Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: zz top

Thoughts On The Netflix ZZ Top Documentary

  • I don’t know if you’re aware, but ZZ Top is from Texas.
  • They could take Willie Nelson in a Texas-Off.
  • I don’t know what the individual events in a Texas -Off are, but I assume that trivia and chili-cooking are involved.
  • ZZ Top is more Texan than the execution of a feeble-minded minority.
  • ZZ Top is more Texan than Roy Head appearing at a honky-tonk owned by Jack Ruby.
  • ZZ Top is more Texan than Phil Collins’ basement.
  • (Maybe three of you are gonna get the Phil Collins joke, but I don’t care; I won’t explain myself.)
  • Remember the Rush doc, Beyond the Lighted Stage?
  • The one with Jack Black that ends with Geddy, Alex, and Neil getting drunk at the fancy restaurant?
  • This is the same as that, but with fewer changes in time signature, and a sawdust-floored bar instead of a fancy restaurant
  • (The Top plays in 4/4, man. Some of the tunes are shuffles and could be interpreted as being in 12/8, if you’re a theory wiener, but no one like a theory wiener.)
  • Y’got your tall, skinny guy with a beard; that’s Billy Gibbons.
  • Y’got your short, chubby guy with a beard; that’s Dusty Hill.
  • Frank Beard is the drummer, and he has no beard.
  • Three guys.
  • Tres hombres.
  • 50 years on the road and they still haven’t succumbed to Late Stage Band Bloat.
  • No black-up singers, no Brecker brothers on horns, no utility-infielder on rhythm guitar and piano and tambourine.
  • Pretty sure they got a keyboardist hidden behind the amps, though.
  • Or maybe under a hat.
  • ZZ Top are some hat-wearing motherfuckers.
  • Even before the male-pattern baldness struck, the Top dug their chapeaus.
  • I don’t need to hear the “how we got our name” story ever again, not from anyone.
  • They’re sick of telling the story, and I’m sick of hearing it.
  • You found it in a dictionary, it was a character in a book you liked, it was a particularly twattish gym teacher.
  • Fascinating.
  • The Top do far more dancing than you recall.
  • Li’l bit of boot-scootin’.
  • Four steps to the right, four steps back, up two three four, back two three four, shake ’em shake ’em shake ’em.
  • Then twirl the guitars.
  • Crowd goes berserk.
  • Simplest tricks are the best kind, as they were the ones performed for you when you were a child, and so when they are replayed, you retreat to innocence.
  • AC/DC is antipodean to ZZ Top in both the geographic and alphabetical sense, but their music was mostly the same: Bar Rock.
  • The Top is meant to be heard in bars, and loud.
  • Clubs play UNTZ UNTZ music, and lounges play ironic jazz, and honky-tonks play country, and juke joints play soul music, and breweries play prog rock, but bars play ZZ fucking Top.
  • You walk into a bar that isn’t blasting the Top, you take a shit on the pool table.
  • That’s direct action.
  • The film does not come right out and say that ZZ Top has been coasting since 1987, but it is implied.
  • The film also does not cover the time ZZ Top did an entire tour  while pretending to be The Zombies.
  • You should click, trust me.
  • Great story.
  • Best story in the ZZ Top documentary was the time Billy and Frank sold Dusty to that sheikh.
  • Comes out of nowhere.
  • They’re talking about Texas, and coming up with material for the new album, and then BAM Dusty belongs to a desert prince.
  • Dusty doesn’t like to talk about his time in the palace, but Frank still brings it up all the time.
  • Frank likes to razz Dusty.
  • Dusty takes it, and plays eighth notes.
  • It’s difficult to overstate how (deliberately) simple Top songs are, and how strict the rules about playing them are.
  • Actually, there’s only one rule: Only Billy is allowed to show off, ever.
  • Here, this is fun:

  • That’s from the Live From Texas DVD they released in 2008.
  • Hawk-eyed Enthusiasts will recognize the stories told around the poker table as the same ones related during the 2020 documentary.
  • ZZ Top only has a couple good stories, I guess.
  • Unlike the majority of their contemporaries, the Top has not been critically reevaluated by Pitchfork, nor been the subject of a Serious Rock Book, most likely published by Da Capo.
  • The Dead had the Wall of Sound.
  • Floyd had The Wall.
  • ZZ Top had the Worldwide Texas Tour.
  • The boys brought varmints with them.
  • Not pleasant ones, either: vultures and rattlesnakes and a buffalo.
  • That’s committing to the bit.
  • When you’re traveling with a buffalo, then you’re all-in on the cowboy routine.
  • How all-in?

  • If ZZ Top can’t bring their buffalo, then ZZ Top isn’t playing your shitty country.

They’re Not There

The Dead got fucked by the music business, but everyone does: that was the point of the music biz back then. There were shitty gigs, and ripoffs, and busts around every corner, but it may turn out that they got off easy. There was never, for example, a group of fake Grateful Deads touring the country playing their songs and signing their names to autograph books.

Because that happened. Remember: in the 60’s, you might not know what a band looked like. Perhaps there was a picture of them on the back cover of the record, and another in a music magazine, but that was it. AND even if the information existed, it wasn’t readily accessible. If a bunch of guys got onstage claiming to be The Animals, you couldn’t Google it at the venue. You had to wait until you were home and could dig through your back issues of Rolling Stone to see what they actually looked like. AND even if you were right, what could you do with this knowledge? Write a letter to Dick Clark?

You could get away with almost anything back then.

Here’s some truly shady bullshit from back in the day: the story of the Fake Zombies, an English band from Dallas, TX, that happened to include two future members of ZZ Top. This deserves your attention.