Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: Laurie Anderson

Young(ish) Love (Kinda)

That’s the look, Bobby.

“The look?”

The look of love.

“Love’s fine, but I’d prefer some light hanky-panky.”

You’re gonna get it.

“Probably.”

Get it all over you.

“All right, c’mere.”

SIDLE SIDLE SIDLE

“What’s wrong with you, man? You’re at a party.”

No you’re at a party. I’m at my desk.

“You’ve never quite made the rules of this universe clear.”

You’ll be the first to know what they are.

“Ah. So, yeah: lemme work in peace.”

Billy always tells me about his sex life.

“Billy tells the planet about his sex life. It was half his book. I’m, uh, a gentleman.”

You are, Bobby.

“Now let me get back to trying to pork Loni Anderson.”

Laurie.

“Her, too.”

 

I Don’t Want To Tie You Down

Bobby.

“C’mon, man.”

Bobby.

“Not now.”

Bobby.

“What?”

You gonna pork her?

“Dude.”

She has the boy hair, and you have the girl hair.

Get in there.

“Can I go?”

Get IN there.

“Really, man: enough.”

Tell her you’re Glenn Frey.

“Why would I do that?”

Chicks dig Glenn Frey.

“Chicks dig me.”

Not like they dig the Smuggler.

“I do all right, man.”

Honk her boobs.

“I’m not gonna do that.”

Butt bongo.

“Cut it out.”

Buy her a milkshake.

“Is that a weird sex thing?”

No, it’s a dessert beverage.

“Ah. Just a milkshake.”

Yeah. I mean, you could put your dick in it. That would make it a weird sex thing.

“Sure. I don’t, uh, think they’re doing milkshakes at this party.”

They got a bathroom?

“Of course.”

Take her in there. Bump and a hump.

“No.”

Coke and a poke.

“Stop.”

Snow and a blow.

Nose candy gets hoes randy.

“We’re done.”

L.A. Woman

Bobby.

“Busy.”

Bobby.

“Working here.”

Bobby.

“What?”

I think she likes you.

“I know. Shh.”

Get in there, Bobby.

“Dude.”

GET IN THERE.

“Can I talk to you over there?”

Shall we shuffle over?

“You bet.”

SHUFFLESHUFFLESHUFFLE

What’s up, buddy?

“Pal, y’know: I truly need no help with women.”

Gonna neg her?

“I don’t use that word.”

Neg, Bobby. Neg. Short for negative.

“What’s that?”

You give her a backhanded compliment. Like, “I usually go for girls who look like girls, but you’re almost kinda cute.”

“That’s not a backhanded compliment. That’s, uh, just rude and creepy.”

Okay. How about, “You look like the type of woman who’d marry Lou Reed.”

“That’s just a straight-up insult.”

Well, you got anything?

“Well, I was planning on being charming. And, uh, you know: handsome and tall. Also gonna play the Rock Star card once or twice.”

That’s a much better strategy.

“Been working pretty good for me so far.”

Get back in there, slugger.

“Sure.”

O Bobberman

Hey, Bobby. Whatcha doing?

“Bunny ears.”

Nice.

“It’s a, uh, it’s a classic. Can’t go wrong with ’em.”

Probably shouldn’t do it to the Pope.

“Course not. He’s got that enormous hat. What would be the point?”

Right.

“I gotta be honest with you here:  Loni Anderson looks way different in person than she does on teevee.”

Not Loni Anderson, Bobby.

“Still cute, but I don’t wanna be stepping on Burt Reynolds’ toes.”

Not her.

“I guess the blonde hair is a wig, huh? You think her and Burt go to the same place?”

Laurie Anderson.

“Who?”

She’s a singer.

“Oh. Well, she should have Johnny Fever play some of her songs. Be a boost to the career.”

Good chat. Tell the guy taking the picture to leave Jackie Onassis alone.

“You bet.”

Formerly The Warlocks

In honor of Lou Reed’s death, TotD reprints an old post:

The Velvet Underground thought the Dead were sexist and homophobic and probably imperialist and definitely goofy. Most of the thing can be understood nearly instantly by realizing that the VU was made up of over-educated New Yorkers, with all the connotation that “over-educated New Yorker” entails.  Yeah, I went there.

Were the Dead homophobic? I’ve never read any stories about them acting untoward. Although–and I always thought it was odd for a band from San Francisco–there were never any stories about the Dead vis-a-vis gaiety at all.

Now, sexist?

From September of ’79 to March of ’83, Billy invoked the ancient rite of Prima Nocte over the backstage area, but luckily for all involved, Billy usually just wanted a rubdown and a tugger. And he would always share his coke: Billy was good like that.

The Dead were kind of hairy and macho. Sure, they had Donna in the group, but she was really just Keith’s old lady that Bobby was banging. She was incidental. No one ever made a mix tape called Donna Jams, nor has anyone ever sold a bumper sticker with a clever Donna-inspired pun.

“Who’s your favorite member of the Dead? Garcia? Phil?”

“No, man, it’s the chick who looks like Sacheen Littlefeather who caterwauls nine or ten times a show. She’s all the Dead I need!”

They did employ more women than most rock outfits of the time, and in creative positions: Candace Brightman and Betty Canter come to mind.

Apparently, the Dead had appeared on the same bill as the Velvet Underground and, of course, both bands brought their entire scenes with them and it turned into a full-fledged hip-off. The VU sat there in their leathers and sniffed condescendingly at the hairy baboons from San Francisco. (It was probably condescending: there was an enormous amount of sniffing going on.) Instant utter hatred.

Which is not surprising: a good hate requires a bit of reflection. Who can hate something alien properly? To truly hate, we need to recognize ourself in the person, place, or thing that has so struck our ire. Both bands played songs for 45 minutes while deliberately declining to make eye contact with anyone in the room. Both had a weird rich benefactor, a pretentious bass player, and a drummer with a vagina.

(That’s right: Mickey has a vagina. In the womb, he ate his twin sister and the ‘gina just showed up on his shoulder. It is fully-functioning and Mickey introduces it into love-making by asking if his partners would like to go to “ninth base.”)

The story also might be colored by the fact that, at the time, both bands were made up of raging drug addicts. The VU, notably, preferred to intravenously self-administer amphetamines constantly. Literally constantly: if they were not actively shooting up, they were helping you look for the money that they had stolen from you. The Velvet Underground liked to stay up for six days straight turning tricks and accusing each other of things. The Velvet Underground were just the worst fucking people in the world.

So, I’m not taking their word for it.

 

ADDENDUM: Rereading this post, I am ashamed to see that I have not linked to the essay that inspired it. My apologies to the author and to people in general and also ducks.