Musings on the Most Ridiculous Band I Can't Stop Listening To

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Thoughts On Predator

  • This is toxic masculinity.
  • All of it, every part of the movie from the making of to the images on the screen to the deeper themes, every itty-bitty part.
  • This movie is why some parents are raising genderless babies.
  • Cuz it’s just about measuring dicks.
  • Hour-and-forty minutes of tailor’s tape and rulers and arguments about whether to start from the base or the balls.
  • And yet there is not even a speck of homoeroticism.
  • Which is impressive, given that the film is about sweaty men in the woods.
  • You gotta try to make that completely straight, but Arnold and director John McTiernan succeed.
  • I mean, look at this bullshit:
  • THAT’S NOT ALL OF IT.
  • The scene goes on for almost 30 seconds, Arnold and Apollo being enormous at one another and smiling muscularly while the camera cuts back to their engorged biceps at least twice.
  • (I guarantee you that Arnold demanded Apollo keep his sleeve down.)
  • Anyway, a MacGuffin has taken place in a Central American jungle, which would make it a Magufinito, and Arnold and his team are summoned to shoot it.
  • And then shoot it again.
  • Arnold is called “Dutch” and Apollo is called “Dillon” and those are damn manly names.
  • Those names could chew through doors with their dicks.
  • That’s how manly they are: they have dickteeth.
  • Stop this immediately.
  • You might be right; that was pointless.
  • Oh, yeah.
  • Fuck off while I go into a parenthetical remark.
  • (Arnold’s character being named Dutch is one in a short and dopey line of Reasons for Arnold’s Accent.  In the Terminator movies, his vocal hooky-dooky was copied from an Austrian soldier’ hucky-poo and in Kindergarten Cop he mentions immigrating, but mostly he just played Army colonels and cops and audiences went, “Yeah, sure, whatever, it’s Arnold.)
  • Hostages?
  • Drugs?
  • International skulldiggery?
  • (Skulldiggery is the precursor to skullduggery, and it’s best to cut it off at the root. Must be proactive with skulldiggers.)
  • I must admit, Enthusiasts, to half-attention to the part when they talked.
  • Predator is one of those kind of movies.
  • There’s the part when they talk.
  • And then the rest.
  • Escape From New York had the same structure, and so did Rambo.
  • (I mean First Blood Part Two or whatever Sylvester Stallone’s lawyers want to call the one where he goes back to Vietnam and this time, they let him win. It is a far superior film to the first one where he wanders around the woods getting his ass kicked by cops. In Rambo, Rambo has arrows with tips made of high explosive. Does he have these in First Blood? No? To use a metaphor from another of Stallone’s popular franchises, that’s a knockout in the first round. Furthermore, in Rambo, Rambo has a rocket launcher. There are no rocket launchers at all in  First Blood. To continue the metaphor, Rambo is now beating First Blood’s lifeless body into a mashy lump, the referee clinging to his mad back and helpless and crying “My God!” The audience looks on, tho they’ll hate themselves for it when they next meet bedsheets.)
  • The crew ventures forth into the wood.
  • Storms a castle.
  • Rescues a princess.
  • And faces off with a monster.
  • Predator is not exactly telling a new story, but it is as I have told you time and again, Enthusiast: singer, not the song.
  • No other version of this tale has, for example, the future governor of the state of Minnesota with a weapon designed to be mounted on helicopters vaporizing both humans and jungle thickets.
  • We must never forget that the cast of Predator featured two men, one of whom a bodybuilder and actor, the other a professional wrestler, both of them doped to the gills on steroids, who would go on to become governors
  • That’s Jesse Ventura, and most if not all of his performance emanates from deep within the Problem Attic.
  • If that guy had lived, he would have voted for Trump nine or ten times.
  • But Predator exploded his chest and yanked his skull (still attached to the spinal column) from his body and made art with it.
  • The crew responds to this by mourning in the only way they know: opening fire into the jungle for a full minute of screen time.
  • Including the should-be-on-a-helicopter gun.
  • (The ludicrous appendage Governor Ventura was BRRRRRRTing at bad guys and aliens is called a mini-gun. The Army used to stick ’em on Hueys called gunships. Human beings do not hump them–and the ammo!–through Central American jungles. This fact scandalized a young TotD: I honestly thought military units had a mini-gun guy. I was not a bright kid.)
  • His death was a shame, because he was the other interesting guy in the movie.
  • There was Billy.
  • Who was a Magick Indian.
  • Points for casting an actual Native, though.
  • Although all we have on that is Sonny Landham’s word on that, and wasn’t the most reliable of sources.
  • And Mac.
  • The black guy with the razor.
  • And the two white guys, one of whom is screenwriter Shane Black, and the other I forget exists whenever he’s not on the screen.
  • The writer is in the movie because the producer demanded it, and the producer demanded it because it was the 1980’s and everyone was on cocaine.
  • None of them matter.
  • They are Odysseus’ sailors: they exist to die alongside the hero and up the stakes a bit.
  • Arnold is the hero, and this is Peak Arnold.
  • You get the one-liners, the cigars, the muscles, the fistfight with English, the various glottal sounds he substitutes for words.
  • Arnold doesn’t deliver dialogue so much as force it out of his mouth.
  • Then there is the acting.
  • Arnold’s acting can be summed up as “yelling” and “waiting to yell.”
  • Acting wasn’t his job: Arnold was there to be Arnold, all 650 pounds of veiny, ass-grabbing glory
  • The best movies have the best villains, and Predator  has one of the greatest of all.
  • He is freaky.
  • He is deaky.
  • Predator gonna getcha.
  • And remember: we know bupkiss about Predator.
  • We didn’t need to hear about his stupid planet or his stupid race or meet stupid XXXtreme versions of him, and we certainly didn’t need to see him fight the fucking Alien.
  • Stupid.
  • He was perfect and mysterious and ugly, and Hollywood rooked him immediately.
  • Terminator got to be cool for two movies, and so did the Aliens’ Freddy was scary for at least three movies, and so was Jason; hell, even the Gremlins had two good flicks in ’em.
  • But Predator got turned to shit right away.
  • Poor fella.
  • All he wanted to do was hunt humans and rip out their spines to make art.
  • And all of a sudden he’s in Los Angeles facing off with Danny Glover and Gary fucking Busey.
  • Or staring at Topher Grace’s steely visage.
  • (Not kidding. Topher Grace was in one of the sequels, and he went to fight Predator and Predator was like, “Dude, I kicked Arnold’s ass,” and Topher was like, “I told my agent I couldn’t pull this part off but he said I could,” and then Predator pulls his arms off, but you can tell his heart’s not in it.)
  • Or fighting the stupid Alien.
  • Hollywood made two of those films, and then Trump went on to win the Presidency and those facts are unrelated.
  • Neither monster deserved those films; they were better than the material.
  • One took place in a magic cave in Antartica and tricked Lance Henriksen into showing up, and the other happened in the rain at night.
  • I think there was some bullshit about Colorado, but every single scene is pitch-black and sopping wet.
  • And if you guessed “To hide the shoddy special effects,” then give yourself a prize.
  • Poor Predator.
  • An honest reading of the fight makes it a draw.
  • Technically, you killed Arnold at the end.
  • It would be tough to outrun a nuclear blast over even ground, and this was thick jungle.
  • You put up a great fight.
  • I’m on your side, buddy.
  • Just another Hollywood tragedy.

Pining Among The Palms For Little Aleppo

There used to be trolleys in Los Angeles, like there were in San Francisco or Brooklyn, but they got in the way of the cars (the automobile industry insisted) and so all the tracks were ripped up in the late ’40’s and now everyone drives. Accountants in Chryslers, and crooked accountants in Cadillacs; the suspiciously jobless in Beemers; teevee actors getting sucked off in Volkswagens on Pico; pot-dealing guitarists in jeeps; tennis coaches in Suburus.

And cruising east towards Hollywood on Sunset was a hairdresser and a horror host in a 1961 Lincoln Continental. Triple-black convertible with the roof down.

“Let’s go to the Polo Lounge.”

“We gotta go kill this chick first.”

“Sheel, I’m huuuuuuungry,” Tiresias Richardson said.

“You should’ve gotten food at the Mexican place,” Big-Dicked Sheila answered.

“We already had tacos today. I can’t eat Mexican twice in one day.”

“Why not? Mexicans do.”

“Is the Brown Derby still open?”

“I have no idea. We’re going to whatsherface’s first.”

Tiresias picked up the Halliburton briefcase from in between her and Sheila, set it on her lap, KACHACK the latches. Papers and photos inside. She swirls, lifts up corners, flips over and back, finds the sheet she’s looking for. A4 sizing, off-white, thick and marbled and begging for ink: rich people paper.

“Lynn Danube.”

“Is that her name?

She took a glossy black and white photo from the ‘case, held it up close to Sheila’s face so so she could see it. Blonde in her 20’s. Same nose job as every other blonde in her 20’s in Los Angeles. Dimples, and you could tell from her neck that she did ballet growing up. She looked like the woman Tiresias and Sheila had just left, but a dozen pilot seasons younger.

“This Buttermilk guy’s got a type,” Sheila said.

“Don’t we all?”

“I don’t.”

“Your type is ‘present,’ you slut.”

The sky was coming up on evening and the sun was going down into the Pacific; the parking meters threw skinny shadows down the sidewalk and grotty teens skateboarded like their dicks were on fire. They passed rumbling gas stations, and there were billboards with titties all over them. Liquor stores that, by virtue of celebrity patronage, had taken on a shine and become junctions for ley lines. The women were on the Strip again and dead Rock Stars were everywhere, dead Movie Stars, too, and even dead Teevee Stars, but no one really cared about dead Teevee Stars and so they were fuzzy and indistinct. Youth riots and teen idols and Tower Records and dingbat apartments branching off left and right.

And there was the Rock and Roll dry cleaners. They could get vomit out of leather pants. There was the Rock and Roll supermarket where starlets hissed at the lobsters–they were natural enemies, after all–and Alice Cooper had once vomited into the apple display. They were granny smiths, and he felt awful about it. Rock and Roll diners, too, with guitars and teal (always with the fucking teal) Cadillac asses nailed to the wall.

“I hate those fucking places.”

“’50’s diners?”

“Choose a new decade already, diners,” Sheila said.”We’ve seen what the diner from the 1950’s looks like. How about an 1890’s diner?”

“I think that’s Cracker Barrel.”

“’60’s, then.”

“Ooh, yeah, okay. We could put the waitresses in the cutest little mini-skirts and name all the dishes after groovy hippie stuff. We should do it.”

“What?”

Tiresias snatched her hands into Sheila’s enormous purse, came out with the pack of Camels, lighter, FFT, PHEW she placed that one between her lips, held barely before them so Sheila had to come forward for it, and then she repeated the ritual. The top was down, but it was the top of a Lincoln, which stands for luxury and had demanded of its engineers that passengers be able to light their cigarette lighters with the top down  at up to 70 mph.

“Open a diner. Solid work. Something for when the roles dry up, which is last year. Look at me. I’m 27.”

“Yuh-huh.”

“And I shake my tits in between crappy movies in the middle of the night on a crappy station in a crappy neighborhood. I trained! I trained, dammit. You know what acting is?”

“A craft,” Sheila said flatly.

(This was tantrum #4. Tiresias only had six in her arsenal: #1 was money, 2 was “someone’s sneaking in here in and taking in the Draculette costume,” 3 was “general family,” 4 was the artist bullshit, 5 was “saw a picture of herself,” and #6 was the perennial “friend’s success.”)

“Yes! And it has done me no good. if I had a time machine, I’d go back to when I was a kid, yank me out of that high school play, and get myself addicted to heroin. My time would have been better spent on heroin than on acting.”

“A lot of people do both at the same time.”

Tiresias was not letting any facts into her tantrum, and ignored her.

“That’s what I’ll do. When I fail here…again…we’ll go back home and I’ll learn to do heroin. Do we know any junkies?”

“Like, a dozen.”

“Great. That’s a plan. Quit acting; start shooting up.”

“You’re going straight to the needle?”

“Fuck, yeah. I’ll stick it in my eyeball. I’m hardcore. AAAAHahaha!”

Tiresias’ tantrums were Florida rains: they came on fast and thick, and left no trace in minutes’ time.

A boy on the side of the road sold oranges, maps to the stars, alibis. There was a novel set in that record store, and at least a dozen songs about that hotel. Nothing here was fungible: it was the Sunset Strip, man, and so therefore purposeful and sui the fucking generisest; the post office had intent, not like your suburban shack with the ugly employees. This was the post office on the Sunset Strip. It was cool.

“Think about it this way, sweetie. We’ve been in town six hours and we’re up twenty grand.”

“Yuh-huh, but I’m also thinking about the felonies.”

“What felonies?”

“We conspired to commit murder. Twice.”

“Yeah, but we didn’t do anything.”

“Doesn’t matter. It’s conspiracy. Totally a crime.”

“No, it’s a ‘No blood, no foul’ sort of thing. Sweetie, I’ve dated a bunch of lawyers; I’m sure about this.”

“Well, I played a lawyer, so I overrule you. That’s a legal term. As opposed to ‘No blood, no foul.'”

“Who’d you play?”

“We did an experimental version of Inherit The Wind. I played the Spencer Tracy part.”

“Experimental?”

“We took our clothes off,” Tiresias said.

“If you didn’t have the proper education, you might think experimental theater is all a great big scam for directors to get hot, young actors naked.”

“Thank God I have my degree. But, yeah, we’ve already done enough shit to go jail forever. Plus you have an unregistered firearm in your purse.”

“I have two unregistered firearms in my purse.”

“That’s the sort of thing I’m talking about. We don’t know the cops here. I’m not a world-famous celebrity here, and you’re not a neighborhood institution. We need to maintain a low profile.”

The two beautiful women in the enormous antique convertible rumbled down Sunset.

“Low for us. As low as we can manage,” Tiresias said.

“A neighborhood institution? That makes me sound ancient.”

“I meant your importance. You’re the straw that stirs the drink. And you’re the straw that sniffs the coke. You’re all the straws.”

“You’re so sweet.”

“Yeah.”

They were out of the Strip now, and the dirt wasn’t anything special anymore, just dirt, and the road widened as they headed east and passed only-accessible-by-escalator gyms, and third-place comedy clubs, and pancake places with signs featuring cartoon pigs in cartoon toques cracking eggs into a skillet–there was already bacon in the skillet–and the Zankou Chicken joint, and an optometrist’s shop that was always open but no one ever went in or out of.

“Hang a right across from Guitar Center,” Tiresias said.

“Look at the size of it.”

“Well, it’s the center. It’s not Guitar Distant Outpost.”

“We should start a band.”

“Yes! Yes, we should start a fucking band!”

Sheila pointed the Continental down North Gardener Street and there was no more custom, no more trade, just apartments interlaced with dinky cottages and all the windows had muscular bars on their outside. There was slant parking, so all the Toyotas and Hondas and Fords and Chevys abutted the curb at a 45 degree angle.

“We’re not getting paid on this one, I don’t think,” Tiresias said.

“What was the address again?”

“1200 North Gardner, #6.”

“Number six? Yeah, this bitch is broke.”

The Continental crawled along. Tiresias saw Sheila squinting out her window and trying to make out the house numbers; she reached over and ruffled her short, black hair.

“You’re adorable.”

“What?”

“I love that you try.”

“Be quiet while I’m trying to see.”

“Should I change for this?”

Tiresias was still in her FBI Agent drag, the slim black suit with the slicked-back hair, but she had taken of her heels and had her bare feet up on the dash.

“You look hot as fuck.”

“Oh, thank you. And: yeah, totally.”

“Nah, you’re golden. Just don’t wear the sunglasses.”

“Of course I’m not gonna wear the sunglasses; it’s almost dark. We can’t both be blind.”

“I can see fine!” Sheila yelled, as she rolled through the stop sign.

“Uh-huh.”

Tiresias leaned out her window.

“1209. 1207,” she said, and withdrew into the car and up on her knees on the leather bench seat to poke her head upwards like a prairie dog, and she pointed across the street. “There it is.”

Sheila grabbed her by the arm and yanked her back down.

“What happened to low profile?” she hissed.

“I got excited. Sheel, I’m so hungry.”

U-Turn. Parking spot. Lights off, but not the engine. Automatic roof on a 1961 Lincoln Continental. It went GRRRRRRRRRRRRRR and then stopped halfway; Sheila climbed over the seat, ass waggling skywards, to WHAMP WHAMP WHAMP on the spot Precarious showed her to whamp on when the roof got stuck and it GRRRRRRRRRRR made the rest of its journey. Sheila slid back into the driver’s seat and did not look at Tiresias.

“What happened to low profile?”

Sheila continued not looking at Tiresias and said,

“We’re gonna sit here for a minute. See what’s going on. Maybe it’s a setup.”

“You’re so smart.”

The cocaine, what was left of the stamp-sized baggie, came out of her jacket’s inside pocket and she made a fist, sprinkled a bitty pile on the flat table made by the top of her fist. Tiresias had always thought, If God did not want us to do cocaine, then why would our hands be shaped that way? And, you know, why did He make the cocaine in the first place? SHNARF. The handoff, the pile, FNORF, Sheila licked at her thumb.

They peered.

“What are we looking for?”

“Anything out of the ordinary,” Sheila said.

“We don’t live here. How would we know what was ordinary?”

“I don’t know. What about that guy?”

An old man in a red, white, and blue track suit was walking a terrier.

“Uncle Sam? You think he’s a cop?”

“I don’t know. Go see if he’ll take a bribe.”

Tiresias slapped her hand on the briefcase in between them and opened up her door.

“That’s enough. Let’s go. We’re telling this chick her boyfriend’s wife is trying to have her murdered, show her the evidence, and then we get something to fucking eat. I don’t wanna be a professional assassin anymore. At least not today.”

Sheila shouldered her enormous purse and got out of the car without a word. Tiresias met her on the sidewalk carrying the Halliburton. They checked each other’s teeth and nostrils for debris and walked up the pavement.

They passed a nondescript sedan.

1200 North Gardner was a rectangular building, short side facing the street, two stories, and fronted by a head-high white wall topped with brick that enclosed the front two units’ gardens. The gate was wrought iron and ajar, and the women passed through it. In her heels, Tiresias was exactly a foot taller than Sheila (in her yellow Converse). Gated-in grass on either side, lawn chairs, a barbecue sphere. The wire mesh door was propped open, and behind it was an arched hallway. They could see all the way through it to the one-car semi-enclosed garage behind, and that there were three doors on each wall.

Tiresias went for the intercom, but Sheila grabbed her wrist.

“Who were you going to say you were?”

“Land shark?”

“We’ll knock,” Sheila said. The carpet on the floor was thin, but clean and unscarred. The doors were thick and wooden, and there was a little cage at eye level that protected the peephole, which opened inward like a wee fairy portal. Kept weirdos from reaching in and grabbing your face. The cages were highly susceptible to gas attacks, though, which is why no one in Little Aleppo use them any more. Safety is further compromised when the door has been left ajar, which #6 was.

The women stood at the doorway. Tiresias poked her head out back into the semi-enclosed one-car garage, looked both ways, at Sheila, shrugged.

“Knock knock!”

“Helloooooo?”

Both of them began rapping on the dark-brown door, and it glid open.

“Liz!?”

“Lynn.”

“Lynn!?

The lights were off in the apartment, but it was still softly purple outside and they could see the room: there was a couch from the thrift store and a brand-new teevee. Foreign movie posters framed on the walls. A vision board. Tiresias leaned in, and then Sheila, and then they were standing in the living room. The kitchen was off to the left, and so were the stairs.

“It smells nice in here,” Tiresias said.

“She doesn’t smoke.”

“Nah, she murders old rich guy’s wives and takes their places.”

“Yeah, that’s wrong, but it doesn’t smell up the place.”

“Look how many scripts this bitch has!”

Tiresias strode over to a table piled high with thin screenplays with red covers.

“Is she going in on all of these?”

“Tirry, focus.”

She grabbed the top script and jammed it into Sheila’s purse, who slapped at her hand.

“It’s got her agent’s information on it. I’m calling that motherfucker.”

Sheila spent the first chunk of her life getting her ass kicked. She was different; people are cruel, and she was small. She learned to smell the situation turning, like meat going from cooked to burned. Her neck got hot. She did not know why, precisely, it was her throat but the sudden prickly heat had never been wrong. On occasion, she had not trusted the feeling or downplayed its warning; she had always paid for it. Her neck was on fire.

“Tirry, we need to leave.”

“You needed to not come in at all, ma’am,” came the deep voice from behind them, and then the door with the cage over the peephole SLAMMED shut; the women turned around and there was a man, thick across the shoulders and thin up top, standing there. Gray sport coat, and clean-shaven. Haircut that would walk a little old lady across the street.

The man tossed an object to Sheila, who didn’t see him doing it and so flailed out at it  and batted it into the air, where Tiresias snatched it with her free hand. It was a .22 pistol. She stood with the gun and the briefcase in the middle of the living room and said,

“What the fuck?”

Sheila said,

“Shit.”

The man said,

“Yup.”

“Lynn’s dead upstairs, isn’t she?”

“Oh, yeah,” the man said.

“And you’re framing us for it?”

“Also right.”

“Any other fun facts?”

The man reached inside his sport coat and pulled out a leather wallet, flipped it open. Big shiny badge with a big shiny building on it. Off in the distance were sirens, and they were getting closer, and both women suddenly felt very far away from Little Aleppo, which is a neighborhood in America.

Magic Weapons, Worst To Best

Enthusiasts, I have–

Just say you had nothing to write about and get in with it.

–oh, fine. It’s a list.

It’s a listicle.

Fuck you, man.

8-The One True Ring Bottom rung,. Worst possible Magic Weapon there is. Owning it damns you, using it psychically announces your presence to Satan, and it comes attached to some sort of dickish imp that smells like raw fish. All it does is make you invisible. Harry Potter has a blanket that does that, but it doesn’t corrupt your soul at the same time.

7-The Thing From KrullThis dumb thing:

Did you see that dumb thing? You’d lose a finger while it was still sitting on the kitchen table. Also, it’s called a glaive, and that is the noise that Jerry Lewis makes. You’re wandering around Krullville with a handful of nubs yelling like a nutbar, “Has anyone seen my GLAAAAAAIIIIII-ven? Nice lady.” This is not a good Magic Weapon. Two stumps down. Still: better than the One True Ring in that it doesn’t transform its owner into a swamp-krampus. I cannot overstate how awful the One True Ring is.

6-Captain America’s Shield Made of a mysterious and powerful metal called Vibranium, Cap’s iconic shield is completely indestructible–in the comics, it’s survived point-blank nuclear blasts–and he’s taught himself to ricochet it off trees and walls and other pieces of CG scenery so that the disc always returns to his hand. The only time it doesn’t come back to Cap is when he surrenders to the U.S. government and they take it from him. And, honestly, your Magic Weapon gets points off if the cops can confiscate it.

(In the movies, Cap’s given up his shield to the government once; in the comics, he did it fucking constantly. It was like a nervous tic. Sometimes, he would do it on principle, like after Watergate, and other times there would be a secret plot in the Department of Defense or somewhere to oust the man-of-conscience Steve Rogers and put in a soldier that would follow orders. And of course the replacement would be a drugged-up psychopath who got his superpowers in a favela, and he would get obsessed with Steve, and you can guess the rest. About a year-and-a-half later, things would go back to normal. Happened at least three times during my childhood. Steve Rogers renounced the title of Cap like Jean Grey died.)

5-Bowel Disruptor I’m ashamed of myself for never having recommended Transmetropolitan, Enthusiasts. It’s Hunter S. Thompson in the 24th-and-a-half century, and I’ve personally stolen a shit-ton from it. You can get a used copy for five bucks. Trust me.

4-Lightsaber HOT TAKE INCOMING: Lightsaber is an overrated Magic Weapon. Anyone other than a Jedi attempting to use one would self-decapitate in seconds, and don’t give me any of that The Force Awakens shit. Gimme a good blaster any day.

3-Excalibur This is a Magic fucking Weapon right here. And it’s simply more dignified than the Bowel Disruptor, so it received points for that. Excalibur glows with the power of a thousand suns to blind the enemy! And that’s about it, but it does come with the title of King of England. (Feel free to replay the scene from Holy Grail in your heads.)

2-Mjolnir You thought that was a Magic fucking Weapon? Eat my gooch, Excalibur. Mjolnir can do your little sunshine trick. Glowing is maybe 9,000th on the list of wild shit Mjolnir can do: fly at ludicrous speeds, summon lightning, open doors between dimensions. Mjolnir has facilitated time travel on more than several occasions. You can also hit monsters in the face with it.  But unlike the Power Ring, Mjolnir can only be wielded by the worthy which means Doctor Doom can’t steal it and hold the world hostage.

(When Vision casually yoinks Mjolnir in Age of Ultron–an enjoyable but confusing mess of a movie–it’s treated like a big deal, but scads of comic book characters have hoisted the enchanted hammer made of mystical Uru metal, forged in the heart of a dying star. Captain America, obviously. Storm picked it up once. An alien with a horse’s head named Beta Ray Bill. Even heroes from competing intellectual properties toted the fucker around: both Superman and Wonder Woman had no trouble.)

1-Power Ring The one Green Lantern has. This is our winner because it is as powerful as Mjolnir, but even sleazy people like you and me could use it.

Thank you for attending my TED Talk.

Medic!

OH NO.

“Settle down, loser.”

What happened?

“This? Nothing. You should see the other baby.”

Nephew on the Dead, you tell your uncle what happened.

“I scraped my arm in the park. It’s just a boo.”

I think you mean a boo-boo.

“No, it’s not that bad. Just a boo.”

Ah.

“I think the lady and the guy are overreacting. We didn’t need to come to the doctor.”

You scraped your arm in the park?

“Yeah.”

The park in Brooklyn?

“Yeah.”

You needed to go to the doctor. New York City parks are between fifty and seventy percent pure feces.

“I was fine. My arm was turning a healthy scarlet-red.”

Uh-huh. That means it was infected.

“What’s that?”

Well, you know your skin?

“No. What’s skin?”

Your alabaster coating.

“Oh, skin. Yeah, okay. What about skin?”

It’s amazing. Water-tight, air-tight, and best of all microbe-tight. See, the entire world is covered with filthy little bugs, tinier than we can see with our eyes, and those bugs want to get inside of us and eat us.

“Did you deliberately choose the most terrifying way of explaining germ theory to me?”

Can I take it back?

“Nope. You’ve totally installed a primal fear. Thanks, Uncle.”

It was gonna happen soon, anyway. So, our skin keeps out bacteria and viruses and all the other oogie-boogies, but when you get a cut, they get up in there.

“And then?”

Are you talking about human history up until 1928 or after?

“What’s the difference?”

Penicillin.

“What’s that?”

A fucking miracle, Nephew. Before 1928, you got an infection and you laid down and died. That was it. Your family would then eat you or sell you because everything about the past was terrible. But in ’28, a guy named Fleming left some bread out on a table overnight or something. I am not intimately aware of the details of the discovery. Your uncle was not a good student. But he discovered what we call antibiotics, and they’re just wonderful. You got some today.

“Is that what they kept jabbing me with?”

Yes.

“Huh. Question.”

Shoot.

“The cure for cutting your skin is puncturing it?’

Welcome to Earth, Nephew. Nothing here makes sense.

“I’m getting that.”

Your hair looks great.

“Woke up like this.”

A Guide To The New Academy Awards

As you may have heard, the Academy of Motion Picture Arts, Sciences, and De-Aging Michael Douglas has a problem: no one wants to watch the Oscars, which is understandable. The broadcast is nine hours long, musical numbers featuring interpretive dance are performed, sound editors are allowed to speak, and Jack Nicholson is still sitting up front being a big ol’ rebel. (I mean, wearing sunglasses indoors? Oh, you wild Hollywood outlaws.) The show is essentially the same as it was when Adolph Zukor attended, and no one under 50 gives a shit.

THERFORE, the Academy of Motions, Pictures, and Tangible Judaism has announced changes to this year’s Oscars.

First off: the show shall be constrained to only three hours, even though it only needs to be about an hour. Here, watch:

  • The pretty people are all forced to line up and twirl for us so we can evaluate their outfits and note how old Robert Downey Jr. is starting to look.
  • Monologue. (And holy shit I do not mean Ricky Gervais. That tick can take his teeth and his atheism back to Brexitville and bring James Cordon with him. Maybe they can sing show tunes on the plane.)
  • Diverse and attractive duo of actors–say, Chadwick Boseman and Emma Stone–announce the address of the website listing all the winners who are not in the acting categories or Best Picture because no one cares about anything else.
  • If there’s a good Best Song nomination, then someone can sing the song but it better fucking be Celine Dion.
  • Maybe Bublé.
  • Definitely not Josh Groban or John Legend.
  • And Alicia Keys is not even allowed in the building.
  • In Memoriam, but instead of discouraging applause for individuals, we install a decibelometer and measure which dead fucker gets the biggest reaction; whoever wins, their mourning family gets a new Nissan Altima and a lifetime supply of Rice-A-Roni.
  • Best Supporting Actor/Actress. (The awards are announced simultaneously and the two winners have to fight each other for the microphone.)
  • Someone embarrasses themself.
  • Best Actor/Actress.
  • Best Picture.
  • BOOM: done.

There will also be new awards this year. Among the rookie trophies are:

  • Most Popular Picture.
  • Best Steroid-Filled White Boy Named Chris.
  • Thickest yokka-yokka. (Upon receipt of this prize, the recipient will be required to let the crowd stare at said yokka-yokka while Kevin Hart jumps up and down and shrieks “DAAAAAAAAAAMN that’s thick yokka!” over and over until Twitter hunts him down and kills him.)
  • Best Zazie Beetz.
  • Wokest Male. (Accepting this Oscar is a trick, as the truly woke thing to do would be to defer and give the award to a fluidgender Native American.)
  • Wokest Female. (This is also a trick, as Kevin Hart is going to scream about your ass.)
  • Best Problem Attic Picture. (YES, Kevin Spacey likes to grab teen boy dick, and YES, Johnny Depp punches wives, BUT they are still overseas draws and we live in the real world. It’s show “business,” not show “treating others with respect.” Grow up.)
  • Best Picture of 1991. (Using the Time Sheath, the Academy goes back a few decades and gives Goodfellas the prize that Dances With fucking Wolves got.)

Hosting: Hologram Bob Hope.

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