Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: deadhead

What Is A Deadhead?

A Deadhead is a child of the sky and America, and a tiger burning bright, and a cousin of the least threatening Aztec god. And the Mother of Shadows. Every Deadhead is, in times of great personal peril, able to assume the mantle of Mother of Shadows.

A Deadhead is capable of both eating and being eaten; this is the duality of lunch.

A Deadhead is never going to that place by the airport for a squeegeejob again, not after what happened last time.

A Deadhead is never grody or schmuck-like; he eschews blumpkins, dirty Sanchezes, and other novelty sex acts; she takes care as to not strangle ducks. A Deadhead does not scoot across your carpet while holding his ass cheeks akimbo. A Deadhead will never rename your drapes.

A Deadhead is always processing food into energy. Don’t even try to stop the process, man. It’s involuntary, that process.

A Deadhead is flanked on all sides, every vantage thick with enemies and impurity and disease and the end. The end surrounds Deadheads; do you understand this? There is harm about, and it is faster than we are, and it is devious and patient and its mind does not wander like our’s does. We have no moat at all. Just shoulders waiting for the taptaptap. Harm will cut in, but the Deadhead continues dancing.

A Deadhead is not a zebra. The species is incapable of having a favorite band, as evidenced by the total lack of Van Halen posters in teenage zebras’ bedrooms. Also, zebra are dumb and mean, and you think they’re gonna look like striped horses, but they don’t; they’re scrawny and misproportioned and clearly a first draft. Fuck zebras.

A Deadhead is ancillary.

A Deadhead is a bubbly muffin, a whoopdee-doo, the stuffing in life’s couch, mellifluous to the deaf, horribly barbarian, and never going back to the place by the airport again.

 

The Mutineer

The show I posted yesterday generates opinions: some enjoy the energy, and others think that 6/4/78 was too over-the-top, that there is a difference between being enthusiastic and being the naked guy who still keeps trying to eat cops after he’s been shot seven times. Mrs. Donna Jean joining in the NFA jam was certainly her prerogative, and I enjoyed it: she saw everyone else going out-of-tune and decided to join in. Cool beans for Mrs. Donna Jean.

The show was from one of Bill Graham’s Day on the Green shows and Warren Zevon was opening and Warren Zevon was drinking because that’s what he did that year.

It did not go well.

Zevon wasn’t a good drunk, but he was a consistent one. He blacked out, a lot. He liked guns, and kept them handy. Also: pills and hitting people, mostly the woman closest to him. His shit was fucked up.

There is a recording of the abuse that Warren threw at the mostly-Deadhead audience, but it’s not readily available; I did find this picture:

phil zevon

I found this on the wonderful Grateful-Dead-Photos.com that contains some nifty pictures taken by a lovely man with a good eye named Bill Fridl.

You must appreciate Phil’s bemused chuckle at watching Warren eat it, deliberately and seemingly on purpose. “Yeah, I’ll get to the coke, but first I’m gonna watch Johnny Hairline piss off 25,000 people. That reminds me, I should call Ned Lagin.”

Warren: this was a big show, probably the biggest in sheer size you had ever, and might ever, play. The Deadheads liked you coming into it: their heroes had given you the most explicit of thumbs-ups. Covering a song that was in the charts? Unheard of! (Butchering that song? Heard of!) The Dead played one of your goddamn songs: MAKE FRIENDS WITH THEM, you idiot: the audience AND the band.

And it’s odd of him to piss off famous people of any stripe: Warren was an inveterate name dropper; every song in his live show has an intro about “It’s one of Marty Scorsese’s favorites.”Warren was never quite as famous as he knew he should be. It’s not narcissism: I share the opinion. So do most people with a little bit of taste in music.

His live show was usually good, especially during the ’80’s when tough times turned him into a one-man-band, playing twelve string and, of course, piano in little theaters and big bars. When times were good, he had LA sharpies; he could never afford to take the real motherfuckers out with him, though–the guys he hung out with back home and made most of his records with.

Zevon’s first bunch of records were immediately brilliant.  They were cool and funny and smart and his hair…well, you know about his hair. His next bunch (and this was a rather larger bunch; some might say ‘most’) were in retrospect full of heartless love songs that over years worm their way into you as their production makes the expected transition from ‘cheesy’ to ‘dated’ to ‘classic’. Then his last three, which were contextually beautiful back then; they stand on their own now.

Writers make sense of place, and explain ourselves to us: without grounding, there is nothing. To this day, there are parts of Lower Manhattan that still feel like Visions of Johanna. Hunter got San Francisco, and the open road, and the trail: Hunter was good with the trail.

But, Warren got Los Angeles right.

[youtube=http://www.youtube.com/watch?v=z0J3ossUzhU]

 

Warren Zevon could write the fuck out of a song.

PLUS the Heineken.

Grateful Read

Used books on Amazon are, like, a buck. Figure three to ship. Four American dollars can get you a brand-new used book about, concerning, or by the Grateful Dead. These are the ones that are currently in my home. Actually, they’re not just in my home, they’re piled right in front of me, right next to the computer, which is playing the Dead (4/1/88) while I write this nonsense about the Dead. Out of the six tabs I have open, three are in some way Dead-related.

If the cries for help had previously been implicit, they are now made flesh. Yes, on one hand, it’s better than sitting there watching TV, but just barely.

Anyway, so these are the books I own (currently, but we’ll get to that) about the Dead, along with thoughts on the Dead books. (Did you see what I just did there? I worked my brand into the mix and resold it to you. I have mastered the bloggings!)

Here we go:

Long Strange Trip, by Dennis McNally. This one’s the big swingin’ dick of Dead books. The Official Saga.

Garcia by Blair Jackson. This book has sad.

Dark Star: An Oral Autobiography of Jerry Garcia by Robert Greenfield. There’s a great intro by Bobby in my edition. He almost immediately mentions his days ropin’ and a ridin’. Bobby spent a summer on a ranch once. Bobby had gotten thrown out of three boarding schools that year and his parents had had about enough of his bullshit and shipped him off to some friend of their cousin’s cow-shit factory and for 50 years, we’ve had to politely go along with the fact that Bobby actually thinks he’s a fucking cowboy.

Searching for the Sound by Phil Lesh. Very tough to make fun of this book, even though making fun of Phil is so satisfying. He comes off as a sincere Musician and Seeker, who lived through some groovy–but also very dark and sad!–times who was saved by a Waffle House waitress named Jill and is now a devoted family man. Which is, of course, the problem: Phil’s writing the book for his fucking kids. He takes the high road: the word “anal” does not appear anywhere in the book, which is odd because Phil had this thing he liked to do to groupies that was called a Phil Bomb. I want to love Phil’s book; I root for the guy. But, wow, is Scully’s book more fun. Which is sad, because Phil reaches for nobility with some rather lumpy prose while Scully is the worst scumbag that ever managed the Dead. DO YOU REALIZE HOW HIGH THAT BAR IS SET?

Living with the Dead by Rock Scully and David Dalton. In which we learn that Mountain Girl was a Mean Girl, Bobby was a cheesedick, Billy was a ephebophile, and Garcia smelled.  The existence of this noxious gossip is only tempered by the knowledge that Scully wrote this with a gun to his head, an actual thuggish man shoving a Ruger into poor Rock’s temple and demanding that he write the book.  What? He did it for the money? He supplied his friend with heroin for a decade and then wrote a book about his hygiene for a check in the mid-5 figures? There’s a Yiddish word for a guy like that: asshole.

Going Down the Road by Blair Jackson. Interview with the band, plus lots and lots of padding that no one–and I am including the author of said padding–has ever read.

Playing in the Band by David Gans and Peter Simon. Pictures and interviews. Great cover photo: they are all so greasy, unshaven, and surly-looking. They look like a gang rape about to break out. They scare me, but I like it  a little bit; they’re gonna have their way with me, but I’m gonna let them: that sort of vibe. (Did that just get weird? It got weird; I apologize.)

Skeleton Key: A Dictionary for Deadheads by David Shenk and Steve Silberman. A nifty little time capsule from 90’s Deadhead-land. A little skewed towards prep school douchebaggery, but entertaining and charming.

The American Book of the Dead: The Definitive Grateful Dead Encyclopedia by Oliver Trager. So much cool stuff in this thing. I wrote a post about it here.

Dead to the Core: An Almanack of the Grateful Dead by Eric F. Wybenga.  I’m going to write a whole post about this guy’s book, it’s so great.

The Book Full of Nonsense Sam Cutler Wrote by Sam Cutler. This is just a joke. I have read Sam Cutler’s book, and enjoyed it thoroughly without believing for one second that even a plurality of the stories aren’t complete bullshit. But I no longer own it, so looking up the title would require research. And you all know my stance on that.