Thoughts On The Dead

Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: mickey hart (Page 70 of 71)

Easy Answers

June 1, 2012 / / 3 Comments

Okay, Grateful Dead cocktail party games. Annnnnnnnnnnd: go!

Dead as countries Phil is Germany, technical and peevish; Brent is Canada, adorable and drunk; Billy is Mozambique, because Mozambique’s flag has a fist holding an AK-47 on it. No secrets, there.

Dead as Wars, Ancient Phil is most certainly the Punic Wars, all of them: savage, righteous, salted. Mickey is the Warring States Period, just because I like the name. (I was thinking about reading about the history of China, so I looked at the shop and the smallest of the books was so heavy that the Dead lugged it around with them in ’78 “just because.” Plus, I know I should care about the place where a sixth of the world lives, but try reading that wikipedia page. I get three sentences in, tops.) Garcia is the Persian War.

Dead as animals(visual) Garcia is obviously a koala: just picture a koala, now add the glasses. (That image isn’t getting out of your head, sorry.) Brent is a hedgehog. Donna is a squirrel. Phil is halfway between an ostrich and a giraffe.

Dead as animals (metaphorical) Bobby: Springer spaniel. Garcia: silverback gorilla. Phil: halfway between an ostrich and a giraffe.

Dead as rivers: TC is the Danube; Vince is the CayuhogaCuyahoga; Billy is the Mississippi: mighty, proud, and difficult to spell.

Most appropriate Dead song for the funeral of a FTM transsexual He’s Gone. 

Least appropriate Dead song for the funeral of a MTF transsexual He’s Gone.

Swing, Auditorium!

May 28, 2012 / / 1 Comment

I want to write a book called Tuesdays with Mickey, in which Mickey shares life lessons about the power of drumming and then tries to choke me.

Show of the Day: 2/26/77  The Help>Slip>Franklin’s is terrifyingly good, especially the Slipknot! and, it’s the first time they’ve ever played Terrapin and they choose to open with it.  You might wonder if Garcia nailed all the lyrics to Terrapin. He did, Bobby: first time. How about that?

While The Boys Sing Round The Fire

May 23, 2012 / / 3 Comments

The best big concert I ever went to was Pink Floyd. They played all of Dark Side and during On the Run, a model airplane zipped along a wire running the length of Giant Stadium, finally crashing in an enormous ball of flame behind the PA stack, whereupon 70,000 peoples’ heads just exploded from the amount of awesome that had just been placed in there. Later in the show, a massive disco ball eructated from the center of the stadium, opening like lotus petals to reveal Gilmour, coincidentally just in time to play the solo from Comfortably Numb.

The Dead did not do things like that. They engaged in virtually none of the tricks and antics that most other bands rely on; two reasons come to mind. Firstly, they were congenitally incapable of most show business bullshit. Of course, being the Dead, they felt the need to take this to its illogical extreme: sucking at big shows, punching record executives, and (depending on the lineup) being made-up of anywhere from 67 to 80 percent really ugly dudes. This is not how Jon Bon Jovi did it.

Second, the Dead’s audience could be counted on to provide at least half of their own entertainment. At any show, most of the crowd would have been just as amused by their own hands as by a flying drum kit, so why spend the money?  While Tommy Lee’s roller-coaster drum solo was immensely cool, it wasn’t for Billy or Mickey. Drums did not fly in the Dead. Thrown? Quite often.

Not that they didn’t have their own little stage moves. Phil would march up three feet, then back three, then up. Garcia unconsciously pushed his glasses up his nose before he took most solos. Keith did this adorable thing where he would pass out in a corner, a pool of hot piss spreading slowly underneath him. They all had their thing, is what I’m saying.

It just wasn’t the usual way to rock. You know that move where the two guitarists stand back-to-back, as if they can no longer remain upright unassisted because of the sheer POWAH! of the rock they were laying down? Imagine Bobby trying to do that to Garcia. Now, in your head, did Garcia gracefully side-step, leaving Bobby to tumble onto the ground? Because he did in mine. I wouldn’t even let the Bobby in my head TRY to do that shit to Phil, because I need the Bobby in my head to keep doing silly things I can tell you nice folks about, and we all know that touching Phil leads to hiring attorneys.

There was never any of that happy horseshit about “how nice it was to be here in (checks note affixed to monitor) THE FINGER LAKES, YEAH!  We been all around this country and nowhere rocks harder than the (double-check) FINGER LAKES!”  No pandering nonsense about the local teams, we were not asked to put “them” up, nor was it demanded of us that we wave “them” in the air. No enquiries were made about our level of interest about waving “them” in the air, whatsoever. Paul Stanley would have been disgusted.

P.S. Credit does have to be given to the entire group for avoiding the most pernicious of rock tics: Guitar Face. I mean, occasionally Garcia would knit is brow in concentration during Slipknot! or something, but none of them ever came down with a full-blown case of Les Palsy.

If I Told You ‘Bout All That Went Down…

May 22, 2012 / / 3 Comments

As is my wont (and my tont and my soupt), this begins with a plea, an urgent command from the Library to listen to something, something you’ve almost definitely heard before, but listen to Keith here on 5/7/77 playing Mississippi Half-Step on THE ORGAN FOR THE FIRST TIME SINCE THE TOUR STARTED, THANK YOU.  Forget the sheer tonnage of beatdown Garcia is bringing: listen to the B3!

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Okay: I can tell how many people are clicking on what links and the cold, hard fact is that not nearly enough of you are going on to listen to 8/24/72 even though I keep telling you and breaking your toys in front of you and making you wear Dead Mom’s lipstick every Wednesday night. Humpday? Huh. You got no idea.

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In the early days, they all had different relationships with the concept of being in tune. Phil agreed whole-heartedly when it came to his bass and his voice in the early days, but after his vocal sabbatical, he was just all over the place. Bobby played in tune and sang out of it, Garcia sang in tune, and played out of it. Keith was just plain out of it.

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Tupac keeps making popping up, Morrison went to Africa like Rimbaud, and people will be seeing Elvis along the highway for as long as the Republic stands. Garcia? He’s gone.

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39:07 for The Other One on 9/17/72? Why? Why, Grateful Dead: why would you let this happen? Forget the sheer tonnage of notes; instead, note the date: September 17, 1972. It’s been released, officially, as Dick’s Picks 23. This is not just a show they played, this is something they offered for sale in the market with their imprimatur. In other words. the Dead are telling us that this is behavior that they are proud of. “Most bands could play a song for maybe 20 minutes and then it would get weird and sad. It took us 40 minutes. GRATEFUL DEAD RULES, EVERYBODY ELSE DROOLS”

Perhaps They’re Better Left Unsung

May 11, 2012 / / 2 Comments

It wasn’t like roulette, you see. The casinos have made fortunes since they installed those immaculately legible tote boards listing the numbers that have landed previously in red with big ol’ tempting empty spaces in between and they’ve been raking cash in because your dumb ass has evolved to think 15 is gonna hit because it’s due. It makes sense to believe that present events are based upon past observation: that’s why people instinctively shielded their crotches whenever Billy came around, for al the good it would do them. Billy was like Gretzky: he could always find your five-hole.

But just as it is a logical fallacy to think that the rules of real life apply in the casino, it is also a mistake to think that Hoyle has any say over the world. (It’s called the Ludic fallacy, which I know because it is one of those facts that gets lodged in my brain instead of, say, how to find love.)  So, why do we forget that about the Dead? Why do we lionize certain shows only to ignore the rest of the week? These men were, appearances to the contrary, human. They had good runs. But the forest is invisible but for the trees, especially when some trees are, y’know, Barton Hall or Red Rocks. They suck up all the light.

Talking about the Dead is to talk about overshadowing. Garcia overshadowed the rest of the band, Mickey’s overkill overshadowed Billy’s light touch, ’77 and ’73 overshadowed all the other years, and Vince’s playing overshadowed the charitable work he did as a participant in the saddest Make-A-Wish event ever. Even Vince knew enough to be embarrassed.

We let ourselves think the greatness appeared as weird happening, crepuscular beams from a murky sea. Not so. 5/19/74 is rightfully well-regarded, especially the raging Truckin’>Mind Left Body jam. but listen to the very next show, 5/21/74 at UCLA the University of Washington* where they proceed to pull out a GODDAM 45 MINUTE PLAYIN’. Give the kids some Robotussin, shoot the dog and LISTEN to this thing, to the peaks and valleys that spring like Zeus out of inchoate spaciness one after another. (And, since it’s a GREAT matrix mix, listen to the appreciative audience cheer every twist and turn. Listen to ’em ROAR for Donna in Playin’. hell, listen to Donna!

Yeah, 2/14/70 is historic, but 2/11 is better. Yes, 1977 was THE year, but y’know: ’78 kicks more ass than an avowed lover of kicking ass who had spent his last dime to enter an ass-kicking contest in an attempt to win enough money to open his own business, a high-end Ass-Kickery.

 

*Thanks to a comment by an Esteemed Enthusiast, the location of the 5/21 show has been amended to note the actual location. For his Sherlockian abilities, he will receive a lifetime supply of Bobby Weir’s Shorts Shorteners. Shorts too long? Shorten ’em with Shorts Shortener!

It Was 35 Years Ago Today

May 8, 2012 / / 1 Comment

Your opinion of 5/8/77 (and I know that, if you’re reading this, you probably own the show, but check out the Matrix tape on Archive.org I linked to–it might even be better than the famed BettyBoard) has absolutely nothing to do with 5/8/77’s congenital greatness. It’s like the Sun: you cannot ignore it. (Also, it will give you skin cancer, but since everything gives everyone cancer nowadays, why hold that against the show?)

(What if, instead of culture doing what we wanted it to do, we did what culture wanted us to do? A truly memetic view of the world? And what culture wanted us to do was get cancer. That’s something DeadBase won’t tell you, primarily because it makes no sense.)

Now, the first set is spectacular, especially the Lazy Lightning/Supplication and Deal. But, the second set is obviously where the money is hidden. I always loved the very beginning of it:

All right, now we’re gonna play everybody’s favorite fun game: Move Back. Now, when I tell ya, “Take a step back,” everybody take a step back. Right? Right. Okay, take a step back. And take another step back. And take yet another step back. And another. Take a step back. Doesn’t everybody feel better? Whaddya mean, “No?”

And Keith plays his little snake charmer thing, and Garcia says,

Now, see, uh, all these people in front are getting horribly smashed here. So, uh, that means all you people in the back have to move back…

—or feel real guilty–

…just move back some.

Then all your friends won’t be so bug-eyed.

Garcia tocks away the Scarlet chords, soft and gentle, and then Mickey counts it off with this little triplet: dot dot dot…

AND THEN PHIL COMES IN: BOMP-buhWOOOO bum Bum BUM.  That immensely confident bounce that the song enters with!

You know the rest of it. Just listen to the music play.

A Grateful Dead Movie

April 20, 2012 / / 1 Comment

Best Set: First!

Second-best Set: Second!

Set List: Fairly standard for the era!

Show Highlight: SUGAR BEGONIAS! Seriously, do yourself a favor and listen to the seamless perfection of the transition. It got a round of applause in the theater. If I didn’t know better, I would have sworn they practiced.

Small Favor: This film was not presented in 3D.

Shortest shorts: Wild guess!

Highest Light: Bird Song! Nice laid back jam at the end and Garcia’s voice still had its last tinges of sweetness. (You ever hear his voice crack on a high note, or slip and slide around the pitch like the rest of them? No…and no fair bringing up the laryngitis shows.)

Lowest Light: Eyes! That they at least had the courtesy to not play it for thirty-five minutes is the kindest thing that can be said about this particular rendition.

Love Light: And leave it on!

Goddamn Bullshit: $12.50 for the ticket, 11.50 for the popcorn and coke! (I am physically unable to stop myself from ordering the Jumbo Combo Snack Pack. I have watched precisely one movie in my life without popcorn and a coke: Super Cop with Jackie Chan. Atkins diet. Never again.)

Nicest Tradition: Smoke break during drums/space! You meet the nicest, most reasonable people during the drums/space bathroom-smoke-wander around break. They, too, refuse to coddle those muppets for the 85 minutes an evening they took to whack on things and play bloopy noises.

Saddest Thought: Maybe there’ll be a lady there and…I don’t want to talk about it.

Secret Hero: Brent! Brent was all over this show–musically–and he got as much camera time as anyone but Garcia. He’s fun to watch, too: throwing himself up and down his B-3 and smacking at its keys to produce that ‘ducka ducka’ sound. Plus, he’s got very large, very blue eyes that poke out from the Gimli of Gloin beard covering the rest of his face, and he zeroes in on Garcia with utter joy. I think there were pictures of his little girls taped to his piano and then he would look at Garcia and it was all very sad.

Average Age: Not all that young! Lot of sandals, too. Plus: a crazy guy! Old grizzled hippie-biker guy who apparently thought 7:00 PM at the Boynton Beach Plexiplex was going to turn into an acid test and we would all lube ourselves up with butter topping and do some sort of movie-orgy. He did have one good line, though: when Garcia lit up on-screen, Biker Guy chastised him, “Those things’ll kill ya!”

Best Factoid: Floor mats! Bobby, Phil, and Garcia had, laying on top of the rugs, what looked like floor mats right in front of their mikes. I was confused until I half-remembered that they were pressure pads that turned the mike on as they stepped up to sing. Which is clever, in an over-engineered, MythBusters sort of way.

Worst Pope: Bobby Knucklesandwiches VI! Seriously, that guy shit the bed.

Secret Secret: Phil! He didn’t get a close-up until halfway through the second set, when he terrified the entire audience by stepping up to his microphone to sing backup on Dear Mr Fantasy. A visible shudder went through the crowd, I swear to you. The only shots we got of him were immensely unflattering. Remember the sweatpants with the elastic on the ankles? Yeah, those. Plus, he was playing my least favorite of his basses, the headless Modulus. There is something unpleasantly fidgety about those headless guitars and I don’t trust them.

Biggest Surprise: Tyler Perry’s cameo as Madea!

Nicest Try: The Covers Project! Before the show, they showed three videos: classical guitar guy playing Bird Song endlessly, hipsters with too many Gram Parsons records wearing artisanal suspenders playing Brown-Eyed Women, also endlessly. Finally, a fat guy showed up and just awesomed all over his bass to accompany himself on I Will Take You Home. Pretty decent, that one.

Secreter Hero: The Director! (And the editor! and producer! as well, I guess.) Completely avoiding almost every annoying rock concert cliché. No swooshing Video Toaster effects, no split-screen, and quite clearly no over-dubs: coming out of space, the MIDI controller on Wolf crapped out, leaving Garcia standing there doodling noiselessly.

Shitting Me: 22 minutes and 28 seconds! That is the combined length of drums/space.

Best Face: Billy’s! Halfway through drums, Mickey called his usual audible and turned the promised Beating of the Drums into the predictable Berating of the Roadies. Billy just smirked at him and continued whacking his bongos.

Worst Hair: Mickey! He looked like the  hostage with whom you didn’t empathize.

Bobbiest Bobby: Bobby! Good sweet mammy, was Bobby as Bobby as he could be tonight! Doing his little duck-neck shrug and the lunge and those thighs! (In the spirit of truth-telling, Bobby does have a kick-ass set of gams. Bobby is up in the gym, working on his fitness.) His hair was nothing short of spectacular and he remembered the words to everything, even an awesome Stuck Inside of Mobile, and that song has a ridiculous amount of words. They should have told Bobby they were making a movie every night. (Not only did Bobby remember all the words this show, but check out the next night, when he crushes Desolation Row. BOBBY, WHY YOU REMEMBER ALL 20 BILLION VERSE  DESOLATION ROW, BUT FUCK UP PROMISED LAND? Yeah, Bobby: what the Vietnamese immigrant screamed at you.

My God: Phil’s outfit! I don’t mean to harp, but that inch of white tube sock in between the ankle elastic of sweatpant and the top of his New Balance sneakers is simply not doing it for me. The only thing Phil was missing was a mustard stain and a pocketful of food court napkins.

I’m Uncle Sam, That’s Who I Am

March 19, 2012 / / 6 Comments

I wrote about Bruce and the Dead and how different they are, even though if you think about it, they’re both overstaffed rock bands playing Chuck Berry songs in hockey arenas for white people. When you look at it that way and think about how exclusive a club that is, then yes there might be a resemblance.

But the moment of greatest divergence comes when Bruce Introduces The Band. Bruce once introduced the band for 35 minutes. If you were an acquaintance of Bruce’s and ran into him while he was with someone to whom you had not been introduced, just keep walking, man; Bruce will take a quarter-hour to say the person’s name, but it’ll be the greatest 15 minutes you ever spent. It is show-biz at its cheesiest, and therefore most authentic, best. He makes up little stories and cute pet names and shares wacky Jersey anecdotes and then you realize it’s been 12 minutes since he started this and he’s only at Roy Bittan. For a while, after Bruce rebuilt the Twin Towers and he became soulful and about family and settled into his latter-years role as “That guy from the AA meeting who calls everyone ‘brother’,” he turned the Band Intro into a song, an honest to god song about how much they all love each other even though they’re getting older and Bruce intros people, and EVERYBODY SINGS A WHOLE VERSE. It takes hooooooooooours.

The Dead did not do the show-biz introduction thing; it would not have gone well. Bobby would have to do it, of course. He had been pretending not to want to do it, but he REALLY, REALLY wanted to, so he kept dropping hints with everybody and no one knew what the fuck Bobby was talking about, so one night while Garcia was tuning and Phil was slapping a roadie, hard and in the face, Bobby just launches into–

“All right, people, lemme hear you! On the drums, stage left, Mr. Mickey–”

THWOCK a drumstick hits him in the back of the head, followed by a drum.

“That’s not cool! Over here on bass, from Palo Alto–”

“YOU KNOW YOUR PLACE, BOY!”

“Sorry, Phil. Ah, fuck, Garcia snuck into the bathroom. End of first set.”

The Horse’s Name Was Snorter

February 9, 2012 / / 1 Comment

Mickey used to give his horse acid. He would dose his horse and his dog and they would trek around his ranch for hours while Mickey pretended he was the Jewish cowboy hero, the Lone Kvetcher. Mickey said that he was careful to figure out the horse’s body weight so he could calculate the proper dose.

THE PROPER DOSE OF LSD FOR A HORSE IS NONE, MICKEY. EVERYONE KNOWS THAT. That’s some Michael Vick-type shit right there.

(Please don’t take this as coming from a man with a fondness for horses. Horses are like giant, creepy aliens and they are scary dumb and I openly advocate a cull of the pointless beasts. We could turn it into a holiday: Pull the Trigger Day. Anyone who wanted to could bring a gun, or rent one, or just use a fungo bat, whatever, and at the stroke of three Eastern Standard Time, everybody makes all the terrifying horses go away.

Now, I feel this way about remarkably many species: there is a bird outside, around 16 inches tall. Grey body, white head. Long, tapering beak pointed straight down at his belly. (His? Why not ‘hers’? THESE BLOGGINGS ARE SEXIST TOWARDS BIRDS.)  He also has the posture of Richard Nixon: shoulders up and in, head thrust forward, saying horrible things about the Jews. I like that bird a lot. He can stay. As for the rest of the animals: exterminate the brutes.

And yet, I also know that I might in fact be a complete psychopath on this issue. Probably not: I cannot see a logical or ethical problem with a massacre on the scale of such that it would almost certainly summon Chthulu, or at the very least, Chthu-Lou, who was not quite an Old God, more of a God Who’s Not A Kid Anymore, Let’s Face It, but he looked like the Big C and so would do parties and such.

What I do object to is Fucking With Animals. Getting them high, fighting them, doing sex stuff on them, pure-breeding them, dressing them up in Star Wars costumes: for Christ’s sake, hasn’t anyone heard of dignity?

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