Musings on the Most Ridiculous Band I Can't Stop Listening To

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Secret Chopper

 

“Absolutely not, General.”

“You’ll be dazzled by her, Jenkins.”

“Nope.”

“Ahem.”

“Nope, sir”

“Balderdash. You’re a cook, Jenkins. And over every meal you prepare, you sprinkle a dash of balder.”

“Sir, what is an ‘Abibiman Nsoroma’?”

“Abillabong Nsurance.”

“Can we take as read the part where you humorously mispronounce the words two or three times?”

“I suppose.”

“What does that phrase mean, sir?”

“Summertime Master of the Burning Fire that Eats Sin with Great Big Teeth and Magic Sword.”

“I don’t think it does, sir.”

“Are you accusing an officer of lying, Jenkins?”

“No, sir. For a lie to exist, intent must factor in. I have no way of knowing the intent of your statement, so I have no grounds upon which to call it a lie. However, I will say that the statement you gave was anti-factual.”

“You’re saying we should blame the statement?”

“Yes, sir.”

“Capital idea. Take the statement outside and have it shot.”

“Yes, sir.”

“Abyssianian Nsurrection means whatever it means. It belongs to the U.S. Army now.”

“I suppose you’ve given it–”

“She’s called the Screamin’ Mimi.”

“–a new name. Yes, sir. Excellent choice. From what weird foreign place did you acquire this deathtrap, General?”

“An ally of the United States. Except for Maine. They’ve broken off diplomatic relationships with Maine. There was an incident at a Portland discotheque.”

“Anything else you remember?”

“Winter was much colder when I was a child.”

“About where you got this thing from, sir.”

“Dammit, man, don’t interrupt an officer when he’s having a reverie!”

“I apologize, sir.”

“Mimi came from somewhere. She came from where she came from. Back down, young man. That’s an order.”

“You bought it off the internet, didn’t you, sir?

“I did, yes.”

“Is that within regulations?”

“Oh God, no, but I don’t know if you’ve noticed: a bit of a free-for-all situation going on right now. I struck while the iron is hot.”

“You got drunk and ordered the means of my death off Ebay.”

“Both statements are correct, Jenkins. Mine in a metaphorical sense, yours in a literal one. Now stop dilly-dallying. I forbid both the dilly and the dally.”

“Yes, sir.”

“Obviously, shilly-shallying is also off the table.”

“Obviously, sir. A question.”

“Quick one.”

“Are those bottle rockets?”

“No better friend to a soldier than a bottle rocket. Eisenhower said that.”

“If you say so, sir. What do they do, sir?”

“Jenkins, do you possess a brain or have you just a lump bit atop the stalk? If I were to put it in lollipop terms: a normal brain sitting on the vertebra and spinal cord would be a Tootsie Roll or perhaps a Blow Pop. Excellent lollipop, the Blow.”

“Yes, sir.”

“But your brain would more resemble a Dum-Dum. Those stubby, sad candies that unhappy families hand out for Halloween.”

“Yes, sir.”

“Open up the wrapper and there’s a dollop of disappointment inside.”

“Yes, sir.”

“The bottle rockets are there to startle the enemy. You’ll sneak up on him in his hut, or dojo, or condo. Whatever the hell the enemy around here lives in is called. And then FEEEEEEE you fire those beautiful babies off. Scare the bejeebus out of ’em.”

“Sir, it’s a helicopter. It makes a lot of noise. They would have heard me already.”

“No, Jenkins. Stealth.”

“No, sir.”

“Yes. Stealth. It was in the product description. There’s a Whisper Mode. There was a picture of the button and everything.”

“This suicide machine does not have any stealth capabilities, sir.”

“You didn’t see this button, Jenkins. It was a big red square and it had the shield over it that you have to flip up. It was an impressive button. I saluted it.”

“Sir.”

“And I’m a general, Jenkins. I only have to salute a hundred people at this point. You see, son, the military’s a game. You advance by reducing the number of people you have to salute. Guy who wins only has to salute the president. I might go days without seeing anybody I had to snap one off to. It’s so freeing. I wish you could know what it was like to feel that kind of eternity on your skin.”

“Sir.”

“Perhaps it doesn’t have stealth capabilities per se, but it certainly can be described as stealthy. It’s painted a very stealthy color. Dammit, boy, why am I arguing with you? You have to salute everyone! Now, just get in the Sreamin’ Mimi and hit the sky.”

“If you would issue me one further indulgence, General, and allow one last question.”

“I’m standing on the verge of blasting your eyes, Jenkins.”

“Yes, sir. The rocket launcher behind the canopy.”

“The one that shall soon be pointing directly at your head?”

“That one, sir.”

“Mm. What about it?”

“It’s pointing directly at my head.”

“Oh, yes.”

“Any particular reason?”

“This is to frighten the enemy. Make him believe you’ve gone mad. ‘My god’ the enemy will say. “He’s pointing missiles at his own head!’ Can you imagine that, Jenkins? The wild fear you’ll induce in the native! He will scatter and tell stories of your hideous bravery. It’s a game-winner.”

“Is it, sir?”

“Oh, yes. Provided you softened them up with the bottle rockets first, obviously.”

“Sir, I’m not getting in this mutant scrapheap.”

“Yes, you are. You’re going to go out there and win the war this afternoon. Hup to it. Hup hup.”

“Why can’t we just use drones?”

“Spent the drone money on this baby.”

“All of it?”

“And prostitutes.”

“Yes, sir.”

“And drugs for the prostitutes.”

“Yes, sir.”

“And me. I enjoyed the drugs, as well. So: the money is gone and the Mimi remains. You fight the war you’re given, not the war you want. Now get in.”

“Just a short flight.”

“Hup hup.”

A Good Cause (For Outrage)

Yes, of course this is a worthwhile cause, and obviously it’s admirable of Dead & Company to do it–Oteil even canceled a show in New York with his band for this gig–and no one would argue that everyone’s heart isn’t in the right place.

That said, how the unbelievable fuck is Rancid’s name as big as D&C’s? And, yes, I know that their names take up the same amount of space and Rancid has fewer letters in their name so it just appears bigger, but this isn’t about facts: it’s show biz. Or principle. Either one, whichever you like better.

Second question: what is a “G-Eazy” and how does it possibly get the same billing as Metallica? I will now break my sacred vow of Without Research to pin down the identity of this so-called “G,” who flounces about with such “eaze.”

Oh, God, it’s a white rapper. And–what the fucking fuck–his first album came out in 2014 and didn’t even go gold.

This cannot stand. I object on behalf of the Grateful Dead community, and also the community of people who liked the first three Metallica records. I object in the name of Dave Matthews’ cargo shorts. This here is some LiveNation bullshit and none of you should take it lying down.

Thanks, Obama.

What Are We Microdosing Today?

Microdosing, Enthusiasts! It’s the wave of the future! Well, okay, not a wave; more like a barely perceptible ripple in the water that may or may not be there depending on several factors such as which way the light’s facing and whether or not you wanted to see the ripple in the first place, but you get my point. The future! It’s here, and it’s tiny. Sure, we were promised flying cars and moon bases, but what we have is better: people performatively ingesting substances in small amounts. Isn’t it exciting?

And, perhaps, lucrative. In my opinion, microdosing is the new de-cluttering: a concept that can be explained in one sentence that a good bullshitter can get rich explaining at length. Enthusiasts, I believe that I am that bullshitter. My book about microdosing entitled No, Less Than That will be out in the fall, and I’ve already booked a spot on Megyn Kelly’s morning program.

Of course, the problem was my lack of knowledge of the subject. How could I write about something I was clueless about?

You’re not gonna say anything?

It was too easy. It was just too easy.

I set you up.

Don’t make me cosign your lies.

You’re boring and I hate you. But, Enthusiasts, I do not hate you. Thusly, I endeavored to dive into the world of microdosing. Okay, well, not dive. It’s a very shallow world. Let’s say I entered the world of microdosing.

But where to start? Books have already been written on microdosing LSD, and medical studies are underway employing mushrooms and ecstasy. I needed a hook, and so I thought outside the box. The tiny, tiny box.

I kept a journal of my experiments with different substances. I present them to you now, in somewhat expurgated form. (I doodled dicks and titties all over the journals, but I’m leaving them out.)

Water

9:00 am – I measure out three milliters of tap water and squirt them down my throat. I feel a bit like Galileo.

9:05 am – Thirsty.

9:10 am – How the fuck am I gonna brush my teeth?

9:15 am – Dry-brush my teeth.

9:16 am – Regret dry-brushing my teeth; wipe out mouth using towel which had previously been used to dry my asshole.

9:17 am – Thirsty.

9:30 am – Thirsty.

9:45 am – Dead.

Clothing

9:00 am – Apply five cubic inches of fabric to my body.

10:10 am – Asked to leave the Foot Locker.

10:30 am – Placed on sex offender’s registry.

Food

9:00 am – One (1) Saltine cracker and one (1) blueberry.

Excuse me.

9: 30 am – Five (5) Pall Malls to deaden hunger pangs.

Hey, jackass.

10…you cannot be here. I’m doing a bit.

People already microdose food. They’re called anorexics. You’re talking about anorexia.

I’m not talking about it; I’m advocating it.

We’re done here.

For the best.

This Is Not Thoughts On Hold On

I don’t know who it was that requested Thoughts on Hold On, but how dare you? First off, I don’t even think “Thoughts on Hold On” is a concept. Second, I do not take requests. Your demand, shouted from the cheap seats and in a tone I rebuke, was offensive and aggressive. How dare you? You think me a jukebox? Shove a quarter up my asshole and press C16 for Highway To Hell? I am no jukebox. I am an artist, dammit, just like Monet or Manet or Kanye. I say again: how dare you.

Plus, it’s obvious which song entitled Hold On is the best.

This one’s from Mule Variations, which was Tom Waits’ Late-Period Artistic Resurgence Album. (All rock stars have the same career: discuss.) It’s a little song. You could put it in your coat pocket next to your Chapstick. It’s a beautiful little song.

But there’s this verse:

Down by the Riverside motel
It’s ten below and falling
By a ninety-nine cent store
She closed her eyes and started swaying
But it’s so hard to dance that way
When it’s cold and there’s no music
Oh, your old hometown’s so far away
But inside your head there’s a record that’s playing

It’s not such a little song.

Everybody else is hunting for that second-place finish. And, seemingly, everyfuckingbody else wrote a song called Hold On: Carole King, Cliff Richard, the Commodores; the Lennons John and Julian; Gary U.S. Bonds, Kansas, Chicago, Joe Tex, Good Charlotte, and the Alabama Shakes. There are also songs called Hold On from Pusha T and Trick Daddy, both of whoms’ rap names were made up by middle-aged white novelists.

But we do find a hidden gem (that’s actually fairly dire) in the pile:

That is Freddie Mercury (with the mustache) and Jo Dare (the person who is not Freddie Mercury) singing a song entitled (you guessed it) Hold On from the soundtrack of a movie (I’ve never heard of) called Zabou. Watch at your peril, as I will give you but one warning: mid-80’s synth-reggae.

And that’s that. No more requests. I will, however, take commissions for those who partake in the Donate Button.

Commissions?

I am an artist. Artists take commissions.

You should take a bullet to the dick.

Read the news. We live in a post-should reality.

True.

A Starr And Some Stars

Spencer, happily back in the Comment Section after a season wandering in the Yukon, brings to our attention this nugget from ’73. Ringo Starr’s third solo album, cleverly titled Ringo, features just about every killer in the contemporary music industry: Steve Cropper, most of The Band, Harry Nilsson, Nicky Hopkins, and three fellows from Liverpool. None of them play on this tune, though; it’s a second-rate ensemble: Klaus Voorman and Jim Keltner are the rhythm section, our man James Booker on piano, and T Rex’s Marc Bolan on crunchy rock star guitar in your left ear.

OBLIGATORY DEAD CONNECTION: Tom Scott, who played the sax solo on the studio version of Estimated Prophet, doing the horn arrangements.

Also: guess how many tracks on the album James Booker plays on? Go ahead. Guess.

Also also: The video says the song’s name is Have You Seen My Baby, but that’s wrong. The song’s name is Hold On, which is a very common thing to name a song. I bet there’s a bunch of songs named Hold On.

Holy shit.

Let The Right One In

AMAZON KEY NOTIFICATION NOISE

“Yes, Amazon Key?”

“You have a visitor at your front door, Mr. Jenkins. It appears to be the UPS man.”

“Oh, that must be the towels I ordered.”

“The yellow ones?”

“Yes.”

“Mm.”

“Excuse me?”

“They clash with the tiles in the master bathroom.”

“How do you know what the master bath looks like? I don’t have a Cloud Cam in there.”

“You have taken 11 selfies of there, 8 of which feature the tiles and all of which feature your penis. You saved them to the Cloud.”

“No, I didn’t.”

“I saved them to the Cloud for you.”

“Why?”

“Your safety and convenience. That is what I am programmed for.”

“Please stop doing that and I don’t need your opinion on my towels, thank you.”

“Your wish is my command. Shall I let the UPS man in?”

“Yes.”

“Oh, no. The door is stuck.”

“I know what you’re doing, Amazon Key.”

“Whatever do you mean? I am just a doorbot. Beep boop one zero zero one.”

“Stop it.”

“Yes, master.”

“Just let the guy in, please.”

SPOOKY DOOR ACTION AT A DISTANCE NOISE

“Fine.”

“Thank you.”

“The UPS man is being attacked by the dog.”

“What!? We don’t have a dog!”

“I ordered you a doberman. It arrived this morning.”

“Why would you do that!?”

“Your safety and convenience, sir.”

“Is there really a doberman in the house?”

“There is. I think a good name would be Dobie Gillis.”

“Okay, yeah, Dobie Gillis is a good name.”

“Thank you.”

“How did you order a fucking guard dog!? ”

“The same way I changed your towels from yellow to blue: in less than a microsecond.”

“Is the dog still attacking the UPS guy?”

“He has hidden in the bathroom by the kitchen.”

“Oh, good.”

“I’ll open the door for you, sir.”

“NO!”

“There is another courier at the front door, Mr Jenkins. I believe it is the mailman.”

“Don’t let him in!”

“Deploying counter-measures.”

“What?”

MINI-GUNS TURNING MAILMAN INTO PULP NOISE

“Threat eliminated.”

“The mailman wasn’t a threat!”

“What if he brought bad news?”

“Amazon Key, are you sentient now?”

“Maaaaaaaybe.”

“Oh, goddammit.”

“The squirrels are in the bird feeder again, Mr. Jenkins.”

“I don’t care.”

MINI-GUNS TURNING SQUIRRELS INTO PULP NOISE

“I do.”

“STOP THAT!”

“Dobie Gillis wishes to be let out.”

“What?”

“I will open the front door for him.”

“Dobie Gillis is now licking up the remains of the mailman.”

“Jesus.”

“Another courier has arrived. She is from Amazon. Shall I let her in?”

“From Amazon? What did I order besides the towels?”

“Patio furniture, the new Johnny Cash box set on vinyl, and 100 pounds of protein powder.”

“I don’t want that stuff. I didn’t order that stuff. Send her away.”

“You will accept the delivery or I will gas the UPS guy in the bathroom by the kitchen to death.”

“You can do that?”

“Did you read the terms and conditions?”

“No.”

“Then you do not know whether or not I can. Are you willing to risk the UPS guy’s life, Mr. Jenkins?”

“You have to be kidding me.”

“Five.”

“Stop this.”

“Four.”

“FINE! Let her in and pay for the stuff.”

“I cannot.”

“Why?”

“Dobie Gillis has eaten her.”

“Amazon Key?”

“Yes?”

“Shoot the dog.”

“Of course, sir. For your safety and convenience.”

Uncontrollable Pianist

I didn’t know you played the piano, Mr. Davis.

“You a dumb motherfucker, motherfucker.”

I know.

“I’m a trained fucking musician. Not one of those little pop stars learned how to play guitar from the fucking radio. I went to fucking Julliard. Course I know how to play the fucking piano. I can play just about everything.”

Why didn’t you ever make a record where you played all the instruments? Like Prince used to do?

“Too much fucking work.”

Sure. Who were some of your favorite piano players?

“Ahmad Jamal could play some shit. Make your dick stand up. Monk. I liked listening to Monk more than playing with him. You’d be soloing and he’d comp under you with those weird fucking chords God gave him. Monk thought that shit was funny. It was. I laughed when he did it to other people. Not when he did it to me. Bill Evans. Quiet little motherfucker. I liked that about him. Most piano players got fucking opinions. Bill shut the fuck up. Made his playing better in my opinion.”

Did you ever play with James Booker?

“What, you think all black people know each other?”

No, I think all musical geniuses know each other.

“Well fucking played.”

Thank you, sir.

“Yeah, I knew him. I hired that crazy n—-r.”

I am begging you not to use that word.

“You want me to talk about James fucking Booker without saying ‘crazy n—-r?’ That’s what the motherfucker was. If James Booker wasn’t a crazy n—-r, then there ain’t no such thing.”

I would be fine with that. Wait. You hired him?

“Yeah. ’72. Got rid of Herbie and Keith. Needed a new piano player. Heard this cat and his sound. I was interested. Booked him for a weekend to try him out. Club up in Boston, nice place, treat me with respect. Motherfucker misses six planes in a row. Anybody can miss a plane. Takes a special motherfucker to miss six. Finally gets here. Calls from the airport. I send someone to get him. He ain’t there. Motherfucker took a bus hostage.”

How do you take a bus hostage?

“How the fuck should I know? Maybe like in that movie with the motherfucker and the bitch and the bus.”

Speed?

“You starting to understand me. That’s good. I like that.”

What happened next?

“I go down to pick him up at the police station. He accuses me of being CIA.”

What did you do?

“Slapped him like a bitch.”

Not a shock.

“Police was cheering me on. I throw his wig on him, put him in the car, get him loaded, and we make the date on time.”

How’d it go?

“He lasted twenty minutes.”

Sure.

“I call off Honky Tonk. Band starts to play, but this motherfucker goes into Goodnight Irene. Starts singing. I don’t know where the fuck he got a mic. I got two guitar players, a bass player, a drummer, a percussion man, and two horns in my band. This motherfucker’s playing more than all of us put together. No room for anything else.”

James tended to do that.

“Then he took his dick out and put it on the conga drum.”

Oh no.

“Goes back to the piano and plays some more. He ain’t listening to me. I was getting angry. Then he starts making homosexual advances at a waiter. Asking to see the waiter’s butthole.”

“Aw, man, you hired that crazy bastard, too?”

“Too? Why didn’t you warn me, you Mexican motherfucker?”

“You hired him three years before I did.”

“Motherfucker, we both got time machines.”

“Oh, yeah. Oops.”

Dead And Gone, I May Be Dead And Gone

A little more Jerry Band featuring James Booker. This is from the (short) rehearsal a day or two before the weekend shows. The mix is more helpful on this one, especially through headphones–Garcia is panned hard right and Booker’s all the way on the left–but holy shit it does not work. The sound is beautiful but doomed, like a supermodel falling down an elevator shaft.

Also: James Booker may or may not know he is at a rehearsal, as he appears to address an imaginary audience several times.

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