Musings on the Most Ridiculous Band I Can't Stop Listening To

Category: Uncategorized (Page 193 of 1031)

This Is Not The Greatest Concert In The World; This Is Just A Tribute, Volume II

  • Okay, so, to recap: Freddie’s dead, Rock and Roll marches on, and the sun is setting on Wembley Stadium.
  • Bunch of groups came out and played, but now it’s What’s Left Of Queen as the house band backing up singers.
  • (There are also a shitload of backing musicians and an entire choir, but that’s neither here nor there.)
  • Hey, it’s Tony Iommi!
  • Someone warn Lita Ford.
  • And now Roger Daltrey is doing his mic-swinging nonsense.
  • These men were impossibly old when I watched this in 1992.
  • They’re all around my age.
  • Everyone’s still got their hair and waistlines.
  • Lefties shouldn’t be allowed to play guitar; it looks odd and confuses me.
  • Those nuns who used to violently coerce the naturally left-handed into being righties knew what they were doing.
  • Well, that was harmless.
  • Bye, Rog.
  • What the fuck is this?
  • Zucchero?
  • What the Zucc is this?
  • Get this sweaty greaseball off my stage.
  • And they’re playing Las Palabras De Amor, too, which is a dreadful song.
  • Seriously, who is this?
  • Ah, shit, he’s Italian.
  • I retract the “greaseball” comment.
  • But, c’mon, look at this fat bastard.
  • You could cook a chicken in his leavings.
  • He’s sold 60 million records?
  • Jesus, the world has terrible taste in music.
  • Fuck off, Zucc.
  • Dammit, Gary Cherone’s back.
  • Ooh, Hammer To Fall.
  • Or, as Freddie used to announce it, “HAMMADAFAAAAW!”
  • Gary’s still wearing his saddle shoes and he simply will not stop shimmying.
  • And Tony Iommi’s still up there looking miserable and poorly-coiffed.
  • Tony Iommi has never had a good haircut.
  • Not once.
  • Oh, no, Gary Cherone.
  • He is doing the Rock Move where he stands right next to Brian and shares the mic with him.
  • Get the fuck away from Brian May, Gary Cherone.
  • Go bother Eddie Van Halen.
  • AND STOP SHIMMYING, GODDAMMIT.
  • Look at this shit, man:
  • Did you see that shit, man?
  • Not right.
  • On my list: left-handed guitarists and that motherfucker.
  • Stone Cold Crazy time.
  • SleepingverysoundlyonaSaturdaymorningIwasdreamingIwasAlCapone…
  • Hetfield’s singing.
  • Without a guitar.
  • He looks lost and scared.
  • Like a turtle without his shell.
  • And he’s just kinda pacing back and forth and has no idea what to do with his arms.
  • It’s adorable.
  • Oh, now he’s air-guitaring.
  • And it’s not adorable any more.
  • He does have a vest on.
  • No word whether or not he stole it from Def Leppard’s drummer.
  • PERCY!
  • Hey, fucker!
  • I wrote about you a few weeks ago.
  • You didn’t come off well.
  • He’s wearing some sort of tunic/scarf combo.
  • I can’t tell if the scarf is part of the tunic or they are separate components.
  • Rock Stars and their complicated clothing.
  • At the show, Percy did Innuendo with the band, but it sucked and they cut it for the video release; he gets to do Crazy Little Thing.
  • He’s doing his usual bullshit.
  • Imagine Robert Plant singing Crazy Little Thing Called Love.
  • There you go.
  • That’s how it sounds.
  • There are no surprises here.
  • The three live Queens started planning this show the night Freddie died, and I don’t say that to accuse them of buzzardism or anything.
  • It is absofuckinglutely what Freddie would have wanted.
  • I’m surprised he didn’t organize it himself.
  • Jesus, Brian’s singing a ballad while accompanying himself on the piano.
  • Not like this.
  • NOT LIKE THIS.
  • Dire.
  • Fuckin’ dire.
  • Guess what the song’s called.
  • Guess.
  • You won’t get it even if you’re the biggest Queen fan.
  • Brian is singing, in honor of a man who just died of AIDS, a song entitled Too Much Love Will Kill You.
  • I’m gonna call Brian “Nostrils” because he is on the nose.
  • Perhaps we see here the genesis of the “evil, evil homosex” theme of Bohemian Rhapsody.
  • I’m still pissed off about that fucking movie, by the way.
  • Yes, Brian.
  • Too much love will kill you in the end.
  • Why don’t you just say “Buttsex murdered my friend?”
  • Everyone is going to the Problem Attic.
  • Paul Young?
  • Who?
  • Guy’s got four notes in his range.
  • And he looks like a half-melted George Michael.
  • I’m bored.
  • Fuck you, Paul Young.
  • Jesus, even your name is boring.
  • They wasted Radio Gaga on this guy?
  • Lady Gaga should have sang Radio Gaga.
  • I know she was eight, but she’s just that talented.
  • There is no way Paul Young didn’t buy his trousers at Chess King.
  • I had a pair of those pants.
  • Ugh, pleats.
  • Take this lump off my teevee, please.
  • Lefties, Gary Cherone, and Paul Young: all getting it in the ear.
  • Someone still loves you.
  • Not you, Paul Young.
  • No one loves you.
  • I almost fast-forwarded through you.
  • Brian introduces the back-up singing ladies.
  • They do not get last names.
  • Oh, Lord, it’s Seal.
  • The dream of the 90’s is alive at the Freddie Mercury Tribute Concert.
  • I’ll give this to Western Civilization: we were the only ones to invent the Tribute Concert.
  • Ming Dynasty just did vases.
  • Not one show-ending super-jam.
  • Just vases.
  • Anyway, Seal is wearing enormous spectacles.
  • The size of those fuckers!
  • Most people wouldn’t have the balls to wear glasses that massive.
  • Or the neck strength.
  • Seal might be imbuing Who Wants To Live Forever, which keen-eyed Enthusiasts will spot as originating on the Highlander soundtrack, with a bit more sincerity than the song deserves.
  • It’s not a metaphor.
  • It’s literally about living forever via chopping off the heads of other Immortals.
  • Camp it up a bit, Scarface.
  • He is the only black guy at the whole show, though.
  • And now Lisa Stansfield is here to sing I Want To Break Free.
  • Remember Lisa Stansfield?
  • She’s back.
  • In Pog form.
  • Were this concert held today, the part of Lisa Stansfield would be played by Jessie J.
  • Or perhaps one of the members of Little Mix.
  • I love this fucking song so much.
  • I would lend this song money for a bus ticket out of town to escape an abusive relationship.
  • All right, that’s enough Lisa Stansfield for the next twenty years.
  • BOWIE.
  • And Annie Lennox as Raccoon Dracula.
  • Told you.
  • Here, watch it:

  • Did you watch it?
  • I told you to watch it.
  • Why don’t you listen?
  • Lefties, Gary, Paul Young, and you.
  • List is growing, man.
  • Oh.
  • I just remembered that Bowie is dead and now I’m sad.
  • Maybe if we all clap, he’ll come back to us.
  • Clap, children!
  • Clap for TinkerBowie!
  • Did it work?
  • No?
  • Well, try harder.
  • Hey, it’s Mott the Hoople!
  • Ronson and Hunter!
  • Yay!
  • All The Young Dudes!
  • Yay!
  • What the fuck does any of this have to do with Freddie?
  • And, Jesus Christ, who told David Bowie he was allowed to bring his saxophone?
  • Jeff Leppard on backing vocals, doing the traditional hand-to-ear pose.
  • Heroes?
  • They’re doing Heroes now?
  • The big Queen hit song Heroes?
  • This would piss Freddie off.
  • “It’s my tribute concert, darling. If he wants to play his songs, then let him fucking well die.”
  • Credit where it’s due: Queen is hell of a backing band.
  • Try clapping again for Bowie.
  • Just try.
  • Oh, David.
  • He’s dropped to his knees and he’s saying the Lord’s Prayer.
  • Not inclusive, Dave.
  • Get up.
  • Stop this.
  • You’re embarrassing your hair, David Bowie.
  • Leave God out of this.
  • Yay, George Michael!
  • Ah, for fuck’s sake, he’s dead, too.
  • What the shit, God?
  • You’re back in this now.
  • I know I said to leave You out of it, but You’re kind of a prick, huh?
  • Paul Young is still touring.
  • But you took Bowie and George Michael.
  • Douchebag.
  • It’s the Acoustic Mini-Set!
  • The world turns, but always returns to its origin.
  • Nothing changes; everything lasts.
  • And back out comes Lisa Stansfield, whom I thought I was rid of, to duet with George on These Are The Days Of Our Lives.
  • Woman’s got a pair of legs on her.
  • Ankles, shins, calves, knees, thighs.
  • Two of each!
  • Legs, man.
  • Backstory while they’re dirging this away: all 72,000 seats were sold before any guests were announced.
  • People just figured that some impressive fuckers, and Paul Young, would show up.
  • SOMEBODY TO LOVE.
  • George fucking kills this.
  • I’m just gonna shut the fuck up and watch.
  • Join me:

  • Right?
  • If that don’t give you goosebumps, then you done lost your goose.
  • Climax of the show right there.
  • BUT NO!
  • THE KING OF HOMOSEXUALS APPEARS!
  • It’s Sir Elton, everybody!
  • Singing Bohemian Rhapsody an octave too low, and wearing a fetching pair of leather slacks, a fringed cowboy jacket, and what I believe is his Sunday-go-to-meeting hairpiece.
  • “Hi, my name’s Frank. I love line dancing, traveling, and I didn’t kill my first wife. Don’t listen to the cops; they’re liars. Can I buy you a Singapore Sling?”
  • It’s the tape section!
  • Queen never played the opera part of BoRhap live: they left the stage and let the tape play while the light rig flashed.
  • And then they blew some shit up and played the loud part.
  • Everyone was happy with the arrangement.
  • AXL!
  • IN A FUCKING LEATHER KILT!
  • LOOK HOW AXL HE IS!
  • THAT IS THE MOST AXL THAT AXL COULD BE!
  • I’ll stop yelling.
  • Axl is so cool, man.
  • People were mad that he was invited to participate in this show.
  • Partially because Axl, while now woke, used to be an enormous shitbag homophobe.
  • 50-year-old Axl hates Trump, but the one in the picture?
  • That fucker would’ve had on a MAGA hat, I guarantee it.
  • People change, even if they’re Axl Rose.
  • Look how worn out the Rock has made Axl:
  • It’s like he’s been through a trauma.
  • Look how proud Elton is, though.
  • “Good for you, William. You didn’t start one single riot! I knew you had it in you.”
  • (Can’t you totally see Elton John calling Axl “William?”)
  • Now Elton’s doing The Show Must Go On, which is a brilliant song, but they’ve shifted it down a few keys so he could hit the notes and energy is lost.
  • Ugh, and Tony Iommi’s back.
  • Kiss my dick, Tony Iommi.
  • How do you beat up Lita Ford?
  • She was a fucking Runaway!
  • I mean, you shouldn’t hit any women.
  • But especially not one who was in the Runaways.
  • Those chicks dealt with enough bullshit already.
  • BOOM BOOM THWACK!
  • BOOM BOOM THWACK!
  • Holy shit, Axl’s back and he’s changed outfits again.
  • I couldn’t love him more.
  • White leather jacket, white spandex bike shorts, black Doc Martens.
  • And the bandana, of course.
  • Axl does not skip leg day.
  • He’s doing his little kick-y dance and just being as Axl as possible.
  • How Axl is Axl?
  • He is that Axl.
  • (I don’t know what to call that Rock Move. Is it a vertical Worm? I want to call it the Shazbot, but I have no reason why. “Shazbot” just popped into my head.)
  • And now here’s Liza Minelli.

  • The crowd did not know what to do with the information that Liza was coming out.
  • The English were confused.
  • Fuck ’em: Liza was brilliant.
  • And she is LIZA with a Z.
  • Big ol’ show biz smile plastered on her pixie cut, over-emoting the shit out of We Are The Champions, pilled-up: LIZA.
  • The only way Liza could have been more Liza during this performance is if she had entered into a disastrous marriage halfway through the second verse.
  • If you don’t wanna watch:
  • Yup, that’s Jeff Leppard.
  • Liza is vamping over the outro and it’s glorious.
  • Okay, folks.
  • That’s all there is.
  • Don’t get AIDS.
  • Otherwise, Paul Young will show up.

Notes, Also In Real-Time

TWO THINGS, YO:

  1. Having fun doing these Real-Time posts, PLUS I just signed up for Qello for the 7-Day Free Trial, so if there’s anything on there you think I should do, tell me. Hitting the Donate Button at the same time usually helps, but you know what a terrible capitalist I am.
  2. Don’t suggest the Bobfest. I’m gonna do the Bobfest tomorrow night. The Bobfest is covered.

This Is Not The Greatest Concert In The World; This Is Just A Tribute

  • Fuck you all for this.
  • It’s not your fault, but I’m going to blame you.
  • I could be helping mankind.
  • You could be bettering yourself.
  • We are not.
  • We are here discussing a 26-year-old concert featuring Liza Minelli.
  • But, hey: let’s just call it a literary experiment; that makes me sound smart.
  • And it reflects well on you, too.
  • There.
  • It’s decided.
  • There aren’t the pointless ramblings of an obsessive shut-in.
  • Literary experiment.
  • What’s Left Of Queen has taken the stage.
  • They look like this:
  • Brian talks first, and then Roger, and John last.
  • The crowd gives John the biggest cheer, because that is the British thing to do.
  • Oh, God, it’s Metallica.
  • What have I done to myself?

  • Good gravy, the heads and their banging!
  • They whip their hair back and forth,
  • And they have their Heavy Mental uniform.
  • How much more black could Metallica’s jeans be?
  • None more.
  • This was right after The Black Album, and Metallica were bigger than Jesus.
  • Heavier, at least.
  • Jesus was not into metal.
  • Kirk Hammett began his hair plug regimen right after this show, apparently.
  • Such scary faces.
  • GRRRRR.
  • Enjoy yourselves, Metallica.
  • Stop being mean to Jason Newsted and live your lives, bros.
  • Metallica were and, I believe, still are the kings of Band Shirt-Wearin’.
  • The Dead had Mickey as a constant, but Metallica has at least two guys Band Shirt-Wearin’ at all times.
  • Metallica pushes their fucking merch.
  • Sweet Pants of Peter, the haircut on James Hetfield is amazing.
  • Look at this shit:
  • Did you see that shit?
  • What did James Hetfield tell the barber?
  • “Fuck it up on top, but also fuck up the sides and back.”
  • And they played Sad But True.
  • Which is a rockin’ jam, but now they are into the slow number and I hate you so much, Metallica.
  • Stop pretending to be sensitive, assholes.
  • We’ve all seen the documentary.
  • You’re all selfish dicks.
  • HEY!
  • YOU BACK THERE!
  • STOP MAKING THOSE GODDAMNED FACES!
  • It’s like high-speed Bell’s palsy with that fucker.
  • Uggggggggh.
  • Nothing Else Matters suuuuuuuuuuucks.
  • Sucks my baaaaaaaaaalls.
  • My ballllllllllllllllls.
  • This song could have easily been a cut off Queensryche’s Operation: Mindcrime.
  • That is NOT a compliment.
  • There are a million “best parts” to Some Kind Of Monster, the three-hour documentary about the band, but one of them has to be Kirk petulantly demanding that every song have a guitar solo.
  • Oh, thank God.
  • That was all the Heavy Mental I could take.
  • Now they’re playing Freddie from Earl’s Court in ’77 when he wore the harlequin leotard.
  • This one:
  • That one.
  • There’s a whole montage to The Great Pretender, with Freddie in all his various iterations.
  • Long hair and short, and clean-shaven and mustachio’d.
  • Freddie’s worst look was the short hair/clean-shaven one.
  • This one:
  • That one.
  • It’s like the Statue of Liberty without her torch.
  • How long is this montage?
  • It’s three songs in already.
  • Now they’re playing One Vision under his interviews.
  • WAIT
  • There was something else I enjoyed about Bohemian Rhapsody: they let Freddie smoke.
  • Brian’s back, and his hair is tremendous.
  • Ladies and gentlemen, Extreme:

  • Extreme were funky rockers from Boston with two well-received albums under their belt, a certified guitar hero in Nuno Betancourt, and a monster hit single called More Than Words
  • I loved ’em.
  • I confess this, Enthusiasts.
  • I fucking loved Extreme.
  • Had all their records.
  • May or may not have had my aunt paint their logo on the back of a denim jacket.
  • That fact is up for debate.
  • Their first record was a genuine classic.
  • Please do not mistake me for Chuck Klosterman when I say this, but I do.
  • Genuine fucking classic.
  • Second one is just aces, too, plus it’s got the big hit acoustic tune on it.
  • Third one didn’t have any hits, and plus it was a complicated mess that might have been a Christian concept album.
  • Then the lead singer, Gary Cherone, joined Van Halen.
  • Rock and Roll is stupid.
  • Anyway, Extreme did a lot of harmonies–all four guys sang awful purty–and they were enormous Queen fans, so they did a Queen medley.
  • And now Gary Cherone is doing Freddie’s call-and-response bit and, y’know what, Gary?
  • I don’t know if you’ve earned that.
  • You’re wearing saddle shoes and zoot suit pants.
  • That’s not a great photo: the pants are much zootier than that.
  • The crowd digs it, though, and that’s what matters.
  • Unless the crowd is cheering an execution.
  • It will.
  • Crowds always loved executions.
  • Whatever: crowd loves it, and therefore it is good.
  • On the other hand:
  • And that’s inexcusable, isn’t it?
  • Song’s over.
  • We’re done here, Extreme.
  • Much like Queen, the high point of Extreme’s career would be playing Queen songs at Wembley Stadium.
  • Shit, Gary is giving a speech.
  • Shut up, Gary.
  • The British, en masse, are terrifying.
  • Another montage of famous Freddie footage?
  • Is this gonna be between every band?
  • This doesn’t look like the Freddie from the movie.
  • He’s not bug-eyed and mopey.
  • Christ, did Movie Freddie mope.
  • “Wah, wah, wah, I like dongs and I’m sad.”
  • That’s not Freddie.
  • Oh, fuck, it’s Def Leppard.
  • What did I ever do to You, Jesus?
  • I say such nice things about You.
  • I defend You.
  • And this is how You treat me?
  • Not gonna lie, though: Pyromania is a banger.
  • It slaps.
  • It’s a slappin’ banger.
  • And there’s, like, nine guitarists onstage.
  • I think Leppard had three at this point, plus Brian has joined the group for Now I’m Here.
  • Two of the members of Def Leppard are wearing vests, but not shirts.
  • The drummer is also wearing a vest, which is impressive given the facts.
  • WAIT: Brian May has a vest on, as well.
  • It’s nothing but vests up there, folks.
  • Brian’s vest has stars all over it because of course it does.
  • I’m surprised it doesn’t have badgers on it.
  • Holy shit, another Freddie montage.
  • Eh, better than more Def Lep.
  • At the concert, they did two more numbers, but they are not included in this presentation.
  • This isn’t even a montage, it’s just the whole video for I’m Going Slightly Mad.
  • Which is a good video, but what the fuck?
  • My God, it’s Bob Geldof.
  • He is wearing a suit.
  • Maybe the suit’s wearing him.
  • These gentlemen are playing some sort of Irish music.
  • That’s all we need to discuss about Bob Geldof EXCEPT that he was in Bohemian Rhapsody storming around and–in the movie–Queen’s performance is the catalyst for millions of dollars in donations.
  • The movie says that Queen saved Africa.
  • They fed the world.
  • They let them know it was Christmastime.
  • Which is not how it happened at all, but I’m thinking about doing a post about Live Aid, so I’ll save it for then.
  • GUNS.
  • AND.
  • ROSES.
  • The Mark II version, but still: GnR.
  • Axl looks like this:
  • Slash looks like that, too.
  • The sharp-eyed will notice Dizzy Reed wailing away on his tambourine in the background.
  • Like I said: this was the Mark II band, the Use Your Illusion band.
  • There was Dizzy Reed on keyboards, and Gilby Clarke replacing Izzy, plus Matt Sorum and his ramen-noodle hair on drums instead of Steven Adler.
  • And black-up singers.
  • Once a band reaches a certain level, black-up singers are a necessity.
  • PLUS–for the live shows on the two-year long Illusion tour–another keyboard player and an all-female horn section.
  • And they never sounded as good as they did at the Ritz that night in ’88.
  • Slash with the doubleneck.
  • Knockin’ On Heaven’s Door time.
  • Yes, indeed, Axl.
  • Give us all some reggae.
  • You can watch it if you want:

  • But, if you’re unfamiliar: towards the end of their cover of Knockin’ On Heaven’s Door, Axl would demand of the band “Gimme some reggae!”
  • And they would provide the reggae, whether they should have or not.
  • Now Elizabeth Taylor is onstage.
  • Looking rather trim.
  • Pilled up, but trim.
  • Never got the whole thing with Elizabeth Taylor.
  • The sex symbol thing.
  • She looked like the women my mother played mah jongg with.
  • She did hate some AIDS, though.
  • Give her that.
  • If you were AIDS, and Liz Taylor saw you, she was mean-mugging you.
  • The punters are now heckling Liz Taylor.
  • But she’s giving it back to ’em.
  • And now they love her.
  • But she won’t shut the fuck up.
  • We get it, Liz.
  • AIDS: bad.
  • Got it.
  • Back to the rockyroll.
  • SHE WON’T STOP TALKING ABOUT AIDS!
  • Be quiet, damn you!
  • We’ve developed retrovirals since you started talking!
  • Oh, good, she’s gone.
  • Another Freddie montage.
  • Eisenstein would’ve thought this was too many montages.
  • IT’S QUEEN!
  • Kinda, mostly, sort of.
  • As close as you could get at the time.
  • Brian and Roger and John playing Tie Your Mother Down.
  • Here, watch:

  • And then Def Leppard’s lead singer came out.
  • I know his real name, but I’m not gonna call him that.
  • I’m gonna call him Jeff Leppard.
  • That guy did a lot with a little.
  • Not especially charismatic.
  • Voice is fine.
  • Good hair, though.
  • I’ll give Jeff that.
  • Brian and Slash are doing their Rock Moves at one another.
  • Okay, I’m tired and hungry and so this will be a two-parter.
  • I don’t know who you have to thank for that.
  • It occurs to me that I’ve forgotten to fill you in on any of the context of this show.
  • Whattya want for nothing?

Hanpy Borthday, Dample L’envelope

Jesus. What the fuck, David Lemieux, archivist for the Grateful Dead?

“It’s my birthday salmon. You know the old saying: Catch a salmon on the day of your birth, and you’ll be the luckiest boy on the earth.

I do not know that saying. That is not a saying.

“Might be just a Canadian thing.”

Yes. That’s a healthy-looking specimen.

“Oh, sure. This ol’ girl will feed my wife–”

Regina.

“–and my seven children for months.”

Gordie, Girl Gordie, Jean-Luc, Fleece, Northstar, and the twins, Billie and Mickie.

“Right. My family.”

Wait. There’s nine of you. That’s a big fish, but it won’t last months.

“None of my children is over eight inches tall.”

Not true.

“We’re raising them like they were normal-sized, though. Except for the cat thing. We’ve had to instill a deep and primal terror of cats into them. Normal kids can play with kitties, but Gordie is the biggest one and he’s the size of a gerbil. Just can’t be around cats.”

You just make stuff up. Can you call up Queen’s archivist and have him clean some shit up and release it, please?

“I don’t know Queen’s archivist. There isn’t a group chat of people who maintain legacy bands’ vaults.”

There should be.

“Yeah, it would be fun. We could exchange tips about alphabetization, and stories about annoying fans.”

I bet Zappa’s fans are the biggest dicks to their archivist.

“I could see that.”

Anyway, Dave–

“David.”

–happy birthday. Many more.

“Thanks, buddy.”

One last question.

“Don’t ruin it.”

You gonna fuck the fish?

“You ruined it. It was nice, and you ruined it. This is why no one likes being part of your little sketches.”

I’m not judging you. Are you going for the mouth or will you slice it open and belly-fuck it?

“You’re on time-out with me. One week. We’re done for one week.”

Aw.

More Thoughts On Bohemian Rhapsody

  • I’m still upset.
  • The nap was supposed to mellow me out; it did not; I arose angrier than when I laid down.
  • And then I read some of the reviews, and they infuriated me even further.
  • Because all of them basically said, “Eh, it’s fine.”
  • AND IT’S NOT FINE.
  • Having had time to think, my problems with the film were threefold:
    • It was bland.
    • I was treated like a moron.
    • Evil, evil homosex.
  • BLAND
  • Not one shot.
  • I don’t recall one single shot.
  • The director just set the camera anywhere, as if he were a drug addict who liked to fuck teen boys.
  • Here’s a stage.
  • Here’s an office.
  • Tracking shot through a party, wow.
  • And, as is required by Hollywood Law, the shitty-looking impossible shot that snakes through the parking lot of Wembley and up over the wall and down the stands and the pitch and up onto the stage at Live Aid.
  • You can picture the shot, right?
  • It’s been in every movie with a large event since around 2006.
  • Always looks terrible.
  • Dialogue, too.
  • 80% of the lines are characters stating how they feel at one another.
  • Or being expositionary.
  • MORON
  • Early in the film, the three Queens who are not Freddie burst into Freddie’s apartment; he is asking Mary to marry him, and he is happy due to the fact that the evil, evil homosex has not gotten to him yet.
  • “John Reid called and said we were going on a tour of America!”
  • They tell Freddie this news with glee and surprise.
  • As if they hadn’t been involved in planning a tour of another fucking continent.
  • That’s not how the music industry works.
  • That’s not how human beings work.
  • And then there’s Jim fucking Hutton.
  • He was Freddie’s last major relationship.
  • There when he died.
  • In real life, Jim cut hair at the Savoy Hotel and met Freddie at a party, where he turned down his advances; a year later, they re-met and hit it off.
  • In Bohemian Rhapsody, however, Jim is the Doughy Angel Of Love, this empty symbolic space where a character should have been.
  • Jim is cater-waitering at one of Freddie’s shindig/orgies, and Freddie grabs at his tushee.
  • This doesn’t make Jim mad.
  • Just disappointed.
  • He is Saintly.
  • He is Patient.
  • He is Kind.
  • You’ve heard of the popular film trope The Magical Negro?
  • Jim Hutton is The Magical Homo.
  • But let’s get back to the part where the movie treated me like a moron.
  • So: Freddie gets handsy with Jim, and Jim gives him a stern but loving talking-to.
  • Year goes by, but Freddie is still thinking of Jim.
  • It is the morning of Live Aid.
  • Freddie looks Jim up in the phone book; this leads to a comedy take in which he sees there are dozens of Jim Huttons listed.
  • THE VERY NEXT SHOT is Jim opening the door of his house to Freddie.
  • Which means one of three things:
    • Jim Hutton’s middle name is Aaron or Aardvark.
    • Freddie Mercury has cold-called at least several strange men named Jim Hutton across the London area.
    • This movie thinks I’m a fucking idiot.
  • And then Freddie and Jim say some shit to each other and it’s awful BUT THEN Freddie takes Jim to his parents’ house.
  • Freddie hasn’t seen him in a year, and they only spoke briefly.
  • But now he’s dragging him to Mum and Papa’s house for tea.
  • THE AFTERNOON OF FUCKING LIVE AID.
  • Don’t piss in my face and tell me it’s Mountain Dew, Bohemian Rhapsody.
  • Stupid-ass bullshit.
  • HOMOSEX
  • I cannot stress enough how anti-gay this film is.
  • And I can’t go see movies anymore.
  • Not in the theaters, not the first week at least.
  • There were Church Ladies in front of me, three or four of ’em.
  • The Madea kind, not the Dana Carvey kind.
  • And they never got used to the gaiety.
  • Every time Freddie kissed a guy:
  • “OH, LAWD!”
  • “That ain’t what you want, baby.”
  • “Go back to that blonde girl, and Jesus.”
  • Ten minutes would go by, and then Freddie would kiss another guy, and:
  • “HELP ME, JESUS!”
  • “He don’t wanna learn no right from wrong.”
  • “That boy got a condition.”
  • This was the whole damn movie, Enthusiasts.
  • Honestly, it was more entertaining than anything on-screen.
  • Just watch this:

  • Wasn’t that better than some bug-eyed kid miming it?

Twelve Thoughts On Bohemian Rhapsody

ONE

No one involved with Bohemian Rhapsody is allowed to go to Heaven. It is unholy, what they have created, and must stain all who birthed it. Everyone, even the trades guys who couldn’t give a shit about the movie, they’re just doing a job. The union electrician on Bohemian Rhapsody is now damned. Thanks, Brian Singer and Brian May and Roger Taylor and Regency Pictures. You just doomed a hard-working man from Redondo Beach to an eternity of torment. Because you needed to tell the reeeeeeal story of Freddie Mercury (featuring Queen).

TWO

Start off positive. The good parts:

  • Bug-eyed little fuck kinda looked like Freddie until he moved.
  • Brian and John’s wigs, but not Roger’s. (Deacy’s Live Aid hairpiece is particularly spot-on and spectacular.)
  • The actors who played Brian and John’ Brian and John impressions, but not Roger.
  • And that’s it, really.

THREE

In which is Inveighed the Tale of a Certain Mr. Mercury (featuring Queen) and his Misadventures with Homosex.

Make no mistake, homosex is the villain of this piece: it is what brings Freddie low, but through no fault of his own, no. He is lured into hairy butts. He is tempted by swollen dongs. Freddie loves Mary–her fucking name’s Mary, for fuck”s sake–so why does the world keep forcing homosex upon him? Even the saintly Mary!

“I’m bisexual,” Freddie says to her in a scene I watched from behind my fingers as though this were one of those movies with a babadook in it.

“No, Freddie. You’re gay.”

And Freddie’s taken aback.

“I’m, uh, pretty sure I get to say what I am.”

“No. Hush. You love homosex.”

And so on.

FOUR

If Trump could attach an explosive charge to Mike Myers’ head rigged to blow if he spoke in a British accent again, then I would vote for him in 2020. The guy’s obsessed with those wet islands.

Anway, he plays the record company bad guy who didn’t actually exist. It’s a movie, you see, and movies need bad guys except there were bad guys in Queen’s career besides “the public’s ever-evolving tastes.” And translating that into a visual story would require someone with far more skill than Brian Singer. So we get Mike Myers in a cheap beard doing a Scouse accent. (Or maybe Geordie. It was a specific British accent, as opposed to a general “‘Ello, Guvnor!” type deal. I’m not saying the man’s not good at British accents; it’s just enough already. At this point, it seems like a fetish.)

Record company bad guy is all, “You can’t put out Bohemian Rhapsody! It’s too long! Kids will never band their heads to it!” and then the whole cast just stares at the camera for a good thirty seconds.

And Queen is like, “No! We’re gonna! We are Rock and Roll yay!”

They leave his office and chuck a rock through the window. Mike Myers and his fake beard are none too happy. Later on, though, he’ll get his comeuppance.

FIVE

If the Grateful Dead’s biopic show at Amazon still exists, I’m cancelling it. There is literally one person on the planet who could write it correctly, and obviously it is me, and since I am not doing it, it must not be done at all. Cancelled.

SIX

Me, on the way in: Don’t nitpick the details. This was made for a general audience and therefore events will be rearranged for dramatic purposes. Don’t be an obsessive nerd.

Also me on the way in: If Ogre Battle isn’t on the soundtrack, I’m rioting.

SEVEN

And Paul Prenter. He was the bad guy, too, and actually existed in real life. He was Freddie’s personal manager and party buddy and generally regarded by the rest of the organization as a poor influence. In the film, he looms over Freddie. Physically. Every frame of every shot they’re both in. Except when he’s non-consensually kissing Freddie.

“No, darling. Stop it.”

“Yes, Freddie. Accept the homosex.”

Freddie wants to be the nice boy from the Parsi family, sweet little Farrokh, but the agents of homosex are insidious and relentless and throw such killer parties.

EIGHT

Bohemian Rhapsody is cheaper than Freddie’s taste in vodka. (They did get that right: the movie’s a two-hour ad for Stoli.) Save for two or three scenes, the whole thing is shot inside in cramped and barely-decorated sets. Plus, the producers–having busted the budget on Bug-Eyes’ dental prosthetic–skimped on mustaches; you can no fucking kidding see the damned lace in half the shots. The ‘stache is better than the one you would get at the Dollar Store, but not better than the one you’d get at Party City.

NINE

Seriously, look at the Brian:

That’s a good Brian.

TEN

The effects were special, just like some Olympics are; the concluding and supposedly triumphant performance is tragilarious in its incompetence and jankery. These shots are pure, uncut BLT, Enthusiasts. (Bush League Time.) There is, of course, a drastic difference in light between the live actors and the computer-generated stadium; it’s so bad as to resemble the old driving scenes where they’d shoot the car in front of a projected image.

But the seams showing is not as fun as the true problem, which is that someone–possibly someone under investigation for teenfucking but who is still being offered multi-million dollar contracts to direct movies–thought that Wembley Stadium wasn’t big enough, so the Wembley in Bohemian Rhapsody has a capacity of around three million. It stretches past the horizon and towers into the sky; it is Leviathan.

ELEVEN

It’s okay, though. Freddie (featuring Queen) wins the day, and they even throw in the bit about Queen’s roadie (their lawyer in the movie) sliding the volume up on the soundboard right before the set. Literally every other fact concerning the show is wrong, but they got that right. They must play well, you see, because Freddie has received some terrible news, which he shares with his band via terrible writing.

“Boys, I have it.”

“The homosex thing?”

“Yes, that.”

“How did you get it?”

“Homosex.”

“Ah.”

And then they play Hammer To Fall.

TWELVE

I reserve the right to continue this, as I’m still furious. But I need a nap.

For The Record In Little Aleppo

“I feel, when I cough, that I might die.”

“Have you seen a doctor about it?”

“Many.”

“What do they say?”

“It depends on their specialty.”

Steppy Alouette was neither lying nor making a joke; she had physicians from allergists to urologists attending to her lately. She had the best insurance west of the Segovian Hills, which is a fifty-year history of being one of the local hospital’s largest donors. Blue Cross/Blue Shield is decent, but having the pediatric wing named after your family is far better. She didn’t even have a co-pay.

The pulmonologist said it was her lungs, and the nephrologist thought it was her kidneys, and the sports doctor recommended Tommy John surgery. All the pediatricians agreed that Steppy’s symptoms sprang from her being too old. The gynecologist ruled definitively that her vagina was not to blame, and Steppy thanked her for that, and then a passing plastic surgeon offered to–quote–“snazzy up that chooch,” and Steppy declined. The pathologist said there was nothing she could do for her yet.

The pediatricians were right, she thought. Just too damn old.

They were in the sunroom. Houses on Pharaoh Lane had sunrooms. On the Downside of Little Aleppo, there was a street called Faro Lane, and the houses there didn’t even have windows, but the houses on Pharaoh Lane had sunrooms. It was just before noon and there was nothing but light and ferns. Steppy had her feet up on the fabric of the gently rotting sofa–it used to be British racing green but had faded to lime–and she laid against the high arm, a pillow tucked under her. Lower Montana had a pad, and a pen, and a recorder on the table in between her and Steppy, and she was sitting in what was, by her estimates, the most uncomfortable chair in the universe. It was high-backed and the seat cushion was a lie. The chair did not match the sofa, or the table, or any other of the furniture.

“It’s the poking I hate. Dying isn’t as bad as it’s made out to be, but Christ you get poked at.”

Lower didn’t know what to say to that, so she didn’t say anything. Steppy looked, cloudily, at the recorder and continued,

“I was born in 1908. In the bedroom upstairs. The family is from Montreal, but Daddy came out here in…’02 or ’03, I don’t remember…to invest in the Salt Wharf. He met Mother in the bar at the Norwegian Hotel in ’05. I know that because he liked to tell the story about it. She was there with another man, but she left with Daddy. That behavior would continue the rest of her life.”

“How did your father feel about that?”

“Oh, Daddy didn’t have feelings. Not that I ever noticed. There was nothing inside the man. Some took it for mysterious, or serious, but he was just a bore. It’s a tragedy, but it happens. Mother was inclined towards an opposing disposition. Maybe a little too much. But they never fought. She jabbered at him and he went ‘Humph, yes, imagine that’ at her while he ate his eggs. He made the cook burn the damned things. I can still remember the stink. This is not what you want to hear.”

“That’s for historians a hundred years from now to figure out. Just get as many details recorded as you can and let our great-grandchildren sort out the mess. That’s my motto.”

“Is this what you’re teaching your students?”

“Absolutely.”

“Good God. They need to be taught real history.”

“And what is real history?”

“Generals and such.”

Steppy’s words would have carried more weight had she not endowed the History Department chair at Harper College that Lower had occupied since gaining tenure, which she received after her first book, Little Aleppo: Everything We Can Prove, became a surprise best-seller after being accidentally labeled as fiction.

“I think the generals have enough books about them.”

“Oh, never. What ever could be more important than a man with a gun?”

“What was Little Aleppo like when you were a child?”

“Smaller. You’re supposed to say ‘bigger,’ I suppose. ‘When I was young, everything seemed so vast.’ Not Little Aleppo. It was a rinky-dink place back then. Sheep were still grazing in the Verdance. I remember that. I remember the farmer had a dog, one of those black and white ones that bends sheep to its will.”

“Border collie.”

“The Tahitian. I remember The Tahitian. It started as a nickelodeon, you know. Well, sort of. You know their scam.”

Lower did; it was the focus of one of the chapters in her book. The Tahitian offered two tickets for nine cents, which made it a better deal than the theaters over the hill in C—–a City. It was an even better deal for the theater’s owner, Augusta Incandescente, whom everyone called Gussy, because the change was given in the form of a counterfeit penny.

“There were these short little films. Ten or fifteen minutes. The cops would chase the robbers, or the cowboys would chase the Indians. That’s all movies have ever been good for: chase scenes. And there were travelogues and these things called illustrated songs. Did you ever hear of them?”

“It was like a group karaoke thing, right?”

“Ha, yes. The lyrics would be on the screen and the organist would play. Everyone would sing. It was dire. I remember looking up at my nanny while she was singing along, and thinking she was a simpleton.”

“You had a nanny?”

“Darling, I had a wet nurse. I had a governess. The wealthy can hardly be expected to raise their own children.”

Lower nodded in agreement and mumbled Mmm under her breath. She had been raised in a two-bedroom slab house on Themistocles Street; her parents had hired babysitters, but no nannies. But one of the tricks she had learned while interviewing people was this: if you just kept nodding and making confirmatory sounds, people would talk forever.

“I was educated at home. Tutors came in. Latin and elocution and all that. The Latin came in handy later. And then Radcliffe. I was 16, I think. Daddy was Harvard so I got shipped Back East to finish up. Those goddamned winters. Twenty below and the sun didn’t come up until ten in the morning. Never got used to it, hated it the whole time. Haven’t seen snow since then. Never even gone skiing.”

“It’s fun.”

“I won’t be cold.”

“What did you study?”

“Who can remember? Arguments of the long dead; irregular French verbs; the volume of a conic cylinder. The usual. I was a conscientious student, but not particularly invested. Mostly, I studied Carrie.”

“Carrie?”

“Eleanor Middlecott Saltonstall. She was called Carrie. Don’t ask me why. She had brown hair. God, we fucked like monkeys. I didn’t know I was gay–there was no ‘gay’ back then, this was 1924–but I couldn’t give a fig about boys. The other girls were obsessed with them, but I couldn’t tell one from the other. Braying jackasses. She married one.”

“Carrie?”

“Mm. Brahmins. They have a duty to breed. Someone has to rule New England, after all. We shared a table at dinner the first night I was in Cambridge. Her cuffs were uneven. She was wearing a sweater over a long-sleeved blouse, and the cuffs were uneven shooting out of the sleeves. I remember that, but I don’t remember what we talked about. We were sitting next to each other. Our knees touched. It was like lightning. Oh, I can remember. Being afraid to look her in the eye.”

Steppy smiled like her lips were dreaming, and pointed at the carved wooden box on the table. Lower flipped the lid: a dozen perfectly-rolled joints and a silver Dunhill lighter. She took one out, the lighter, FFT, PHWOO, and put the joint in Steppy’s outstretched hand. She swopped in bitty little puffs. Lungs weren’t what they used to be. The couch seemed a paler shade.

“The summer after our sophomore year, she married him. Moved out of the dorm and into an apartment on Brattle. Never spoke to me again.”

“That’s terrible.”

“I always thought so. She died young. Giving birth. That happened a lot more back then. Even to decent people.”

She grinned. Steppy had the best dentures money could buy; you could still tell. Too white.

“And then I came back home. Time for another marriage.”

“Whose?”

“Mine. Just had to find the right man. He was out there, maybe. I was 21 by then, which was old to be single, especially for the people I came from. Daddy stopped donating to Harvard for years.”

“Why?”

“They had failed, in his estimation. He sent me there to find a husband, and instead I got an education. And what did I need that for? Whosoever could possibly require an education less than a rich girl?”

Steppy’s painted tortoises, Lenny and Honey, padded through the backyard. Steppy used to paint them, but now one of the maids did it. Both tortoises’ shells were done up in the Soviet Realism style.

“Damned woman is from Belarus and won’t stop with the heroes of the proletariat. I told her that the animals preferred Expressionism. She accused them of being aspirational.”

“So tough to find good help.”

“You’ll take them when I die.”

“The turtles?”

“Tortoises. They’re dry. They’re tortoises. You have a little yard.”

“And a cat. She’ll attack them.”

“She’ll drool on them, at best. Your cat’s retarded, Lo.”

“We don’t use that word.”

“It’s my house, and I’ll call cats retarded if I want. And I’m not wrong. There’s something wrong with that poor creature. Her eyes don’t work in tandem.”

Steppy was neither lying nor making a joke: Fizz was a special animal. She spent most of her days staring blankly into the middle distance and had never quite mastered the litter box. Flower Childs, who shared the small cottage on Alfalfa Street with Lower, hated the cat. She spent her days at the fire station with Ash-Nine, a Dalmatian so inbred it was ninth in line for the Hapsburg throne, and then had to come home to a genetically defective kitty. Other people got to have clever pets, she thought, but she was surrounded by four-legged morons.

Lower Montana loved Fizz, though, and was not surprised at her shortcomings, mostly because Lower had specifically requested “the cat no one wants” at the shelter.

“Fizz is a kind soul.”

“Of course she is. She’s too dumb to be mean. What were we talking about?”

Lower checked the scrawl in her notebook.

“You got home from college and were trying to get married.”

wasn’t trying, my father was. It was embarrassing for him. My little sister Essie was married. She eloped with some fat count named Bardolph. I mean, he had 19 names, but he went by Bardolph. Can you imagine how absurd the other 19 names were if he chose ‘Bardolph?’ Industrious fellow. No job, but industrious. You should have seen the castle they lived in.”

“Big house?”

“No, sweetheart, an actual castle.”

“Oh.”

“Overrated. Good as a military installation, but useless as a house. Too drafty. Only visited her there the once. They were executed by the Nazis in ’36. Not executed, I suppose. Hacked to death. ‘Executed’ makes it sound more dignified than it was.”

“I’m sorry.”

“I warned her. I told her that it was dangerous for such a silly girl to live anywhere but California.”

Steppy ‘s hands did not shake and she drew in small puffs from the joint pwahpwahpwah and and blew out through her thin lips phwoo.

“The world’s a savage place, I told her. She gave me the line about the kindness of strangers. Heh. Write that down, Lo. Esmer Glassice Alouette–G-L-A-S-S-I-C-E, it’s a family name–depended on the kindness of strangers in 1930’s Bavaria. Dumb as your cat.”

She could feel her sister’s hand in hers. They were walking to The Tahitian. She had her sister’s hand in her left and a new dime in her right with Liberty in her Phrygian cap on the front and ONE DIME written on the back; it pressed into her palm, and both girl’s strappy shoes were shined up black. It was quiet in the sunroom except for the tape recorder.

“It’ll be lunch now,” Steppy said, and a tall, blonde woman in a maid’s uniform entered the room; she announced “Luncheon” in a thick accent, withdrew. Lower smiled.

“Is that the tortoise-painter?”

“Can’t tell a White Russian when you see one? Ethnically distinct people. Help me up, I’m hungry.”

Lower took her hand and Steppy rocked back and forth oncetwicethree times and then she was standing–neither woman was much over five foot–and Steppy grasped her arm with both hands and nodded at the recorder, which Lower picked up, and they walked from the sunroom into the house on Pharaoh Lane for lunch, which was served at 1:00 precisely on the Upside of Little Aleppo, which is a neighborhood in America.

A Lesson Earned

We take our lessons where we find them, Enthusiasts; lessons maketh the plan, you see. That’s all you are: a pile of learned lessons; some that took you years to understand, and others you flashed on suddenly. Some lessons will scar you, but you don’t have to let them. You can learn from others. You can learn from me; I learned a lesson today.

The Democrats would take back the House and the Senate, I believed this morning. Felt it in my boners! Had to be true, Enthusiasts. This was 1992 all over again! To the Twitter machine I hopped and tippytippytapped out my twittytwatty tweet, but I was restrained! Forsworn by the Palm of God! I may have seized for a moment!

Because I did not send that tweet.

Instead, I asked myself a question, and I believe this question to be important and powerful and worthy of sharing with you.

You got any idea what the fuck you’re talking about here, chief?

Make sure to include the “chief.” You want to make yourself uncomfortable. Establish an adversarial relationship with yourself. Maybe work yourself over with a length of rubber hose for a while. Any answer other than an immediate “yes” with a cogent defense of the position will be considered a “no,” including the response “Hey, you do your job and I’ll do mine.”

I was excited about the tweet and there it was: the Palm of God.

You got any idea what the fuck you’re talking about here, chief?

Politics, I said.

That’s a “no.”

Aw.

I was then sad, and my heart festered in mournfulness and being all weepy-faced; as I deleted the tweet, I offered my seed to Gowat, the Master of Rivers and tossed my computer into the swells by the bend of the Waxachachichoochi River. Gowat eats the unused tweets of man, if they are sent along with an offering. This is how my village has done it for millions of years.

Chief?

Yeah?

There’s NO point to this at all. 

I think the lesson about rigorous self-examination is a sound one.

Who the fuck is Gowat?

He’s the Master of Rivers.

Go watch a movie or something.

TotD: Your Home For News

Welcome back to Election Night: Live From Fillmore South. The polls are starting to close and early results are coming in. Former Clintonista Donna Shalala has taken the Florida 27th, and Robert Menendez, who is a criminal, has held onto his Senate seat in New Jersey. For a closer look at some important races, we’re going to toss it to…ah, for fuck’s sake.

“Hiya.”

Bobby, this is a political post. I need someone to analyze the Midterm results.

“Right, right. That’s what the bunny is for.”

The bunny doesn’t know anything about American governance.

“You’d, uh, be surprised. Was an American Studies major at Yale.”

The bunny?

“Yeah.”

Okay. Bobby, I’ll get back to you. There’s some big news coming in from Indiana, where the Republican  Mike Braun has defeated his Democratic opponent Joe Donnelly to win a Senate seat. Here with an insider’s take on the race is…c’mon, man.

“How y’all been doin’, sugar?”


Hi, Mrs. Donna Jean.

“Izzit Arbor Day already? I ain’t tended t’ mah peach trees in a hound’s age.”

It’s Election Day.

“Oh, Ah don’t know nothin’ ’bout no electioneering. Mah husband votes for me, like th’ Bible says.”

Uh-huh.

“There was one ol’ boy Ah followed ’round when Ah was a young’un. State Senator named Sticky Foote from Heironymous over in Chillafunky County.”

You made all of that up.

“Mah, could Sticky speechify. Promised a possum in every pot.”

Don’t you mean chicken?

“No, sugar. Alabama did’n get no chickens ’til ’round 1980. Back then, we mostly et possum an’ snake.”

Uh-huh.

“But Sticky was gonna turn all that ’round for us. Bring Alabama into th’ 19th century.”

20th.

“Stop correctin’ me, sugar. Ah know what Ah said.”

Sorry.

“Than man could fit more pomade in his hair than any Ah’ve seen since. And he was very progressive. Given the tahm and place, y’unnerstand. He was completely against lynchin’, less’n it was justified.”

Sure. I need to get back to the election, Mrs. Donna Jean.

“Stop on bah whenever you in the area, sugar.”

Yes, ma’am. With polls closing in important Midwest states, TotD can now confirm that Joe Manchin, who is a Democrat even though no one can tell me why, has won reelection in West Virginia. For a breakdown of his victory, we go to the head of the West Virginia desk…no. No, no, no, no, no.

“MY SUIT CONTAINS MANY VIRGINIAS.”

Dammit, Ye, you don’t know anything about…well, anything. You are less than helpful when discussing election results.

“I VOTED FOR DONALD TRUMP.”

He wasn’t running this time.

“NEVER LIMIT MY VOTING. I CAST VOTES ALL THE TIME. ME AND VIRGIL ABLOH ARE REDESIGNING BALLOTS.”

Take your medicine.

“I DO NOT NEED MEDICINE BECAUSE I HAVE THE BIGGEST SUIT.”

Okay. I’m just gonna call this whole thing off. Maybe rethink my approach.

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