Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: mickey hart (Page 47 of 71)

Terrapin Stationmaster

mickey 11:6:70 choochoo

Looking at Mickey’s hat, I was about to say that, out of the Dead, Mickey was the most likely to be a model-train enthusiast, one of those dads hiding in the basement, thinking about the Chicago Zephyr and cocktails and freedom from those hideous children upstairs.

But, it’s Phil. Let’s be honest: Phil is the quintessential model-train guy.

PLUS I had to restrain myself from naming this post “Jew Jew!”

Yes, We Have No Pianos

band 74 wos 7:21

Reasons for a backup piano:

  • First-string piano tears its ACL.
  • Leverage in contract negotiations.
  • Keith liked to play them both at the same time, stretching his arms out like Christ (if Christ were the keyboardist in Yes) to tinkle both sets of ivories. When Phil rightly pointed out that he wasn’t actually accomplishing anything, Keith fired back: “YOU’RE NOT–” and passed out.
  • There was a Buy One Get One sale at The Piano Barn and passing up that kind of deal is criminal.
  • Pianos should always be kept in pairs or they get lonely and often display obsessive behavior.
  • After the actual show, Keith, Bobby, and Mrs. Donna Jean would entertain a select few fans with their Fabulous Baker Boys routine. It was a failure because Mrs. Donna Jean is no one’s idea of a sultry chanteuse, Bobby does not really know how to play the piano, and Keith would burst into tears during Making Whoopie.
  • It’s where the drugs are stashed. Used to be a guitar case, then a speaker enclosure, now a piano.
  • It just followed the Grateful Dead home one day. The Grateful Dead’s mom was all, “You already have an enormous piano,” and the Grateful Dead was all, “I promise I’ll transport it around the country ar great expense,” and Mom was all, “Okay,” and the Dead was all, “YAAAY!”
  • Billy Joel might show up.
  • Due to a malfunction with the Time Sheath technology (Mickey played drums on it until it spazzed out,) the piano to the right is actually the same piano as the one on the left, except from ten minutes from now. It’s fine as long as they don’t touch because that would decreate the universe.
  • They started the tour with six; this is all that’s left.

Rhythm Dissection

billy mickey phil rocking

So many questions:

  • Why is Phil wearing hobo jeans?
  • Did Mickey wash the bowl his mother used to cut his hair before making his world-famous Micky-roni and cheese?
  • How bad should one feel about one’s life choices that it was so easy to recognize Parish by just his beefy forearm and the side of his afro?
  • Honestly: were these men sponsored by the naked scaffolding and hastily nailed-together plywood industries?
  • Is there anything symbolic about Phil not paying the slightest bit of attention to the drummers?
  • Did Billy and Mickey fuck with Phil by deliberately excluding him from group chats and trips to the food court by saying, “Sorry, Phil: mustaches only.”
  • Was Garcia allowed at mustache-only events? (Mickey said sure: beard contains mustache; Billy said no: beard supersedes and encompasses mustache. In the end, it didn’t matter because Garcia didn’t want to hang out with the drummers, anyway.)
  • Does Phil have to make pee-pee?

Two Mustaches, No Waiting

billy mickey double mustcha

Just outside of Evanston, Illinois, Billy and Mickey’s mustaches snuck out of the hotel before dawn, put on disguises (fake beards,) robbed a Gulp and Go, stole a cop car, and made for Mexico.

When he awoke the next morning to find himself sans ‘stache, Mickey accused the stone-cold teen fox of stealing it and selling it for a handful of magic beans. The fox, while in her teens, was pretty bright, so she said, “What?” and then Mickey reiterated his claims, so the fox cleverly mentioned that the band/groupie complimentary breakfast was about to be opened to the road crew, and Mickey fairly ran down the stairs to get to the omelette bar.

The teen fox patted the pocket of her jean shorts to make sure the magic beans were still there, and went out the fire door into a chilly Midwestern morning.

Billy, though, has always brought extra mustaches on tour, so he wasn’t really bothered.

 

The Falling Apart Of Things

To the crowd, it was a normal show: Bobby forgot the words to Truckin’, Mickey hurled drumsticks at a guest, Garcia was technically present. There were smiles on the stage, though. While this hockey arena still resonated with the last of our rocking power, we’ll be getting the Full Rock Star, the band thought. Like the Stones, or Zep, or The Who: we’re every bit as big as those bands, except in sales and popularity, so we deserve the same treatment!

They raced through Johnny B. Goode for an encore and exited: stage left. The cheers followed them past the drum riser, to the real show.

There is, of course, no recording of what happened that night and multiple eyewitnesses have multiple stories, but they all follow a similar timeline, except for one which mentions terror-dactyls, but that account did come from Lying Jimmy, so we’re discounting it. This is what we know:

The structural failure of the zip-line was both complete and immediate. Billy was the first to go because he pushed everyone else out of the way; he grabbed the handle and ZWANGCHWEEE the cable flew free in a deadly and unpredictable arc, sending Billy tarzanning around the room kicking bystanders in the heads. The line ran out of energy quickly and Billy wasn’t swinging around anymore, but he was still kicking anyone who came close to him in the head. His drunken, violent flailing is a metaphor for this whole incident.

With the destruction of the zip-line, there was now no way to exit the back of the stage. No stairs had been built, as everyone was positive the new protocols would work flawlessly. It was a good twelve feet. Phil tried first, edging his legs backwards, but gets frightened. He attempts to clamber back up, but lacks the upper-body strength; he hangs there like the bad guy in the last reel of an action movie. A Teamster gets beneath Phil, except his feet are doing this bicycle thing and whichever way you want to look at it, two members of the Grateful Dead are kicking people in the head.

Luckily, there was still some audience left in the arena. Luckier still is that they were a team of Chinese acrobats. They came backstage and, using only their bodies and incredible strength, created a human ladder from the stage to the ground. It was beautiful in a way and as Keith made his way down their bodies’ limber gossamer, he was careful not to touch their bits. Mrs. Donna Jean, for reasons that have still not been fathomed, straight-up stuck her finger up an acrobat’s butt. It was intentional: she had to get through clothing and eye contact was maintained the entire time.

This might have weakened the human ladder made of small Chinese nationals, but Garcia cannonballing into it was what broke it. It also broke most of the young women, some of whom will never acrobat again. Garcia was fine, as he went limp before the impact.

Leaving aside the reasoning behind the cannonball, we now find ourselves with all of the Dead on the floor of the arena, waiting to be be-robed, then taken to their fancy limos.

The valets have all been robbed and thrown out of the arena by the road crew. They have put on the musicians’ fine robes and prancing around like pretty, pretty ladies. A beauty pageant has spontaneously erupted: Ramrod won; Kidd was pissed.

Bobby’s “surprise” comes into play at this point. If one guy with a flashlight pointing the way was good, then one each would be better. The seven flashlight holders, however, had been dosed and were predictably wandering about the building at random. This was unfortunate in that big-time rock stars had been conditioned to follow without question the guy with the flashlight after the show. They are much like cats with laser pointers.

For far too long, the Dead followed various beams of light around the darkened back of the arena. Billy followed his light until it disappeared into the darkness; he wasn’t seen for two days, and when he came back, he claimed to have had adventures being a bounty hunter in space, but everyone was sure he just went to the track.

Mickey finally attacked the fellow holding the flashlight he was following and over time, got the rest of the band to follow him except Bobby, who had also wandered off after remembering that this was all his fault and he didn’t want to be in the room when everyone else remembered that fact.

Finally, Garcia, Mickey, Keith, Mrs. Donna Jean, Phil, and Brent got to the cars, where they made Brent go right back to the time he came from. (He said he was lonely.) It is here where the fatal flaw of beginning the Full Rock Star in Fresno became apparent. There weren’t seven limos waiting because there weren’t seven limos in Fresno.

There were two according-to-Hoyle limos, even though one was white and the other wouldn’t start. A couple guys had brought their old man’s Buicks which, to their credit, were hella-spacious. A Toyota. Van with dragon painted on the side. Beyond that, it was a total clusterfuck: asshole in a dune buggy, fucker in a motorcycle with a sidecar, shithead with a shopping cart.

Keith and Mrs. Donna Jean, who had been punching one another in the head since the moment the concert ended, commandeered the Buicks and began ramming them into one another. Everyone else looked at the white limo and got in the van.

Things were quiet on the way back to the hotel, until the kid driving got lost and everyone started yelling at him and Mickey took the wheel and immediately drove them onto a highway going the wrong direction.

When the group assembled that night, there were serious questions on the table: Whose fault was the failure of the zip-line? How could the robe issue be so bungled? What happened to the driver guy, Avi? It seemed like he was going to be a big part of this and he didn’t show up at all. What’s the deal with that?

All good questions, but ones only Bobby can answer, and he has wisely fled the scene.

The Dead would grow into the Full Rock Star–it’s impossible in just a logistic sense to play a football stadium casually–but not for a few years more. What did they learn? Almost definitely nothing. What have we learned?

What have we learned?

Wanna See Something Scary?

jerry jacket scary

Grateful Dead-related things scarier than this picture:

  • Mickey with a beard. (Bearded Mickey is terrifying.)
  • The hedge maze Phil built out back of Front Street.
  • Ramrod’s full attention.
  • Vince’s concept triple-album Tales of Topographic Welnicks.
  • The Ceiling of Sound, which collapsed almost immediately as it was built before the Structural Columns of Sound, let alone the Flying Buttresses of Sound.
  • The Werewolf Game, which is something the crew invented to pass the time on days off: it was just getting drunk and biting people in the dark.
  • The line for the bathroom during We Can Run.
  • Being in an enclosed space with Garcia following Chimichanga Night.
  • Billy.

Six Appeal

band 88 bw bobby rose

Breaking with tradition and in honor of our Muslim readers, who will–in accordance with the will of Allah–spend the next month in Ramada Inns all over the world, we shall go right to left.

  • Brent has been drinking.
  • Bobby’s just straight-up lost his fucking mind. Is he on The Bachelor?
  • That monogram on the satin jacket with the elastic cuffs and waist is the best part about the satin jacket, but the stripes on the elastic cuffs and waist finishes a strong second.
  • Garcia and Billy are there, but I want to talk about Bobby some more. What’s the message? Is the Dead as a whole offering their fans a rose? Does the rose symbolize something? If so, is that something the Nipples of Eternity. (Long story short: they built the Wall of Sound a companion like in Bride of Frankenstein and named it the Nipples of Eternity and the initial meeting went poorly. Much longer story short: Chernobyl was the cover story.)
  • “Hi, I’m rock and roll’s Bob Weir and I present to you a rose. Pulsing with scent and luster but covered with thorns, the rose is captivating to look at, but dangerous to touch, much like the women most of us seem to prefer.”
  • Mickey is a little teapot.
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