Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: 1972 (Page 6 of 10)

A Date With 9/15/72

Let’s say that 9/15/72 (previously only available as a fragment or an AUD, but now streamable in full and with the Charlie Miller seal of approval) was a handsome gentleman, and you a sultry but respectable young lass. 9/15/72 invites you out on a date: what can you expect?

  • Flowers.
  • Chocolates.
  • 9/15/72 will be showered to within an inch of his life; his butthole will be squeaky.
  • The China>Rider will be smooth and mellow, like a junkie with alopecia.
  • There will be no discussion of politics or religion.
  • Just love.
  • Possibilities, y’know?
  • 9/15/72 has a fine car that makes a manly noise, but it is not ostentatious and there are no bumper stickers.
  • Like a true gentleman, 9/15/72 opens your car door for you, and after you are comfortable, he closes the door in a soft and firm manner.
  • He has left the engine running; the radio plays smooth jazz.
  • The seat is leather and comfortable and there is also a dog in the car you did not notice.
  • Which is surprising, because the dog is large and now he is climbing into the front seat with you to make love to your hip.
  • His forelegs clamp down; this is a strong dog.
  • “Conkers! Conkers! I’m so sorry!” 9/15/72 screams. “Bad dog!”
  • He tries to pull conkers off of you, but in his furry yearnings, Conkers has locked the doors with one of his paws by accident.
  • Conkers is looking you in the eye.
  • He knows what he’s doing, but you do not and cannot hit the lock button: it appears that this will end when Conkers decides it does.
  • Conkers finishes.
  • The DJ for the smooth jazz station tells you that George Benson is up next and your oddly-steady hand opens the door.
  • 9/15/72 pulls Conkers off of you and out of the car, roughly.
  • “I…I…I…”
  • And then 9/15/72 licks your leg clean.
  • The Playing jam is also out of this world, man.

Because It’s There

From an esteemed and pedigreed source comes this: A 10-hour supercut of all the Dark Star from ’72. Like me, I’m sure, you’ve often wondered, “How much Dark Star was in 1972?” Here is the answer to the question: this much.

I am reminded of the classic cocktail party game for spotting sociopaths: your mother dies and at the funeral you meet the love of your life. you have never met this person before, and they disappear without exchanging information with you. How do you get in touch with this person.

The answer is, of course, “Kill your father and meet the person at the funeral.” It’s supposed to snoop out psychos, but it always seemed more like a riddle than a true psych evaluation to me.

How do you tell a True Enthusiast: upon hearing there’s a 10-hour supercut of all the ’72 Dark Stars, you immediately ask if there will be one for ’73, as well.

Donna: Lean

bandindexHey, Mrs. Donna Jean. Whatcha doing?

“Feelin’ it. Waitin’ for my part. Being skinny.”

Yeah. You kinda look like a Pez dispenser.

“Bless your heart.”

You explained what that meant to me last time we talked.

“Did I? It was a while ago.”

Aw, Mrs. Donna Jean, don’t be like that. It’s bad enough with Garcia’s whining.

“But: he’s dead, honeysuckle. Me, they just don’t wanna pay.”

Still, he’s pretty insistent on being there. Keeps huffing and puffing about “backup bands getting delusions of grandeur.”

“I’m sure I don’t know whatever he may mean.”

You and Bobby were the only ones with chins, weren’t you?

“Mickey had one, but where I grew up, we were taught it was polite to pretend Jews didn’t exist, so: yes.”

Ein Bild Unter Dem Baum

IMG_1609I’m not even making an attempt at going left to right, and shall–just to be contrary–begin with the waif to the easternmost of the pic.

  • That might be Yolandi from Die Antwoord. It’s the same haircut.
  • And let’s just get the other non-Grateful Dead out of the way: that is most likely an astonishing looking woman and the light’s just hitting her weird.
  • Because look how awesome Billy looks. The sneakers and the ‘stache help, but he just looks like a rock star in this shot.
  • Which he objectively doesn’t.
  • Plus, Bobby had real high standards, and she’s wearing a dress only a stone-cold fox would wear.
  • Ipso facto: bad light.
  • Everyone is this photo named Godchaux is upright solely because of pride and muscle memory.
  • Eagle-eyed Enthusiasts will recognize that Pigpen’s sweater was apparently passed around between band members during the tour, with Phil donning it for the Bickershaw show.
  • Also, Pig is no longer “mostly alive.” He is “partly dead.”
  • Bobby’s going to pork Billy’s girl.
  • Look at his face.
  • Disregard the serial killer glasses.
  • That’s Bobby’s sexy-face.
  • He’s gonna tear those quilts and throw rugs off her and kaiser her right in the Wilhem.
  • From ‘1976 to ’78, you could buy a Gremlin with seats upholstered just like Mrs. Donna Jean’s trousers.
  • Did Pig bring that pool cue from California?
  • Garcia’s just happy to be there.

Riding A Gateway Bus

The cities of the American West have shopkeepers for fathers and whores for mothers. Of course, so does every other city on this planet, but the West is so young that there are photographs of the settlers. (Well, the most recent batch.) This puts a crimp in mythology.

The original city walls of Rome, we’re told, were laid out by Romulus after laying out his twin brother Remus in a fight over where the boundaries should be placed. Which is a rude thing to do, but he was literally raised by wolves.

And since this happened around 2800 years ago, we have no proof one way or the other. Common sense says that human nature is human nature and, therefore, Rome was originally a trading post situated near a river for easy access, a couple guys set up an inn and stables, a few women built a house, then a church came by a little later to collect tribute from the inn and tell everyone the woman’s house was one of ill repute.

Things begin, but nothing simply starts.

As is the case with the location of 7/25/72. Portland finds our heroes in town for the last two shows of an astoundingly good four show mini-tour, the first half (mostly) of which is available on Volume 10 of the criminally underrated and foolishly cancelled Digital Download series.

It’s a doozy, but instead of the usual review–

You’ve never seriously reviewed a show in your life. You pretend to have a philosophic/aesthetic disagreement with the practice, but it’s mostly that you can’t be bothered.

–I shall present the awesomess of this show in a somewhat novel way: I’ll list a fact about this show or the city of its birth, and you guess True or False. Ready? Go:

  • There’s a jam about 15 or 16 minutes into The Other One that would turn Miles Davis into a small white girl named Lucy. Garcia’s on the slide guitar and I will venture this: they never played this jam before or after and it’s a glorious piece of music.
  • Portland is the capital of whatever state it happens to be in.
  • This show might as well take place in Phil’s skull. There’s just so much goddamned Phil; a normal person might cry “Hold!” but we demand “More!” The proper amount of Phil is like the proper amount of money or tuggers or compassion: as much as possible.
  • The first set contains a twelve-minute medley of Negro spirituals that peters off into shame.
  • Trey played guitar.
  • Loser’s outstanding. No joke for this one: it’s just an absolutely HoF version of a tune that’s hit-or-miss for me.
  • The city of Portland is actually 21 miles inland and was named after its founder, Allen Portland.
  • The transition between He’s Gone and Greatest Story is hilariously muffed. Bobby, Phil, and Billy all roar full-throttle into the rocker after the gentle come-down of He’s Gone’s coda. Except they do it one at a time, and it doesn’t matter because Garcia needs to tune his guitar, anyway.
  • They do make up for it by utterly killing Greatest Story.
  • Four minutes after Portland acquires its first nuclear missile, Seattle will cease to exist.
  • A very rare BIODTL with π beats.
  • That it has the most strip clubs per capita in the country might seem fun, until you remember that strip clubs are depressing: not one person in that building is happy to be there. Strip clubs are the opposite of the Olympics.
  • Okay, some people enjoy strip clubs, but they’re 19-year-olds or guys with vanity plates on their ‘Vette.
  • Although, it could just be the strip clubs I’ve been to. They;’re always such dank, clearly mob-owned places with posters for Bud Lite and the DJ yelling at the patrons to hit up the ATM, or, as he called it, the “Ass and Titties Machine.”
  • So clever, those strip club DJs.
  • Maybe Portland–being progressive and sensitive and new age to the point of satire and parody–has eco strip clubs, where the ass is organic and the titties are locally sourced.
  • An artisanal, small-batch strip club is what I’m talking about here. Owned cooperatively by the dancers. Free admission for bicyclists. Poles made from recycled steel. Giant high heels made from salvaged lucite. All lap dances will be carbon-neutral.
  • But, in the end, it’s still just a lonely dude paying a pretty girl to stick her butt in his face.
  • Most of Sugar Mags is missing.

The correct answers are: TTFTFFTTFTFTTTF, though not in that order.

« Older posts Newer posts »