Thoughts On The Dead

Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: mississippi half-step

Thoughts On A Dead Show

September 24, 2013 / / 1 Comment

This show is not Hall Of Fame, and it is certainly not TEH GRATEST EVAR, but it beats the famed (but to my ears sluggish) From Egypt With Love shows by a good margin.

It’s a ’78, and moreover, it’s the most ’78 that ’78 ever was. Half-Step>Franklin’s opener? Check. A wobbly but fun Stagger Lee? Yup. Bobby playing slide? You betcha. Tempos jangling and skittering out-of-control? Why not?

But the NFA>GDTRFB is nuts, bursting at the seams with energy, derived from gram-sized baggies or not. Slower than expected (the NFA at least, the Goin’ Down is halfway to speed metal) and pulsing with the rocksteady beat that the rest of the show is only semi-familiar with, the second set ends with a great laid-back Around and Around featuring Bobby with an audible smirk on his face and buttoning a “y’all” to the end of very line.

Caveat Emptor is what I’m saying: this one.  For the ’78 fans only: 12/12/78 at the Jai Alai Fronton in Miami.

 

If I Told You ‘Bout All That Went Down…

May 22, 2012 / / 3 Comments

As is my wont (and my tont and my soupt), this begins with a plea, an urgent command from the Library to listen to something, something you’ve almost definitely heard before, but listen to Keith here on 5/7/77 playing Mississippi Half-Step on THE ORGAN FOR THE FIRST TIME SINCE THE TOUR STARTED, THANK YOU.  Forget the sheer tonnage of beatdown Garcia is bringing: listen to the B3!

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Okay: I can tell how many people are clicking on what links and the cold, hard fact is that not nearly enough of you are going on to listen to 8/24/72 even though I keep telling you and breaking your toys in front of you and making you wear Dead Mom’s lipstick every Wednesday night. Humpday? Huh. You got no idea.

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In the early days, they all had different relationships with the concept of being in tune. Phil agreed whole-heartedly when it came to his bass and his voice in the early days, but after his vocal sabbatical, he was just all over the place. Bobby played in tune and sang out of it, Garcia sang in tune, and played out of it. Keith was just plain out of it.

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Tupac keeps making popping up, Morrison went to Africa like Rimbaud, and people will be seeing Elvis along the highway for as long as the Republic stands. Garcia? He’s gone.

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39:07 for The Other One on 9/17/72? Why? Why, Grateful Dead: why would you let this happen? Forget the sheer tonnage of notes; instead, note the date: September 17, 1972. It’s been released, officially, as Dick’s Picks 23. This is not just a show they played, this is something they offered for sale in the market with their imprimatur. In other words. the Dead are telling us that this is behavior that they are proud of. “Most bands could play a song for maybe 20 minutes and then it would get weird and sad. It took us 40 minutes. GRATEFUL DEAD RULES, EVERYBODY ELSE DROOLS”

My Favorite Things

January 31, 2012 / / 0 Comments

Have I been negative? Probably. Almost definitely. What about the positives? What is lovable about this band?

  • The black leather jacket Garcia used to wear.
  • Mississippi Half-Step. When it gets real quiet and they sing about the Rio Grand-ee-o.
  • The little songs they play during tuning–Funniculi, the Itsy Bitsy Spider, Stayin’ Alive.
  • Billy playing the drums all by himself.
  • Billy playing the drums with Mickey.
  • The proto-version of Brown-Eyed Women from 8/24/71 (Dick’s Picks 35). The beat is turned around and the melody sounds like a children’s playground taunt and IT’S AWESOME.
  • Bobby forgetting the words.
  • Garcia forgetting the words.
  • Phil never knowing the words in the first place and just making shit up as he went. (I’m looking at you, Tom Thumb’s Blues.)
  • The Celtic jacket Mickey wore in the Touch of Grey video.
  • Touch of Grey.
  • The AUD of Touch of Grey from the comeback show.
  • Garcia with his hair in pigtails.
  • Pig.
  • Branford.
  • Bobby’s Chuck Berry tunes.
  • Brent’s long, lustrous hair.
  • Terrapin Station.
  • Bobby’s wise-guy routines (“Turn around real slow, we gotcha covered.”)
  • April Fool’s Day 1980–opening up the show with Promised Land on each others’ instruments. (Garcia on drums!)

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