Musings on the Most Ridiculous Band I Can't Stop Listening To

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Fabulous

“Jenkins!”

“Yes, sir?”

“Did reality just hiccup?”

“I think we may have had a Time Blip, sir.”

“Y’know, just because you capitalize a thing doesn’t make it a thing.”

“Regardless, sir.”

“When are we?”

“1973.”

“Nice. Let’s go get Quaaludes.”

“Maybe later, sir.”

“1973. Ooh, this is exciting. Jenkins, you have no idea how sexist I’m going to be.”

“I think I do, sir.”

“Probably. But I won’t be yelled at for my actions in ’73. Good God, am I going to honk some boobies. Also systemic oppression, but I’m more excited about the honking. Gonna lude up and grab strange titties, and if she gets mad, everyone will tell her to stop being hysterical.”

“I’m still not seeing a difference between the eras, sir.”

“Can’t get ludes any more.”

“I was talking about the sexism, sir.”

“No sexism anymore, Jenkins. We elected a black man, so therefore women are equal. That’s science.”

“No, sir.”

“Political science.”

“Sir, don’t honk strange women’s boobs.”

“How else will the women know they’re attractive?”

“Sir, despite the chrono-shift, we still have work to do.”

“Boob-honking isn’t work, Jenkins. Not how I do it.”

“The poster, sir.”

“Poster! Now, you’re sure we’re in ’73?”

“Do we have a newspaper?”

“WUXTRY! WUXTRY! Read all about it!”

“There’s a paperboy right there, Jenkins.”

“How fortuitous. One, please.”

“Here ya go, mister.”

“Thanks.”

BANG!

“Sir, you didn’t need to shoot the paperboy. I had the dime.”

“But now you have the paper and the dime.”

“Ahem. Yup, we’re in 1973. Just look at these stories: President of the United States is an amoral, dangerous lunatic in serious legal trouble; racial tensions are high; Prince Charles is sitting around waiting for his mom to die. Yup, 1973.”

“Such a different time.”

“Yes, sir.”

“Well, as long as we’re not in 2017, the posters don’t have to be hideous, do they?”

“No, sir.”

“Well, then. Hire an artist.”

“Gladly, sir. Any ideas?”

“Not ugly.”

“Yes, sir.”

“And figure out a way to work the word ‘fabulous’ in there.”

“Yes, sir.”

The People’s Billionaire

Hey, Jim Irsay. Whatcha doing?

“Clearin’ out some space f’r a few more brewdogs.”

Feeling better?

“Stomach’s empty, brother! Shit: nose, too. Got any krell, bitch?”

I have no krell, and don’t call me bitch.

“You like these here dungarees?”

They’re very stylish.

“Had a homo pick ’em out f’r me.”

Nice.

“How you fixed f’r perks?”

I’m good.

“You want a blowjob?”

From you?

“Fuck, no, hoss. Jimmy don’t swing that way. Getchoo a stripper. I got a whole separate phone f’r callin’ strippers. Smells like Shea’s cocoa butter and sweaty hundred-dollar bills.”

I’m all right.

“You a sissy? I’ll get the guy who bought me my jeans to swallow your marbles.”

I am fine. Are you all right?

“Better ‘n you, man.”

You sure? You’re tweeting out nonsense and covered in vomit.

“Could be worse.”

You could be the president.

“There you go, brother! Ol’ Jimmy’s gettin’ graded on a curve f’r the rest o’ his life!”

You got that going for you.

“I’m gonna go stick one o’ Clapton’s guitars in some chick’s bunghole.”

You do you, Jim Irsay.

“And I’ll do her.”

God bless America.

“Fuckin’ A.”

Red Touches Black, Son Of Jack

Why do you hate cameras?

“Soul stealers.”

The children are so happy to be taking a picture with you, and it’s like you’re staring down the banker what come to take Pappy’s farm.

“I don’t wanna get ’em too excited. None of them are making it to the end of the tour.”

Goddammit, Bobby, are those Redshirts?’

“You bet.”

Where did you get Redshirts from?

“Same place Phil got his busboys, I think.”

Please don’t send those optimistic Millennials to die on Away missions.

“Too late for that. This is what’s left.”

How many did you start with?

“75? 80? You’d be astonished how many you go through.”

Why do you even need Redshirts?

“Might run into a Gorn.”

You’re not going to run into a Gorn, Bobby.

“Never know.”

And if you do, the captain is supposed to fight it. That’s you.

“Yeah, uh, we’re playing by Next Generation rules. Something needs to be investigated, we send out the keyboardist and some Redshirts.”

Makes sense.

“Grateful Dead keyboardists and Star Trek Redshirts. Lot in common.”

True. So, you’ve killed around 65 of them in 15 shows?

“Around there. Nobody really keeps track.”

How?

“Billy straight-up drowned three of them in a swimming pool.”

Jesus.

“Bus got a flat one night.”

And you made one of them change it and there was an accident?

“No, no. We, uh, fashioned a replacement tire out of half-dozen of their bodies.”

Wow.

“Show must go on.”

Does it?

Olsen Shmolsen

Keith Olsen (left) produced Terrapin Station, which might be the saddest Dead album. Not theĀ  material–there isn’t even a ballad on the record, unless you want to count Mrs. Donna Jean’s Sunrise–but the doings and transpirings behind the scenes. They tried so hard on this record. Hired a big-time producer with a big-time haircut, trucked in violinists by the bushel, had Parish nail the studio doors shut from the outside. (Perfectly safe. Not like anyone in the band was constantly setting his surroundings on fire. No worries.)

Then the record came out and no one gave a shit. Lucy pulled the football away again.

Fun fact: Mickey’s first opinion of Keith Olsen was that he was “too small to hit.”

Funner Fact: Mickey still hit him.

Cleveland, City of Light, City Of Magic

“Jenkins!”

“Yes, sir?”

“How’s the Cuyahoga fire coming?”

“It was put out 45 years ago, sir, and several federal agencies were created to make sure it didn’t happen again.”

“I don’t like that, Jenkins.”

“I’m shocked, sir.”

“Fedzilla stomping all over my right to set a river on fire.”

“Not a right, sir.”

“Turning the children into wieners, Jenkins. Soft little wieners. Does a youngster good to see a flaming river every once in a while. Teaches them that life is a battle. Where I grew up, there was a lake that used to coldcock passers-by. Town pool robbed several banks. Bodies of water were tougher back then.”

“Yes, sir.”

“A water fountain touched my sitting-button, Jenkins.”

“Sitting-button, sir?”

“My asshole.”

“Yes, sir.”

“It was pretty much just a bidet, though. Never felt so fresh back there. Ah, nostalgia.”

“Sir, the poster?”

“Poster!”

“Yes, sir.”

“Let’s just do words. Why don’t we print John Mayer’s latest interview?”

“Has he just done one?”

“The answer to that question is always ‘yes.’ John Mayer has always just done an interview.”

“He’s voluble, sir.”

“Mm.”

“Garrulous.”

“Ah.”

“Loquacious?”

“One more college word, and I slice you in twain, Jenkins. I will twain you.”

“I don’t know if an all-text poster would work, sir.”

“Fine. No text.”

“We do need to mention the name of the band, sir.”

“Why? The metric shit-ton of bears, roses, turtles, and skeletons we’ve been slathering these things with doesn’t let everyone know?”

“Legal purposes, sir.”

“I went to law school, Jenkins.”

“I didn’t know that, sir.”

“With a rifle. Most productive afternoon of my life.”

“Yes, sir. The poster.”

“Poster! Jenkins, tell me: have we made any posters this go-round that are even slightly attractive?”

“No, sir.”

“Then here is where we shall make our stand.”

“Yes, sir.”

Out-Of-Context Answers From Trixie Garcia’s Reddit AMA

  • “Norman, Oklahoma.”
  • “Yes, but not on Tuesdays.”
  • “Bobby and Mickey make me call them ‘Uncle,’ and I’m not telling you what Billy makes me call him.”
  • “That’s an inappropriate question.”
  • “I once put Justin Kreutzmann in a figure-four leglock until he cried.”
  • “Fifty duck-sized horses.”
  • “John Mayer seems lovely; every time I meet him, he explains his outfit to me at length.”
  • “No, I have not seen Gerald McRaney naked.”
  • “Down the hall, and second door on the left.”
  • “That is also an inappropriate question.”
  • “Cyclotron. The thing that spins and you get pressed up against the wall? That’s number one, but I also love the Scrambler.”
  • “I guess the one where you shoot the water pistol into the clown’s mouth.”
  • “Deep fried Oreos? I suppose?”
  • “How many carnival-related questions are there going to be?”
  • “Ever hear those Trump demons talk about ‘their dad’ and ‘their father’ and get squicked out? That’s why I call him Jerry.”
  • “Thank you for asking me about my personal life, Reddit user /u/cuntkicker1488.”
  • “It’s dyed; my hair is naturally jet-black.”
  • “Trixie is short for Trickortreat.”
  • “Well, if that happens every time you eat shrimp, then you’re probably allergic.”
  • “How much longer do I have to talk to these fucking nerds?”
  • “Did you write that down?”
  • “Why would you write that down?”
  • “AND YOU HIT SEND?”

When Did Billy Show Up?

Hey, Billy. Whatcha doing?

“Balls deep in the hoopla.”

Sure.

“Look at this. Me and Phil back together again.”

His name is Oteil Burbridge.

“That’s just an anagram for Black Phil.”

It’s not.

“It is if you’re illiterate.”

Maybe. Where have you been? This is, like, the first picture I’ve seen of you this tour.

“I been checking out art museums. Unbelievably inspiring.”

No, you haven’t.

“You’re right. Skanking it up, baby. Hanging out at dog tracks and methadone clinics. Last night I had a chick who got had a buttock amputated.”

Really?

“Lopped that fucker straight off.”

I don’t even know how that works.

“Me, either, but it did. Doctors didn’t amputate her butthole.”

How come you didn’t go to the Capitol to meet Al Franken?

“I’m a Davis man.”

Makes sense.

A Night At The Absalom In Little Aleppo

Are you kids ready for some rock and roll?

I can’t hear you; you’ll have to do better than that.

I said: are you kids ready for some rock and roll?

That’s what I thought.

Boys and girls, ladies and gentlemen, put your hands together and take your tits out for Little Aleppo’s own: The Snug! and before the roadie’s growl faded from the speakers there was a KAPAF of small-time pyro and SHWAM of flash paper going up on either side of the stage; they were already rocking, do you understand? Before you could see the band, you could hear the band and they were already rocking: that was how hard they rocked, kid – shit, they were probably rocking in the dressing room, and in the tour bus on the way over, and in the hotel. You know they fucked that hotel up, right? Maybe they hot-glued the mattress to the ceiling, or threw a teevee out the window, or stole a maid’s kidney. Some shit like that, Rock Star shit like that, who knows and who cares: it’s The motherfuggin’ Snug, man!

Memphis can’t compare
And we’re better than blue
We have got the biggest dicks
And they are straight and true
We’re The mooooooootherfuggin’ Snug!

And there they were. The rocking had not lied. There was The Snug–RIGHT THERE, MAN–and they had brought every amplifier in the world to the Absalom Ballroom. The music was so loud that you couldn’t hear the music: it precluded itself. Just this FRAAAAASH sound, but rhythmic, in your ears and a pressure wave around your ribs. Or maybe that wasn’t the music; the audience had surged forward when the band took the stage, and the promoter was a thief who oversold the place as usual, so there was a heaving a great heaving to and all the kids became one crowd one mass one voice kept in the dark and dazzled.

The Snug, man!

They were eight feet tall. At least. And wearing garments that were technically clothes, but no one in the crowd had ever seen before. Fringed white leather pants? Flared sleeves? Dave Ronn, the bass player, was wearing eight or nine scarves in various unorthodox configurations. That was the most exciting thing about Dave Ronn. Bass players are like prostates: you only notice them when they make trouble.

Holiday Rhodes, man! No one could scream like him, or throw tantrums like him; he was nonpareil. An artist, a poet, a showman (when he showed up), a shaman, a poet (Holiday really liked to be called a poet), and an artist (that, too): Holiday fucking Rhodes! Kim and Rodney had seen pictures of Holiday in shirts, so they knew he owned several, but he was otherwise shirtless; he was slightly muscular, but mostly lean and defined, and his abs narrowed into his Adonis belt which is shaped like a V, and he wore his bumblebee-yellow trousers incredibly low, dangerously low, and there was a bit of pubic hair frothing above the laces.

Kim and Rodney did not know that pants could have laces. They did not know that was an option.

Don’t talk about the Space Race
You know we won that shit
Cardinal numbers can suck our dicks
And gin can eat our tits
We’re The mooooooootherfuggin’ Snug!

The whole crowd: they raised their hands above their head even though they did not know why. It was not a planned gesture. It was not strategic. Instinctual, because they were a crowd now and crowds are the dumbest form of human. The very smartest a person can be is when he’s sitting in a room by himself with no distractions. Second is when she’s talking to someone of equal or higher intelligence. Third is when he’s among morons. Dumbest of all is when she’s joined a crowd.

Kim and Rodney were holding onto each other by the belt in the scrum of the crowd. Kim had Buzzy Verno’s arm in his hand, and Buzzy had a joint in his. The motherfuggin’ Snug, man! They were stage left, and Johnny Mister was above them like an angel with an ankle bracelet. That guitar, that guitar, that magical guitar, shaped like the mathematical symbol for infinity and squealing–SQUEALING–like a rock and roll pig getting its rock and roll throat slit. The 8-Ball. Magical guitars get names, and Johnny Mister had a magical guitar and so it was named 8-Ball. It was a teenage talisman, and all the crowd yelled for it just as they did the members of the band. The guitar was as important as any of them. B.B. King had Lucille, and Clapton had Blackie, and Johnny Mister had 8-Ball.

There was a poster of Johnny. He was leaping in the air, and 8-Ball was where his crotch should be, and he was smirking. Smirking aloft! He knew he would come down right, land gently: that’s what Rock Stars did. Kim had it in his bedroom. The photo had been taken at the end of a show, and Johnny was sweaty and half-naked. Rodney did not have the poster, but he had slept over Kim’s house many times.

No room to dance except for on the stage, so the kids hopped up and down in place; some of them were crying.

Summer is lesser than
Circuses just don’t compare
Punctuality sucks
And so does Langston Hughes
We’re The mooooooootherfuggin’ Snug!

O, God, we are all together here, here in this crowd, here before our heroes and it does not matter if they are fighting and traveling on separate tour buses: they are A BAND just like we are A CROWD and we are coming together tonight in the Absalom Ballroom on the Upside of Little Aleppo; something is happening; something is happening here and if the whole world could be here–be with us right now in this glorious power chord moment–then there would be peace, there would be peace, there would be peace.

The lights were red and yellow and blue, and they combined and melded as that rock and roll music blasted all the dust off your heart.

Drums are for hitting; Jay Biscayne hit drums hard. They barely needed to be miked, he hit them so hard: he had drumsticks thick as a child’s wrist and he flipped them around and whacked the heads with the rounded butt of the ‘stick instead of the tip. He had two bass drums colored pumpkin-orange, and a million cymbals; he hit them all at once sometimes. Jay Biscayne had won many reader’s polls, and awards made up by journalists.

The crowd bopped and bobbed, and they were one, and Kim took Rodney’s hand. He did not mean to, but he did and now it had been done and that was all there was to it: Rodney looked past Kim to Buzzy Verno, but he was involved with his joint and not paying attention, and so Rodney did not pull his hand away. Rodney was taller than Kim, and when he did not pull his hand away, Kim’s whole body started pounding like he was nothing but his heart. His cock got hard, too.

Fossil fuels are weak
And gestures are so vagrant
We’re the fucking best
We’re sorry we’re so blatant
We’re The mooooooootherfuggin’ Snug!

Gimme rock, gimme roll, and the crowd went WOOO for no reason whatsoever, and The Snug did their Rock Moves. They had practiced. Chased each other around the stage, and then they kicked so high. They shook their heads LEFT-RIGHT-LEFT LEFT and then they shook their heads RIGHT-LEFT-RIGHT RIGHT and the kids said YEAH; the kids said FUCK, YEAH and reached towards the band with outstretched hands, and the girls threw their underwear, and some of the boys, too.

No one was paying attention, so Kim kissed Rodney. Just a peck, a little buss half on the lips and half on the cheek, and then Kim stood back and waited to be called a faggot–he did not know what he had just done–but Rodney had wide eyes and then he kissed him back, full on the lips this time, and Kim put his hand on Rodney’s hairy forearm and stood on his toes; both of them were the happiest they had ever been in their short lives, and then tongues became involved.

They were The motherfuggin’ Snug, and they played rock and roll music. They played it so loud and well that you could forget who you were and all the things you had been taught, and just shout YEAH and stick your tongue in the mouth next to you. Holy shit, could they play that rock and roll music, and Rodney had his long arms wrapped around Kim while the guitar and drums wrapped each other up, too, and the crowd hopped and hoped up and down. It was fantastic, and Kim put his hand on Rodney’s hip and kissed him back. Oh, God, I will kiss you back for all I’m worth as long as this music plays, Kim thought, and Rodney thought the same while the light show plastered spectacular colors on the walls, and there was nowhere better for a first kiss than a rock and roll show in Little Aleppo, which was a neighborhood in America.

A Conversation With Avik Roy

Avik, thanks for coming in today.

“I prefer Dr. Roy.”

Of course you do. You’re here to discuss the Trump Administration’s new plan.

“Yes. We’re going to poison the reservoirs.”

Why?

“Debt reduction.”

Roy–

“Dr. Roy.”

–I think this is a terrible idea.

“I’m open to a thoughtful critique besides MILLIONS WILL DIE.”

Millions will die.

“I told you not to say that.”

You said it in caps like an asshole; I said it like a reasonable person.

“I’ll repeat myself, then: I am open to thoughtful critiques besides ‘millions will die.'”

Right. That’s not how arguing works. You don’t get to exclude the other side’s arguments ahead of time. Especially a pertinent one.

“You don’t understand the complexity of the issue, and are just appealing to emotion.”

Dead people aren’t emotions. They’re corpses.

“Let’s talk about how much money we’d save by dumping poison in the reservoirs.”

There’s no amount of money that’s worth more than a reservoir free of poison.

“You still don’t understand: this would create a free market among reservoirs, which would encourage consumers to shop judiciously. The system would police itself.”

Nothing polices itself. The police can’t even police themselves.

“You’re not gonna give me any of that Black Lives Matter shit, are you?”

Wow.

“I want to talk about block grants.”

Of course you do. Because that way we’re not talking about dead people.

“There are studies that say poisoning the reservoirs provides the same quality drinking water as not poisoning them.”

Where are the studies from?

“American Poison Institute.”

Sure. Please don’t poison the reservoirs.

“This idea that the Trump Administration wants to poison the so-called reservoirs is absurd. All we want to do is lower the amount of non-poison. Totally different thing.”

It’s not.

“Let’s discuss Personal Water Accounts.”

You’re going to kill millions of people with this evil plan.

“See! You can’t provide a thoughtful critique. I win.”

We all win, Avik.

“Dr. Roy.”

Suck my ass.

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