Musings on the Most Ridiculous Band I Can't Stop Listening To

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Heaven’s On Fire On The Mountain

“Are you the Colonel?”

“I can’t tell you this again, Mrs. Martin-Godchaux-Rodham-McKay: I am not the Colonel, and I am not Colonel.”

“The Colonel comes by t’ call on my big sister Julep after supper. He’s so tall an’ handsome. We sit on the porch while he tells us stories ’bout Southern heroism. If’n it’s cool, we set in the music room an’ my li’l bother John Wilkes will play f’r us.”

“Ma’am.”

“Minuets an’ whatnot. John Wilkes played so beautifully. We’d later come to find out that it was him the Colonel was comin’ by t’ see.”

“I am not your brother’s gentleman caller.”

“He was also my uncle.”

“Did you grow up in a Faulkner novel?”

“South was diff’rent back then, sugar.”

“Apparently.”

“F’r example, take my daddy.”

“What was his name?”

“Daddy Jean Godchaux.”

“Nope. Wait. Oh, c’mon. Hey. Hey! The typist!”

Me?

“Yes. You used that joke already, but it was ‘Momma Jean Godchaux.'”

When?

“Like, five years ago.”

You weren’t part of this five years ago.

“I went through the archives.”

Oh, that’s sweet.

“You’re as well-known as you deserve to be.”

Oh, that’s hurtful.

“True.”

But still hurtful.

“And you’re a self-plagiarist. You’re stealing your own bad jokes about the Grateful fucking Dead, man.”

Are you trying to anger me?

“Why? Triggered?”

Don’t do that.

“Loser.”

I tried to warn you.

“Ahh-WOOOOOOooooooOOOOOOO-YEAH!”

“Oh, please tell me that isn’t–”

“Johnny MAYER! Hell-OHHHHHHHYEAH! Do you know who I am? I SAID…doyouknowwhoIamWOO!? If you know, then LEMMEHEARYA!”

“I didn’t deserve this.”

You totally did.”

“Well, howdy. Who is this bohunk?”

“Stay away from him, Mrs. Donna Jean.”

“My, doesn’t he look Jewish.”

“I truly don’t deserve any of this.”

Keith’s Left, Keith’s Right, He’s Gone

Precarious?

“Yo.”

Why did Keith’s piano move from one side of the stage to the other, depending on what show it was?

“Two reasons.”

Were they shits and giggles?

“Little bit, yeah.”

Why would you do that?

“Gotta find your fun somewhere. We’d put his piano stage left for a few shows, then shift it to the other side, and he’d get so confused. One time, he just sat on a road case and started playing a monitor.”

That is kinda funny.

“Yup. He kept tweaking Bobby’s nipples trying to turn himself up.”

That’s damn funny.

“Certainly was.”

A Thought On Disappointment

Opportunity knocks once, and the postman rings twice, but disappointment keeps to its own schedule, which is unpublished (and written in pencil, anyway): the picky hand on the clock tocks–you were expecting a tick–and then SHAZAM! your asshole is full all the way up to your throat and if you open your mouth nothing but shit comes out. Disappointment makes pussy taste like toothpaste, and toothpaste seem beside the point; it’ll slouchify the proud, give the pill bottles and knives songs to sing, bump five o’clock up a few hours.

You never thought about the word. Disappointment. You were to be of a new status. A title had been promised. Disappointment. You had somewhere to go. You were gonna buy shoes, flashy ones. Locks untumbled themselves in your ears. I am on the list. Well, check again, because I have been assured that I was on the list.

Let me speak to your manager.

The Catholics say it’s your fault. If you didn’t want bad things to happen to you, then why did your parents have to fuck? The Jews say that God works in mysterious ways; the subject will be changed if you press any further. The Mormons say that we learn from disappointment, and the Russian Orthodox Church is confused as to why you expected not to suffer. Hindus blame the guy you used to be, and Buddhists blame the guy you wanna be.

A Missionary was dispatched to the Arctic, where he met an Eskimo.

“Have you heard of the Christ?” the Missionary asked.

“I haven’t,” answered the Eskimo.

And so the Missionary did teach the Eskimo how to read the Bible, and how to pray, and what was forbidden and what was mandatory.

“But if you do not worship the Christ,” the Missionary said, “then surely will you go to Hell.”

The Eskimo weighed what he had been taught, and had a question.

“What of those who have not learned of the Christ? Will they go to Hell?”

“Of course not,” the Missionary said. “That would be cruel.”

“Then why,” the Eskimo asked, “did you tell me about Him?”

We wake up, we fuck up, we do it again, we sit at our desks and work until our eyes and backs can no longer think, and the sun goes down and the sun comes back, and we wake up, we fuck up, we do it again. We do it again, and fuck ’em if they can’t take a joke.

The Beginning Of The End In Little Aleppo

Cannot Swim awoke before sunrise. He knew it was not raining because the horse was dry. He didn’t know why the horse was there, but it was dry and so he knew it wasn’t raining any more. That was good, at least. He had slept tucked into a shallow depression in the rock that would, in a million years, be a cave; just a bare dimple into the muddy cliff, but it sheltered him from the drops that had let up in the middle of the night. It was not morning now, not yet, not for an hour: just a rumor of light behind the hills in the east and the world was grainy and faded and everything was misty. Was the horse a dream?

It turned headlong towards him and shook its mane and said,

“Herfpbpbpbpb.”

The horse was not a dream.

“Hey, buddy.”

“Pluff.”

Easy Life wandered off into the morning fog; there was, he remembered, a particularly tasty bush that grew in the foothills. Little purple berries that grew in clusters, just rip the whole thing off in your teeth, so yummy. He had also noticed a lot of chipmunks, and he was absolutely gagging for one. Salty and good, he liked to stomp on ’em real quick and sneaky-like, then he’d slurp the gooey mess up. And grass. Easy Life loved him some grass: it was a classic for a reason, he thought. Couldn’t improve on it.

Cannot Swim decided to wonder about the horse after he had taken a piss. He slipped his feet into his moccasins and walked south from the cave about ten feet and pulled aside his breachcloth. Steam issued from the junction of the stream and the tree. He was bare-chested, and the chill had miniaturized his nipples. His hair was loose, and touched his collarbone. There was a leather bracelet on each of his wrists, green-and-yellow beading. He shook his dick, pulled the breachcloth back, stretched. Mouth tasted like a dead fish’s asshole, so he kept going south to the small stream a few hundred yards off.

There were finches and sparrows and rails and coots. There were aspen and pine and nutmeg and oak, and above them the redwood asserting its prerogative. Jackrabbit 50 feet off, twitching and staring, and Cannot Swim picked up a rock and swiveled to throw it but remembered that he had not built a fire and chucked the rock high. The rabbit skittered off into the fog.

He would have nailed it, too. The Pulaski had only recently been introduced to rifles and metal knives, and the tribe’s hunters still practiced the old ways. Just in case. Bullets were finite, but there’s always the old ways. Up to around 10 pounds? Rock would do it. Trick is not missing. The Pulaski threw sidearm, because that is the natural way of throwing, and thus no Pulaski at all ever required Tommy John surgery. They had the sling. Not a slingshot with a boingy rubber carriage–the Pulaski did not have rubber–but a sling made from one long string of braided dogsbane. In the middle was a rectangle of deerhide, slightly depressed to cradle a stone, and the thrower would gather both ends in his hand and whirl once, twice, and then release one end of the cord. It was easier to take a deer with a bow than with a sling, but only because you had more target: an arrow could hit the brain or the lungs or the heart for a kill shot, but the rock had to hit skull. And it usually wouldn’t kill the deer outright, just massively concuss it, so sometimes you’d have to follow the staggering animal for a few miles until it dropped. The Pulaski had several ways to fish; the women did the fishing. Hooks made from bone, and spears topped with flint. They only took from the lake, not from the harbor with its steep dropoffs into the water and deep draw.

And the bear.

The last California grizzly died in 1922. Bird-watcher said he spotted one in 1924, but there was no scat or hair or other evidence. The Whites shot them indiscriminately. Set traps for them and bashed their heads in with the butts of their rifles. Poisoned the bears, regardless of whether they were boar or sow or baby, and sold the pelts without eating the meat, or carving the bones into jewelry and fishhooks, or cooking with the fat. The Pulaski were exterminated long before the grizzly was extirpated; the bears still walked the hills around the village and the rolling fields and forests to the south. Cannot Swim had been on several bear hunts.

The dogs did the work. Black Eyes was the lead. Gray and over a hundred pounds with a patch of dark fur across her eyes like a burglar’s mask. Three others, just as big but not as smart. Nine Pulaski men and women and children following the dogs. Long wooden spears with sharpened points. The whole party wandered around the woods until Black Eyes got the scent, and then her shoulders edged downwards and her ass stuck up with her tail straight towards the sky, and the other dogs would mimic her, and the humans crouched, and then there was a trail that the humans could not see but it was there that led to the grizzly. The dogs would harry it but the grizzly would not climb a tree like the black bear. The grizzly would fight, and that is what the dogs were for. They would work as a team, circling the bear, snapping at it and dodging and biting and exhausting it. Then came the spears.

Cannot Swim had no spear, and he had no knife, and he had no rock in hand. Just a taste of shit in his mouth and a bare chest and loose hair. He knelt at the stream and put his head down to drink. The water was frigid and fast, and he swirled it around in his mouth, spat, swirled, spat, scooped it up and splashed it on his face. When he opened his eyes, there was a man on the other side of the stream, he was on a horse that was bones with the skin draped over and the man was similarly emaciated, but with a wild beard and eyes the color of cannibalism, and both the man and the horse were on fire.

He blinked and then they weren’t there at all.

“Goddammit.”

“I was so ready.”

“I was psyched,” Harry Gardner said.

“You look psyched, baby,” Capolina Gardner told him. He didn’t; Harry was pale and sweat had stained the armpits and neck of his burgundy tee-shirt. He was not good with confrontation, and Harry and Capolina had come to Harcourt Place to do some confronting, but there was a CLOSED sign hanging in the window of the Kinderfleisch butcher shop, even though it was getting on to noon and all around them was commerce. The two of them deflated in the doorway, peered into the darkened shop with its long, glass case and heavy, metal scales and hanging, tubular meats. They had come to speak to Sidney Shines. Harry and Capolina had seen Sidney, spherical with a flat cap and a cigarette in the corner of his mouth, out of the corners of their eyes: he was across the street, but then gone; in the booth across the dining room at the Victory Diner, facing the opposite direction but sneaking peaks via the mirrors. He owned the shop, and had been stalking Harry for a few weeks and also had plastered the neighborhood with scary flyers about werewolfs.

Harry was a werewolf.

So they had come down to Harcourt Place to engage in direct action, which is the best kind of action and the most efficacious kind of action and also occasionally leads to everyone in the country starving to death. Petitions, protests, pamphleteering: all worthwhile and something to do on long afternoons, but for best results? Direct action is your choice. When the people practice direct action, it’s called a movement; when just a few people do, it’s called terrorism or a surgical strike, depending on who’s telling the story. All the editorials and sermons in Boston didn’t affect the British as much as a dozen drunk assholes in Indian costumes hucking beverages into the harbor.

But Harry and Capolina weren’t particularly skilled in, or suited for, direct action. She was a nurse, which meant she was a reactor by nature, and he enjoyed staying inside and drawing happy goats. They were neither Machiavellians, nor Leninists. They had not read the Melian Dialogues. They were not schooled in power, and so had not come up with much of a plan for confronting Sidney Shines besides walking into his shop and saying “What the fuck, man?”

They had argued about whether or not to bring a gun.

“What if we need it?”

“We’re not gonna need a gun,” Capolina said.

“But what if we do?”

“We don’t have a gun.”

“We’ll get one,”

“We won’t, baby.”

“He’ll have a knife. It’s a butcher shop.”

“No gun. Drop it.”

He was sprawled on the couch in the living room of their cottage on Bailey Street staring at the ceiling; he was barefoot and shirtless, and his left arm draped over the back of the sofa, and Harry said very softly,

“Maybe we just get out of town for the full moon.”

Capolina was getting ready for work, and everything she needed was everywhere. She was going to be an organized person, she really was, and it was going to happen any minute. Until then, her wallet was in the kitchen for some reason, and her shoes were in the bedroom, and her backpack was in the living room, so she was wandering around the house picking up after herself when Harry said that. She said,

“Baby.”

And she walked to the living room where the couch was, where Harry was, and laid on top of him in her scrubs. The belly of her top rode up and the skin of her stomach was pressed against his, and she stuck her face right in his, kissed him, pulled back, said,

“We run this month, we run next month.”

Kissed him again, and he didn’t mind.

“And forever. Fuck that.”

Lips.

“Fuck him. We live here. We’re not running.”

“Okay.”

Harry kissed her back, a greedy kiss, and she said,

“And we don’t have the money to go way every month.”

He sat up, throwing his arms around her, and then they were both upright on the couch and he said,

“We could go camping. That’s cheap.”

Capolina pushed herself away from him and snorted and said,

“First of all, you don’t even like going outside. Second of all, I do not camp. When have you ever heard me talk about camping in any sort of positive manner? I don’t wanna sleep in the woods, baby. Third, camping stuff is expensive. For the money it would cost to buy camping stuff, we could stay in a hotel.”

“Motel.”

“Yeah, probably. Still better than sleeping in the woods.”

“I’ve actually never been camping.”

“Me either. But I know it sucks,” Capolina said. “So we’re too poor for hotels, and too civilized for the forest. I guess–”

She kissed him.

“–we gotta stay here.”

And they stayed there for a little while, loitering in the doorway of the shop, knocking on the glass and rattling the door handle, until they began to feel self-conscious of the pedestrians’ assay and walked north on Harcourt Place until they hit Ataturk Street, where they began holding hands, and headed west for two blocks until they hit the Main Drag.

“Should we go back later?”

“I gotta work, baby,” Capolina said.

“I don’t wanna go alone.”

“No.”

She was sure that the butcher would walk Harry into the freezer and chain him up if he went alone. Harry had been talked into time-shares and multi-level marketing schemes and couldn’t resist a good three-card monty game, which is why Capolina did not tell him where the checkbook was. She loved him, but he was suggestible.

“I think he’s coming for me tomorrow,” Harry said.

“Yeah.”

“Tomorrow night.”

“Yeah.”

They walked around an impromptu wrestling match between two women, both named Angela. Greco-Roman rules were in effect, and there was wagering; no one on the Downside had enough room in their apartments to get up to serious bullshit, and so they took it to the street.

“How do you think werewolf tastes?”

“Like werechicken,” Capolina answered, and he kissed her because he loved her, and then Harry said,

“I want ice cream,” because he wanted ice cream, and she thought that was a terrific idea and said,

“That’s a terrific idea,” and kissed him back.

Little Earl Callaway opened up the Grande Marquis in 1962 on the junction of the Upside and the Downside: the place was real clean, but also took food stamps. The Grande Marquis–no one had the balls to tell Little Earl that “Grande Marquis” did not mean “Supermarket” in French–was Jet Set-era convenience: all your food at once. In the old days, you went to the butcher’s, and the baker’s, and the dry goods place, and then got kicked in the head by a horse or scalped by a Comanche. Leave the old days in the old days, Little Earl used to bellow. An American should be able to get all the components of a sandwich in one trip, he would further bellow. Fresh meat, and seafood. The produce was misted with water once an hour to make it look delicious and new, and there were signs next to the produce explaining where it was from and the voyage it had taken to get to the neighborhood. There was a pharmacy that no one ever thought to rob. Occasionally, old folks would entomb themselves in the freezers in hope of achieving some sort of cut–rate cryogenesis, but only occasionally.

Little Earl employed a small but fiercesome army of bounty hunters to retrieve purloined shopping carts.

Harry Gardner opened the freezer door and reached in: there was tutti-frutti, and cookies-and-cream, and rocky road, but beyond that was peach, which is what he wanted, and the pint slid past the others and on the label was a man and his horse, drawn and deathly the both of them, and flames all around them which would not consume them no matter how long they burned, and the man held a pike and the horse held the man, and the fire did no damage but belonged to them entirely, and he said,

“Cap?”

But she was in the cereal aisle, and did not hear him.

“Assure me that I have your complete attention.”

“You want me to jerk off while I stare in your eyes?”

“I’ve never told you how much I appreciate your sense of humor,” Mr. Leopard said.

“You haven’t.”

He looked at The Purveyor, said nothing, scratched at an imperceptible imperfection on the blotter of his empty desk. Mr. Leopard’s office in the restaurant with no name was just as barren and impersonal as his office at Town Hall, but there wasn’t even a window. Desk with a chair behind it. Chair in front of the desk. Pad, empty. Phone. Calendar on the wall. File cabinet.

“So. You will deliver tomorrow night.”

“Maybe.”

Under the desk, Mr. Leopard’s feet were bare, and his toes flexed.

“Maybe?”

“The deal is fucked,” The Purveyor said.

“The deal is the deal.”

“That’s reductionist.”

Above the desk, Mr. Leopard engaged in no motion. He was still in his black suit, and his back did not touch the chair; he had proper posture.

“I don’t know anything about philosophy,” Mr. Leopard said. “I’m just a simple restaurateur.”

“I want more money,” The Purveyor said.

“Don’t we all?”

“I followed them to my shop this morning. They’re on to me. They’re gonna be fucking careful and it’s gonna be more difficult.

The full moon was the following evening and The Purveyor was not letting his quary out of his site until then, so he had closed up his shop.

“This is not my problem.”

“Fuck whose problem it is. It’s your responsibility.”

Outside, the kitchen was spotless and quiet, the most junior cook doing the prep: carrots and potatoes and radishes, all chopped in very particular ways. The dining room was waiting and still.

Mr. Leopard tented his fingers in front of him. Each one had an extra knuckle.

“I’m getting the message that you are incapable of the task.”

“Fuck you and the horse you rode in on.”

“How did you know about my horse?”

“I want more fucking money.”

“Sidney–”

“The Purveyor!”

“–you’ll just waste it.”

The Purveyor unscrewed the cigarette from the corner of his mouth and ashed–tap tap tap–on the carpet and said,

“I know you’ve already sold the meat. You got a big party coming in expecting werewolf. Your reputation’s on the line.

He screwed the cigarette back in.

“I want more fucking money.”

Cannot Swim was on his ass. The stream was in front of him and his hands were behind him, holding him up; he searched around for the starved man and horse, and the fire that belonged to them, but there were just squirrels and maples and jackdaws and jays and thrashers fighting for space in the branches of the wood; the fog was burning off and he could see for miles through the brown trunks of the trees and the green afros of the shrubs, and there was no one there at all.

“Pluff.”

There was a horse.

“You see that?”

“Herfpbpbpbpb.”

Cannot Swim stood up and brushed himself off, and then he walked over to Easy Life and scratched his neck. In the small depression where he had slept were his satchel and his tunic, and Cannot Swim fetched them and dressed himself while praying to the Turtle That Was And Will Be Once More, and then he began walking up what would be called Mt. Chastity. Easy Life followed him.

“You’re coming?”

“Pluff.”

“Okay.”

The boy and the horse went up the mountain, one of seven that would one day be called the Segovian Hills, and form a natural barrier against the rest of the world for a place called Little Aleppo, which is a neighborhood in America.

Amir, A Mirror

“Rando.”

Bobby, that’s not a rando. That’s Amir Bar-Lev, director of the acclaimed Grateful Dead documentary Long Strange Trip.

“Ah. I’m looking forward to watching it”

It came out several months ago, Bobby.

“I know. I’ve been, uh, binge-watching Friends. There’s like a million seasons.”

True. Friends? You like that crap?

“Great stuff. Y’know what that show’s really about?”

What?

“Relationships.”

Uh-huh. A certain kind of relationship, to be specific.

“When I watch, sometimes I like to wonder who in the Dead was who. For example, Phil is a Chandler.”

Could Phil be more Chandler?

“He couldn’t. And, uh, I’m a cross between Phoebe and Joey.”

Accurate. Garcia?

“100% Rachel.”

I can see it.

“Oh, and–and I don’t know if anyone else has noticed this–that Rachel girl always has her headlights on.”

Like Garcia?

“No. Jer was famously soft-nippled.”

This conversation has gone in a strange direction.

“Conversations often do.”

Sure.

“Wait. I know why I’m here.”

It always comes to you eventually.

“Lunch.”

Right. What’d you have?

“Vegan charcuterie.”

How was that?

“They just brought me an empty plate.”

Sure.

“And this is the director fellow.”

Yes.

“Amyl Ben-Nitrate.”

Nope.

“Amy And-Steve. No, that’s a couple me and my wife–”

Natasha Monster.

“–play parcheesi with. Was I close?”

Close enough.

“He seems like a decent sort. You sure he’s in show biz?”

Positive. Why?

“He didn’t molest me at all.”

He’s an ally, Bobby.

“Good to know.”

Jamboo

Hey, Holly Bowling. Whatcha doing?

“Jamming, wearing a panda head.”

It looks unspeakably filthy.

“Sex panda, motherfucker.”

You okay? Usually, you’re far less happy to talk to me.

“Dude, it’s Jam Cruise. Literally everything on this boat has been dosed. Everyone’s been tripping since we left dock.”

That sounds fun.

“There have been several mutinies.”

One would imagine. What kind of stuff they got on this boat?

“It’s unbelievable. There’s an ice skating rink.”

On a cruise ship?

“Yeah. It’s like giving God the finger.”

It is.

“Wave pool.”

Wow.

“Right? Waves inside a ship inside waves. Waveception.”

Sure. Seriously, though: why the panda head?

“Promise you won’t tell anyone?”

Swear.

“I couldn’t find my hat.”

So?

“I don’t have a top part to my skull. It’s like an eight-inch fontanelle.”

Can you see brain?

“Only if the light’s real good. There’s like a yolk-type deal covering it.”

I did not know this about you, Holly Bowling.

“Seriously, don’t tell anyone.”

I promise. No one read this shit.

The Face Of Rock

You don’t know who this is. Pretty little thing. Looks like a rocking-type fellow, right? Maybe he was the rhythm guitarist for Humble Pie, or the drummer for The Sweet or something like that.

Nope.

His name’s Pierre LaRoche, and Pierre was a makeup artist. Nowadays, the job is initialized as MUA, which my brain always reads as a the sound of a large Jewish aunt air-kissing someone she hates, and you can get rich and famous doing it, but in the 70’s you could create two of the most iconic looks in pop culture history and be completely forgotten to the point where you don’t even warrant a Wikipedia page. You don’t know who Pierre LaRoche is.

But you do.

Pierre LaRoche designed Ziggy’s lightning bolt look, and also gave him a face to go with that dreamy blue suit and wild red mullet.

You remember that:

And that would be enough, one would think; call it a day, Pierre! Sit your skinny Gallic ass down and chain-smoke and complain about the food. You deserve a break.

But Pierre LaRoche did not take a break. Instead, he went to work for a low-budget film based on a no-budget play about a sweet couple named Brad (who was an asshole) and Janet (who was a slut). Neither Brad nor Janet needed much makeup, but the bad guy did.

Pierre LaRoche did this:

Frank and Ziggy: each face came from the same Frenchman’s mind, and we never got to thank him. Pierre LaRoche died in 1991 of exactly what you’d assume a makeup artist would have died from in 1991.

But now you know who he is.

 

(With thanks to Mr. Completely for hipping me to this secret knowledge.)

The Parable Of The Chinese Farmer

There once was a farmer in China. He had many fertile fields of broccoli, beef, and also orange chicken. One day, the farmer’s horse ran away. The villagers came by his farmhouse that night.

“Oh, this is terrible,” the villagers said.

The farmer answered, “maybe,” because he had insured the horse for three times what it was worth and secretly shot the horse.

The next day, the horse came back and with him came seven wild horses.

“This is wonderful,” the villagers said.

“Y’think? They’re wild fucking horses. One of ’em just kicked my daughter’s head clean off.”

“At least it wasn’t your son,” the villagers said.

The farmer answered, “Maybe.”

The next day, while trying to break one of the wild horses, the farmer’s son broke his leg. The villagers came by the farmhouse that night.

“This is terrible,” they said.

The farmer answered, “Why do you people come to my house every night? You don’t even call first.”

“This is a parable,” the villagers answered. “There are no telephones in parables.”

“Maybe,” the farmer said.

The villagers asked, “Are you seriously not even going to offer us anything? Some coffee, a nice piece of cake?’

“Get the fuck out,” the farmer answered, and they did.

The next morning, the man in charge of conscription for the Emperor’s army came by the farm.

“Listen, man,” the farmer said. “I am having a motherfucker of a week. Can you come back, say, in April?”

“April’s no good for me,” the army man said. “How’s your May look?”

“Terrible,” the farmer said. “Cuz, you know, I’m a farmer. That’s when we plant everything.”

“Oh, okay,” the army man said. “I’m a city kid. Food comes from the supermarket, as far as I’m concerned.”

“Sure,” the farmer said.

“I totally forgot what we were talking about,” the army man said.

“Don’t ask me,” said the farmer.

“Oh! Your son. I need him for the army,” the army man said.

“Sure, sure. That makes sense. But he’s got a broken leg.”

“Then I cannot take him,” the army man said.

“You’ll be back in May. He’ll be all healed up then, and then you can conscript the shit out of him. Useless little bastard,” the farmer said.

“May, gotcha,” the army man said, writing some notes to himself. “You’re in the book.”

He left, and that night the villagers came by the farmhouse and asked the farmer,

“What has happened here?”

The farmer said,

“Buddhism.”

The villagers nodded, and after they left, the farmer noticed that one of them had stolen a chair.

 

For Amir.

We Were Having A Thigh Time

These men got groupies.

OR

Younger Enthusiast, this cannot be explained away by invoking “it was the fashion of the time.” When the Dead wore rainbow trousers and fringed jackets and frilled shirts: well, it was the 60’s. That was what hip young men wore to attract groovy young ladies. But this bullshit? This bullshit right here? This bullshit was not the fashion of the time. This bullshit was not the fashion of any time in human history.

OR

It is rare, exceedingly so, that Bobby’s short shorts are the most acceptable pant on stage: if a bit risqué, they are still basic and classic jean shorts. Whereas Phil is wearing sky-blue velour and holy fucking shit there are cuffs on Garcia’s.

OR

None of their shoes are helping, either.

OR

If Phil sits down, his balls are escaping. That’s a fact.

OR

Precarious?

“Yo.”

Is Brent’s monitor on an end table?

“Yup.”

Why?

“Coffee table was too low.”

Sure.

Bowl, Share

What the fuck?

“Go away,”

Holly.

“Not now.”

Holly.

“Fuck off.”

HOLLLLLLLY!

“Stop stealing jokes from Archer.

What the fuck is Tom wearing?

“I was confused about that myself. It’s almost a robe, and–”

Almost a kimono, but definitely not a coat, yeah yeah. It’s called a toppermost.

“That’s not a real thing.”

It is. Rich people have a whole set of garments that normal folks don’t have access to.

“Tom’s not rich. Otherwise, he wouldn’t be on a fucking Jam Cruise.”

Is that what this is?

“Yup. You know Phil’s restaurant?”

Of course.

“Well, imagine you couldn’t leave for five days and there was a 40% chance of contracting Legionnaire’s Disease.”

Ew.

“And Turkuaz was there.”

Jesus. Y’know, it’s not too late to go back to grad school. What was your hat’s GPA?

“Okay, this was fun, but I’m busy.”

I wanna know where the fuck he got that toppermost.

“I don’t know. The store?”

Holly. Look at that garment. What store would you buy that in?

“Yeah, okay, you have a point.”

This is not good. I just hope–

“WHAT THE FUCK?”

–a certain social media star doesn’t find out. Heeeeeey, buddy.

“Dude, I’m steaming. Why does Brad Whitford–”

Tom Hamilton.

“–have one of my toppermosts!? He’s not even supposed to know they exist, let alone be wearing one.”

Got me.

“You know how much that cost?”

Too much?

“Waaaaay too fucking much. That’s a handcrafted piece by Sushi Sashimi.”

Not a real Japanese name.

“He’s not even wearing it right!”

How so?

“He’s fucking poor!”

John, this is an ugly side of you.

“Dude, I don’t have an ugly side. I mean, my right profile is slightly more handsome, but–”

Focus.

“I am so pissed off. What the fuck is going on here, anyway? Who’s the chick in the hat?”

The very talented Holly Bowling. And this is the Jam Cruise.

“I don’t know what a ‘Jam Cruise’ is, and I refuse to learn.”

Good decision.

“Does that guy have his dick out?”

Tom? I hope not. Unless it’s part of the improv. Keith Jarrett used to do that if someone coughed.

“No, not Tim.”

Tom.

“Don’t care. Not him. The guy on the left in the yellow shirt.”

Oh.

“It can’t be.”

If it is, good for him.

“Is this what people do on the Jam Cruise? Wear hats and take their dicks out?”

Pretty much.

“Trump’s gonna win in 2020.”

Probably.

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