Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: phil lesh (Page 62 of 105)

Shirt-Lesh

phil shirtless

Phil nearly quivered at the idea of all those eyes crawling all over him, the weight of the gaze hammered to him. He could hear the stone-cold teen foxes squeal and call for him.

“We want Phil,” they yelled twenty or so years after this picture was taken, but Phil heard the echoes through time itself. he had always been in communication with the Chronophages and he knew the paths that lay in front of him. The future belonged to Phil and he had mastered it like a llama has mastered mountains; or a knight, chivalry; or a llama and a knight, extraneous letters.

Phil had dispatched Bear to the far edges of the crowd. “See if my nipples read from the cheap seats,” was Bear’s task; he reported back that Phil’s nipples were, in fact, almost invisible no matter where one sat. Bear had a plan that he thought could be implemented for no more than $200,000, but Phil just had Rosie McGee slap some of her rouge on ’em and things were good.

Though there is no recording of this show, numerous credible eyewitnesses recall that halfway through Viola Lee Blues, Phil–apparently drunk on shirtlessness–took the mic and screamed “GAZE UPON PHIL’S NIPS, YE MIGHTY AND DESPAIR,” but the crowd assumed it was part of the show and were all “Yay!”

Thoughts On Shirts

Through much of the 70’s and 80’s, rock stars treated shirts as sketchy fees at a used-car lot, or a camisole on a stripper: they existed only to be taken off. The 1970’s star generally paired his skinny torso with blue jeans: if it was a summer show, that’s how 75% of the crowd would be dressed. (The other 25% were fat or women.). In the 80’s, muscles abounded: big capped shoulders tapering down into skintight leather pants.

(It should be noted, of course, that all rock stars alluded to are male. Lady rockers didn’t take off their shirts. This is partially based upon women generally not preferring to strip down in front of an audience, but mostly based on the fact that all of our opinions about women’s breasts were thought up by men and are obnoxiously stupid.)

(For instance: there is a parallel dimension just exactly the same as ours, except they consider the nipple to be the non-objectionable part of the female breast. That’s what they blur–after all, they figure, both men and women have nipples, so it can’t be the nipple that’s the salacious part. It must be the non-nipple portion since that’s only possessed by women, so on TV, all you can see is the nipple poking out like a little pink (or brown) eye from a big (or small) blurry face.)

(The Germans have a word for the part of the breast that is not the nipple: BoobenFleschen.)

Get on with it and cut the shit with the parentheses.

(One last one: there is a lady rocker that used to take off her shirt–Wendy O. Williams from The Plasmatics. She actually proves my point, as quite literally the only thing remembers about her was the shirtlessness. However, in a blow against patriarchal views on nudity, it should be noted that their music was dreadful.)

The Dead were most certainly not a bare torsoed kind of band. Where as some guitarists might respond to the heat by popping their shirts off, Garcia handled it a different way: refusing to leave his air-conditioned trailer. None of them went to the gym on a regular basis, except for Phil, who enjoyed jazzercise and stealing towels.

Brent was covered in prison tattoos.

Keith never removed his shirt (nor his scarves) for fear someone would see his belly button. It was an outie. But, more so: it was four inches long and an ashy pink; Keith couldn’t move the thing, but if you flicked it with your finger, it would go “wobbadobbadobba” and shake back and forth like one of those coiled doorstops that kids like playing with. He and Mrs. Donna Jean tried on several occasions to introduce it into a lovemaking situation; Mrs. Donna Jean was giving and game, but it was just too weird for her.

Another reason you’ll never see Garcia without a shirt: he was born without armpits. Very rare.

Pride Of Marin County

When you woke up this morning, most likely snowed in to the point where you have already eaten the dog, did you think it was Shirtless Phil day? Did you salute the sun with the knowledge that the hairless alabaster that constitutes Phil’s torso would be revealed to you?

Perhaps you would deny this calling–there are things man wasn’t meant to know, rooms best left with the light off, things you can never unsee.

TotD is a believer in informed consent: make up your own minds. But here’s a taste.

phil shirtless jerry

You know you want it.

Six Appeal

band 88 bw bobby rose

Breaking with tradition and in honor of our Muslim readers, who will–in accordance with the will of Allah–spend the next month in Ramada Inns all over the world, we shall go right to left.

  • Brent has been drinking.
  • Bobby’s just straight-up lost his fucking mind. Is he on The Bachelor?
  • That monogram on the satin jacket with the elastic cuffs and waist is the best part about the satin jacket, but the stripes on the elastic cuffs and waist finishes a strong second.
  • Garcia and Billy are there, but I want to talk about Bobby some more. What’s the message? Is the Dead as a whole offering their fans a rose? Does the rose symbolize something? If so, is that something the Nipples of Eternity. (Long story short: they built the Wall of Sound a companion like in Bride of Frankenstein and named it the Nipples of Eternity and the initial meeting went poorly. Much longer story short: Chernobyl was the cover story.)
  • “Hi, I’m rock and roll’s Bob Weir and I present to you a rose. Pulsing with scent and luster but covered with thorns, the rose is captivating to look at, but dangerous to touch, much like the women most of us seem to prefer.”
  • Mickey is a little teapot.

Six Part Harmony

band 86 bw

 

From left to right, as is the custom:

  • Billy is modelling the latest from the newest name in shirts to get drunk in the afternoon in, St. Pete’s. Apprenticing under legendary clothiers to the grizzled Sammy Miami and Tampa Ray, St. Pete promises the highest quality in shirts that tell the world  “I don’t have fucks to give, but I almost surely have a knife.” Going to the races? Moving at midnight? Sitting in a folding chair in a public place randomly? St. Pete’s has what you need.
  • Garcia’s pooping. Everyone who’s spent more than ten minutes with a baby knows this face: Garcia is making a boom-boom.
  • “Hiiiii, Bobby.”
  • Mickey’s arms look like he’s in a horror movie and this is the part where he reveals he’s actually a Pod Monster From Uranus by swiveling them around and then a giant spider eats its way out of his skull. Mickey is not, however, wearing a Grateful Dead shirt. Which is suspicious.
  • “Christ, the bullshit I gotta deal with. Fuckin’ keyboardist telling me ‘I sing the high harmonies now, so it’s my turn to have you.’ Whatever the fuck that means. Is he still staring? Don’t look, Bob. Don’t–fuck, he is definitely still staring. Well, Bob: you wanted to half-ass the solo albums, so now you’re stuck with these mutants. Oh, good, guess who shit himself?”
  • Once again, Phil tried to teach the band the pleasures of a good old-fashioned barbershop quartet session, and once again no one wanted to play except Brent, whose voice was just about the opposite of barbershop quartet, plus Billy insisted on “helping,” and damn near every barbershop quartet song is hideously racist.

Sit-In, Sit Down

Autosave-File vom d-lab2/3 der AgfaPhoto GmbH

The intractable nature of the scheduling conflict became evident the first time someone hits a three-pointer and the ball bounces off Billy’s head, so–of course–he rifles the basketball into the crowd and it bounces off head after head like Captain America’s shield, breaking nose after nose.

Also: hey, Mickey. Taking a breather, pal? Call yourself a time-out for a smoke and a beej? Get back to work screwing around with your tom-toms and being petulant.

 

« Older posts Newer posts »