Musings on the Most Ridiculous Band I Can't Stop Listening To

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As you must surely know by now, Thoughts on the Dead is not a one-stop shop for all your Jam Scene needs. Sartre said that hell is other people, but he hadn’t heard Twiddle. It’s all just a bunch of doodlebopping for smelly whites to stand in a field to, and I’ll have no truck with any of them. I also wouldn’t get in a van with any of them. Take your Widespread Cheeses and your Dildo Bilbos and begone with you.

And while the Phishes are galactically better than the rest of the dreck on that JamOn station, TotD is not TotPh.

(Seriously, Phish: it is embarrassing at this point that you don’t have your own channel. Jimmy fucking Buffet has his own channel, and he is a demon in flip-flops.)

Which is to say that the Phish nonsense ends tonight, and not a moment too soon; if I read another too-clever-by-half article about the band, I’ll plotz. Plotz, I tells ya. Thankfully, like a cactus bloom in a desert, the great Jesse Jarnow writes about the highlights in Rolling Stone. Mr. Jarnow (along with Ms. Petrusich in her New Yorker article) distinguishes himself from the pack by knowing what he’s talking about, and I urge you to go read his lovely prose.

If you don’t have time, though, I can recap his highlights for you:

Best Donut-Related Teen Freakout: “Adam Hershowitz, 19” (Jimmies, Night 9)

Adam’s cousin told him to wait an hour. Adam didn’t feel anything after 20 minutes. Adam put the donut on his dick and ranted about how rosary beads were just wearable prayer wheels. Adam got tackled by security.

Most Unexpected Celebrity Sighting: “Suge Knight” (Boston Cream, Night 12)

When asked about his presence at the show, Suge explained his longtime love for the improvisatory Vermonters. He went on to express his hope for some “dope 2.0 shit,” and then went backstage and dangled Page out a window for a while.

Killerest Jams: “Multiple” (Multiple nights)

Phish showed the packed house opening night that this wasn’t to be a normal run with intensely jammed-out versions of Swack, Mining In The Forest, and Lamp Fight. (The Lamp Fight jam in particular was incredible, lasting 40 minutes and containing musical allusions to Trey’s never-completed fantasy-themed rock opera, The Moate Of Grilm.) Night two saw an almost hour-long rendition of Tetherball Daddy, while night five featured an Anteater>Face The Water>Frictional Fraction>Anteater that was better than any magic trick Criss Angel can do.

Angriest Crowd Member: “Sam Cutler” (Strawberry, Night 2)

Sam Cutler threw his donut at a young woman in a wheelchair, and then punched Mike Gordon right in the scarf. He had nothing but compliments for the spicy chicken sandwiches, though.

Hell Brent For Leather

Douglas Adams had his Infinite Improbability Drive, but he didn’t go far enough: I introduce the Infinite Infinity Drive.

Assume infinity.

Assume the multiverse.

Therefore, if where you are is not where you want to be, then in one of the infinite universes where you are is where it is at. One can figure which is which by building a computer large enough to calculate infinity. Since such a computer would necessarily have to be larger than infinity, it might seem impossible, until one remembers that infinity must by definition contain, say, infinity+24.

It’s bigger on the inside.

You are teetering on the brink, my friend. 

9/5/79 at MSG (Do I favor East Coast show over West Coast? Am I a Coastist? Do I believe that the West Coast is fine and all, just as long as it stays over there? Yeah. Sue me.)

I am hissing at you. Hissing. Hssss.

It is, obviously, a Brent. Much like strangers at airport bars, I’ve always had an iffy relationship with Brent, but I’m going to give him a concentrated listening, at least until I can staunch this bleeding head wound. I woke up to vomit last night, like you do, and I THWACKED my head into the samurai swords I keep loose in the bathroom, the one room you’re almost guaranteed to roam around in like a piano tuner nightly. (I’m sure blind people must have gone to Dead shows, but did they bring the dog in with them? It seems mean to the dog, what with the dog-hearing and a Dead show had to be, like, the most INTERESTING SMELLING PLACE IN THE WORLD to a dog, but a guide dog has to be like those guards outside Buckingham Palace.)

(BUT, if you were blind, would you ever go to a concert or put on headphones without your dog, or the biggest, strongest, most loyal buddy in the world with you? Like, your brother just happens to be The Big Show. And I’d rather have the dog: some drunk asshole will have a go at The Big Show just because, but nobody messes with dogs. Music would cut off all your connection to the outside world; you wouldn’t be able to hear anyone sneaking up on you and people sneak up on blind people all the time)

My equivocation towards Brent lies with his playing and his voice. His playing is tremendous: he fit in with the band instantly and added new layers with his adroit B3. His playing stepped up everyone’s game and though his Rhodes could sound tinkly, it was still a welcome relief from the constant piano block-chords of the later Keith years.

I just never warmed to Brent’s voice. It always sounded like a hack comic doing a Michael McDonald impression. I’m sure there are those of you who disagree. I am sorry for your wrongness.

Who Wears Short Shorts?

I need to stop watching these videos, because…I hate to say this, but: looking at Bobby and his choices distracts me from the music.

He is wearing a too-tight purple Izod, and his short pants. They are the type of short pants that suggest a bikini underneath and a long, soapy afternoon washing cars to raise money for Cayden’s cousin Rex who’s got cerurul pawsy. or something–it’s bad. He is playing not his ultra-cool 335, but a Casio guitar. Not a joke, that: it was seriously made by Casio.

Bobby, why won’t you let us love you? You know we do, Bobert. But, these fashion shenanigans (fashenanigans?) are going to have to stop or you will have to start letting me out of the car at least two blocks from school.

It’s 9/10/91, MSG, NYC. Ok? It’s one of the only Vince-related things to hold up at all, and as I’ve stated before, it’s tough to sound too bad when you’re being propped up by Bruce Hornsby and Branford Marsalis.

Anyway, I won’t do my usual dissection of the thing, except to point out one bit that I BEG you to watch because it will make you very happy, I promise: it happens at  1.15.30–Branford is coming out of this wonderful solo and plays this figure, ascending sixteenth notes, pretty but nothing mind-blowing, except Bruce starts playing it, so Branford goes back to it and the Phil picks it up, but he’s playing it going down the scale, and Garcia finally just reaches up the neck of his guitar, effortlessly, to where he knows the notes have always been, waiting for him to play them, and he picks up the figure twice and launches into his solo and yes I said yes I said yes.