had been.)
  • Another thing to imagine about this movie being made in 2018: how furious would the internet be if John Rhys-Davies got cast as an Egyptian guy?
  • I do, though, respect the man for not even attempting an Egyptian accent, instead using his native “Classically Trained English Actor” accent.
  • You know the one I’m talking about.
  • It’s loud and plummy.
  • The vowels are full, and the consonants are precise.
  • It’s a real good accent to do a death scene in.
  • Anyway, he’s in Crusade, too; him and Denholm Elliot get to play the comic relief to Harrison Ford and Sean Connery’s double act.
  • Speaking of which, neither Harrison Ford nor Sean Connery can act.
  • Not one little bit.
  • They’re spectacular movie stars.
  • But terrible actors.
  • For those disagreeing with me about Harrison Ford’s lack of thespianic skills: go watch Regarding Henry.
  • I fucking dare you.
  • He plays a rich dick who gets shot in the head; turns him developmentally disabled.
  • Which–and I am not a doctor, so I can’t be sure–is not how it works.
  • My friends and I might have referred to this movie as Retarding Henry when it came out.
  • We were little assholes.
  • But, seriously: you know how embarrassing it is when good actors pretend to be mentally challenged?
  • Your Sean Penns, etc.?
  • It’s so much worse when Harrison Ford does it.
  • As for Sean Connery: I don’t think he ever even tried to act.
  • Give Harrison Ford credit for attempting something outside his comfort zone; Sean Connery never played anything but himself, or himself in a toupee.
  • “I show up to shet, shay the words in the shcript, and shlap my shpouse. That’s the Sean Connery way.”
  • But: Nazis!
  • Aliens are good villains, and Commies were good for a while, and terrorists or evil businessmen are fun.
  • But Nazis are the best.
  • You can punch ’em, you can shoot ’em, you can stuff ’em in a sack.
  • You can kick ’em, you can stab ’em, you can stretch ’em on a rack.
  • Nazis!
  • And, wow, does Indy kill his way through the Wehrmacht.
  • He throws them off cliffs, and pushes them into propellers, and runs them over with trucks, and burns quite a few to death in a castle.
  • There is also face-melting, but Indy is not directly responsible for that.
  • So, Enthusiasts: what have we learned?
    • It’s always okay to kill Nazis.
    • Karen Allen should have been a much bigger star.
  • Go with God.