Musings on the Most Ridiculous Band I Can't Stop Listening To

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Mickey Art

Because of course I did, I went digging around in the innertubes to learn more about Mickey’s art hobby/scheme; what I found will astound you, if you’re not familiar with the well-worn trope of the Aging Rock Star. The ARS has taken up a habit other than, but just as pricey as drugs. The precise nature of the habit is variable. Too many to name chose golf. Some went with flying. Daltrey is obsessed with fishing. Phil Collins got really into the Alamo. (Not kidding.) And painting. Aging Rock Stars love to paint, and there’s always the same arc: interview in which the new interest is mentioned, article focused on the artwork, partnership with the Wentworth Gallery.

I’ll let the Wentworth Gallery explain itself:

No need to polish your glasses in an over-exaggerated and comic fashion: Yes, Virginia, the Wentworth Gallery just “also”-ed Picasso and Chagall.  Just look at this press release:

“The Wentworth Gallery is pleased to present such luminaries as Tony Curtis, John Wayne, John Wayne Bobbit, and the late Loretta Swit. We are also honored to feature the sculptures of Mr. Puttin’ On The Ritz himself, Taco, and have recently acquired a portrait of Soupy Sales, done in pencil, by Lita Ford. And there might be a Monet in back somewhere. Or is a Manet? One of those. French guy, dead, who gives a shit. Oh, we can also arrange for Bruce Dickinson to come to your home and paint a giant mural. Small caveat: Bruce gets to decide the topic, so it’s going to be about some battle that happened a billion years ago. Art!”

I’m just quoting. That formatting is called a “block-quote,” so therefore anything in there must be a quotation. They said that shit.

Stop it. That’s libel.

You’re awful fucking mouthy tonight, y’know that?

Wow.

Let a man do his work.

Jackass.

Anyway, the Wentworth Gallery is the upscale version of the store in the mall that sold the Leroy Nieman prints; their clientele is orthodontists who still rock, but they have to keep up their art world pretensions.–they can charge more if they’re snooty–and not list any of the prices on their site.

I was not to be so easily stymied.

So I googled it and found this site, but it didn’t have the prices, either, and I allowed myself to be stymied. But you haven’t seen the important part of this page.

Maybe you missed it.

I have so many questions.

  • Do Bobby and Garcia own an art gallery?
  • Why was I not informed of this?
  • Can you own an art gallery if you died in 1995?
  • Wouldn’t that be an impediment to small-business ownership?
  • Is Bobby painting now, too?
  • Bobby doesn’t do anything but play shows.
  • He has no outside interests.
  • He’s No Hobby Bobby.

Those last few weren’t questions.

I TOLD YOU TO FUCK OFF, FUCKFACE!

We’re going back to couples therapy.

Eat a goat’s grundle.

So: I leave it up to you, Enthusiasts. What the fuck is the Garcia Weir Gallery, and how much do Mickey’s paintings cost? I would look further, but am forbidden by the holy tenets of Without Research. You, however, are not; please do my homework for me. Thank you and buy American.

Mickelangelo

Hey, Mickey.

“Where were you? I thought you would be at my clusterfuck.”

I drove by. You brought in a big crowd.

“It was spectacular. Met some randos. Talked about drums.”

You love that.

“I do. My favorite subject. And I sold six paintings.”

Good for you.

“Like this one.”

I see. Very nice.

“The one I’m gesturing towards.”

I am aware to what you refer.

“Would you like a short lecture on the history of the tympani?”

God, no. Hey, how much does your art cost?

“Depends on the size. The big things are more expensive than the small stuff. Although, I guess it works that way with everything. Except modelling. Your plus-size gals get paid less than the skinny bitches. Otherwise, price scales with mass.”

Uh-huh. What does the piece you’re gesturing at cost?

“Whatever you want it to cost. Above the reserve, of course.”

And what is the reserve?

“That depends on your budget. Have we discussed your budget?”

TELL ME HOW MUCH YOUR DRUMHEAD DOODLE IS!

“TELL ME WHAT YOU’RE WILLING TO PAY FOR IT!”

“It’s like you don’t understand the art world, man.”

I guess I don’t.

I Met Mickey!

Look how happy Mickey looks to meet me! He said, “You’re TotD, whom the New Yorker called a genius,” and I said “Guilty as charged,” and Mickey said,” What?” because he’s deaf, and I said, “GUILTY–

Stop this immediately.

–AS CHARGED!” Dude, could you not interrupt in the middle of a quotation? I get all confused about how to punctuate the line breaks.

Your failure to pay attention in school is not my problem. That is not us.

No. It’s Mickey.

The other guy.

Oh. Yes, it is.

It’s totally not. We are not that ethnicity. And we’re six inches taller than that gentleman. And he’s wearing white jeans.

It me.

Shut the fuck up. Tell the nice people what happened.

I got there 45 minutes late.

Because you were busy?

I was napping.

Tell the nice people how long you napped for.

Solid 2.5 hours. The nap was so long that there was a bathroom break.

You’re a winner. You’re a driver.

Sure. So, like I said, I got there 45 minutes late. Y’know what’s lovely about Dead-related events? There’s always a guy outside having a smoke who’s delighted to play Help Desk. You see the guy, he’s wearing the shirt, you give him the nod, he nods back, and then he’ll tell you what’s going down. Just lovely.

Are you getting to a point?

Well, the guy told me it was crowded. And then I went in, and he was not lying.

So I bought a pair of Sperrys and went home.

You’re joking.

Of course. I’d rather chop off my feet than wear those preppy shoes.

You just went home?

I took several pictures first. I circumambulated–

Not a word.

–the line a few times. I tried to find a bench to stand on and get a good shot, but there were none with the right line of sight.

And then you went home? 

I’m not waiting in line to meet Mickey.

I can’t find a hole in that argument.

Right? I mean, I’m not waiting in line to meet anyone, but certainly not Mickey.

Again: no counter. Queuing up to pay obeisance to another human is a ritual only performed out of necessity.

There you go.

Anything interesting happen?

Axl and Slash were there.

Slash has put on weight in a rather gendered fashion.

Time hates the beautiful most of all.

The whole night was a bust, huh?

Big time.

Honey, Please

“You forget about me yet?”

Never.

“Dunno about that.”

Promise. You made the songs too simple to ever forget.

“It’s awful complicated writing ’em like that.”

I won’t tell anyone.

“Nah. Tell everybody you see. They won’t believe you, anyway.”

Probably won’t.

“This is the part where the slide guitar comes in.”

And then we repeat the chorus until the fade.

“Rock and Roll ain’t rocket science, y’know.”

Who Are Four People Who Have Never Been In My Kitchen?


There’s so much herpes in this photograph.

“That’s rude.”

And so many different strains, too. Herpes simplex, herpes complex, herpes duplex.

“Stop it.”

Herpes suplex. That’ll fuck you up.

“You’re being a dick.”

You’re right. I apologize, Robert Englund.

“What about me and Jenna?”

Nah. She turned into a Nazi and you’re you. Plus: both of you are absolutely riddled with herpes. When are you?

“2008, I think.”

Yeah, this is before she fucked her face up.

“This is you being a complete douchebag.”

She can’t hear me.

“Why not?”

Because her head just exploded.

KA-PLAMP!

“Dude!”

I love having my own universe.

“Not cool! And very misogynistic!”

You’re right.

KA-PLAMP!

“Freddie!”

There. Now we’re even.

“I loathe you.”

I know.

CELL PHONE NOISE

“Y’know what? I’m glad to take it. Literally anyone is better than you.”

“You’re on with John.”

“Johnny! It’s Big Mo here!”

“Okay, not literally anyone.”

“How’s my bro? You fucking? I’m fucking like crazy over here. You fucking?”

“I’m fucking.”

“Not like me, bro. I know you fuck. Bro, I know you fuck.”

“But not like I fuck.”

“What is it that you want?”

“Bro, I need some good press. I want you to come over here and organize a benefit concert. Like Live Aid.”

“Absolutely not.”

“I need a Geldof, bro. Be my Geldof.”

“I will not be your Geldof.”

“You come, you bring some good-time buddies, maybe Timberlake. You play a little, talk about how wonderful I am, maybe mention how Khashoggi was best friends with Osama bin Laden–”

“That is fake news.”

“–and you close with a Hey Jude all-star jam. Bro, there’s never been an all-star jam in the Kingdom before. You’d be inducted into the Saudi Arabian Rock and Roll Hall of Fame.”

“That exists?”

“It might. I could make it happen.”

“No. Hard pass.”

“I give you cars.”

“No.”

“Planes.”

“No.”

“Motorcycles.”

“No.”

“I give you one dozen of every vehicle. Buses, hovercrafts, bicycles that five or six people sit on, the works.”

“NO. I am not producing a benefit concert in Riyadh to bolster your image right now.”

“Fine. Do you have Ye’s number?”

“Oh, yeah, he’d probably do it. I’ll text it to you.”

“My bro fucks so hard!”

The Pros And Cons Of Harthiking

IN THE AFFIRMATIVE

Convenient Every town in South Florida is the same: massive east/west avenues radiating off I-95. They’re six and eight lanes wide and go from Ocean Drive to about ten miles inland, and then no humans live past there (mostly). The Boca mall is off the second giant avenue south of me. Plus, I could choose between the Turnpike, which is quick, or the surface streets, which contain Dunkin’ Donuts. I could even split the difference and take 441, a semi-highway–it has lights, but they’re spaced awfully far apart–that sounds familiar because Tom Petty mentions it in American Girl. There can be no argument made that the commute would be overwhelming.

Free One would assume. The price would be mentioned were there an entrance fee.

Free As in me. I am free tomorrow evening. I could try to high-karate you with some bullshit, but we both know I was gonna sit here fucking around.

Chick-fil-A Town Center of Boca Raton has a Chick-fil-A in their food court and each time I visit I tell myself, “TotD, be an ally. Have principles,” and then I tell the immaculately friendly cashier, “I would like a chicken sammitch and some o’ them fries what make my nipples go ping.” BUT I only ever go to the one at Town Center; I won’t stop the car if I drive by one. This is called morality, Enthusiasts.

(Town Center of Boca Raton is never called “the Boca mall.” Its fine selection of high-end goods and services–plus The Container Store–is solely referred to as Town Center. It’s the kind of mall where you can buy a Tesla, and there’s no Israeli guys hocking you to buy phone cases. My mall situation currently mirrors my childhood: the one in my town used to be nice, but now it’s just Macy’s and gang fights; the one two towns over is for rich assholes; and 45 minutes away is a flea market packed with mutants and merchandise from alternate dimensions. Needless to say, I like the flea market the best. Remind me to tell you about it; the place is Little Aleppo-adjacent.)

Mallwalk I don’t go to malls often, but when I do I like to get real high and put in my earphones and pretend I’m in the opening credits of a movie. Bitches Brew is rather effective, or heavy German classical. I used to live in the Back Bay of Boston. I was off Newbury and a girl I was dating lived by the South End T station; in between us was Copley Place, where the fancy fuckers shopped. They kept the thoroughfare open late at night during the winter so people could get out of the cold, but didn’t want anyone lingering so they also pumped titanically Teutonic tunes at high volume. Music to surf this beach to; music to kill wabbits by. I remember the trips to her apartment, but I can’t recall her name.

Mickey I have to put “meeting Mickey” in the positive column, right? We could–and I understand that this is an unlikely scenario–become best friends. Mickey could invite me to his campaign in Hispania and ask me about drums, and life, and how drumming is life, and I would impress hium with my keen mind and grasp of Roman politics, and then Mickey could posthumously make me his heir and leave everything to me, throwing the city into chaos and yet another civil war.

You’re talking about Caesar and Octavian. You need to stop watching terrible documentaries about the Roman Empire.

You will pry Mary Beard out of my cold, dead asshole.

Just continue.

Mickey and me would be bros. The end.

TO THE DEROGATIVE

Mickey We all know Mickey. He’s a squirrelly dude. Might go left, could go right, no wait he’s caused a flood. What if Mickey bites me? I’m not accusing him of being a biter; there are no stories I know of offhand of him chomping on, say, waitresses who bring him white toast instead of rye. But life is a series of premieres. And what if Mickey picks tomorrow to initiate the new phase in his journey: munching randos. Don’t forget that, to Mickey, I am a rando. He does not have to afford me the courtesies of xenia, and offer me fine cuts of meat and wine-laden bowls. I will not be anointed with oils by his slaves. There will be no friendship gifts at all.

And Ancient Greece. You need to stop watching terrible documentaries about the entire classical world.

You’re not the Teevee Police.

Don’t capitalize like that.

I’m continuing.

House To attend this event, I would need to leave the house. The word “trauma” gets thrown around these days, but it’s applicable here.

Circle It’s Mickey. There’s gonna be a fucking drum circle. No border collie in the world can herd people into a circle as fast as Mickey with a boxful of bongos. Some of you may enjoy encirclating; TotD does not, possibly due to being an anti-social asshole.

I should go, right?

You should go.

You should blow a duck.

Shut up.

Go suck a duck’s rocket-propelled, corkscrew nightmare of a dick.

No one likes you.

I know.

The Eleven (Of The Seventeenth)

Chrononomorphososis. This is the proper name for calendar magick, and maybe an extra syllable or two. Dates have meaning within them, Enthusiasts. They have secrets and stories, and they hold grudges. Some have the private numbers of powerful people; others drink paint thinner and thank the Lord for the refreshment. The calendar’s a bloody field of shifting alliances, and don’t you forget it. Don’t you turn your back on a calendar, even one with pictures of kittens or firefighting hunks.

The Grateful Dead played on October 17th eleven times, which is a 44% appearance rate. Furthermore, two of the eleven shows took place outside of the country. Leaving one’s home is an inherently occultic act; energies of a spooky nature accompany the traveler. This is known. Furthermost, three of the concerts are famous, and when you combine calendar magick with fame enchantments, you really speed up your astral plane.

10/17. Very mystical.

What are you doing?

Fucking around.

At least you’re honest. Get back to the Dead.

The first two shows were lost–no recordings, not even a setlist–but now there’s an AUD up of the 1970 show from the Cleveland Music Hall. The ’72 is, well, a Fall ’72 and therefore outstanding. In 1974, the Dead played five nights at Winterland to announce their retirement; in 1978, they played the same venue because show-biz retirements are not legally binding.

The third and fourth European tours get little respect or attention, but that’s only because they weren’t very good. In the tours’ defense, the second visit to the continent also went poorly. Statistically, ’72 was a fluke: the Dead was not made to play Paris. Now, you bring ’em to a field in Oregon or the Oklahoma State Fairgrounds, and they’ll knock your cocks off, but Paris? In ’90, they broke Vince in with a European tour and played the Grugga Halle in Essen. They had some history with the venue, having stopped there in 1981 (not on this date) and jammed with Pete Townshend, who has NO fucking idea what he’s doing.

He’s feeling around for the beat like a blind man trying to find Jack Kerouac. It’s adorable.

And there’s Lake Acid. Sugaree good. Yay for Sugaree. Go hear.

You okay, slugger?

Got sleepy all of a sudden.

Hit the hay.

Goo goo.

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