Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: wharf rat

More Than My Wine

Some folks, sometimes, need a little something. There are nights that go on for weeks and weeks. And there are stories you can’t forget–about what you did, about what was done to you–and long-playing records installed inside your ears. Movies you can’t turn off. You know how it ends. Christ, you’re bored with this flick. No off-switch to the projector, though. Get your snacks; we’ll adjourn at dawn.

If then.

Because days are a problem, too. Days are where they keep the people, and they can be a bit much. The ones that aren’t stupid are cruel. The ones that aren’t cruel are thoughtless. The ones that aren’t thoughtless want something. Everyone wants something.

You, too.

Little something to take the edge off. Or sharpen up. Make it easier to fuck, sleep, kill an hour. A little something to soothe the shriek. Some folks are shrieking inside all the damn time and they never tell anyone at all. We call those folks brave, because we’re thoughtless. Faster. Some people like to go faster. Or slower. Slower is also an option. Blind and blacked-out fuckery is available. For a reasonable price, you can battle the Sanhedrin. Pack some state secrets in a syringe and shoot it under your toenails. Psychological homeostasis is temporary. Little something’ll do it.

The Lord, He chose your shape, and your parents picked out your name, but you make your own decisions and you can decide to do the same thing you did yesterday, day before, day before that. You can decide whatever the fuck you want as long as you got the money and the balls. You can do anything you can live through. Some folks can even live through holding hands with strangers in a church basement.

Takes all kinds on the lot.

Groupers

Before the internet, no one knew what the fuck was happening. You could find out, but only at certain times of day; and not about the stuff you wanted to know, either. Someone would tell you if the President got shot, but other than that you were on your own.

This is to say that there were many smaller groups within the world of the parking lot besides the Wharf Rats and Tapers and Spinners: cliques that–accidentally or by design–garnered less attention than the larger and more organized associations.

I’ve mentioned the Deafheads, but have you heard of Eyes of the World? It was a small band of blind friends who toured briefly in the 90’s until one of them decided to trip with his seeing-eye dog and the cops weren’t called, but just barely. The group disbanded and never spoke again of what happened in the van, parking lot, Motel 8 lobby, parking lot, van, and veterinary hospital that day.

During Brent’s tenure in the band, there was a small set of Furries that met backstage semi-regularly to get their weirdo-fuck on. Everyone pretended to not recognize Brent’s voice, but he was an energetic and vocal yiffer and would accompany his orgasms with his trademark bluesy keen. Fun fact: one of the Furries was respected newsman Charlie Gibson.

There was an attempt to form a group for vegan Deadheads, which you might think would be easy, but it turns out that half the fun of being vegan is bothering people about it, so the vegans didn’t want to hang out with each other. Also: if you put vegans in captivity, they will begin to out-vegan each other. This invariably leads to naked people drinking rain water and trying not to step on bugs. Do not put vegans in captivity.

The Casey Joneses were a harmless and fun bunch of guys, and it was most assuredly all male: these were Enthusiasts who also liked model trains. It’s an obsession as worthy and pointless as any other and they always had excellent beer; people liked them.

One show brought the Casey Jones close to the home of one of their members, and they raided his basement for track and cars and set up a train out in the lot. Deadheads smiled as they passed, and some stayed to watch for a while. A man named Soup stayed to watch, and Soup had taken far too much acid, but men named Soup do things like that, and Soup wandered out onto the tracks; Soup was so high that when the toy train hit him, he thought he had been killed.

“I’M DEAD!”

“You’re not. Is your ankle okay?”

“I’M DEAD!”

“You’re really not.”

“HOW DO YOU KNOW, MAN?”

“You’re shouting.”

“MY NAME IS SOUP AND I’M DEAD!”

“Is that a nickname or–”

‘THAT’S NOT THE POINT HERE, MAN.”

Here’s a piece of Dead History that no oral history has the courage to tell you: right beside the Taper’s Section for two years in the 90’s sat the Sketch Artist’s Section. Just as intent as the Tapers on capturing the night, the Sketch Artists would come from their day jobs in courtrooms and police stations all across America to record–usually in chalks–the legacy of the Dead. After a while, though, they realized that all the pictures were pretty much all the same and stopped with the drawing.

Are You A New Mexican Or A New Mexican't?

Hey there, cats and kittens. Need a little something to brighten up a rainy Saturday? Ghost of Sci-Fi legend Michael Moorcock come to visit you, then throttle you for giggling at his name? Cover every inch of your body in latex house paint and asphyxiate? Did you get so sad and the howling inside your skull got so loud that you hopped the bus down to the mall to show those nice people at Foot Locker your dick again? Did they laugh again?

Here you go, Sunshine: 10/7/77 at the University of New Mexico, the Dead’s only New Mexican appearance. The Iko>Wheel>Wharf Rat is utterly jaw-dropping, plus no first set. How could you go wrong?

Weird, though that the Dead would only do one foreign show.

Stop it.

Why?

Because this is the stupidest of your theories.

THE GADSDEN PURCHASE WAS A FALSE FLAG OPERATION!

Starphish

I’ve been thinking about the Tahoe Tweezer from that improvisational group, The Phishes, and I want to see it as its own thing, to not compare, to not demand a referent, but it just happens: certain stars are binary. Peanut butter goes with jelly; Yankees with the Sox; toilet activities with shame. The Phishes will always be compared to the Dead, because like the Dead, they’re not special: White guys playing Stones covers in hockey arenas; iconic guitar-god frontman with a penchant for opiates; unpleasant-looking, half-Jewish rhythm section.

Getting back to this immense Tahoe Tweezer: the only thing I could compare it to was a ’72 Dark Star. When they got long, and deep, and mystical. In ’72, sometimes you can’t tell whether they’re going to make it back. Will they paint themselves into a corner while painting their masterpiece? Would they have to cheat and just SLAM another song up against some abstract doodlings? That was the Dead’s way of admitting defeat in a jam, that they had neglected to take a left turn in Albuquerque and each of them had subtly suggested a number of options for songs, but no one could agree, so Bobby (always the most quietly obstinate onstage) would just Leroy Jenkins them all into Sugar Magnolia.

After listening to a few Dark Stars, I realized why I’ll come back to the Dead. Why this music is good and should be shared and kept and treasured.

It was after Dark Star, actually: they had gone into Wharf Rat and I listened to these men (and Mrs. Donna Jean) sing a song about two men on opposite sides of a story, and I have been both of those men and that has been my story and that has not been my story.

It’s the songs, it was always the songs. I grew to love the men who sang them because of the songs that they sang. I’m a first-set guy. Tell me a story.

Tell me the one you told me last night: it’s the only way I’ll sleep.