Before there was the Duke, there was Ziggy.
Warning: contains jamming, mime, potato salad. Also contains one of the songs Bowie and the Dead (kinda) shared: Let’s Spend the Night Together, which similarly features potato salad.
Musings on the Most Ridiculous Band I Can't Stop Listening To
Before there was the Duke, there was Ziggy.
Warning: contains jamming, mime, potato salad. Also contains one of the songs Bowie and the Dead (kinda) shared: Let’s Spend the Night Together, which similarly features potato salad.
It’s been years and years since I did a line of coke, but I can taste the drip in my throat watching this performance of Young Americans on the Dick Cavett Show in ’74.
Also: in rock and roll, black-up singers are inevitable. They made a documentary about it.
Also also: intelligent knicks and knacks about Bowie’s lyrics and context at this site.
http://www.youtube.com/watch?v=fDXBeu3198c
David Bowie was a gay man. He married two women and was engaged to a couple others, but he was gay. Or bisexual. He was queer. We can all agree on that: David Bowie was queer as hell and wherever his proclivities may have lain (David seemed to have enjoyed anyone attractive in his vicinity), he identified as a gay man in Nineteen-Seventy-fucking-Two. It simply wasn’t done, and in a newspaper, no less. If you were a particularly respected homosexual who died, your obituary might call you a Confirmed Bachelor, but other than that, gaiety was not for print.
Bowie didn’t care, or was too high to censor himself: no matter. Any honest recounting of his work has to include his sexuality, and his public display thereof.
Of course, any honest recounting must also include the fact that–for a while, at least–he was complete fucking Nazi. We all know what the European cannon is, David.
Now, in David Bowie’s defense, he was living in West Berlin on a diet of cocaine, red peppers, and milk. Also, Iggy Pop was his roommate. (I know I’ve mentioned that before, but it bears repeating when judging Bowie’s Berlin years.) These things will turn one into a Nazi.
Also in David Bowie’s defense, he looked great in Nazi clothes with his hair slicked back. Also also, he was a totally ineffectual Nazi, in that he continued to employ and socialize with black people and Jews.
Anyway, this is Station to Station from the ’78 band with Adrian Belew (who a Nazi surely would have executed just for looking weird) and David is not so much a Nazi as a pirate. (The man enjoyed a good pirate shirt, let’s be honest.) Quick note: the actual song starts around five minutes in; before that is noises, and not enjoyable ones.
Someone on the Twitter liked this one, and there’s a lot to like about it, especially when Robert Fripp starts doing whatever the hell it is that he does.
The 1980’s were weird, kids, but the early 80’s were completely fucked up.
http://www.youtube.com/watch?v=dAwwjBhXx_4
After Ziggy was the Diamond Dogs Tour; that Earthroamer might have to idle for a bit. Tonight is for David Bowie.
Time, he’s waiting in the wings
He speaks of senseless things
His script is you and me, boysTime, he flexes like a whore
Falls wanking to the floor
His trick is you and me, boyTime, in quaaludes and red wine
Demanding Billy Dolls
And other friends of mine
Take your timeThe sniper in the brain, regurgitating drain
Incestuous and vain
And many other last names
Oh, well, I look at my watch, it say nine twenty-five
And I think “oh God, I’m still alive”We should be on by now
http://www.youtube.com/watch?v=ClDO1_dH0DU
I’ll let the professionals eulogize the man, and explain him to us; enough to listen to what he thought, I always believed.
This is from his Berlin years: he was primarily composed of cocaine and advance copies of Vogue. Plus, he was living with Iggy Pop and weighed 94 pounds.
He still looked better than you.
(Also, the band he has here is an absolute Murder’s Row featuring the angular Adrian Belew playing the impossible parts. There is also a Brecht/Weill cover and a violinist in aviator shades. Again: cocaine.)
Another piece of evidence to support the hypothesis that the entire Rock Industry distills down to white people playing Chuck Berry covers in hockey arenas, this is the only song (without research) that Bowie and the Dead both covered, although apparently Garcia and Bowie shared a drummer.
(At this point, I think most of the modern world–including non-musicians and the Irish–shared a drummer with Garcia.)
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