Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: jerry garcia (Page 76 of 139)

And A Band

jerry phil headband donna arms crossed

Mrs. Donna Jean knew that most lady rockers liked to sex it up a bit or, failing that, at least wear their hippest clothes to the show, but she was chilly and figured if Johnny Bravo back there was going to rock the ‘dana, then she could wear a light sweater.

Man, she could cross the shit out of her arms.

Your fetishes are becoming rather random.

The boner wants what it wants.

Also, everyone’s favorite roadie Precarious Lee was in charge of the setup today. Who stacks anything like that? I’ve seen children’s blanket forts with more structural integrity.

The Falling Apart Of Things

To the crowd, it was a normal show: Bobby forgot the words to Truckin’, Mickey hurled drumsticks at a guest, Garcia was technically present. There were smiles on the stage, though. While this hockey arena still resonated with the last of our rocking power, we’ll be getting the Full Rock Star, the band thought. Like the Stones, or Zep, or The Who: we’re every bit as big as those bands, except in sales and popularity, so we deserve the same treatment!

They raced through Johnny B. Goode for an encore and exited: stage left. The cheers followed them past the drum riser, to the real show.

There is, of course, no recording of what happened that night and multiple eyewitnesses have multiple stories, but they all follow a similar timeline, except for one which mentions terror-dactyls, but that account did come from Lying Jimmy, so we’re discounting it. This is what we know:

The structural failure of the zip-line was both complete and immediate. Billy was the first to go because he pushed everyone else out of the way; he grabbed the handle and ZWANGCHWEEE the cable flew free in a deadly and unpredictable arc, sending Billy tarzanning around the room kicking bystanders in the heads. The line ran out of energy quickly and Billy wasn’t swinging around anymore, but he was still kicking anyone who came close to him in the head. His drunken, violent flailing is a metaphor for this whole incident.

With the destruction of the zip-line, there was now no way to exit the back of the stage. No stairs had been built, as everyone was positive the new protocols would work flawlessly. It was a good twelve feet. Phil tried first, edging his legs backwards, but gets frightened. He attempts to clamber back up, but lacks the upper-body strength; he hangs there like the bad guy in the last reel of an action movie. A Teamster gets beneath Phil, except his feet are doing this bicycle thing and whichever way you want to look at it, two members of the Grateful Dead are kicking people in the head.

Luckily, there was still some audience left in the arena. Luckier still is that they were a team of Chinese acrobats. They came backstage and, using only their bodies and incredible strength, created a human ladder from the stage to the ground. It was beautiful in a way and as Keith made his way down their bodies’ limber gossamer, he was careful not to touch their bits. Mrs. Donna Jean, for reasons that have still not been fathomed, straight-up stuck her finger up an acrobat’s butt. It was intentional: she had to get through clothing and eye contact was maintained the entire time.

This might have weakened the human ladder made of small Chinese nationals, but Garcia cannonballing into it was what broke it. It also broke most of the young women, some of whom will never acrobat again. Garcia was fine, as he went limp before the impact.

Leaving aside the reasoning behind the cannonball, we now find ourselves with all of the Dead on the floor of the arena, waiting to be be-robed, then taken to their fancy limos.

The valets have all been robbed and thrown out of the arena by the road crew. They have put on the musicians’ fine robes and prancing around like pretty, pretty ladies. A beauty pageant has spontaneously erupted: Ramrod won; Kidd was pissed.

Bobby’s “surprise” comes into play at this point. If one guy with a flashlight pointing the way was good, then one each would be better. The seven flashlight holders, however, had been dosed and were predictably wandering about the building at random. This was unfortunate in that big-time rock stars had been conditioned to follow without question the guy with the flashlight after the show. They are much like cats with laser pointers.

For far too long, the Dead followed various beams of light around the darkened back of the arena. Billy followed his light until it disappeared into the darkness; he wasn’t seen for two days, and when he came back, he claimed to have had adventures being a bounty hunter in space, but everyone was sure he just went to the track.

Mickey finally attacked the fellow holding the flashlight he was following and over time, got the rest of the band to follow him except Bobby, who had also wandered off after remembering that this was all his fault and he didn’t want to be in the room when everyone else remembered that fact.

Finally, Garcia, Mickey, Keith, Mrs. Donna Jean, Phil, and Brent got to the cars, where they made Brent go right back to the time he came from. (He said he was lonely.) It is here where the fatal flaw of beginning the Full Rock Star in Fresno became apparent. There weren’t seven limos waiting because there weren’t seven limos in Fresno.

There were two according-to-Hoyle limos, even though one was white and the other wouldn’t start. A couple guys had brought their old man’s Buicks which, to their credit, were hella-spacious. A Toyota. Van with dragon painted on the side. Beyond that, it was a total clusterfuck: asshole in a dune buggy, fucker in a motorcycle with a sidecar, shithead with a shopping cart.

Keith and Mrs. Donna Jean, who had been punching one another in the head since the moment the concert ended, commandeered the Buicks and began ramming them into one another. Everyone else looked at the white limo and got in the van.

Things were quiet on the way back to the hotel, until the kid driving got lost and everyone started yelling at him and Mickey took the wheel and immediately drove them onto a highway going the wrong direction.

When the group assembled that night, there were serious questions on the table: Whose fault was the failure of the zip-line? How could the robe issue be so bungled? What happened to the driver guy, Avi? It seemed like he was going to be a big part of this and he didn’t show up at all. What’s the deal with that?

All good questions, but ones only Bobby can answer, and he has wisely fled the scene.

The Dead would grow into the Full Rock Star–it’s impossible in just a logistic sense to play a football stadium casually–but not for a few years more. What did they learn? Almost definitely nothing. What have we learned?

What have we learned?

Shirt-Lesh

phil shirtless

Phil nearly quivered at the idea of all those eyes crawling all over him, the weight of the gaze hammered to him. He could hear the stone-cold teen foxes squeal and call for him.

“We want Phil,” they yelled twenty or so years after this picture was taken, but Phil heard the echoes through time itself. he had always been in communication with the Chronophages and he knew the paths that lay in front of him. The future belonged to Phil and he had mastered it like a llama has mastered mountains; or a knight, chivalry; or a llama and a knight, extraneous letters.

Phil had dispatched Bear to the far edges of the crowd. “See if my nipples read from the cheap seats,” was Bear’s task; he reported back that Phil’s nipples were, in fact, almost invisible no matter where one sat. Bear had a plan that he thought could be implemented for no more than $200,000, but Phil just had Rosie McGee slap some of her rouge on ’em and things were good.

Though there is no recording of this show, numerous credible eyewitnesses recall that halfway through Viola Lee Blues, Phil–apparently drunk on shirtlessness–took the mic and screamed “GAZE UPON PHIL’S NIPS, YE MIGHTY AND DESPAIR,” but the crowd assumed it was part of the show and were all “Yay!”

Thoughts On Shirts

Through much of the 70’s and 80’s, rock stars treated shirts as sketchy fees at a used-car lot, or a camisole on a stripper: they existed only to be taken off. The 1970’s star generally paired his skinny torso with blue jeans: if it was a summer show, that’s how 75% of the crowd would be dressed. (The other 25% were fat or women.). In the 80’s, muscles abounded: big capped shoulders tapering down into skintight leather pants.

(It should be noted, of course, that all rock stars alluded to are male. Lady rockers didn’t take off their shirts. This is partially based upon women generally not preferring to strip down in front of an audience, but mostly based on the fact that all of our opinions about women’s breasts were thought up by men and are obnoxiously stupid.)

(For instance: there is a parallel dimension just exactly the same as ours, except they consider the nipple to be the non-objectionable part of the female breast. That’s what they blur–after all, they figure, both men and women have nipples, so it can’t be the nipple that’s the salacious part. It must be the non-nipple portion since that’s only possessed by women, so on TV, all you can see is the nipple poking out like a little pink (or brown) eye from a big (or small) blurry face.)

(The Germans have a word for the part of the breast that is not the nipple: BoobenFleschen.)

Get on with it and cut the shit with the parentheses.

(One last one: there is a lady rocker that used to take off her shirt–Wendy O. Williams from The Plasmatics. She actually proves my point, as quite literally the only thing remembers about her was the shirtlessness. However, in a blow against patriarchal views on nudity, it should be noted that their music was dreadful.)

The Dead were most certainly not a bare torsoed kind of band. Where as some guitarists might respond to the heat by popping their shirts off, Garcia handled it a different way: refusing to leave his air-conditioned trailer. None of them went to the gym on a regular basis, except for Phil, who enjoyed jazzercise and stealing towels.

Brent was covered in prison tattoos.

Keith never removed his shirt (nor his scarves) for fear someone would see his belly button. It was an outie. But, more so: it was four inches long and an ashy pink; Keith couldn’t move the thing, but if you flicked it with your finger, it would go “wobbadobbadobba” and shake back and forth like one of those coiled doorstops that kids like playing with. He and Mrs. Donna Jean tried on several occasions to introduce it into a lovemaking situation; Mrs. Donna Jean was giving and game, but it was just too weird for her.

Another reason you’ll never see Garcia without a shirt: he was born without armpits. Very rare.

Pride Of Marin County

When you woke up this morning, most likely snowed in to the point where you have already eaten the dog, did you think it was Shirtless Phil day? Did you salute the sun with the knowledge that the hairless alabaster that constitutes Phil’s torso would be revealed to you?

Perhaps you would deny this calling–there are things man wasn’t meant to know, rooms best left with the light off, things you can never unsee.

TotD is a believer in informed consent: make up your own minds. But here’s a taste.

phil shirtless jerry

You know you want it.

Wanna See Something Scary?

jerry jacket scary

Grateful Dead-related things scarier than this picture:

  • Mickey with a beard. (Bearded Mickey is terrifying.)
  • The hedge maze Phil built out back of Front Street.
  • Ramrod’s full attention.
  • Vince’s concept triple-album Tales of Topographic Welnicks.
  • The Ceiling of Sound, which collapsed almost immediately as it was built before the Structural Columns of Sound, let alone the Flying Buttresses of Sound.
  • The Werewolf Game, which is something the crew invented to pass the time on days off: it was just getting drunk and biting people in the dark.
  • The line for the bathroom during We Can Run.
  • Being in an enclosed space with Garcia following Chimichanga Night.
  • Billy.
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