Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: long strange trip (Page 1 of 3)

If Only Holly Could…

The Hollywood Festival is mostly forgotten now. There was no great movie made–mostly because the Dead dosed the entire camera crew–and no one got stabbed by the Hells Angels; the poor concert plum forgot to affix itself to a great narrative, and it just floats in the Rock Nerd aether along with Bickershaw and various Texas/California Jams.

Which is what it deserves, really: the festival was an exceedingly minor one that today is primarily remembered for launching the career of Mungo Jerry.  Also, this shit:

Yes, that is a giant inflatable penis, which has never not been embarrassing. Shameful when Mick Jagger rode one around stage, debasing when the Beastie Boys blew one up on their first tour, and blushworthy here. There are also giant inflatable boobies; they are behind the scaffolding on the right side of the photograph.

Also on the right side of the pic: guy with access to a Time Sheath who has snuck an iPhone X back to 1970. At least be subtle about it, bro.

Here’s the poster:

First: “Leycett near Newcastle under Lyme-Staffordshire” is clearly a satirical town name made up by Monty Python or someone. Nothing could be that British.

Second: Shockingly enough, the poster made by stoned dimwits who declared bankruptcy immediately after the show, leaving all the contractors and technicians unpaid, features some inaccuracies. Neither the Flying Burrito Brothers nor the James Gang actually performed (or were in the country that weekend), but Screaming Lord Sutch and San Fran favorites the Flaming Groovies did. Whether or not Alice Cooper did is a matter of debate, as it was the past and no one wrote anything down.

Third: Dead played at 4:30 on Sunday afternoon. Didn’t headline. Makes sense, though: the band had never been to England before, and the fuddie-duddies at the BBC certainly weren’t wearing out their copies of Aoxomoxoa. The hip kids had heard of the Dead, but not heard the Dead. Maybe NME had written about them. When they returned in 1972, they’d sell out their shows without any support acts, but–in 1970–they were the support act.

(To Mungo Jerry. Honest. The Grateful fucking Dead opened for Mungo fucking Jerry. The neo-skiffle act went over so well on Saturday that the organizers gave them another set on Sunday right after the Dead. Crowd ate ’em up.)

Fourth: While I can’t find any first-hand accounts of Ginger Baker punching anyone, rest assured that Ginger Baker punched at least one person that weekend. This was right before everyone in London got so sick of him that he fled to Nigeria to be the second-best drummer in Fela Kuti’s band for a while, before everyone in Lagos got so sick of him that he had to flee back to London.

Fifth: Holy shit, the Hells Angels were there after all!


But, you know, not really. These were the British version of the Hells Angels that Mick Jagger had taken a liking to at the Stones’ Hyde Park show, leading to the disaster at Altamont, and they weren’t up to snuff. Look at that drawn-on swastika. That guy in the bear hat from Gimme Shelter could take these sissipated poseurs all by himself.

Here’s a better shot of the Dead’s set, featuring more giant inflatable boobies:

Titties and ding-dongs, Enthusiasts. When they ask you about the 70’s, just tell ’em it was nothing but titties and ding-dongs.

If you’d like to know more about the 1970 Hollywood Festival, then consult your local library. Then, after they tell you they have no idea what the fuck you’re talking about, go to this site.

TotD’s Two-In-One

THIS PART IS FOR ALL ENTHUSIASTS WHO ARE NOT AMIR BAR-LEV

The video clips I’ve been posting are, obviously, from the upcoming Long Strange Trip DVD/Blu-Ray release and–funny story–I’m not sure they’re supposed to be on YouTube. Apparently, Sam Cutler has been posting them on Facebook. So, um, download them immediately. (Especially the clip above: a hairy, snarly 1970 China Cat that also features a guest appearance by the giant white fascism bubble from The Prisoner, which the internet says is called a “Rover,” but I have always thought of as part of the Shmoo family.)

THIS PART IS FOR ALL ENTHUSIASTS WHO ARE AMIR BAR-LEV

Hey, buddy. How’s it hanging? Family good? Great. So…you might wanna call Cutler. Do you have the number for his van?

Power Moves: Let’s Count ‘Em

  1. Hunter’s ‘stache.
  2. Oddly-shaped luggage.
  3. Literally nothing in 1970 was ergonomic; I don’t even think the word existed.
  4. Smoking cigars in an airport.
  5. Mickey smoking a cigar while chewing gum and wearing the worst sunglasses the Northern Hemisphere.
  6. Ramrod’s pee-pee dance.
  7. And his serape.
  8. Going to England?
  9. Better bring a serape.
  10. Holy shit, Cutler was young once?
  11. Using the power of deduction, we can figure that Phil was the one who lost his passport.
  12. I bet he handled the situation with charm and understanding.
  13. That was what Young Phil was known for.

So The Kids They Dance And Shake Their Bonus Features

Go to the Dead’s website, Enthusiasts, and bring your wallets: it’s time for the Limited Deluxe Collector’s Special Edition (With Bonus Features) of the award-winning documentary Long Strange Trip. With unseen footage and previously unreleased performances, it’s the perfect stocking-stuffer for that Deadhead on your Christmas list!

Are you trying to get them to send you a free copy?

Yes.

You don’t even have a Blu-Ray player.

I would also like Amir Bar Lev to send me a Blu-Ray player.

He most likely will not. What are the special features?

Six songs from the 1970 Hollywood Festival in England, couple from ’89, some backstage stuff, and a commentary track from Amir and his editor, John Walter.

Weird that they didn’t ask you to do a commentary track.

No. Not weird. Insulting as fuck. And it just hurts the Enthusiasts.

Oh, sure. They could have had four hours of you taking bong hits and talking about the band members’ haircuts and trousers.

Right?

Shut up and post the other Garcia clip.

Bite my nads.

A High Honor

For Your Consideration

Those are three important words in Hollywood, Enthusiasts. There’s “I love you,” and “Where’s the coke?” or “Ronan Farrow called,” but “For Your Consideration” has ’em all beat. They are a mantra of supplication, your opening bid for immortality (or a temporary version of it); those words are a magical incantation, Enthusiasts. Say it once: tuxedos; say it twice; gowns; say it three times, and Jack Nicholson’s sitting up front wearing his sunglasses inside. But if you say it juuuuuuust right, then your asking price quadruples.

Long Strange Trip, Enthusiasts, is up for an Oscar, sorta maybe. The acclaimed documentary has been placed on the Short List for Best Feature Documentary: out of 170 films, the voters picked 15 for further perusal and another round of ballots. On the 23rd (1/23/17, if you insist), the final five nominees will be announced and then the winner gets…excuse me, the Oscar goes to one of ’em in the dead middle of a four-hour show hosted by Jimmy Kimmel.

Now, you and I and the Academy all know that LST is much better than those other 14 pieces of dogshit, but this is Los Angeles and “the movie actually being good” is only one of the interlinking qualities a film must possess to win the coveted golden tchotchke. (Fun fact: neither Chachi nor Greta Schacchi has ever been nominated for a golden tchotchke.) Winning an Oscar requires three avenues of attack:

  1. Quality.
  2. Bribery.
  3. Schmoozery.

Let’s take LST‘s artistic achievement as a givenand move on to number two: bribery. It takes a shitload of cash to win an award worth about $400 in gold plating. “For Your Consideration” really is a bit of a magical phrase: you have to slather it all over full-page ads in the Hollywood Reporter and Variety to let the town know you’re serious about being considered. You can’t just send out a mass e-mail or post on your Instagram account, nuh-uh. Full. Page. Ad. At least once a week in both rags from now until voting is over, and that’ll run you.

And parties. Gotta throw a party or two for the Academy. Cocktails for the rank and file, maybe host a dinner party for the influential folks, and this ain’t some Milwaukee kegger, no: this is a Hollywood party with extra expenses. Cocaine, and orifices, and alibis have to be provided.

You have to throw these parties because they are where you schmooze. Cajoling, wheedling, dealing from the middle of the deck, buttonholing, hollering, strategic negging, rumor-spreading, blackmailing, flirting, nipple-tweaking, negotiating in shaky faith, bullshitting, horsetrading, bird-dogging, begging, threatening, fetching the universe from within your ass, insinuating, massaging the facts, accusing the messenger, assaulting the bartender, and–if you feel it won’t hurt–just being yourself.

You know: schmoozing.

What we need, Enthusiasts, is a solid plan; a path to victory. (I won’t lie to you: I need this one. I think an Oscar can fill an Al Franken-sized hole in my heart. Let’s start out 2018 right.) Luckily, I have such a plan, and here’s what the key players need to do:

Amir Bar-Lev, Director You know what show biz is, Amir? It’s a game of inches. You win by inches, you lose by inches, and sometimes if you want something bad enough, you take some inches. Or give some. Basically what I’m saying, Amir buddy, is that you’re gonna have to fuck your way onto that stage. God gave you those blue eyes for a reason, and now you’re going to fulfill your destiny. Men, women, Martin Landau’s corpse: doesn’t matter what you think, pal; if they give you the green light, take your dick out.

(WARNING: this is the single worst moment in American sociopolitical history for a straight white man to try to fuck his way to the top. Nevertheless, I believe in you. Fuck for all of us, Amir. Fuck us up that mountain.)

Eric Eisner, Producer Eric, you need to call your father, Michael Ovitz, and have him do something.

Justin Kreutzmann, Producer Justin, you need to call your father, Bill Kreutzmann, and have him do nothing.

Ken Dornstein, Producer Ken, I don’t know you, so you’re going to be the tech guy. Every team needs a tech guy. You’re like Ving Rhames in the Mission Impossible movies, but–I am assuming–not an enormous black man. Or, if you wish, the one guy in Ocean’s 11 who wasn’t famous or Chinese. You get a van with all sorts of knickknacks and doodads, and you get to deliver tense, whispered dialogue like, “You’ve got twenty seconds,” and “I’m in!”

Alex Blavatnik, Producer Martial arts expert.

Nick Koskoff Master of disguise/help Justin keep his dad out of the process.

Martin ScorseseExecutive Producer Please don’t get accused of anything in the next few weeks.

Bob Weir, Bob Weir Bobby, put the guitar in the Tesla, drive to LA, and sing some cowboy songs for fancy people in a living room off Benedict Canyon. You’re our secret weapon. If you could bring Josh with you, so much better.

All right, everybody got their assignments? Okay, “Grateful Dead” on three. One, two–

Jackass!

–three. Yes?

Did you think to, perhaps, congratulate Amir and the rest of the team on an incredible honor?

Is that not what I’ve been doing for 800 words?

No. Not at all.

Well, that’s what I meant. Hollywood types are smart enough to read between the lines.

Something something cocaine joke.

Congratulations Are In Order

Awards are for wieners. This is a fact known by everyone who has never won an award. Are we discussing sprinting? Because awards should be given out in sprinting: one fucker hit the tape first. Boxing, too. The guy who’s not unconscious gets an award. Or contests. Elmira June sold more Girl Scout cookies than Susie May: you have a pre-decided metric or accomplishment, and whoever scores the highest, wins. Hot dog-eating competitions and hunger strikes can both be graded to find the singular “best” and that person or group awarded, yes, absolutely.

But art? An artist asks, What right have you to grade my work? Show me your portfolio, bring me your creations and let me judge you first. And, as a true artist has no rival but himself, he rejects others’ appraisals. The true artist creates his own award.

Hell, fuck art. Entertainment? Get out of my office with that foolishness. Actually: wait, don’t leave yet. Watch me masturbate.

Stop repeating this joke.

It makes me giggle.

It makes the nice people nauseous.

Yes, awards are for wieners, unless you’ve been nominated for one, and we have, so awards are fucking awesome and I love the Grammys. I have come to this revelation today, having learned that we are up for two Grammy Awards.

We?

Yes. We. This is a team effort. Morale is low since Franken.

True.

The Grateful Dead is up for two Grammys, Enthusiasts! Kinda! The Dead never won any of the shiny little doodads–they were never even nominated until after Garcia died–but, as usual, everyone’s favorite choogly band is doing its best work after becoming semi-defunct. The nods are in the categories of Best Boxed Or Special Limited Edition Package (May 1977:  Get Shown The Light, Masaki Koike, art director) and Best Music Film (Long Strange Trip, a bunch of Jews*, producers).

Did you know that the Recording Academy is at the forefront of medical research into tinnitus prevention and treatment? That’s just one of the many charities that the fine folks behind the Grammy Awards fund; others include MusicCares, which helps aging musicians with healthcare bills, and the Starkey Hearing Foundation, which investigates hearing loss and provides low-cost hearing aids for Academy members. It’s like I’ve always said: the guy from the record company is the real hero.

What was that all about?

Those Grammy voters are good eggs. The salt of the earth. They’re salted eggs, man.

Stop kissing the Recording Academy’s ass. 

You’re right. We need to cheat. What if we buy twitter bots and launch a fake news attack on the other nominees?

No. Well, maybe. Who are we up against?

In the Package category, the one to beat is the re-release of the Golden Record they sent up with the Voyager.

The one with Johnny B. Goode on it?

Yeah.

How nice could itHOLY SHIT look at that fucking thing.

Right?

That’s tough to beat.

Hey, the May ’77 box comes with a whole book.

Yeah, I read it. I’m going with the spaceship. My God, the paper stock. I would blow that box set.

Dude.

It’s sexy, man.

You’re getting weird. Odds are better in the Best Music Film category, though. But not great. This is going to come down to one thing.

Don’t say–

Me.

–me. No. You have nothing to do with anything. You’re almost irrelevant to yourself.

I will turn the tide in favor of the Grateful Dead. I have a plan.

Already?

I will come up with a plan.

Better.

 

*Amir Bar-Lev, video director; Alex Blavatnik, Ken Dornstein, Eric Eisner, Nick Koskoff & Justin Kreutzmann, video producers.

Talking Points

Like Amir told you before Donna Brazile replaced him on the ticket, Long Strange Trip will be doing a few screenings in selected cities this week. (“Selected cities” always means New York and Los Angeles, maybe San Francisco and Chicago. Milwaukee never gets selected.) If you’re in the area, you should go by and–and I cannot express how sincere I am in this request–ask Amir stupid bullshit. Here’s the sign-up for San Fran; here’s New York. I would suggest saving the truly dumb bullshit for New York, as he will be goofy from all the travel.

“TotD,” you argue. “I am not a creative dynamo like you. For example, I did not come up with Sleepy Batman. I don’t know what to say.”

And I would reply, Who the fuck told you that you could have dialogue?

“I just assumed–” you say, but I cut you off and…

BANG!

…shoot you in the face. For those of you whom I did not shoot in the face, these are some good topics and questions to annoy Amir Bar-Lev with:

  • Director’s Cut. (I would like to organize a flash mob to attend the Q&A and instead of singing or dancing, every single one of them asks about the Director’s Cut until Amir stabs someone.)
  • Quantitative easing and its effects on the international currency markets.
  • Has he ever met Kevin Spacey?
  • 20-minute story about your first show/how your dog needs LASIK surgery, followed by an attempt to pass the hat around the theater.
  • The plenty of youth, and the hardening of life’s winter.
  • Boobies.
  • If you were forced to travel back in time and fight a member of the Algonquin Round Table, whom would you fight? (Difficulty level: cannot choose Dorothy Parker.)
  • Bring some kitchen/household items with you to the screening and make Amir play Price Is Right-style pricing games with you.
  • Demand to see his feet, begin screaming the N-word. (Quentin Tarantino only.)
  • Do the silent letters in the word “doughnut” make you go “ugh?”
  • Make him work out the problem with the river and boat and the fox and chicken and the wheat.
  • “Didn’t I meet you in Vienna on a chilly Monday morning?”
  • And if Amir answers…
  • “You’ve got the weather right, but it was Tuesday in Munich.”
  • …then he’s your contact; exchange the microchip for the bearer bonds and get to the safe house.

The Glitz And The Glamour

As I told you yesterday, Enthusiasts, the instantly irreplaceable documentary Long, Strange Trip will be coming back to theaters for limited runs in New York and Los Angeles; I did not mention the reason. The spectacular film and its heroic director, FoTotD Amir Bar-Lev, are up for some prizes. The Critics’ Choice Documentary Awards has an illustrious history stretching all the way back to 2016, when trolley cars ruled the avenues and baseball was still segregated. So the critics have a chance to see the flicks before voting, they’re all screened in a theater before the show.

Literally none of that is true. You made all of that up. 

Who gives a shit?

History. History will care, and history will judge you for your intellectual malfeasance.

Explain to me what intellectual malfeasance is, and I’ll tell you why you’re wrong.

Just try to get information correct.

That is most assuredly not my job around here, bucko.

The awards ceremony is being held November 2nd; the Los Angeles run isn’t until the 3rd. 

There might be Time Sheath technology at play here.

There is not. You made up the thing about why LST is going back to theaters. You saw there was an awards show and you conflated the two ideas in your head without thinking about it any further.

So?

Get your shit together.

I’m ignoring you.

The world’s ignoring you.

Anyway, the movie’s up for Best Music Documentary and Amir’s up for Best Director. The betting door at Offtrack Betting on the Dead (OtBotD) is now open.

Though I have seen only one of these films, I can confidently say that the one I saw was the best. Not a strong field of horses here, if we handicap with an objective eye, and no eye is more objective than mine, as not only have I not seen these films, I have not heard of them. Even with this paucity of facts, I’d hesitate to place money on LST in this one. Very tough to beat the Eagles of Death Metal in this one. On the other hand, I would still pony up a bet as the lead singer of EODM is a repugnant man who managed to make himself unsympathetic despite having been the target of a terrorist attack. You have to be an immense asshole to pull that one off, and Guy Who Isn’t Josh Homme is just that kind of asshole. This might split the vote, enabling a third movie to win with a plurality.

Rumble is about the role of Native Americans in rock and roll. I called him Morgan is about a trumpeter who shoots his wife. Contemporary Color is 90 minutes of color guards throwing flags around while Ad-Rock raps. The Grateful Dead is better than all of these things, especially that color guard bullshit. The Indian movie sounds interesting, but no one in the Grateful Dead fell victim to a series of plagues in the 16th and 17th century, so that makes them the winner.

Nobody in the Grateful Dead ever shot anyone, let alone their wives, so it beats the trumpet movie.

Why the pause?

I had to stop and think about whether anyone ever got shot.

Yeah, okay. It’s like: someone should have gotten shot.

By accident, at least. Mickey should have shot a teenager in the foot while yoinking merch. Or Garcia winging Rock in that basement they hid in.

It’s a miracle they made it out alive.

A lot of them didn’t.

True. What about the Clive Davis movie?

I think they’re making movies now for the sole purpose of padding out Netflix.

That means you’ll watch it.

Of course. I’m currently reading a memoir written by the drummer from the Spiders from Mars. I have a problem. Let’s get off of me. The topic is LST‘s odds, and OtBotD sets the line at 3-1. Gonna be tough to climb over all those dead French kids.

JESUS.

What? I’m talking about gambling. I’m being hard-boiled.

You’re being wicked. You’re a devil-person with wrong thoughts and you shouldn’t share them with the nice people.

May I continue?

To hell. You may continue on the path to hell.

Thank you. The other category we (this is now a communal undertaking) have a nod in is Best Director. Let’s see who we got:

First of all, Critics’ Choice Documentary Awards, this is too many people. You should have eliminated Morrison, Nichol, and Orlowski right off the bat for having boring names. In a similar but opposed fashion, Agnés Varda & JR are disqualified for having too interesting a name. Evgeny Afineevsky is also out, and that’s a personal thing between me and the Russians right now. Nothing against Evgeny. Irene Taylor Brodsky has three names, so fuck her. Frederick Wiseman sounds like a old-time movie star who appeared in horror movies, so he’s scratched. Matthew Heineman is just as boring a name as Morrison, Nichol, or Orlowski; I don’t know why I didn’t group him in with the others; I apologize to you for the oversight. Ceyda Torun is Star Wars character, and therefore nixed.

Amir wins. Odds of victory: 3-1.

You gave him 3-1 on the last one.

I don’t actually know how betting works.

You are bad.

Yes. We end with demands. Amir will most likely be present for one or more of the screenings in New York and Los Angeles, so I have two:

Enthusiasts in New York

Please bother Amir and take pictures.

Amir in Los Angeles

Please bother famous people and take pictures.

I would also like to be thanked from stage, but have just decided that I will write the acceptance speech. It is forthcoming.

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