Musings on the Most Ridiculous Band I Can't Stop Listening To

Author: Thoughts On The Dead (Page 93 of 1031)

Thoughts On The Irishman

  • Three of Elizabeth Taylor’s marriages were shorter, and contained fewer lies, than The Irishman.
  • Cuz nothing that happened, happened.
  • The Irishman will have you believe that Robert De Niro committed every crime of the 20th century.
  • Hoffa.
  • Joey Gallo.
  • Albert Anastasio.
  • Judge Crater.
  • Remember when Baby Jessica fell down that well?
  • According to The Irishman, it’s because Robert De Niro threw her in there.
  • Taking only the 45-hour-long movie I just watched as historical evidence, Robert De Niro cut a miraculous and murderous path through the post-war years while interacting with fabulous American personalities up and down the social register.
  • Just like Forest Gump did.
  • Everyone else who writes about this movie is gonna use the phrase “meditation on aging,” but they’re not gonna tell you that the film is a rip-off of Forest Gump.
  • Never trust movie critics.
  • Or movie buffs.
  • Never trust a buff of any sort, actually.
  • Civil War buffs are the worst, I suppose: warped bastards with a gangrene fetish who like to vacation in fields full of dead teenagers.
  • But movie buffs are pretty bad.
  • They always want you to watch Solaris.
  • I don’t wanna watch Solaris.
  • I don’t wanna watch the other Solaris, either.
  • LEAVE ME ALONE AND LET ME WATCH CARTOONS AND KUNG FU MOVIES.
  • Oh, and “elegy.”
  • I guarantee that you will not read a single piece about The Irishman without “elegy” in there somewhere or other.
  • Here’s every single review:
  • “The Irishman is an elegiac meditation on aging, and Scorsese’s best since [INSERT MOVIE THAT IS NOT THE ONE ABOUT THE MONKS WITH KYLO REN AND SPIDER-MAN HERE].”

  • But you will not get that here.
  • What will you get?
  • I dunno; maybe I should just keep typing and we’ll both find out together.
  • (In case you’re wondering: Casino is Scorsese’s last great film, because Casino is his last epic that does not star Leonardo DiCaprio. Plus, Casino features Don Rickles as a character named “Billy Sherbert,” and that’s the kind of attention to detail I enjoy in my motion pictures.)
  • Anyway, Robert De Niro plays the Irishman, whose name I am already forgetting.
  • Joe Pesci’s character was called Russell Bufalino, which is easy to remember.
  • First off, there simply aren’t a lot of major crime figures in American history named “Russell.”
  • And “Bufalino” is a both a cheese I enjoy, and sounds kinda dirty.
  • 60-70% of all Italian names sound like euphemisms for anal sex.
  • (This is not a comment on the Italian people. They’re lovely; tasty bread; fine automobiles. All their names sound like what you’d call butt-fucking if you were discussing the subject in front of your grandmother.)
  • So, Joe Pesci is a bigshot in the Philly mob.
  • A pezzonovante, a real .90 caliber.
  • He falls in love with Mumbles.
  • (I will be referring to Robert De Niro as “Mumbles” hereafter.)
  • They meet in restaurants a lot and dip bread in wine.
  • I guess that’s a thing.
  • Dunking a doughnut in coffee?
  • I’ve heard of that.
  • Hell, they based a whole franchise around the activity.
  • But I never seen nobody dipping no bread in no wine, no how.
  • Joe Pesci says,
  • “I got a job for you. Go whack Big Grande Testiculoni.”
  • And Mumbles says,
  • “Mrphrhpmmphrh.”
  • And goes and kills the guy.
  • About 90 minutes of that.
  • The entire running length of the 1998 documentary A Night At The Roxbury, that’s all that happens.
  • “Go kill Nipples Arrividerci.”
  • “Mrphrhpmmphrh.”
  • Dip dip dip.
  • Repeat until Al Pacino shows up and starts yelling.
  • Wait.
  • No.
  • Excuse me, I’ve made an error.
  • Al Pacino was not in this movie.
  • His over-acting twin brother All Pacino was.
  • Al has been sending All in his stead since the late 90’s.
  • And when you get All Pacino, you get ALL PACINO.
  • You get the shouting, you get the ranting, you get the lines that go from whispers to THROAT-SHREDDING YOWLS in the space of one word.
  • If you were to ask All Pacino where he was on a scale of 1 to 10, he would answer “FUCK YOURSELF” and then take a shit in his own pants just to prove he’s the master of his destiny.
  • Anyway, Mumbles falls in love with All Pacino.
  • This makes Joe Pesci and his enormous eyeglasses jealous.
  • The Irishman is secretly a deeply gay movie.
  • Of course, Mean Streets and Raging Bull were also homosexual love stories.
  • And The Last Waltz, too.
  • You can’t convince me that Scorsese and Robbie Robertson weren’t fucking each other.
  • At the least, they were hand-helping one another.
  • Which is not gay, especially if you do it to a John Ford film.
  • Seriously, none of this shit is true.
  • Read this.
  • Did you not read that?
  • This is from that; look at it:

  • Did you look at that?
  • Makes you wanna read the thing it’s from, huh?
  • Horseshit, all of it.
  • Faker than the CG blood squibs that arise from the newly-retired gangsters.
  • The Irishman contains just as much reality as, oh, say, I dunno…
  • Wait for it.
  • …a superhero film.
  • BOOM!
  • GOT YOU, SCORSESE!
  • Some of the movie’s assertions are prima facie stupid for anyone who knows anything about the Mob.
  • According to The Irishman, Joey Gallo got shot by Mumbles for insulting Joe Pesci at the Copa.
  • Which is not how it went down.
  • Joey had just gotten out of jail for starting a gang war, and was now attempting to start another one.
  • Pretty much everyone but Jerry Orbach wanted him dead.
  • (Joey Gallo was good friends with Jerry Orbach. Long story. The 70’s were weird.)
  • WAIT!
  • I FORGOT THE BEST PART!
  • Apparently, we are to believe that Mumbles was part of the Bay of Pigs.
  • He drove the truck full of guns and grenades and whatnot down to Florida.
  • Killed Hoffa.
  • Murdered Crazy Joe Gallo.
  • AND armed the Cuban exiles who disastrously tried to retake their home with the aid of the CIA.
  • I’m shocked that Mumbles wasn’t on the grassy knoll.
  • I am not kidding: Ant-Man is more believable than this pile of well-shot garbage.
  • You heard me.
  • Garbage.
  • Don’t cum in my hair and tell me it’s pigeon poop, Martin Scorsese.
  • Especially the last four hours or so when Mumbles is old.
  • And we’re supposed to feel bad for him.
  • His daughter won’t speak to him.
  • Just because he, you know, murdered all those people.
  • And funded her childhood with blood money.
  • Then–FUCKING THEN–we get a scene where the FBI comes to visit ol’ dyin’ Mumbles.
  • He don’t give ’em nothing.
  • That’s a man, the film tells us.
  • Never opened his mouth.
  • EXCEPT HE WROTE A FUCKING BOOK.
  • No matter which version of the truth The Irishman decides to go with, everyone involved looks shitty.
  • But I’ll give Scorsese this: I watched the whole fucking thing.
  • And I really want to rewatch Casino.

Never Look A Greek Horse In The Mouth

“Jenkins!”

“Yes, King Priam?”

“Come look at what the Greeks brought us!”

“Uh-huh. The giant wooden horse. I saw it. Actually, I was meaning to talk to you about it.”

“I don’t want to talk about anything but! I love this thing!”

“Your Highness, don’t you think it’s a little bit weird?”

“I think it’s weird we haven’t had a giant wooden horse before now. I’m ashamed we lived in such a way. I mean: we’re Troy. We’re horse people.”

“We love horses, sir.”

“Big horse folks, us Trojans. Athenians like to make speeches and invent systems of governance. Spartans are into fitness. The Thebans…well, you know what the Thebans are into, Jenkins.”

“I do, sir.”

“But the Trojans are horse-people. We’re like a rich asshole’s spoiled daughter.”

“We have an equiphilic society, sir.”

“Makes us easy to shop for. Oh, just look at it, Jenkins!”

“I am looking, sir. May I ask you a question?”

“Of course I fucked a sheep when I was younger, Jenkins. It’s 1200 BC. We’re all sheep-rogering savages, even the nobility.”

“That wasn’t the question.”

“Go on, then.”

“Has anyone inspected the gift?”

“Thoroughly!”

“Ah. Then I’m no longer worried.”

“And no card was found. Which is a little tacky on behalf of the Greeks. You always put in a card.”

“How close was the inspection, sir?”

“The men looked everywhere. One guy thought it might have blown under a table, so he lifted the table up, but it wasn’t under there. We did discover one important thing about the horse, though.”

“Yes?”

“Poplar. Or ash. The men were split down the middle. Both are fine woods for building giant horses out of.”

“Right. Your Highness, did anyone look inside of the horse?”

“Jenkins, are you from Ur?”

“No, sir.”

“Because you babble on.”

“Wonderful, sir.”

“Had that one in my pocket. Well, not my pocket. Pockets won’t be invented for 3,000 years. But you know what I mean.”

“I do so enjoy your wit. Sir, we really need to have someone look inside the horse.”

“Why?”

“I can literally see people moving around in there. Look for yourself. There are gaps between some of the pieces of wood, and you can see shadows.”

“Ooh, maybe it’s clockwork. What time is it? Perhaps it will chime the hour.”

“It is not a cuckoo horse, Your Highness.”

“But I’m cuckoo for it!”

“Yes, sir. Please, Your Highness, begging your indulgence: just lemme poke a bunch of spears through it.”

“What!? Never! Hell of way to treat a gift, Jenkins! What have the Greeks done to deserve this kind of disrespect?”

“They killed both of your sons, sir.”

“Oh, yes. I know this, Jenkins. And I grieve their loss.”

“But the horse makes up for a lot of it.”

“Oh, sir.”

“Have you seen the detail work on the head? What nostrils!”

“Your Highness, there is something incredibly hinky about all of this. They just left? After ten years? The Greeks just gave up and went home and left us this enormous wooden horse that I am POSITIVE I can hear people moving around in?”

“Jenkins, last time you were positive about something, I ended up investing ten grand in a drive-through rib joint.”

“You’re never going to let that go, are you?”

“No one wants to eat ribs in their car, Jenkins! It’s too messy for the car!”

“Lesson learned, sir. Please let’s focus on the present.”

“Horsey.”

“You are fond of it, sir, and that’s your kingly right. One more question: Who precisely gave it to us? Was it Agamemnon?”

“No. Odysseus.”

“Are you shitting me?”

“Jenkins! Watch your tone!”

“Odysseus, sir? He might as well be Loki, sir. Or Bugs Bunny. The man is simply not to be trusted.”

“He did steal my watch.”

“It’s a trick, Your Highness. Let’s just set it on fire and be done with the whole ordeal.”

“Tell you what, Jenkins. We’ll sleep on it.”

“Let me at least leave a guard.”

“You may leave Sleepy Bob to guard my horse tonight.”

“We’re all gonna die.”

Real-Time Thoughts On The Phantom Menace After Far Too Many Edibles

  • AHHH!
  • Punchy brass!
  • My teevee set was too voluminous; excuse my fright.
  • Christ, I don’t wanna do this.
  • No one asked for this.
  • Literally none of you.
  • I threw it out there, and no one caught it.
  • And I don’t wanna, not particularly.
  • No one is enjoying this.
  • A perfect synecdoche for 2019.
  • Anyway, I have not seen these films in a decade.
  • I saw all three opening weekend in the theaters, with repeat attendance for the first two.
  • Starting to see a problem.
  • The first bit in Star Wars was an exciting pew-pew battle.
  • The first bit in The Phrantic Mormon is two guys in robes talking about politics, and also some aliens in robes.
  • No, wait.
  • Something blew up.
  • And now the Space Rabbis are slicing and dicing with their magic swords.
  • “More lightsaber” being the preferred answer to all life’s little problems at Skywalker Ranch is one of the Prequels’ weaknesses.
  • There are so many weaknesses.
  • But the over-reliance on lightsabers is a glaring one.
  • Yes, fans like them.
  • They’re shiny.
  • Fans like shiny things.
  • And they make the noise.
  • Oh, do the fans love the noise.
  • But the weapons were used sparingly (enough) in the Only Trilogy.
  • SW: Obi-Wan’s hut, briefly on the Falcon, and the duel with Vader.
  • ESB: on Hoth, and then on Dagobah, and then Cloud City, okay fine this one had lightsabers coming out of its ass.
  • ROTJ: Escaping from Jabba, escaping from the Stormtroopers, fighting Vader, okay this one, too.
  • I will modify my point to “the weapons were used tastefully (enough) in the OT.”
  • One-on-one fights.
  • Slow, clumsy, goofy-ass one-on-one fights.
  • And lightsabers were just swords.
  • Hence the name.
  • Sabers.
  • Prequels changed all that.
  • Now lightsabers could have multiple blades, just like men’s razors.
  • Or lightsaber nunchucks or shit like that.
  • Fuck!
  • Jar Jar!
  • Woooooooooow.
  • He is…
  • He is not quite as photorealistic as George Lucas had hoped, is he?
  • It’s slightly better than Roger Rabbit, but not really.
  • Jar Jar has brought Taken and My Boyfriend to the underwater city where he’s from, as he’s a member of a race of amphibious fish-monsters?
  • This is Naboo.
  • Everybody’s on Naboo, which is a planet that looks like a Robert Kincaid painting, except for where the fish-monsters live, which looks like a Roger Dean painting, and the Space Rabbis and Space Scrappy have to get to other side of the planet, so they…take a submarine through the planet’s core?
  • That’s not how planets work.
  • That’s not how cores work.
  • Who wrote this shit?
  • Oh.
  • Never has a man more benefited from an idea than George Lucas has from Auteur Theory.
  • (George Lucas also benefited from being a rather canny businessman.)
  • But Star Wars and the two that followed were group efforts.
  • The original film was apparently unwatchable before a massive re-cut by Brian DePalma and George’s wife, Marcia.
  • And, of course, Empire and Jedi were written and directed by others.
  • Why are these robots even bothering to hassle the Space Rabbis?
  • They get sliced through tin foil.
  • Ah, shit, it’s Artoo.
  • Taken, My Boyfriend, and Space Steppin Fetchit are now on a ship; they’re trying to get off of Naboo, but the Buttfaced aliens have blockaded the planet.
  • And their pilot’s strategy is to “fly straight at ’em.”
  • This works.
  • Star Wars is so fucking dumb.
  • Oh heeeeeeey Darth Paul.
  • I know his name is Darth Maul, but he doesn’t Maul anyone.
  • Goes out like a bitch.
  • Darth Paul is the Boba Fett of the Prequels.
  • Natalie Portman is a queen of some sort?
  • But she’s in hiding?
  • I dunno.
  • None of this ever made sense to me.
  • So she’s pretending to be her own handmaiden, but she’s also Keira Knightley.
  • And now they’re on Tatooine.
  • The cartoon rabbit just stepped in doody.
  • When I was a kid, I spent hours in front of the mirror practicing how to smile like Han Solo.
  • And now the cartoon rabbit has stepped in doody.
  • And anti-Semitism.

  • Look at that hateful bullshit.
  • I don’t mind those other aliens who are clearly Chinese stereotypes.
  • The Chinese should get a sense of humor.
  • But that’s not okay.
  • Jar Jar is not getting any realer-looking in the harsh desert sunlight.
  • Looked shitty in the dappled shade of the Naboo forest, and worse now.
  • They are in real sets, though.
  • I seem to remember the backgrounds becoming increasingly digital as the Prequels went on.
  • Ugh, Threepio just met Artoo.
  • Do you remember that–apparently–Baby Darth Vader built C3P0?
  • Baby Darth is nowhere near as cute as Baby Yoda.
  • Also a worse actor.
  • NOT THE KID’S FAULT.
  • Still: he was no Jodi Foster.
  • Our Star Warriors have met Baby Darth, who is a slave on Tatooine, and also Jesus and also he built Threepio, and there are various complications so as to lead us into an action-oriented set piece.
  • I am convinced that Taken is heavily sedated.
  • Xanax, maybe.
  • Bantha!
  • YAAAAAAAAAY, BANTHA!
  • I saw the thing from the other thing!
  • YAAAAAAAAY!
  • From what I can gather, Taken and My Boyfriend’s ship is broken, and they need to win some sort of race to get the money to fix it.
  • Which sharpish types will identify as the plot to most, if not all, of Elvis’ films.
  • DARTH VADER IS NOT SPACE JESUS.
  • Remember how Peter Cushing scolded him when he was arguing with the other guy during the meeting on the Death Star?
  • “Hey! Darth! Put it back in your pants!”
  • He’s just a Scary Robotface-man.
  • But this is what happens when George Lucas is given complete control.
  • Within the past ten minutes, we’ve learned that:
    • Baby Darth was conceived immaculately.
    • He built C3P0.
    • There is a blood test for the Force.
  • All of these ideas would be discarded after the first installment of the Prequels and never mentioned again.
  • Lord, I’m bored.
  • Step it the fuck up, people.
  • Why isn’t Taken shooting Slavs?
  • Usually in his movies, Taken shoots Slavs.
  • But now he’s talking to a poorly-drawn anti-Semitic cartoon.
  • I am not joking, Enthusiasts: Meyer Wolfsheim was a less overtly Jew-hating caricature than Watto.
  • Nothing I can say about the Prequels will be as insightful–or as funny–as the Plinkett Reviews from Red Letter Media.
  • Go watch ’em.

  • Why is a six-year-old allowed to pod-race with grown-ups, most of whom are aliens?
  • Shit, here’s Jabba.
  • He continues his tradition of never, ever, ever looking real since that one time they actually made him.
  • Anyway, the Laffalympics are going on.
  • It’s all cock?
  • Used to be a team of guys in tee-shirts built a model.
  • Then you ran a camera by it.
  • Looked like it was moving.
  • There was a weight to the models.
  • Now?
  • It’s all cock.
  • Saw this opening night at Mann’s Chinese Theater, which is a sweet Nerd Cred card to play.
  • I lived right behind the storied auditorium on North Orange Drive; for a week before the film’s May 1999 release, the line went by my window.
  • Here, look:

  • The black line is the line.
  • One afternoon, two fat guys dressed as Jedis got into a fistfight.
  • They windmilled their arms at one another.
  • The Force was with no one that day.
  • I did not wait in line; my buddy Phil had scored us tickets for opening night.
  • He worked for David Zucker, back when he was not a crazy right-wing person, and so he called in favors.
  • Or maybe he just got lucky.
  • The Chinese is a Golden Age thousand-seater; there’s velvet everywhere, and the carpeting speaks four languages.
  • Swanky establishment.
  • We’re sitting middle, center.
  • No better seats.
  • Crowd went nuts, I must admit.
  • No revisionism here: the audience at the Chinese Theatre did not turn on the film as it was shown.
  • Cheers and laughs and rousing receptivity.
  • And huge whoops any time something Star Warsy came on screen.
  • Artoo?
  • YAAAAAAAAS!
  • Threepio?
  • OMIGOD!
  • And leaving the venerable movie palace that evening, I would’ve give you a positive response.
  • The experience clouded my judgment.
  • Went back on Wednesday.
  • Hell, it was within walking distance.
  • Wasn’t like I had a job.
  • This showing was not packed.
  • The usual handful of the unemployable, disreputable, and furtive that populate any weekday movie.
  • Lights went down.
  • Could this be the same movie I just saw five nights before?
  • I remembered laughing and cheering, but it was just…boring.
  • Mind-meltingly, ball-shavingly boring.
  • I took two smoke breaks.
  • Considered not going back in the second time.
  • Every other occasion a movie forced me to take two cigarette breaks, I didn’t go back in the second time.
  • But, you know: Star Wars.
  • So I went back in.
  • The matte-ing is so cheap.
  • The characters all look like Colorforms.
  • Like they’ve been affixed to the screen rather than actually being in it.
  • Okay, so not Baby Darth is in front of the Space Rabbi council, and Yoda is like. “Let me ride them, someone must.”
  • And everyone’s like, “Master Yoda, stop riding people.”
  • “LOVE IT, I DO.”
  • And then he leapt onto the guy with the giant horse penis head.
  • The guy bucked and whirled, but he couldn’t get Yoda off.
  • He can grab strong with those little claws of his.
  • This kid was not up for this acting challenge.
  • That’s all I’ll say.
  • NOT HIS FAULT.
  • But he’s awful.
  • Just like in the Matrix Sequels, there is a guy in this film who I keep wanting to think is Joe Morton, but is definitely not Joe Morton.
  • I might be kinda racist
  • Except racist people think black people all look alike, and I think all black people look like Joe Morton.
  • So I am not racist.
  • Whew.
  • Glad we settled that.
  • Among his near-infinite other crimes, George Lucas gave My Boyfriend the single worst haircut of his career.
  • Look at this bullshit:

  • That haircut put in his six with the Coast Guard and now works as a union electrician in Ocean City, Maryland.
  • Now they’re setting up for a big fight or something.
  • The computer graphics are gonna run at the other computer graphics.
  • In a big field.
  • The Marvel Cinematic Universe stole a lot from the Prequels.
  • They’re talking about stuff.
  • Real, real close to shutting this off.
  • I hate it, and life, and I don’t know why I did this.
  • If you enjoyed this, then there’s something wrong with you.
  • And I have fried chicken from Publix.
  • I could watch something else.
  • Literally anything else.
  • I could watch paint learn.
  • Y’know how people say watching paint dry is boring?
  • Imagine how long it takes paint to pick up concepts.
  • Very boring.
  • They are pew-pewing at each other now, and Baby Darth has stolen a spaceship that he knows how to fly because he is a magic child.
  • Buncha assholes fighting in space.
  • Buncha assholes fighting on a field.
  • Buncha assholes fighting with lightsabers.
  • Darth Paul has arrived.
  • Face all looking like a burst sausage casing.
  • Looking like a dog’s dick got caught in a door.
  • That man nasty.
  • He has a double-bladed lightsaber.
  • One blade comes out one way.
  • ZZWHOMP.
  • And then another blade comes out the other way.
  • ZZWHAMP
  • It is very dramatic.
  • Damn my man-shorts, there 20 minutes left.
  • Taken gets poleaxed, and then My Boyfriend cuts Darth Paul in half.
  • I know how it ends.
  • Just get there so I can eat my chicken.
  • Every decision was wrong.
    • The plot.
    • The script.
    • The over-reliance on effects.
    • Jar Jar.
    • Focus on world-building and politics instead of fun adventures.
    • Lack of Tobacco the Space Monkey.
  • Taken and Darth Paul are dueling in a room with a giant open shaft in the middle of it.
  • No guard-rails, nothing.
  • And this is during the reign of the Republic, mind you.
  • I expect that kind of disregard for safety from the Empire, but the Republic were supposed to be the good guys.
  • Space OSHA should be called.
  • Papa Bear’s balls, the kid is now winning the space battle through luck and pluck.
  • I am working on a buddy-cop script entitled Luck & Pluck.
  • One’s got nothing but bad luck, and the other is a sentient pair of tweezers.
  • They do not get along at first!
  • Okay, Darth Paul just died at the road to Dantooine, and I’m gonna pretend the movie’s over.
  • My fried chicken says that the movie’s over.

Like A Dog

Hey, Conan the US Army dog. Whatcha doing?

“I have no idea.”

You’re a dog.

“Yeah. I’m relatively whip-smart, though. Compared to a dachshund, I’m Einstein. But I’m still a dog, and I got no idea what’s happening. This is a new place. Never been here before.”

It’s called the White House.

“There are odors you wouldn’t believe in here. Little tip from me to you? Someone has been doing black magick in this building.”

You can’t possibly know that.

“Trust my nose. I’m good at two things: smelling shit, and biting dicks off.”

You bite a lot of dicks off?

“Yeah. It’s classified, so don’t tell anyone. But, yeah. I get their balls, too. Usually.”

You okay with that?

“I am okay with being a good boy, and I am told I am a good boy when I bite off dicks. But not, you know, random dicks. Unauthorized dick-biting makes me a VERY BAD BOY, and I cannot do that again.”

You went freelancing?

“We all make mistakes when we’re young.”

Hey, man. No judgments here.

“Who are these people? This guy I am with is not The Guy, but I know him. He’s good people. Generous with the scratches. Got a lot of fetch in him. Good people, but not The Guy.”

Your handler’s identity is classified.

“Love him. This guy’s good, but not The Guy. What’s with Milkbone here?”

That’s Mike Pence. He’s the Vice-President.

“Look how close I am to his bacon and eggs. One shouted German word and breakfast would be over.”

Don’t eat Mike Pence’s dick. Wait.

No. Don’t eat his dick. Hey, how does that work with attack dogs? What if, like, I knew the secret German words?

“What about it?”

Could I shout them at you and get you to do stuff?

“No. What are you, an idiot? You’re not The Guy. I only listen to The Guy. The commands are in German to keep people from knowing what he’s telling me, not because I’m some sort of Manchurian Candidate that goes insane and starts murdering at the sound of German.”

I think it’s also in German because German is a scary-sounding language.

“One would assume. What is this thing? It’s shaped like a person, but doesn’t smell like one.”

That’s a person. He’s the President.

“What does that mean?”

Alpha.

“Oh, God, you’re shitting me. You made this your alpha? I can smell him decaying. And he’s petrified of me.”

The man does not like animals.

“I need you to listen to me: I know what humans smell like. He doesn’t smell like that. Call the authorities.”

He is the authorities.

“I could…you know.”

Eat his genitals?

“Yeah.”

No.

“Took you a while.”

I’m still mulling it over.

Blues Brothers Band Members’ Acting Ability: A Ranking

So many people seem to be ranking things lately–pop culture ephemera, the like–and why not me? The world needs my numinations. I shall tell you which discrete item is better than other discrete items, and by how much. My topic, Blues Brothers Band Musicians Ranked By Acting Ability, is in honor of Donald ‘Duck’ Dunn, whose birthday it is today, and I am an important American literary voice.

ONE: Alan “Mr. Fabulous” Rubin

Look at that marvelous bag of sleaze; his hair steals the scene by itself, but then the script gives him a good line–No, sir, Mr. Daley no longer dines here–and he knocks it out of the park. The rest of the scene is similarly his, and the role he occupies is a trickier one than it might seem: the Margaret Dumont. The viewer must empathize with the Dumont (Yes, it is absurd what these small Jewish men are babbling about), but not root for the Dumont. No one wants the Dumont to win, obviously, but no one wants anything bad to happen to them. All Dumonts have ever been guilty of is being fancy. They’re not bad people.

Rubin plays the Dumont perfect. He’s not a monster. He just wants to work his steady gig and make his steady tips and not deal with the Blues Brothers. His position is defensible! Look how swell his hair looks! Did we not know that God Himself had ordained that he rejoin the band, we might side with Mr. Fabulous over Jake and Elwood.

O, that thick-lipped insouciance.

(SIDE NOTE: In at least one alternate universe, there exists a cut of The Blues Brothers wherein Mr, Fabulous successfully resists the Blues Brothers’ offers, and then the rest of the film shifts to a lyrical Cassavetes-like character study of a maitre d’ in 1980’s Chicago.)

TWO: Murphy Dunne DISQUALIFIED

Murph, erstwhile of Murph & the Magic Tones, is a scratch. No action will be accepted on Murphy Dunne.

(It should’ve been Paul Shaffer. I would lead a crowdfunding effort to digitally insert Paul Shaffer into the Blues Brothers pasted over Murph. You’d also have to de-age Paul, I guess, so this is gonna cost a lot of money. Paul put the Blues Brothers Band together, wrote all the charts, led the rehearsals, and Belushi pitched a bitch about him working with Gilda Radner too much and tossed him from the movie. John Belushi has an entire wing in the Problem Attic.)

THREE:  Willie “Too Big” Hall

Incredibly sexual name here. You got “Willie,” which means a penis, and “Too Big,” which refers to the penis we were just discussing, and then “Hall,” which is–one would assume–the size a vagina would need to be to enswallow the member on the table. This man’s name is a microaggression; I did not consent to this.

FOUR: Steve Cropper/Donald “Duck” Dunn (TIE)

Each man delivers his few lines with ease, but these guys just looked cool.

Check out the Duck:

And the Crop:

These are hip, hip men.

FIVE: Tom “Bones” Malone

What’s the difference between a trombonist in a car and a frog in a car?

What?

Frog might be going to a gig.

SIX: “Blue” Lou Marini

Blue Lou is more wooden than a forest that came to life and taught Bill Walton lessons about basketball and being a man. Blue Lou is stiffer than a man universally known for his spectacular boners having an especially notable erection.

On the other hand:

I always thought that was a sweet shot.

SEVEN: Matt “Guitar” Murphy

While virtually every other decision from the production of Blues Brothers can be explained away with “because cocaine,” the allocation of so damn many lines to Matt “Guitar” Murphy cannot. Are you jamming out in a Mississippi-style blues style? Call Matt. Maybe getting jazzy with it? Matt’s your guy. Go toe-to-toe in a sass-off with Aretha Franklin? Call Cleavon Little or Franklin Ajaye. This is not an arena in which Matt “Guitar Murphy will shine.

And yet the man was called upon to emote. To emote!

“Woman!”

But, hey: his performance is charmingly terrible, and you can see how much practice he put into it. Matt “Guitar” Murphy tried his hardest, and that’s what matters. I don’t like this ranking nonsense. Everyone’s number one in my book. I will not be doing this anymore, but I hope you leaned something here.

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