Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: phil lesh (Page 13 of 105)

It’s A Set-Up

We are told that the triangle is the strongest shape found in nature, but triangles do not occur in nature. Lot of shit’s triangular–mountains are pretty trianglescent, for example–but no actual triangles. Spheres? Circles? Absolutely. Bees’ll do ya up a nice hexagon. But triangles? Nah.

And certainly not hairy rhombi, which is the configuration the Dead have assembled into here. The Mickey-Bobby and Phil-Billy-Garcia (hereafter known as MB and PKG) line segments are parallel and share a slope of +1 (roughly).  The rhombus is an inherently unstable shape, which is why the Egyptians did not entomb their kings in them. (Also, Ptolemy hated rhombuses. “Your name being spelled wrong is my thing,” the pharaoh would often say, to which his courtiers did not respond, as the joke only works in modern-day English.)

Which brings me to my thesis: the Grateful Dead did shit wrong.

Is that your thesis or an overarching theme?

Both.

Okay.

Look at them. I mean, just look at them. Everyone is entirely off their kilter; perhaps no one had even been on their kilter at all that day. Besides the asymmetry–which would be bettered if Pig were in the shot–it’s the bocce court in between Mickey and Billy that’s the beauty bit.

You see those monitors? They’re not monitors. They’re speakers shimmed into position with some stolen motel Bibles. Monitors are wedge-shaped so you don’t have to lean them against stuff to get them into the right position, and in 1970 they didn’t exist. So you propped up some PA speakers, plugged ’em into the board, and fiddled with knobs until they didn’t feedback. That was about it. And they were just for the vocals, really; you heard your guitar through the nine giant amplifiers stacked behind you.

So, if you wanted to hear the drummer, you had to stand right next to the drummer.

But the mic was all the way at the front of the stage, so Phil had to run up Drummer’s Alley every time he had to sing. (Do you think he waited til the last second and sprinted up dramatically like the big-time Rock Stars used to do? Or was it a casual mosey? It was a casual mosey, wasn’t it?)

OR

Whatever their current relationship, Phil and Billy used to be Shirt Buddies, and that’s how I’ll continue thinking of them.

Slobs Versus Snobs

Y’know, Pig, most bands had one look. A collective aesthetic, if you will.

“I most certainly will not, you fancy-talkin’ cockknocker!”

Cockknocker?

“Heard one o’ the crew say it the other day. Thought it was funny.”

It is.

“I know!”

Seriously, man: you guys look like you’re in different bands.

“Y’gotta give the kids options f’r their eyeballs! Mebbe they get tired o’ lookin’ at College Boy over here, so they take a peek at the ol’ Pig! Switch it up ev’ry now an’ then!”

I guess.

“You guess, but I know! Done my research!”

You did research on this?

“I sure did! Asked my ol’ lady! I said, ‘Woman! How we lookin’ this evenin’?’ And she said we looked sharp!”

That sounds like research.

“If y’ can’t trust your ol’ lady, then I feel bad f’r ya!”

You never tell a lie, Pig.

“That ain’t what my ol’ lady says!”

Good one.

“Heh.”

Six The Hard Way

Mickey: actively masturbating.

OR

“Hi, there.”

“Yeah, uh, hi.”

Who is speaking right now?

“Bobby’s thighs.”

“Howdy.”

Noooooooope. Not happening.

OR

Everyone looks like they’re sucking up to Garcia to get a promotion.

OR

Billy’s shirt by Wyatt Koch. (Click at your own risk, but I’ll tell you upfront: you’re gonna want to murder the next rich fucker you see.)

OR

Amir Bar-Lev is directing a documentary about Phil entitled Tucker: A Man And His Shirts.

OR

Seriously, how was Bobby in a band with these mutants? He’s like an Eloi among Morlocks.

The Man In The High Forecastle

Get yourself a new book?

“Fuck off.”

What kind of room is this? You look like you’re in a submarine.

“No, a boat.”

You’re in a boat?

Oh, right. You have an office in there. I thought you bought a fuckboat.

“No. I was on Clive Davis’ fuckboat a couple times.”

How was it?

“Lotta fucking.”

You should buy the Nissan dealership.

“I’m not selling Datsuns.”

You’re a man of principle.

“Yup. Fuck off.”

What’s The Opposite Of General Admission?

Yes, Enthusiasts, the tour you’ve all been waiting for is here, for a certain value of “all.” (The value is 0. I’m not saying no one is now looking forward to the shows, just that no one was anticipating them. This morning’s announcement was as much of a surprise as this morning’s announcement that Mario Batali was a pussygrabber wasn’t.) (We should call it that. Let’s just call all the media and business and political assholes that get fired for sexual harassment/assault pussygrabbers. That way, every time you say it you remember, “Oh, right. The president bragged about doing that.)(I feel we’ve forgotten about that part of the Access Hollywood tape: Basketball Head was trying to impress Billy Bush. Donald Trump needed Billy Bush’s approval. That alone should have disqualified him from owning a Taco Bell in Schenectady, forget about being the president.) (Speaking of Taco Bell–

STOP STRINGING PARENTHETICALS TOGETHER.

None of those thoughts were germane to the main point.

Do you have a point?

I have a collection of jokes and a distinctive voice.

Just do whatever it is you do here.

Anyway, Bobby and Phil are going on tour: six shows in three cities at a moderate pace. According to Jambase–and fuck my life for having to start a sentence like that–they’ll be playing two sets, one acrostic and one eclectic, and there may be guests. The guests will not be the drummers.

But, TotD, you’re asking: is there a VIP package available?

Ah, I would answer. I did not realize I was speaking to someone who was Very Important. Of course there is, sir and/or ma’am but most likely sir.  Follow me, won’t you?

And you’d purse your lips slightly, as if you were looking at a poor person.

To which I’d respond, My thoughts exactly, sir. I was just showing you that so that you’ll know what the new money is getting. For you, sir, we have another class of accommodation. For you, sir, we have the Praetor’s Suite. Allow me to list your amenities.

  • One (1) seat wherever the fuck you want to sit. Upfront, behind the soundboard, in Bobby’s lap: wherever. And if someone’s in the seat already, your exclusive Executive Goon will move them as violently as you’d prefer.
  • Invitation to attend Bobby’s daughter’s next sorority function.
  • The openest bar you’ve ever fucking seen. And the good stuff, too. Not the swill those assholes who buy the Enhanced Experience get. You may also direct your Executive Goon to take drinks from other patrons and give them to you.
  • One (1) exclusive poster produced on-site by that evening’s artist while you watch and heckle.
  • One (1) Bitcoin.
  • Private time with Bobby OR Phil (Private time will contain, but is not limited to: Garcia stories, discussion of why blue fin is such a trash fish, watching Baby Levon while Phil takes a piss, thumb wrestling.)
  • One (1) song request, plus you get to specify the tempo.
  • If Jeff Chimenti is one of the guests, then you will be allowed to brush his hair.
  • Private merch fashion booth.

You approve? I hoped that you would. Shall we have your people handle the financial matters? Of course, sir. Talking about money is for poor people. We’ll see you at the show.

Marching Two By Two

“Phil, hear me out.”

“No.”

“We call it Dead & Family. You, me, Josh, New Brent, and that kid from the cover band who plays too fast on drums.”

“No.”

“Fine, Grahame can be in the band.”

“It’s not about that.”

“Short tour.”

“Bob, I don’t wanna tour anymore. I’ve told you this a million times.”

“Short. Real short. 14 cities in 18 nights. Northeast in March.”

“That sounds like a sentence. A judge would literally have to force me to do that.”

“March is a lot warmer than it used to be up there.”

“Hard pass, Bob.”

“Ten shows, ten night, ten cities.”

“I would die, Bobby. That would kill me.”

“You’re healthy as a horse.”

“No, I mean I’d fucking kill myself rather than do that.”

“Four cities, spaced out over a week-and-a-half, really nice hotels.”

“Which cities?”

“New York, Boston, DC, and Chicago.”

“I don’t wanna go anywhere near DC.”

“Done. It’s out.”

“Three cities?”

“Just three.”

“No Josh. We get someone else.”

“He’s, uh, come a long way. Really played his way into the music.”

“Yeah, I know. I listened to a couple of shows from your last tour. It’s just that we’d just have to pay him too much.”

“Ah.”

“I got a restaurant full of Fake Jerrys that’ll do it for a grand a night.”

“Keeping money is better than giving it to someone else.”

“There you go, Bob.”

“All right.”

“Weir, I want you to look me in the eyes and promise me you’re not gonna call me in a couple days trying to work the drummers into the mix.”

“No drummers.”

“No BIlly, No Mickey, none of Mickey’s weird little foreign friends and their weird little foreign drums.”

“Nope.”

“I don’t even wanna hear their names. If a Disney cartoon comes on, you say, ‘Hey, there’s Minnie Mouse’s husband.”

“Gotcha.”

“When you’re singing Ramble On Rose, you change the line to ‘Just like Kiddy Fun Day.'”

“Sure. What is, uh, Kiddy Fun Day?”

“We do it out back by the bocce courts every weekend. Weather permitting.”

“Everything depends on the weather.”

“Sure does. We clear? No drummers.”

“Okee-dokee. But that means we can’t call it Dead & Family.”

“Who gives a shit?”

“Can’t use the Stealie.”

“Who told you that? That thing’s public domain by now. Every asshole on the internet slapped it on a bumper sticker and we never sent ’em any threatening letters. That sucker belongs to the people now, comrade.”

“Yeah, maybe. You in?”

“I gotta talk to Jill.”

“Make sure you mention that Radio City has a capacity of 6,000 with a per-seat estimated average of $211.”

“I’ll tell her.”

“Lead with it.”

Crickets And Cicadas Sing A Rare And Looney Tune

“Whatchoo say, Bobert Weir!? Repeat that statement!”

“The coyote was gonna fuck the roadrunner.”

“Lesh, you hearin’ this!?”

“I’ve tried to explain it to him, Pig. Leave me out of it.”

“Dammit, Weir, the coyote is whatchoo call a carnivore! And a roadrunner is what a coyote might call lunch!”

“Be that as it may, I always saw a subtext.”

“Ain’t no subtext in a kiddy cartoon!”

“Wile E. is a boy, right?”

“I suppose.”

“And Roadrunner is a girl.”

“Roadrunner is a roadrunner! Where you gettin’ a female vibe?”

“The eyes. The legs. The adaptiveness.”

“You boys on that lightning juice tonight?”

“No, nuh-uh.”

“Be honest.”

“Cross my heart, Pig. I just, you know, think the coyote wanted to fuck the roadrunner. The eating was symbolic.”

“You’re thinkin’ of Pepe le Pew!”

“Him, too. All of ’em. Foghorn and the Bantamweight, Sheepdog and the Wolf, Bugs and Everybody. At the heart of each is a seduction story.”

“Stop talkin’ foolishness, Weir.”

“He’s right, Pig! All those cartoons were about fucking, man!”

“Garcia, you stay outta this!”

“When, uh, the coyote falls off the cliff? That’s an orgasm.”

“No, it ain’t!”

“That’s what ‘That’s all, folks’ really means, which actually has a double meaning. The first is: I just came. The second? Remove the comma and you have ‘That’s all folks.’ What’s made of folks? Semen. The double-meaning doubles back on itself. Chuck Jones was really playing the long game.”

“Weir, don’t take this the wrong way, but I’m gonna go find me a fox.”

“Ooh, good idea. Grab me one.”

“The ol’ Pig’ll see what he c’n do.”

The Dead Sell Out

When did Phil stop drinking? Because this is from before that. I think it’s ’85; that shirt combination was one of Garcia’s favorites in ’85.

OR

“So it’s me and Mydland and Jer. and we’re singing or something.”

“Okay.”

“But then the camera pulls to out reveal we were on a monitor.”

“I don’t think there’s a special effects budget.”

“We’ll figure it out. Anyway, now we’re in the studio and you read the copy or whatever and Billy sits there and dicks around.”

“Right.”

“But then the camera zooms out…”

“I’m listening.”

“And I’m sitting there, too!”

“I don’t get it.”

“I was in the teevee monitor.”

“Uh-huh.”

“And then I’m sitting next to you.”

“You can always sit next to me, buddy.”

“Weir, I just fucking can’t with you today.”

OR

There are (at least) three schools of thought about the Grateful Dead’s business acumen, two of which are wrong and believed by others, and one of which is correct and obviously belongs to me. The first is that the organization was made up of apple dumplings with scrota full of glitter and hugs; men and women who cared nothing for the material and did it all for the fans, and for the music. Maaaaan.

The second take, the revanchist take, the contrarian take, is that the Grateful Dead were visionaries of commerce and communication. That their early-adopter stance towards technology advanced the industry as a whole, and that their intuitive use of branding led to memetic penetration of the teenage mind via ballpoint drawings of Stealies on desks and backpacks, and then you’re gonna hear a rap about how tapers either built the internet or were the internet. Run from these types.

The truth is that the Dead did all the same bullshit the other big bands did, but–due to congenital bushiness of their collective league–they almost always fucked it up. They tried hard to be big stars, and they worked diligently at pushing merch; they played Lovelight for 45 minutes at the biggest gig of their life, and they made commercials like this.

Go watch that bullshit again. I demand it. You must. I’ll wait.

CASUAL WHISTLING

Did you see that bullshit?

Did Precarious Lee write this script? What is for sale? “Projects and products.” What is that, Grateful Dead? You literally could not be less specific. “Projects and products” encompasses actions and objects. You’re basically saying “We have nouns and verbs for sale.”

Also: calling back? Younger Enthusiasts, before the internet there were far fewer ways to buy stuff. You went to the store. Other than that, you had catalogues. You wrote the company, usually longhand, having been taught both the proper format for a business letter, and enclosed a check or money order in the envelope. Mailed it off and then waited. There was no app to obsessively check the status of your package, so there was joy in the surprise when it arrived.

After a while, you could call an operator and order out of the catalogue.

By ’85, you could also shop on teeevee. Call the number on the screen, give ’em your credit card number, and they’ll send out your Ab Weasel. (The Ab Weasel was an actual weasel that bit you if you stopped doing sit-ups.)

And that was it. There was no “call you back.”

So: the customers had no idea what they was buying, and–even if they wanted to put their money down on sight-unseen merch–needed to wait for you to get back to them?

Good work, Grateful Dead. Proud of ya.

And His Sidekick, Colonel Waitlist

This, Younger Enthusiasts, is what was called General Admission. Clubs and small theaters without seats still use it, and fly-by-night festivals, but promoters who didn’t buy their insurance from Antoine’s House of Chicken and Indemnity try to break the crowd into smaller pieces now. Three or four paddocks on either side going back. This keeps your audience safe. (Or controlled, however you want to think of it.) Otherwise, the audience surges towards the stage when the band starts and doesn’t stop until everybody’s favorite fun game, Take A Step Back.

That’s how shitty free-for-all GA was: it went wrong so often that a song (kinda) was named after it. There are famous Take A Step Backs, for fuck’s sake. The band couldn’t have enjoyed doing that, either. How can you choogle when you’re watching a 15-year-old in a tube top get crushed against a police barrier? It also killed people, making GA the equivalent of Communism: an idea so bad it’s lethal. Eleven kids at a Who concert in ’79, three at an AC/DC show in Utah in ’91, two at Donnington during Guns n’ Roses’ set.

Younger Enthusiasts will also notice that there are no Superluxe Esteemed Guest Praetor’s Suite boxes upfront.

Keen-eyed Enthusiasts will note the ultra-rare sight of Phil playing a normal bass guitar.

Keener-eyed Enthusiasts will spot the chick in the black tank top standing next to the tall guy and know that Bobby was making eyes at her the whole set.

All Enthusiasts will notice the loose wires all over the goddamned stage and know who was responsible.

« Older posts Newer posts »