Musings on the Most Ridiculous Band I Can't Stop Listening To

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Fever And Flirtations In Little Aleppo

There was a concert going on Back East and the Bake had settled over Little Aleppo, and it felt like the Main Drag was on fire. All the brightly-colored teenagers and blue-jeaned drug dealers and halter-topped socialites had left for the New York State mud–the teens had hitchhiked, and the dealers had driven, and the socialites had flown–and the neighborhood was half-empty like a whisper. KSOS and KHAY ran public service announcements reminding everyone that alcohol didn’t actually make you cooler; Little Aleppians countered by saying that they knew that, but alcohol did make the heat bearable. Even the ghosts were sweating, and the giant bronze hand in the Verdance was sizzling and dared anyone to touch it. Americans had walked on the moon, and were losing the war in Vietnam. It was 1969.

Tomorrow was the rain, though. It rained every 18 days in Little Aleppo, and it was Day 17 in the cycle; tomorrow would bring coolness and relief. Dogs could smell the coming weather, and so could humans with bad knees.

But that was tomorrow: now it was four o’clock and as hot as it would get. Local wags were cooking eggs on the sidewalk, and local hungry people were knocking over wags to steal their eggs. As Seen On Teevee Takata was hawking his latest gadget, Chilly Pants, which were unisex underwear with a pouch for an ice pack in the crotch. He did brisk business. (The ice would melt rapidly, leaving you just as hot as before but now you had wet genitals.) Beer Cooler Ethel had to restock a dozen times, and the cops had very little to do because everyone was too hot to commit crime. The LAFD played whack-a-mole with fire hydrants: folks would open them up, and they’d close them down, and then one would start spraying two blocks over, and on and on. The firemen started openly decking grown-ups and slapping children after a while, but locals deemed their actions understandable.

The bell to the bookstore with no title goes TINKadink when it opens, but Mr. Venable was not in his customary spot and he was not wearing his customary suit. He had dragged his desk by the bay window and directly under the creaky window-unit air conditioner.

He had a book open in his lap.

To Kill A Mockingbird.

“Truman Capote’s finest work.”

“Didn’t you read that in high school?”

Mr. Venable slid his glasses down the length of his twice-broken nose and looked up.

“Penny. Penny Something-Or-Other. Stacia tackled you, and I saved you. Have you come to thank me? I should be your hero.”

“I was going to thank you, but now I don’t want to. Arrabbiata.”

“It’s too hot for Italian food.”

“My name.”

“Ah.”

“Are you always like this?”

“Like what?”

“Argumentative for no reason.”

“No, not always. Just when I speak. Good God, are you barefoot, woman?”

She was. Penny Arrabbiata’s jeans were rolled up to just below her knee and her still-being-broken-in combat boots were in the red backpack slung over her shoulder. On her first night at work at Harper Observatory high atop Pulaski Peak, she had worn a pair of respectable pumps, only to be informed about the metric shit-ton of rattlesnakes and sidewinders on the mountain. She woke up early the next day–two in the afternoon is early for an astronomer–and drove her Beetle into C—–a City to the Army/Navy store for a pair of boots.

But it was too hot for boots and the thick socks she had to wear because the boots were not-quite-broken-in, so she put them in her backpack, rolled up her jeans, and walked around like the kids on campus. No one looked twice, which was something Penny was noticing about Little Aleppo. What she’d really like is a skirt–get a nice little breeze going on her asshole–but scientists wore pants and she had to be at the Observatory soon.

“It’s too hot for shoes.”

“By that thinking, it should be too hot for trousers. Take them off! Let’s all run about with our bits a-dangling because of a little spike in the temperature. What are you doing?”

Penny was intercepting the chill. She had walked over to where Mr. Venable had moved his desk, and was standing in between him and the air conditioner. Her blue checked shirt was unbuttoned, and she did not have a bra under her white ribbed tank top. She leaned over and peeled the tank away from her sticky chest and let the icy air slide down over her tits and stomach.

“Stealing your air conditioning.”

“I give you no permission to do such.”

“Duh. That’s why I said ‘stealing.’ If you were okay with it, I’d say ‘taking.’ Keep up.”

“Is this your way of thanking me for my heroics? Barefootery and theft?”

“I would not classify your actions as heroic.”

Mr. Venable was outraged by this statement.

“I’m outraged by that statement.”

“You seem outraged by almost every statement.”

“I pulled Stacia off of you. Stacia. Stacia.”

“This is a wonderful argument you’ve developed. Were you on the debate team?”

The air conditioner hummed.

“Stacia!”

“You’ve mentioned.”

“That women has fought taverns before. She broke into the zoo to wrestle Edgar.”

“Who’s Edgar?”

“A bear.”

“A big bear?”

“A bear-sized bear. Edgar is perfectly bear-sized.”

“Who won?”

“It was a draw.”

“Good showing for Stacia.”

“Right?”

“Bit embarrassing for Edgar.”

“He sulked for a month.”

“How can you tell when a bear is sulking?”

“Bears sulk the same as people: get drunk, take their high school yearbooks down, that sort of thing.”

Penny Arrabbiata rolled her eyes and walked over to the Non-Non-Fiction table in the middle of room. She began holding up books.

The Godfather.

“Italian Crap,” Mr. Venable said.

Portnoy’s Complaint.

“Jewish crap.”

Naked Came The Stranger.

“Smut.”

There was a stack of Don Quixote, and she picked up a thick copy.

“That one’s not bad. Ever read it?”

“Yes,” Penny said. “Crazy man and his pet peasant wander around Andalusia causing trouble.”

“Reductive. Reductive and dubious.”

“Did you ever tell me your first name?”

Quixote is the perfect book. Nothing in this entire shop sums up life like Quixote.”

“It’s about a lunatic and there’s no story!”

“I rest my case.”

Penny took a good look at Mr. Venable: he was not in his customary spot, but he was in his customary seat–a faded green leather chair–and she could not tell if he was tall or short, but his brown hair was messy and uncombed. Fingers like a pianist; ink stain (blue) on the knife-edge of his left palm. He was not wearing one of his customary suits because she had not bought them for him yet. Feet up on the desk, crossed.

She had seen worse.

“I actually did come in to thank you,” Penny said.

“Hah!”

“Really?

“I’m right so occasionally; I celebrate when it happens.”

“And I’m going to buy you dinner.”

And Mr. Venable wanted her to leave. Or to disappear. Either one would be fine, anything to stop the heart in his chest that just started hammering like an idiot, that was charging up hills with a lance, that was facing the invasion all by itself–WHAMPOM WHAMPOM–he could taste it, taste his heart right in his throat, and he swallowed it back down–twice for good measure–and checked in with his face: had he given himself away? Impassivity was the key when it came to the face, Mr. Venable figured. Anything else was just a shitty way to play poker.

So he hoped his face was still in the hand and said,

“What now?”

“Dinner. Least I could do.”

“No. The least you could do would be nothing.”

“Just to get it straight: you’re always like this?”

“Be forewarned.”

“Gotcha. Still: dinner. Are there any good restaurants in the neighborhood?”

“There’s the sushi place.”

“What’s it called?”

“O’Malley’s.”

“Pass.”

“The fondue place burned down.”

“Sounds right.”

“I suppose there’s always Nero’s.”

“What kind of place is that?”

“Steaks. Seafood. Weighty cutlery. The tablecloths are made of actual cloth. Several Town Fathers have had heart attacks there while dining with their mistresses.”

“Sounds swanky.”

“They wrap your leftovers up in tin foil made to look like a swan.”

“Wow.”

“The rawest of elegance.”

Penny Arrabbiata held up the copy of Don Quixote she’d been riffling the pages of and said,

“Done. And I’m buying this.”

“I thought you were buying dinner.”

“I am.”

“Book’s free.”

Penny smiled–she had a toothy smile–and put the crazy man and his pet peasant in her red backpack next to her not-yet-broken-in combat boots.

“Tomorrow night. Seven o’clock.”

“It’s going to be raining.”

“Maybe.”

“No. Definitely. It’s going to be raining.”

“And I’m going to be at Nero’s at seven. It’s my only night off for a week, so that’s all there is to it.”

“All right, then.”

And Penny Arrabbiata, who was barefoot, walked out of the bookstore with no title onto the Main Drag. The bell on the door went TINKadink, and before it had stopped dinking, a tortoiseshell cat leapt silently onto Mr. Venable’s desk. She settled in front of Mr. Venable and demanded scritchy-scratches.

He did so.

“Plep.”

“I have a date.”

“Mlaaaargh.”

“You’re right. We should flee the country.”

“Plep.”

“Or commit suicide. Either seems appropriate.”

The rickety air conditioner shot an unnatural breeze at the two of them. Outside, there was swelter and sweat. Men removed their shirts and women went commando under flowing skirts and dresses, and everyone was drunk from the heat and also the beer. Twelve hours from now, there would be rain; now there was just the Bake in Little Aleppo, which is a neighborhood in America.

And Now Just The Men

Virgil sang of arms and the man, but some people just sing about men (some of whom are armed).

That sentence could qualify as a war crime.

There’s a classical allusion and parentheses. How can a sentence with a classical allusion and parentheses not be outstanding?

I dunno, but you figured it out.

Quiet or I bring back Sleepy Batman. We come now, Enthusiasts, to a short, completely biased, and totally inconsequential list of the Greatest Songs With Men’s Names In The Title. I begin by informing you that I will be ignoring all of your suggestions and choosing my own songs, some of which will be selected just to annoy you.

Why are you like this?

It’s tough love.

No, it’s just being rude.

We’ll start off with the winner. None of this building-up-to-number-one bullshit: I’ll tell you what the Best EVAR blah blah is, and then the runners-up. Feel free to ripcord out after this.

Enthusiasts, it wasn’t even fucking close. If this contest were a prize-fight, they would’ve called it in the first; if it were a presidential election, it would’ve been Reagan/Mondale. Not only is Roland the Headless Thompson Gunner the best song with a man’s name in the title, it’s also the best song…

  • …about mercenaries.
  • …about vengeful ghosts.
  • …that mention Mombasa.

Plus it’s got one of Warren’s perfectly ambiguous ending lines, second best only to The French Inhaler’s “She said ‘So long, Norman.'”

Real Zevonophiles will wonder why Boom Boom Mancini isn’t included in the list, but they shouldn’t because here it is:

Now, there have been a shitload of songs about boxers and some of them have been brilliant, so this isn’t the best song ever written about boxers in general. It is, however, the best song about Boom Boom Mancini. (Unless Tigra and Bunny’s We Like The Cars That Go Boom is secretly about Boom Boom Mancini. That shit’s my jam.)

And now we come to Billy, Don’t Be A Hero.

NO, WE FUCKING WELL DO NOT.

You’re adamant.

I’ll burn the house down while we sleep.

Wow.

Watching you, asshole.

How about Tom Sawyer?

Fuck, yeah. That jam’s my shit.

There might not be a better song about libertarian-flavored rugged individualism.

Also: Geddy Lee’s giant grandma sunglasses.

Okay, I lied: this one’s from the Comment Section. Andy Griffith and the Darlings (who were a real bluegrass band named The Dillards) on the old Andy Griffith Show. The reason there was a song break on the program is because they made 249 in eight years, which is over 30 a season. There’s only so many Otis the Drunk jokes you can write.

What’s with all this hillbilly music? This is some white bullshit.”

I know that voice.

“Voice of a genius, you cracker motherfucker.”

Miles?

BANG!

MISTER DAVIS! Mister Davis! Stop shooting guns to make your point.

“Wouldn’t have to if you weren’t so dumb.”

I was getting to you.

BANG!

“Miles Davis don’t get gotten to, motherfucker.”

Sorry! Sorry, wow. You’re very mean.

“Shut up.”

Okay.

“Play my music.”

Okay.

This was recorded 4/10/70 at Fillmore West; guess who else was on the bill. Phil writes about feeling intimidated about going on after Miles, which is understandable. I’m impressed they stayed at all: I would have gone home.

“Where are you going?”

“What are we gonna do after that bullshit? Choogle? Are we gonna choogle? Nah, fuck that. I’m going to grad school.”

If he was from Venus, would he feed us with a spoon?
If he was from Mars, wouldn’t that be cool?
Standing right on campus, would he stamp us in a file?
Hangin’ down in Memphis all the while.

Children by the million sing for Alex Chilton when he comes ’round
They sing “I’m in love. What’s that song? I’m in love with that song.”

Cerebral rape and pillage in a village of his choice.
Invisible man who can sing in a visible voice.
Feeling like a hundred bucks, exchanging good lucks face to face.
Checkin’ his stash by the trash at St. Mark’s place.

Children by the million sing for Alex Chilton when he comes ’round
They sing “I’m in love. What’s that song? I’m in love with that song.”

I never travel far,
Without a little Big Star

Runnin’ ’round the house, Mickey Mouse and the Tarot cards.
Falling asleep with a flop pop video on.
If he was from Venus, would he meet us on the moon?
If he died in Memphis, then that’d be cool, babe.

Children by the million sing for Alex Chilton when he comes ’round
They sing “I’m in love. What’s that song? I’m in love with that song.”

“I’m in love. What’s that song? I’m in love with that song.”

And that’s all that needs to be said about Alex Chilton by The Replacements. (Except for noting the irony in writing a song praising a songwriter that’s better than anything the titular songwriter ever wrote.)

Lemme ask you something, though.

Come closer.

It’s important.

Is there gas in the car?

Yes, there’s gas in the car.

(I always pretend that the line “Your low-rent friends are dead” is really “Your low-rent friends are Dead.” Anyone else?)

And that’s that.

Why can’t you write like a normal person?

Normal people don’t write.

Yeah, okay.

Another Late Night Call From The Mooch

CELL PHONE NOISE

“Wha? Yeah?”

SHA NA NA INTRO MUSIC NOISE

“Haberman, you minx.”

“Shit.”

“You up? I could come over there.”

“No, thank you.”

“Give you the Mooch Smooch.”

“Absolutely not.”

“The Mooch eats ass. Just so you know what’s on the menu.”

“Mr. Scaramucci–”

“Mooch!”

“–it’s three o’clock in the morning.”

“Fuck that shit. It’s cocaine o’clock. Listen, you got a sec? I wanna talk some shit about this Kelly prick.”

“Go right ahead.”

“Right off the bat: I’m gonna stick my cock in him. First metaphorically, and then literally. I’m gonna add insult to injury. Hold him down on the Resolute Desk and I’m gonna shoot my greasy load on his medals. Mister big-shot general. President Trump’s impressed by generals, but I ran a hedge fund. I could’ve been a general. Running a hedge fund is just like being a general.”

“It’s not at all.”

“I fucked Kellyanne Conway last night.”

“Really?”

“Map room. I gave it to Conway this way; I gave it to Conway that way; I gave it to Conway with a wiffleball bat.”

“Really?”

“Nah, I’m fuckin’ with ya. I fucked her, but not with the wiffleball bat. I was quoting the Beasties. You like the Beasties? You go to concerts? We should go to a show.”

“Get back to Kellyanne Conway.”

“Haberman, I gotta tell ya: my dick did not know that woman had four kids.”

“Jesus.”

“Like a glove. Not even a winter glove: a surgical glove. I think she’s doing Kegel’s exercises when she goes on CNN or something. Oofah, I could barely get in there. Used President Trump’s bronzer for lube.”

“Are you sure you want to be telling me this?”

“Here’s the plan for Mooch: I’m gonna snake Titty-face away from Kush.”

“Good plan.”

“Gonna make Trump my daddy.”

“You already kinda have.”

“But it’s not official. I must put a male child in Blondey.”

“Didn’t you just have a child two days ago?”

“Yeah, I sent a text.”

“I heard.”

“Haberman, you’re not seeing this from my perspective. That baby can’t do anything for me. This one I’m gonna stick in President Trump’s daughter can.”

“Wow.”

“Seriously, though, hot nips. Whatchoo doing right now?”

“Hanging up and going to sleep.”

“C’mon, give the Mooch some cooch.”

“Holy shit, no.”

“Fine. Just talk me off.”

DIAL TONE NOISE EVEN THOUGH PHONES DO NOT DO THAT ANY MORE

Things Less Russian Than Wikileaks

  • Bear on unicycle.
  • Big furry hats.
  • That dance where you cross your arms and crouch down and kick your legs out. (Current international tensions aside, I gotta give this one to the Russians: their national dance is better than ours. Because the American national dance is either line dancing or the Electric Slide.)
  • The Emancipation of the Serfs by Alexander II, 1861.
  • Thousand-page novels about misery and winter.
  • Misery.
  • Winter.
  • A dashcam video of a drunken man in a tracksuit firing an uzi while surfing like Teen Wolf atop a stolen school bus.
  • Brutally exterminating kulaks.
  • Debating Nixon in a kitchen.
  • Debating a bear in a kitchen.
  • Being uninvadable.

Going South On The Mountain

Hey, Sam Cutler. Whatcha doing?

“Addressin’ the multitudes, aren’t I?”

Is this Altamont?

“Is there a foot-high stage with a concussed teen not receiving medical attention in front of it?”

Yes.

“Well, then, it would be Altamont, sunshine.”

Not a great moment.

“Dramatic, though, wunnit?”

It’s virtually a cottage industry at this point.

“There are many misconceptions about Altamont. No one knows the true story.”

Let’s hear it.

“It wasn’t my fault.”

It was a little bit your fault.

“Minuscule, me son. I was a cog in a mighty machine within a massive factory, I was. There were the Stones and the Dead and that gasbag lawyer. What people don’t remember is that all of San Francisco, all them flower power kiddies, they were screaming at the Stones. ‘Why don’t you play free? How dare you charge for tickets?’ All that Woodstock nonsense when the Stones are broke and paying a 95% tax rate back ‘ome.”

Plus they did a free show in Hyde Park at the beginning of the summer.

“A man ‘oo knows ‘is ‘istory. Too true. All the British boys and girls came to the park and sat and behaved themselves. You lot? More than ten of you in a field and there’s a riot.”

That’s not true. The Hells Angels were beating on everyone in sight. Then, when it got dark, they started beating on people they couldn’t see.

“It wasn’t my fault.”

You’ve asserted that.

“The Dead said that the Angels were cool. And–it must be noted well–half of this equipment and the crew is from the Dead. If Altamont is to be blamed on anyone, it should be on the Grateful Dead. I’ll never forgive them.”

You went to work them almost immediately after Altamont.

“Business is business, lad. Besides, they wrote a song about it. That’s good enough.”

You know the Stones are gonna ditch you, penniless, in San Francisco the day after this photo is taken, right?

“I do, I do. I seem to be experiencing my entire life at once.”

Are you familiar with the concept of semi-fictionality?

“I am, I am.”

You’re the first person who’s ever answered “yes” to that.

“I’m Sam fucking Cutler, me son.”

True.

An Ending No One Including Me Saw Coming

Where were you last night?

Excuse me?

There were no posts.

So? I take time away.

You don’t. You have no life.

I do. If you have to know, I had a date.

No. You have a better chance of getting that dog-sized elephant you want than getting a date.

Nope. Date.

You are aware that I’m you, right? I’m not a separate character like Elvis or Red Metal Stool.

Or Sleepy Batman.

KNOCK IT THE FUCK OFF WITH SLEEPY BATMAN!

He’s a fan favorite.

I’m ignoring you. You didn’t have a date.

No.

Why do you lie?

It’s fun.

Tell the nice people what you did.

Nothing. Literally nothing. I stole the Phish show, read The Sun & The Moon & The Rolling Stones by Rich Cohen, and went to bed at 11:30.

11:30 PM?

Yeah.

That’s, like, seven hours before your normal bedtime. How do you even do that?

Don’t worry about it. But now I’m good. Back on a normal schedule.

And by “normal schedule,” you mean “fucking around until three in the morning and then–just as you hit a good stride with the sentences and whatnot–the sun coming up and you recoiling like a dracula?”

Yes.

Gotcha. So why are you procrastinating by talking to me?

I thought you were me.

We’re a biune god. Answer me, damn you.

Well, I was nervous that I couldn’t write anymore. Hadn’t done it in, like, 38 hours. Maybe I pissed or shit out my genius.

Not a thing.

It totally is. Francis Ford Coppola did it in ’81. Huge meal of rotelli and bocceballica and scaramucci–

Not actual foods.

–and the next morning: boom. Shit out every last good decision in him.

Do you have a point, or are you just wasting the nice people’s time peering around inside your own ass?

Third option! Picture of Oteil and Amir!

Really?

What?

You think people won’t know that you’ve been staring at that picture for a week trying to figure out one of your little skitches for it and couldn’t come up with anything, so you’re just dumping it here in the middle of a bunch of time-wasting bullshit?

Why are you a fucking snitch?

You’re see-through. You’re a living wet tee-shirt, and your soul is the nipples. Everyone can tell what you are.

I’m gonna kill you and make it look like a suicide.

OF COURSE IT WOULD LOOK LIKE A SUICIDE, YOU FUCKWIT! I’M YOU.

DON’T TELL ME WHO I AM!

“Guys! HeyYAAAAAWWWNguys. Could you keep it down?

That better not be who I think it is.

Goddammit.

Hey, Sleepy Batman.

“Sup, bro. Can you keep it to a dull roar?”

Sorry, man.

I hate everything about this.

Reading Back To Front In Little Aleppo

Churches are just buildings, and temples, too. Synagogues are structures just like the sock rental place on the Main Drag, but people have more invested in them. Like sweat equity, but for faith. You took your children there when they were born, and you brought your parents there when they died. You were bored there as a teenager and swore you’d never come back, and then you found yourself there one afternoon with a pint of banana schnapps and a gun and a half-written note. Could be there was a meeting in the basement you liked to attend. Consecration means “to imbue with holiness;” there are special prayers and a ceremony to be said before the church opens, but that is not the end of the dedication: the building is re-consecrated with every prayer, and every tear, and every marriage, and every youth group mixer.

But they’re just buildings, and they’ll burn like any other.

Earnest Hubbs and Kischka lived in Torah, Torah, Torah, the synagogue on Rose Street. He was the handyman, and she was the cat. Earnest had a small bedroom with a smaller bathroom attached in the basement. He was paid in cash at the end of every day, and he would walk down to the Hotel Synod and then walk back to his small bedroom in the basement. Earnest’s hands were rough, but his face was unlined and you could not tell how old he was.

It was 3:58 a.m. when Kischka started screaming, and then clawed Earnest on his bare, snoring chest. The smoke burned his throat and he leapt out of bed and ran out of his small bedroom in only his light-blue boxer shorts with Kischka under his arm. Then he ran back into the small bedroom and grabbed the shaving kit he kept his money, stash, and works in. It was hot in the stairwell, and Earnest Hubbs believed that he was going to die. He remembered the lessons taught to him in childhood about fire, and when he got to the door that led to the shul, he placed his palm on the wood: it was warm, but not hot, and so he barely poked the doorknob with one finger, and then quickly pressed two fingers, and then he grabbed and turned the sucker which was not hot and opened the door.

The walls had caught. Pews, too, but not evenly. There were patches unburnt, but the maroon carpet was smoldering and throwing off tendrils that were not steam but looked like it. Earnest Hubbs was not a Jew, but he had worked for the synagogue for a decade and he was a reader without much money for books, so he had been through all of Rabbi Levy’s library and half-taught himself Hebrew, and he had sat in for services most every week, mostly to hear Cantor Manevich sing. Funny thing about music, Earnest Hubbs thought: it translates itself sometimes. The cantor had no microphone and the room was large with a high ceiling, but she filled it with her joyous alto and Earnest would close his eyes and smell the desert and the diaspora.

And he liked Jewish food. Whatever the opposite of an antisemite was, Earnest was that. He gave some thought to converting–he was a Baptist–but the Rabbi told him that circumcision was a non-negotiable requirement, and that was the end of the thought. He would remain a fan rather than join the team.

“This is the gartel,” Rabbi Levy said as he untied the simple bow knot in the velvet sash.

Gartel. That’s Hebrew?”

“Yiddish.”

“You told me Yiddish was a modern language.”

“It is. I mean, it’s an almost-dead modern language, but modern enough. Way younger than Hebrew, put it that way. But all this stuff?”

The rabbi had put on his jacket and tie, and Earnest was wearing a tie, as well. The rabbi was a casual man, but he believed the Torah had a dress code and so when he took it out of the covered space behind the bema called the ark, he put on his tie and jacket.

“The mishegos on the Torah? That’s modern, too. Well, you know: past thousand years. Modern for the Jews.”

“Y’all operate on, like, geologic timescales.”

“Heh. Yeah. Lot of history. Luckily, most of it wasn’t written down.”

There was a purple cover folded over the scroll. It was velvet like the sash, and embroidered with gold and solver thread. Two vertical columns of five Hebrew letters; this represented the Commandments. Two lions sat facing each other atop the columns; they represented the cherubim who defended the Ark of the Covenant.

“Cherubim were the warrior angels, right?”

“The cherubim fought for God so the seraphim could worship God. Don’t get me started on powers and principalities; we’ll be here all afternoon. This is the yad.”

There was length of sterling silver hanging on a chain from the scroll’s left handle. It was as long as a pencil, but twice as thick and there were Hebrew letters engraved in the handle and at the other end was a tiny carving of a human hand with its index finger extended. Rabbi Levy handed it to Earnest.

Yad means pointer.”

“I can dig it.”

“The Torah’s not for skimming. There are 79,847 words. 304,805 letters. Each one is the most important. Torah is not a sprint. It’s not a marathon, either. It’s not a race at all. You read letter by letter, word by word. Best way to do that is to read with your finger as well as your eyes. But you can’t put your hands on the Torah.”

“You don’t tug on Superman’s cape.”

“And spitting into the wind is advised against. This is the hoshen,” the rabbi said as he removed a breastplate that hung on a chain just like the yad, but from both handles. Ornate, with more Hebrew letters.

“Same letters from the cover,” Earnest said.

“Excellent. Ten Commandments again. Moses coming down the mountain. Like, the Jews’ primal scene. We can’t get over it. And now the crown.”

There was a bulging silver topping covering both of the upper scroll handles, curlicues and filigree and with a high shine. The rabbi took it off with both hands and exposed the dark walnut grips to the rollers.

“The Torah is written on parchment called gevil. The gevil is attached to the rollers, which are called atzei.”

Rabbi Levy flipped the purple velvet cover back, and then he took off his yarmulke, kissed it, pressed it to the parchment, replaced it on his salt-and-pepper head, and called out to the empty shul,

“Bar’chu et Adonai ham’vo-rach!”

And no one was there, so they could not respond,

“Baruch Adonai ham’vo-rach l’o-lam va-ed
Baruch Atah Adonai, Eloheinu Melech
ha-o-lam, a-sher ba-char banu mi-kol
ha’a-mim, v’na-tan lanu et Torah-to.
Baruch Atah Adonai, no-tein ha-Torah.”

So the rabbi said their lines for them, and Earnest Hubbs prayed along with him, though he did not know what for.

Rabbi Levy unrolled the Torah, and there it was: off-white the color of an old egg with stark black lettering in an alien alphabet that flowed backwards.

“A Torah is written by one man. Called a sofer. He uses a quill that he sharpens with a knife, and the ink is kosher. There are 79,847 words. 304,805 letters. If he makes a mistake on a word that is not the name of God, then he may scrape the ink off the gevil and go about his business. If he makes a mistake while writing the name of God, then the whole megillah is no good. You have to bury it like you would a person. Say the Kaddish, the whole thing.”

“Stressful job.”

“High suicide rate. Takes a year-and-a-half.”

The rabbi was not looking at the Torah, or at Earnest Hubbs, just staring into the empty pews.

“How long can your eyes hold up? Hands, too. 30 years? Say you got 30 years to be a sofer. That’s 20 Torahs. A man’s entire life’s work summed up in 20 things. Things get lost, broken, stolen. Things are flammable. The Torah is the Word of God, but this Torah? This Torah was the work of a man.”

“Is this the official view of the Jews?”

“The Jews don’t have an official view on anything. No one’s in charge. Popes are for papists.”

“I believe that’s what’s called a tautology, Rabbi Levy.”

“Mm. Tautology. Greek word. They slaughtered us. And the Romans and everyone else. While they did, men spent their lives in rooms with not enough light copying Torah over and over. No more Ancient Greeks. No more Romans. Torah remains because it is perfect. The Word of God and the work of man. You need both to do anything worthwhile.”

Earnest Hubbs was closing in on the door to the synagogue when he remembered the Rabbi’s sermon about the Torahs. He had not realized it was a sermon at the time, but now with the building on fire he did, and he ran to the double doors, unlocked them, threw Kischka the cat into a bush by the steps–she shrieked like a demon at this treatment–and Earnest ran back into the shul and up the center aisle in between the pews that were ablaze to the bema and the ark which contained the congregation’s Torah.

The smoke was very thick.

“Can’t we do this outside?”

“No.”

“It’s just that my eyes are burning and it’s tough to breathe,” Cannot Swim said.

“Yes,” Here And There said

She threw green powder onto the small fire burning in the center of her kotcha and it glowed yellow the same color as the nuggets in the stream that fed the lake. She and Cannot Swim were seated cross-legged on the ground on either side. Black Eyes, who was a dog, had refused to come in and was sleeping outside the leather flap that was the door.

Here And There was lit up, face crackling and wavering with flames that produced a strobe and Cannot Swim saw many faces in hers; he recognized some, and feared others. Her corneas and pupils were the same shade of dead black that most of her hair was; it was run through with seven white streaks of varying length. Here And There had a story for each stripe that she would sing to the village on Midsummer’s.

Both of their feet were bare.

“Drink your tea,” she said.

“What tea?’

She pointed to the cup besides him that he noticed for the first time. It was made from a dried coyote gourd, and the size of a shot glass. Cannot Swim picked it up and brought it halfway to his nose.

“Don’t smell it. Drink it.”

And then he altered the cup’s trajectory to his mouth, slammed it back, did not grimace even though the tea tasted a corpse made out of vomit.

Here And There lived two miles to the south of the Pulaski village, on the edge of the wood where the clearing gave way to the wilderness. She kept her own fire. Fish and vegetables were brought to her, and a choice piece of whatever game the hunters brought back. The Pulaski would set her food outside her kotcha and try not to run away. Some did. Here And There was a powerful shaman, and the Pulaski understood the true nature of power: you never wanted to be anywhere near it.

The most powerful thing in the solar system is the sun. In fact, the sun is so powerful that the whole solar system is named for it; it’s like how Elvis lived on Elvis Presley Boulevard. 93 million miles in between us and it, which means it’s eight minutes away if you’re traveling at the speed of light. The trip would take 120 years in a Cadillac. 93 million miles away. Try looking at it. Power that’s not dangerous to bystanders isn’t real power.

So Here And There lived two miles to the south of the village. She smiled to herself and cried out,

“Black Eyes!”

From outside the kotcha, Cannot Swim heard the hundred-pound dog growl low, and then a familiar voice.

“It’s me, jackass.”

“GRRRRR.”

“You want belly rubs?”

“GRRRRR.”

“I should leave?”

And then the sound of a sixteen-year-old jogging away.

“Your cousin is loyal to you,” Here And There said.

“Yes,” Cannot Swim answered.

“And very foolish.”

“Yes.”

“I am your cousin, too. Are you loyal to me? All of the sleeping Pulaski are your cousins. Are you loyal to them?”

There was no air left in the kotcha at all, and Cannot Swim’s head was full of shooting stars. He had the distinct impression that his eyeballs were in his nostrils.

“Yes?”

“You are a child, still. You are as tall as a man, but you are not a man. You have not been given the Assignment.”

“No.”

“You will be sent into the hills.”

“I know, yeah.”

“I know this fact because the Tree Who Will Always Grow told me. How do you know it?”

“Me and Talks To Whites eavesdropped on my dad talking to the elders when they decided.”

“That’s a good way to find stuff out, too.”

Cannot Swim swayed ten degrees to the left, righted himself. He could hear the frogs by the lake, and their heartbeats and the tendons in their froggy little legs tensing, and he could hear his own throat dry up and then there was no kotcha and no village and he and Here And There were sitting in a room made of concrete and machine-cut wood with such noise–such unholy and unfamiliar noise–loud and stabbing his ears that were just filled with frogs and their processes. They were at a bar, and surrounded by Whites wearing pants and hard shoes, and a man with a mustache and neat, white teeth was on the other side.

And now there was nothing but flowers.

And now great and strange beasts that may or may not have been feathered.

And now a room made of rough-hewn wood with a balcony that immodest women hung over. Cannot Swim tried not to look at them. They were White women, and they were soft and fleshy and sad, and he could not understand their eyes so he looked away. He had a cup in front of him that was not made from a dried coyote gourd but glass–the Pulaski did not have glass–and Cannot Swim held it up in the light streaming through the smeared windows and watched the echos of photons that came from 93 million miles away as he twisted the mug this way and that.

And now the kotcha again. Nothing in his hands. Here And There across the fire from him with seven white stripes in her otherwise-black hair.

“Do you know how the dreaming life is different from the waking life?”

“No, how?” Cannot Swim said.

“It wasn’t a rhetorical question. I was really asking.”

The first call came into 911 at four a.m. on the dot, and then there were more, but it was the first one that got the dispatcher to signal the LAFD at their firehouse on Alfalfa Street. Dwayne McGlory was the Captain, and asleep, and Pep Oneida was a probie, and also asleep. Probies watched the desk overnight, but Pedro Sanpedro spelled Pep and let him rack out. Pedro never slept, anyway.

There is a red phone on the desk that is actually off-white, and it rings at 100 decibels. Pedro Sanpedro picked up the receiver while ripping a fresh 302 off of the pad and placing it in a clipboard.

“Company One,” he answered, and wrote FIRE – 18 ROSE STREET down on the first line in careful block lettering, and then he said, “Responding.”

There is a red button on the desk that is actually red, and it is connected to a large metal bell that would startle the ear-less. Dwayne and Pep were down the pole and putting on their turndown gear by 4:01. Ash-Nine was barking and running back-and-forth between the pumper and the ladder trucks.

As the three men were hitching up their suspenders, Dwayne asked Pedro,

“How bad?’

“On fire.”

“The whole thing?”

“Dispatcher said the whole building.”

Dwayne McGlory gave the probie an order just by looking at him, and Pep Oneida ran back into the office to hit the other red button, the one that summoned all the off-duty firemen. Dwayne was driving the pumper truck out of the garage before Pep had finished, and he leapt up onto the running board and held on. The lights were going, but not the sirens. Shouldn’t be anyone out there at this hour.

East on Alfalfa and north up the Main Drag, and then west onto Rose. It was still pitch-black out and the glare from the fire washed out the stars so that there was nothing at all but the blaze. It was going. Oh, it was going like a riot. Torah, Torah, Torah had a roof like an upside-down boat, sloping inwards, and it concentrated the flames that leapt and flew onto the blacktop of the road, the paving stones of the sidewalk. the forced greenery of the lawn. The synagogue had a rose garden out front; there was an angry cat in it.

Attach the truck to the hydrant. Attach the hose to the truck. Repeat as needed.

The imam from the Al-Alamut mosque was waiting in the street. There’s a man who lives in there, he said.

He hasn’t come out, he said.

Please, he said.

A window blew out PRSHT from the synagogue, and there were sirens in the distance converging on the position. Dwayne McGlory pulled an air tank off the truck and hooked it to his mask. The halligan bar is three feet long and metal and has a shim on one end and an axe on the other, and he took that, too. Pedro knew what to do.

Dwayne McGlory threw open the front doors to the synagogue and disappeared inside. Pedro and Pep had the hose trained on the building already, and the billowing steam and smoke were killingly gray. The dalmatian named Ash-Nine was on the other side of the truck, in the street, defending his mobile territory.

Lookyloos and neighbors were on the sidewalk in their nightclothes–some were naked–and the flames rose in the the night that was technically the early morning.

Pedro Sanpedro and Pep Oneida poured as much water as the sewers would allow on the fire. Not enough. The synagogue was done for. At a certain point, you need to think about the surrounding structures.

The ladder truck pulled up. Flower Childs was driving.

The doors to the synagogue slapped open and Dwayne McGlory stormed out with Earnest Hubbs over one shoulder and a Torah over the other. He dumped them both on the grass, and leaned over to put his hands on his knees and breathe deeply once twice three times and then he straightened back up and looked around to see if he was still in charge. Chief Childs was on the scene and shouting orders, so he wasn’t, and he ran up to her to find out his assignment.

Earnest Hubbs was breathing again, and no one was paying attention to him so he picked up the Torah and he picked up his shaving kit that contained his cash, stash, and works. Kischka, who was a cat, was leaning against his left ankle. The building was eating itself as government employees fretted at it, and there was nothing he could do but protect someone else’s life’s work and wait for the rabbi in Little Aleppo, which is a neighborhood in America.

You Can’t Keep A Good Man, Or Sam Cutler, Down

Did you go back? I thought you hated Phish.

“That’s an affirmative. Painful music to listen to, just the worst.”

So why are you back?

“The chicken sandwiches.”

I keep hearing about them.

“It’s a feast for all your senses, me son. Open the wrapper, the steam wafts towards your snoot. There’s a pickle hidden within. This adds a spritely tartness to the proceedings. Glorious sandwich, simply marvelous.”

I’m sure you can find something similar in New York City. You didn’t have to pay for another ticket.

“Oh no no, I didn’t pay. Made a call. An’ I went backstage. You need to understand: the music was so piss-poor that I needed to look in the eyes of the men what made it.”

You really didn’t enjoy Phish.

“So the little goblin in the sarong comes up to me. With those arms ‘e’s got. Alabaster and limpid. I mean, do a pushup. Starts in talking about Debbie Washerwoman-Shultz, whoever in God’s name she is. I don’t bother the Septics about our bloody politics, I don’t know why they feel the need to burden me with theirs.”

I assume you extricated yourself from the situation with aplomb.

“I dosed ‘im and propped open an outside door so some Hells Angels could steal their equipment.”

Or like that.

“The ‘ospitality was non-existent. None whatsoever. I say to the poof with the lip gloss–”

Mike Gordon is not a “poof” and we don’t use that word anymore.

“–I say, Oy, mate. Where’s the nitrous room? He tells me there ain’t one. What kind of generation is this?”

No idea how to answer that.

“Do you know not one member of that so-called rock band is dead? Not one. I don’t know what happened to the world.”

Me, neither.

Reading, Material

Reading time, Enthusiasts, and nothing dreary and dangerous like politics: our subjects include rococo homes, baroque bands, and how awesome I am.

We begin with what began as an adjunct to Lost Live Dead, but has since become its own river of well-sourced Rock Nerdery: Hooterollin has the all the family secrets behind Me And My Uncle. John Phillips, from the Mamas and the Papas and also incest, wrote it–maybe–during a tequila-fueled public blackout, and then Judy Collins got involved; it’s a long and interesting story, so go read it.

Or you could take a look at Tony Duquette’s work. He was a designer from Los Angeles who worked on movies and for the theater, and made restaurants and hotels look swanky; when he went home, he preferred a restrained decor.

Nah, just kidding: he was an insane maximalist who put all the furniture and all the art in every room always. This is low-key compared to what he thought a bathroom was supposed to look like.

Captain of the Comment Section and Professional Lorax J. Eric Smith brings us two nuggets of beauty and truth, and also many links to his thoughts on prog rock bands and also that super-scary metallic music that he favors. First is an interview the man did with The Man himself, George Clinton, about the funk (it is multitudinous but yet singular) and the music business (those are some money-stealing motherfuckers, y’all). Second is the kindest–and only review–that whatever the fuck I wrote about Little Aleppo has gotten so far.

You thought I was lying about one of the subjects being my awesomeness? Are you new here?

Miss Hippie In Mississippi: A Curious Girl in a Zany Family Or How I Danced With the Skeletons in the Closet is an actual book written by Billy’s actual sister and it is actually 100 pages and $15. If you choose to purchase it, I expect a review.

We finish up with the great Jesse Jarnow in Rolling Stone writing about whatever it was that Sam Cutler was doing the other night. Some band or something.

Ryan Lizza Receives Another Late Night Phone Call

CELL PHONE NOISE

“Huh? Yeah. Yeah? Who’s this? Jesus, it’s three in the morning.”

SHA NA NA INTRO MUSIC NOISE

“Lizbian? You asleep, you little bitch? It’s your boy, The Mooch.”

“Is this gonna be a regular thing?”

“You see me whack Rinky-dink? I walked right up to him and POW the blood got all over my Harvard Law School suit. President Trump let me do it. We were in the office on Air Force One. President was laughing his ass off. Egging me on to make him cry.”

“Did he?”

“Fuhgetaboutit. Fuckin’ waterworks. Scabby little lip started trembling. Dude, my cock was so fuckin’ hard.”

“Ew.”

“Air Force One got parachutes, y’know. I wanted to throw him out of the plane, but President Trump showed kindness. He is so kind. Oh, hey, don’t tell anyone I told you, but Jeff Sessions is next.”

“Uh-huh.”

“You know he has black kids?”

“Really? I mean: it makes sense, but I didn’t know that.”

“Five or six. Wouldn’t know it, but the man’s got a cock on him. Dude, Rinky-dink deflated. He fuckin’ deflated in front of me. Like a stabbed blimp with a weak chin. The Mooch is shakin’ things up!”

“You certainly are. Oh, hey, I’m sorry to hear about your wife filing for divorce.”

“Fuck her.”

“She’s the mother of your children.”

“Fuck them, too.”

“Wow.”

“President Trump is my family now. Ah, marone! I shoulda gave Lumpy a Stone Cold Stunner. How funny would that’ve been?”

“Not funny at all.”

“Would’ve been to the president.”

“True.”

“Here’s what The Mooch does: plugs up holes. White House is leaking? I’m plugging that hole. You cross the president and you got an asshole? I’m plugging that hole. You’re a hardbody intern with a pussy, or a mouth, or an asshole? I’m plugging all those holes.”

“You know I’m a reporter, right?’

“Dude, tell me who to fire next.”

“What?”

“Pick a name that isn’t Trump or Kushner. Fuck it, who gives a shit, pick a name.”

“Mr. Scaramucci.”

“The Mooch!”

“I don’t want to pick a name for you to fire.”

“How about a cabinet member? Christ, I’d love to take down that walkin’ ballsack from Texas. What’s his name? The pillhead.”

“Rick Perry.”

“Done. He’s gone.”

“I didn’t tell you to fire Rick Perry.”

“No matter what time of day it is, President Trump smells wonderful.”

“I’m gonna hang up.”

“You got somebody in that bed with you, Lizbian? What’s his name? Ahhhh, I gotchoo. I’m kidding, you’re not a fag, fag.”

“Good night.”

“Dude, I know an after-hours spot.”

“I’m hanging up now.”

“You know Katy Tur’s number?”

DIAL TONE NOISE EVEN THOUGH PHONES DO NOT DO THAT ANYMORE

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