Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: jerry garcia (Page 65 of 139)

Blow The Horn, Tap The Tambourine

bobby jerry clarenceI might just devote all of tomorrow to So Many Roads: The Life and Times of the Grateful Dead by David Browne, the new doorstop-sized history/tell-all/overview/Mickey and Justin Kreutzmann interview. (Seriously: Justin is quoted more than I remember, say, Jason Bonham being in Hammer of the Gods.) It is well-written and capacious and digressive and wonderful: purchase the fucker.

One particular story I hadn’t heard needs more immediate attention, though: not only was Clarence Clemons semi-seriously asked to officially join the Dead, but he, Bobby, and Garcia were going to get a bachelor’s pad together. Like in Three Men and a Baby, but without the baby. Two Men and a Bobby, I guess.

The Dead all hit it off with Clarence, who was legendarily extroverted; for his part, Clarence was just happy not to be playing the same two-note vamp for twelve minutes while Bruce talked about his father or cars or that dream he kept having where his penis turns into Mr. Roger’s cardigan.

There was a lot more freedom with the Dead, Clarence found. You were allowed to trip your balls off onstage. Bruce had never made it explicitly forbidden to eat several handfuls of mushrooms before going on, but it was to be assumed: he had once caught Garry W. Tallent smoking a doobie; Bruce threw him down a flight of metal stairs and fined him a hundred bucks.

Clarence was also used to being the only black guy, so that was cool.

As far as joining the band goes, Clemons is blackballed by someone in the band whom David Browne does not name but is Phil. Garcia and Bobby asked him in the first place, so they vote yes; Mickey, as we know, had an open-stage policy. It was Phil.

Clemons took it in stride, went down to the bar, and did some blackballing of his own.

Oh, for fuck’s sake.

What?

Box Of Rainforest #4

jerry michelle shockedFor the completist, masochist, or wheezing fetishist, the show the Boys (the ones that could be bothered to show up for the press conference) were promoting with the United Nations was 9/24/88 at MSG.

It is not recommended that you listen to that show, honestly. The West LA Fadeaway with Mick Taylor from the Stones is good, but a few songs later, Garcia painfully whiffs the “Take me to the leader of the band” line in Ramble On, Rose and the entire band takes it like a gut punch and the rest of the night is mostly shitty.

In his (and everyone else’s) defense, this was the ninth show in eleven nights, which is a bit much. This was ’88: Garcia was probably still getting medical bills from his coma.

Pictured is Suzanne Vega, who sat in with the band for two songs, and whom Garcia porked. (He was clean at the time. When Garcia was clean, he porked like a rock star.)

Box Of Rainforest #3

jerry bobby mickey un2

“…and it was getting in my eyes all the time. So, I said: what about a ponytail?”

“That’s what he said. He said it to all of us, y’know: numerous times.”

“But, now: how does one go about such a thing? I quickly hired a ponytail guru–”

“He got thrown out of the food court for bothering tween girls.”

“–and planned my strategy. Scrunchie? Was there a manly enough scrunchie, or would my natural manliness push the already-manly scrunchie into a parodic, macho sort of manliness that I like to stay away from?”

“Bobby thinks about his hair a lot.”

“I do, Jer.”

“Anything to add, Mickey?”

“Happy to be here.”

“Great.”

Box Of Rainforest #2

jerry bobby mickey un3

This washed-out and otherwise uninteresting shot does give a glimpse into the architectural nightmare that the 20th century was. Modern architecture, like art, needed a theory. It was no longer enough to have a building and some permits, no: your building now needed an ideology. (This differentiates it from today’s architecture, which belongs to the post-modern age. Today’s buildings need a story. And not “Christ died for your sins.” That story makes your building a church.)

Any Enthusiast over a certain age, or who’s been in various East Coast capital cities, will recognize the useless linear twaddle on the walls that signifies a Brutalist building. Like right-angled turds, these urban nasties are sprinkled over the world now; we’re tearing them down, but–I swear to you–conservationist societies have begun to fight to save them.

There’s nothing in this world you could try to get rid of without a group popping up to save it.

“Save the Middletown Shitpile!”

“Lady, it’s a literal pile of shit. Human feces slopped gloppily atop itself.”

“Someone wrote their PhD. thesis about it: it’s got artistic value.”

Besides the fact that modern architecture is just aesthetically displeasing, the guy behind most of it–Le Corbusier–was clearly full of shit in every way. Check out this bullshit right here:

“Extensions of our limbs and adapted to human functions that are type-needs and type-functions, therefore type-objects and type-furniture. The human-limb object is a docile servant. A good servant is discreet and self-effacing in order to leave his master free. Certainly, works of art are tools, beautiful tools. And long live the good taste manifested by choice, subtlety, proportion, and harmony.”

He was talking about a chair. That’s not even good bullshit: bullshit is proportional and you shouldn’t go Condition: Delta over a fucking chair. It cheapens you. Imagine what Le Corbusier would have to say about a table: you’d be there for a week and when you got the table, it would be made of poured concrete.

Concrete is where Brutalism gets its name from, not its rough looks. Breton Brut is raw concrete: ergo, Brutalism. Though, maybe Bretonism would have better situated the movement for success. Perhaps an English-speaker should have had a chat with Le Corbusier.

“Cor Bear–”

“Don’t call me that.”

“–you can’t call it Brutalism. It sounds like the English word “brutal” and they’re going to think that’s what it means. It doesn;t help that all your buildings look like jails from fantasy novels.”

Zoot alors! ‘Ow can I ‘elp the ‘apless Yankee and the ‘elpless Rosbif? They will look up ze knowledge, no?”

“No. They will not.”

“Zis is silly! Merde! I need to zink deeply about a desk zis afternoon: I do not have ze time for zis ratatouille!”

“It just sounds like ‘brutal.” Can’t you think of any other names?”

“Forcefulrectum-ism.”

“That’s not a thing.”

“It is: it means ‘method for living in harmony’ in Tagalog.”

“You don’t know that language; and, no it doesn’t.”

“Fine. Ghostface Killa-ism”

“You’re down with the Wu?”

“Corbusier rules everything around me.”

Shut it down. Too weird.

“Aw.”

“Merde.”

Box Of Rainforest

jerry bobby mickey unIn case you forgot just how famous the Dead were in 1988, this is them at the press conference for a rainforest benefit concert sponsored by the United Nations. You have to be stupid famous to get in bed with the UN. That’s Bono/Angelina Jolie-level celebrity. The press conference was even held at Dag Hammarskjold Plaza itself, which Bobby referred to as “where the dagos get their hammers” and no one corrected him.

To Tie-Dye For

IMG_1549
Hey, Garcia. Whatcha–

“I’m gonna beat somebody’s ass with this fake cow.”

–doing? I think this is a Photoshop, buddy.

“The Photo Shop? The place in Little Aleppo that takes boudoir shots of the timid and plump?”

No. No, that sounds terrible.

“Me and Mountain Girl went there once. Got all dressed up as cowboys and indians, and then we humped while a guy took pictures.”

It truly sounds terrible.

“Still have a go at myself looking at those pics, y’know?”

There’s not enough ewww’s in the world for that knowledge, which is now permanently lodged in my brain.

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