Musings on the Most Ridiculous Band I Can't Stop Listening To

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What Stacks?

This is Wattstax. You’ve never heard of it. Watts? Sure. It’s in Los Angeles, and there’s a tower and black people there. Stax should also be familiar to you: it was the record label in Memphis that wasn’t Sun–the studios were in different parts of town, if you get me–that launched Otis Redding and Booker T. and the MG’s and Sam & Dave and Carla Thomas and the Bar-Kays and Wilson Pickett and a bunch of other acts. Stax was sort of the Southern Motown, except–unlike Motown–Stax never really had the money to send their stars out on tour. Very first one they ever did was in 1966, and it started in Watts. LA riots started the next day.

So in 1973, Stax went back to Los Angeles to commemorate the 7th anniversary of the riots. (Not Watts, though: the Coliseum is in Exposition Park about six miles north.) The plans started small. Set up a dinky stage in a park, do the funky chicken and/or penguin, hire a recording truck to pump out a cheapie soundtrack album, call it a day. And then a guy named Al Bell, who worked for Stax at the time, asked a good question.

“Why don’t we get to have a Woodstock?”

(This is not to say that there were no African-Americans at the big honking historical festivals of the Rock and Roll Era. Sly and Jimi played Woodstock, and Veronica accompanied Pigpen to the event. At least one black guy attended Altamont. But, on the whole, the festivals were white boy music for white boys and girls of a certain socioeconomic background. Most of the events were in the middle of nowhere, which required a car and also most black people do not like going to the middle of nowhere. The capital of white bullshit is the middle of nowhere.)

So the concert was upgraded from the park to the Coliseum, but ticket prices were kept ridiculously low–one dollar got you in the door–and 112,000 kids showed up. They made a movie and they made a record and everyone just forgot about it.

I wonder why?

ASSORTED AND RANDOM THOUGHTS ON WATTSTAX

  • Enthusiasts, you’ve never seen hats like this.
  • I don’t even know what to call some of these hats.
  • And I’m good at naming hats.
  • Here, look:
  • What the fuck are those?
  • How would you ask for them at the hat shop?
  • I think you’d have to just point and say, “That one with the pom-pom.”
  • Oh, and those two guys were Soul Train dancers.
  • Not joking: I watched The Hippest Trip in America the other night and I absolutely recognize those guys and their moves and their hats.
  • Y’see, Soul Train moved from Chicago to LA in 1971 and…why don’t you just watch the documentary?

  • If everything on the innertubes but my site and YouTube went away, that would be fine.
  • Anyway: those two guys in the hats are Soul Train dancers and I think–not quite sure–that Fred “Rerun” Perry shows up at 1:10:54.
  • This film is black as shit.
  • Black Panther looks like Downton Abbey compared to this.
  • There is a shot of Pops Staples eating ribs in the back of a Cadillac.
  • That sentence is like a black Mad Lib.
  • And then Jesse Jackson shows up; both he and his speech impediment are wearing a dashiki.
  • The movie’s only half music: the director keeps cutting back to average folks on the street having conversations about race and sex and class and America and whatnot; it’s an incredibly well-meaning white liberal dramatic choice.
  • Plus, one of the average folks is fucking Isaac the Bartender.
  • Look:
  • Not gonna lie: that shit is distracting.
  • Why aren’t you on the Lido Deck, Isaac?
  • The passengers must be parched!
  • There was dancing:
  • And further dancing:
  • And then the blackest bit of the film.
  • It’s not this:
  • Which is astonishing, because that GIF is almost parodically black.
  • (A quick aside: I would love to see that sentence diagrammed.)
  • That’s Rufus Thomas, who did dance songs and novelty numbers; he had a hit with Walking The Dog in ’65 and pretty much won the day at Wattstax.
  • The production team didn’t have the money to cover up the field, so the kids were confined to the stands.
  • The stage was on the 50 and the dressing rooms were outside the Coliseum, and…ah, fuck it, just look at it:
  • Not exactly the Wall of Sound.
  • Anyway, Rufus and the Bar-Kays–the Bar-Kays were the house band for the show–were really cooking and the kids got all excited and there was just a wire fence in between the stands and the field, and here come the fans.
  • Everybody ran down and started dancing.
  • And now here is where we spot the difference between this show and a show attended by those of a more tie-dyed complexion.
  • When the song was done, Rufus told all those kids to go back up into the stands–please–and take their seats.
  • And they fucking did.
  • No multi-part Take A Step Backs.
  • No Bobby and Phil yelling at the frat boys to get out of the aisles for ten minutes.
  • “Hey, you! Dummy! Get off the light tower!”
  • None of that shit.
  • Rufus asked them to take their seats, told some jokes as they did, and then the show went on peaceably.
  • The kids at the Dead show would do whatever the fuck they wanted despite any entreaty from the stage because, Hey, what are the cops gonna do?
  • The kids at Wattstax knew exactly what the cops would do.
  • Shit, Reagan was the Governor of California in 1972 and that mean old fuck probably had the National Guard on hold the entire afternoon.
  • So everyone went back to their seats.

Go and watch the movie. Or don’t and be a racist. Those are your only two options.

Some Questions And A Definition

  • Why is the skeleton in the front row screaming?
  • Is it because of the existential horror of being a living skeleton?
  • Shouldn’t he or she have gotten used to that by now, seeing as how he or she is out for a pleasurable night at the movies?
  • Where does the popcorn go?
  • The soda?
  • Does it just drop straight onto the seats?
  • Why are skeletons dicks to movie ushers?
  • Forget about where the soda goes after it’s been drunk: how does the skeleton even suck it up through the straw without lips?
  • Where’d that fucker get the hat?
  • And why hasn’t he taken it off for the showing?
  • Doesn’t he realize how rude that is to the bony patron behind him?

OR

Calendrome – noun: A date that reads the same backwards as it does forward.

The Next Logical Step

“AHHHHH!”

“Calm down, sir.”

“IT’S MADE OF TERROR!”

“It’s just a poster, sir.”

“That’s just a poster like Dorian Gray’s painting is just a selfie! It’s got bad juju, Jenk-Jenk!”

“Is it the teeth?”

“BY GOD AND DOW CHEMICALS, YES! Yes, it is the teeth, Jenkins! I think those are Martha Raye’s dentures!”

“Sir?”

“The older readers are laughing at the reference. Trust me.”

“I think this poster is interesting, sir. It’s colorful. It’s, uh, rectangular.”

“Mm-hmm.”

“Nothing is misspelled on this one.”

“Point in our column. Still, though: this is just too frightening for us. Perhaps one of the heavier, metallic groups would like it.”

“I doubt it, sir.”

“Ah! I have an idea! Why are you crouching in a defensive position, Jenkins?”

“I’m familiar with your ideas, sir.”

“Stand on your wee hooves, you goat dressed like a man-baby.”

“Yes, sir.”

“That’s what you are, Jenkins. A secret goat.”

“If you insist, sir.”

“I was on to you when I noticed all my tin cans were missing.”

“I keep telling you, sir: I threw the cans away after you consumed their contents.”

“Lying goat bastard.”

“You had an idea, sir?”

“Idea!”

FASWOOSH!

“Oh, no, sir!”

“The Time Sheath!”

“I am begging you to put that down, sir.”

“All our problems can be solved, Jenkins.”

“And uncountably more created, sir. There’s no way to travel through time without creating paradoxes and causing glitches and breaking timestreams. We’re not qualified, sir.”

“Jenkins, we’re white American men. We’re qualified for everything.”

“No, sir. Not this.”

“First, I’m going to choose smarter, more attractive parents for you.”

“That won’t work, sir.”

“And, obviously, the usual land speculation and sports wagering.”

“Obviously.”

“And then we’ll go back to Austria in the 1890’s.”

“No. No, no, no. We cannot kill Baby Hitler. It’s a cliché at this point how bad an idea going back in time and killing Baby Hitler is, sir. No killing Baby Hitler, sir.”

“Oh, how I wish I could recycle you, Jenkins. Just toss you in a blue bin, feel good about myself, and then not think about what happens to you. We’re not killing Baby Hitler. How unimaginative do you think I am?”

“Oh, good.”

“We’re going to molest Child Hitler.”

“Oh, no.”

“We’ll diddle the self-confidence right out of him!”

“I think this is the kind of conversation you go to Hell for having, sir.”

“The world will view us as heroes, Jenkins.”

“It won’t, sir.”

“How is killing Baby Hitler better than molesting Child Hitler?”

“I don’t know, but it is.”

“You should argue in front of the Supreme Court with opinions as well-founded as that, Jenkins. Now, come on. Grab those candy bars and let’s get to messing this kid up.”

“Didn’t we start out talking about posters?”

“Life is a highway, Jenkins. Now let’s ride it to Child Hitler’s house and play the secret-keeping game.”

“I think I quit.”

“Resignation denied.”

“Goddammit.”

Raiders Of The Lost Wife

Duuuuuuude.

“Is-a not what-a you think.”

You gotta make sure the staff is the right length.

“I’m-a not looking for-a da Well of Souls.”

You totally are. The sun shines through the jewel in the middle of the doohickey and illuminates the location of the Ark of the Covenant.

“Did-a you get all your history from-a da 80’s action movies?”

Yes.

“You should-a read more.”

The Bible?

“Anything. Any book you can-a find.”

You always have good advice. Um, Your Holiness, can I ask a question and you have to promise not to get mad?

“You can-a no ask me about-a da Papal Underwear no more. Is-a getting creepy.”

Not about that.

“Shoot-a.”

Your staff.

“Is-a called ferula. Means-a ‘rod’ in Latin.”

“Stop-a giggling.”

Sorry.

“Is-a like talking to-a da six-year-old.”

I really apologize.

“I-a forgive you.”

Thank you. So, the ferula…well…it just looks kinda…

“Pagan as-a all getout?”

That’s what I was trying to say, yes.

“Si, si. Is-a…how you say…syncretic as fuck.”

Language, Your Holiness.

“I-a forgive me. Catholic Church ain’t-a da separate thing. Evolved from-a what came-a before. And what-a came after? That evolved from-a da Church.”

Christ, iterated.

“Si, si. Is all-a da same thing.”

“Your Fanciness.”

“Ah, basta.”

Who’s that, Your Holiness? Is it Benedict?

“No, no. Is-a so much worse than-a Benedict.”

Who?

“I vant to redecorate my apartments. There is not enough gold.”

“She just-a showed up.”

Oh, no, Pope Francis. This is no good. You gotta get rid of her.

“I can no throw her out! Would cause-a da international incident!”

I guess.

“Plus, somebody done taught her ‘Sanctuary.’ She been-a yelling it real loud for two-a days.”

Probably Benedict.

“Si, si. He-a been right by her creepy side. They-a sit inna da cafeteria and-a make fun of da nuns. They make-a Sister Loretta cry! Is-a not her fault she’s a big girl! Is-a no nice!”

No. Melania is not nice at all.

“I gotta get rid of her.”

Yes, you do, but don’t send her back to the Dead.

“Don’t give-a da Pope orders.”

Sorry. Please don’t send her back to the Dead.

“That’s-a better.”

Mobsters And Monsters In Little Aleppo

Don Pajamas had echasethalassanesia, which was the belief he was lost at sea. It was a rare disorder. So rare, in fact, that most people in Little Aleppo thought he was making it up. He’d have his spells and steal a boat from Boone’s Docks and pilot it into the middle of the harbor and then he’d just kinda sit there making friends with random equipment that was onboard. The owners never got mad: Don wouldn’t leave the harbor, so they could keep an eye on him, and when they needed their boats back, they would pretend to rescue him and everything would be back to normal until the next time. The Abnormal Psychology Department at Harper College had noticed that Don blocked out the sight of the outgoing fishing vessels and the docking freighters, but some local smart-asses (none of whom were affiliated with any institution of higher learning) had also noticed that Don steered his boat out of the way of any oncoming traffic. Numerous letters about the case were sent to Oliver Sacks, but he never responded.

And the stealing. The local smart-asses always pointed to the stealing as a sign that Don Pajamas only pretended to be lost at sea. He had enough money to buy his own boat, but if he had his own boat, then someone could sabotage it, or plant a bomb on it, and there were plenty who would. Crime bosses accumulate as many enemies as they kill. But if his rivals didn’t know which boat he was going out on, then he was safe. It was like how dictators would sleep at a different house every night, but brinier. There were always snipers, but sniping was frowned upon by the criminals of Little Aleppo. What was the point in paying off the cops if you were going to pull some shit they couldn’t protect you on? You wanted someone gone, you beat them to death and placed them in the driver’s seat of a crashed car. Or held ’em down and gave ’em an overdose. Don’t forget tossed off a building: it’s a classic for a reason. Something the cops can write down SUICIDE for in the little box that asks for Cause Of Death that wasn’t too laughable. Putting a fist-sized hole in a guy’s skull half-a-mile off the coast would draw too much heat, and that would start a gang war and no one wanted another gang war. No one made money during a gang war, and if we’re not making money, then why are we doing all this? That’s what The Friend would always say, anyways.

Don Pajamas hated The Friend. He hated his tiny suits and his narrow little feet and the way he lit everyone’s cigarettes for them. The gentleman. Such a fucking gentleman. Don knew him from the old days. The McGlory days.

There were 12 of them, all short and stubby and if you lined them up in age order you could watch the hairline recede and the bald spot on the crown grow until they finally met, but most had never seen all dozen in the same place at the same time. You didn’t want to. Generally, it meant something terrible was going to happen. Billy was in charge. Patrick was older, and Conor was better with figures, and Kevin and Evan (the twins) were far better at violence. But Billy understood people; he knew how to twist them against each other, and themselves, and how to read their lies. Watch the hands, Billy thought. Most people only lie with their faces. They forget about their hands. Billy understood people, and virtually every criminal in Little Aleppo was a person, so he was in charge. Most days, he was at the Irving Club. The rest fanned out. Aidan ran the Salt Wharf from his office inside the Customs House. On paper, he was just a clerk, but he had the biggest office in the building. The casinos and the backroom games and any sidewalk dice tournament that got too large belonged to Peter and Paul. Whores and thieves answered to Matthew, Mark , Luke, and John. (Those last six names belonged to the six youngest boys; Ma and Pa McGlory had grown tired of having the “What should we call him?” conversation.) Sean was the Police Chief. The McGlorys had Little Aleppo under control.

And then one day in 1945, they didn’t anymore.

There had been Gang Wars before–the McGlorys always came out on top–but this was not that. Little Aleppo looked away from the page for a moment, and the book was changed out under them. Smoothly. Sharply. Not one thing had blown up! (Except for Alouette Hall over at Harper College, but that was a regular occurrence over there, and completely incidental to the underworld machinations.) Overcoated dickweeds with tommy guns did not run rampant through taverns and playgrounds. It would have been a magic trick, had any of the brothers ever reappeared.

Monopolies breed resentment. Upwards and laterally. Guy on top of you is keeping you down, and keeping you from getting ahead of the guy next to you. But a monopoly’s gotta be killed all at once–a coup, basically–or it’ll surge back on top of you and teach you unpleasant meanings of the phrase “captive market.” Takes a special kind of fellow to marshall all those scuffling parties together, get ’em all pointing the right way. Natural-born politician, that sort of fellow. Gotta really understand people. The Friend understood people. Be your own boss, he told the pimps and dealers and thieves. The union should run the Salt Wharf, he told the union rep. No fun taking orders from some guy in a nightclub, he commiserated with the cops, and besides: none of you are ever gonna be chief, huh? Figure a business owner can hire his own bouncers, he told the guys who ran the gambling parlors. Who you need protection from?

So on August 10th, 1945, everyone woke up hungover and there were no more McGlorys. This gave pause. The criminals, business interests, and cops that had betrayed the brothers were not working in tandem. All expected that their assassination would be the only one, and that there would be a normal sort of Gang War, a reasonable and escalating kind of deal, but they woke up and there no more McGlorys–the war was over–and everyone became rather respectful of The Friend, and greatly desirous to return his friendship.

Life went on. More importantly, business continued. Never miss a chance to let a man give you his money, The Friend counseled. He had tons of sayings like that. If he was one of those East Coast show-offs, he would have self-published a book of aphorisms, but he was a Little Aleppo criminal and so knew that the very worst thing a villain could ever be was famous. The Friend remembered this kid he knew in the 60’s, lent him some money and found him some laboratory equipment, one of those hippies. No one could tell The Friend why they were called hippies, since they weren’t hip at all. Tommy Amici was hip, and Dino was hip. These kids weren’t hip. They smelled. Anyway, he lent the kid some money and it came back in triplicate; he was thrilled , but the next thing he knew the kid was on the cover of magazines and people were writing songs about him. That was it for that friendship. No money in being the best-known drug dealer in the country.

Can a man not gamble? And if a man is not permitted to gamble, then why on earth did we make all these dice? The Friend believed that a man who was not free to wager was not free at all. Existence! Existence is a wager, he’d say. So how can a bet be wrong? It’s not if you’re betting on New York’s tables. Go and put your chips down on Wall Street, and no one looks askance. But in a backroom casino on Saffer Street in Little Aleppo? Call the feds. Or Vegas. Drive a few hours south and now your bet’s legal. Well, that wasn’t fair to people without cars, or who just didn’t want to go. Shouldn’t they be permitted to indulge in a game of chance at the Ambergris Room down by the Salt Wharf? (The whaling industry in Little Aleppo was far larger than most modern inhabitants like to admit.)

And what of drugging and whoring? Was a man not entitled to drug, and whore? And to drug whores, if he paid extra? Or to smuggling ivory? To medium-scale art forgery? To elaborate Medicare scams involving fictitious blood banks?

And even if a man is not entitled to these pursuits, has society any way of stopping him? It was a failure to understand people, The Friend thought. Men were gonna do as much wrong as they did right, and if the government did not want to tax those activities, then he would. Wasn’t like the cops and the criminals and the legitimate businesses and the Town Fathers had different agendas, anyway. They all wanted the neighborhood to run smoothly, and just a little bit moreso than yesterday. In public, they had to fight, so someone needed to facilitate. He’d make a call. So far, he had found few knots so Gordian a phone call couldn’t slice them. Occasionally–beyond occasionally; let’s say “rarely”–someone would disappear. Go to visit the McGlory Brothers, in the local parlance. Never any shooting, stabbing, any of that movie crap. Never any evidence. Just: poof.

Don Pajamas stole a 28-foot cabin cruiser, blue on the hull and white everywhere else. It was an orthodontist’s boat called the Brace For Weather that the orthodontist’s wife detested, but planned on demanding in the divorce. There was a stuffed giraffe in the cabin. He named it Falstaff, and argued with it about philosophy. Fucked it a couple times, too, but not without tenderness. He told Falstaff so many things, like about the mirror The Friend had that you could just sort of push people into. It was like half of a magic trick. He always meant to ask The Friend about it, but it didn’t seem like something friends discussed.

“Some things are personal,” he said to Falstaff, who was a stuffed giraffe. They bobbed up and down in the harbor, lost at sea, and they gossiped about the stars until they fell asleep in Little Aleppo, which is a neighborhood in America.

Love, Elevator

Hey, Josh. Look at you and your buddy, the Andyman.

“I can hear you.”

Quiet, Andy. Josh–

“Why does he call you Josh?”

–you can’t take Melania on tour with you. It’ll get out of hand immediately.

“Melania Trump? John, why is the booming voice that originates from outside reality talking about Melania Trump being on tour? Dead & Company tour?”

She stowed away in a road case, Andy Cohen.

“Is this true, John?’

It is, Andy. Very observant of you.

“I’m not gonna hire you or anything.”

SHWZZOP!

“Did you just send Andy Cohen to the Castle of All Tears?”

Yes.

“Dude, stop being a dick to my friends.”

I’ll bring him back if you get rid of Melania. She absolutely cannot be hanging around Dead & Company Summer Tour 2018. I don’t want you guys to be in play. Like, in a media sense. The less people examine Billy’s background, the better it is for the Dead’s legacy.

“I’m handling it.”

If the Dead wind up in the Problem Attic because of you, so help me God I’ll strangle you with your own enormously-crotched pants.

“I’m handling it!”

DING

“Ah, shit. How did you get into my hotel room?”

“Vith my charm, Lover Man.”

“And you redecorated.”

“Melania makes vherever she is home.”

“It looks like Staten Island threw up.”

“I do not know vhat is this Staten Island. Now come to Melania. Let me lay under you vhile you thrust.”

“You are the single least sexy human on the planet.”

“Sveat on me, Lover Man.”

Dude, this is not handling it.

“I’m handling it!”

But Can The Joneses Keep Up With Us?

Listen to Bobby. Spark up a doobie the size of a hog’s dick and put on your headphones and lock the children in the root cellar and listen to Bobby: he’s on the left. Garcia’s over to the right, and he’s just a-choogling while he sings for most of the tune, but Bobby on the left is your Secret Hero. Stabbing and deedling and going MWOK all around under over and through the vocal line–the boy is counter-melodializing again, Pa!–and playing the riff and kinda playing the riff. That ain’t how we rhythm guitar in this house, Bobert. Go to your room and comb your hair.

But he plays the same solo every time, you say. I eat your face. Stop saying things because you’re bad at it. Yes, Bobby always played the same solo in Casey Jones. But so did fucking Garcia.

There were two great guitarists in the Grateful Dead.

(Video courtesy of Portland’s protector, Mr. Completely. Check out his YouTube page; there’s a bunch of nifty shit on there.)

Man Without Hat

“Thoughts on my Ass! Look at me! I’m doing stuff!”

You’re drumming.

“Well, somebody’s got to.”

Mickey not helping?

“He’s just shaking fries around in a fast food bag and calling it Salty Maracas. I got no idea with that guy any more.”

How about the clogs?

“Not this tour. He’s got tap shoes.”

Mickey’s gonna play tap shoes?

“No, he’s gonna chuck ’em at Bobby when he plays Lost Sailor.”

Makes sense. So what happened last night?

“I stuck it in some skank.”

Besides that.

“Was there a show? I dunno, man, you tell me. I’ve been on auto-pilot for a decade.”

There was a show, but it started to rain 20 minutes into the second set and you guys disappeared.

“Oh, yeah! I remember that.”

The Dead used to play in the rain all the time.

“Here’s the thing, Ass: the entire world’s gone pussy. Everyone you meet these days: biggest fucking pussies on the planet. So it rained a little and all the crying little pussies got scared and cut the power. Punks. Dead used to play through riots. I mean, we caused ’em all but still: show must go on and all that.”

Uh-huh. Couldn’t one of you at least have gone back out onstage and made an announcement?

“Here’s the other thing: it turns out we played long enough to get paid.”

So?

“So…fuck ’em.”

You’re the heart and soul of the operation, Billy.

“Yeah, I’m the tits, too.”

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