Maybe you will, too. Light and funky like a summer evening.
Musings on the Most Ridiculous Band I Can't Stop Listening To
Maybe you will, too. Light and funky like a summer evening.
I didn’t have the energy to write anything new, so I went into the “Jenkins” tag and fixed all the broken picture links. This, of course, was so much more work than the writing would have been.
But you all seem to like the poor bastard, and so do I, so here we are.
And here’s a picture of Laraine Newman in Paul Stanley’s actual KISS gear: He used to leave a set at photographer Lynn Goldsmith’s studio, until she started dressing her celebrity friends up in it and selling the shots to Rock Mags. Can’t really blame him for asking for his clothes back.
So there: Jenkins and a lady in semi-stolen leathers making a silly face. What more do you want from me?
“Jenkins!”
“Here, sir.”
“You wanted to see me?”
…
“Not all of you, sir.”
“I am clad in sky, Jenkins. I am clad in sky. Oh, the breeze! Salutary on my niblets!”
“At least sit on a towel, sir.”
“The couch gets what I give it. Why are you here? Is this about the petty cash?”
“Oh, no, sir. Have you been dipping into the petty cash again?”
“Dipping? Never.”
“Good.”
“More like diving! I bought an oscilloscope.”
“Why?”
“They were out of Geiger counters. I’m getting into retrofuturism, Jenkins. Dials and knobs and what-have-you. And I’m thinking about carpeting the bathroom.”
“Ugh.”
“The retrofuture isn’t all it’s cracked up to be. Lot more filthy than you’d imagine. Remember conversation pits?”
“Yes, sir.”
“The air can’t escape! Nothing but miasma. We’ll all be malarial within days.”
“No, sir. Bad air does not cause malaria. It is spread by mosquitoes.”
“Yes, yes. I also bought some skeeters with the oscilloscope.”
“Why?”
“Incredible deal, Jenkins. BOOGAMM.”
“BOOGAMM, sir?”
“Buy One Oscilloscope, Get A Million Mosquitoes.”
“I simply do not know where you’re finding these websites, sir.”
“Dark Web.”
“I’ll be on the lookout for a package that is both beeping and buzzing, sir. But that’s not why I’m here.”
“Well, you’ve seen my schlong and abetted my embezzlement. What else is there to our relationship?”
“This new National Anthem you’ve penned, sir.”
“Ah! You’ve heard it! I call it America The Beautiful.”
“Yes, sir.”
“I had always thought it was written in 1900 or so by some religious fruitcakes, but it turns out I wrote it this weekend after eating a handful of loosie-goosies.”
“I thought you ran out of those, sir.”
“Found a stash. Ohhhhhh, did my goose get loose!”
“That makes a lot of sense, sir. I wanted to talk to you about the song.”
“Symphony.”
“It’s only eight lines, sir.”
“Symphony for the common man.”
“Fine, sir.”
“You’ve come to praise me?”
“Partially.”
“Then you’ve come to bury me!? Et tu mama, tambien, Jenkins?”
“I truly need you to let me change the language on your teevee back to English, sir.”
“Nunca!”
“What do you think that word means, sir?”
“I assumed it was the name of a killer whale in a sombrero.”
“You have an ear for language, sir. Speaking of which, that was what I came in for. To discuss the lyrics of America The Beautiful.”
“Well, why haven’t you brought it up until now!? It’s like we’ve just been bantering for 400 words.”
“As so often happens, sir. Getting back to the lyrics, sir: They make very little sense.”
“Explain yourself. And prepare your eyes.”
“For blasting.”
“You got it, buster.”
“Yes, sir. Let’s look at the first line: O beautiful for spacious skies, for amber waves of grain.”
“Miraculous word placement, Jenkins.”
“No, sir. None of the words are in the right place. It’s not even backwards. It’s…sideways.”
“Well, you’re not the target audience.”
“Who is?”
“Patriotic aphasics.”
“Sir?”
“People who love America and who are currently undergoing a mild stroke.”
“Don’t you think that’s a bit niche for a National Anthem?”
GUN BEING COCKED NOISE
“Go ahead. Speak French in my office again. I dare vous.”
“Where were you even keeping that thing?”
“It was with the loosie-goosies. When I stash, I stash.”
“Excellent, sir.”
“I’m like a squirrel with custom-made shoes, Jenkins.”
“Yes, sir.”
“Staaaaaaaaash.”
“May we move on to the second line of the song?”
“Do what you want, baby. Goosie?’
“Maybe later, sir. For purple mountains majesty, above the fruited plain.”
“That’s some good America-loving, Jenkins. Haven’t loved America like that since I was in Iraq.”
“You have never been to Iraq, sir.”
“Iowa?”
“Nor there.”
“Ingersoll-Rand.”
“That is a company that makes scientific equipment, sir.”
“Such as oscilloscopes?”
“I suppose.”
“Well, there you go. We brought it back around. Bully for us!”
“Huzzah, sir. About the mountains.”
“Mmm?”
“Mountains are not purple, sir.”
“Not the poor person mountains you’re allowed to look at, no. But I have access to far more mountains than you, and spiffy ones. You know K2?”
“Yes, sir.”
“Well, I’m allowed to view K’s 3 through 8. Soooooooo purple, man.”
“Moving on once more. Above the fruited plain?”
“I meant San Francisco, Jenkins.”
“Ah.”
“Fruits!”
“You snuck a gay joke in there.”
“Wouldn’t be a National Anthem without some homosexual-needling. Healthy senses of humor on the gays. The male ones, at least. Not so much with the ladies, although who can blame them? Always burying golden retrievers.”
“I have no response to that, sir. America! America! God shed His grace on three.”
“Good stuff.”
“Don’t you mean thee, sir?”
“Nunca! I meant three! Me, you, and Evel Knievel.”
“Evel, sir?’
“Commies sabotaged the Rocketcycle, Jenkins.”
“How big was that goosie stash, sir?”
“So loose.”
“Uh-huh. And crown thy good with brotherhood. Seems like we’re leaving the women out, sir.”
“They’re busy.”
…
“Burying the—”
“Lesbians and their dead dogs, Jenkins!”
“–golden…I’m not even arguing with you on that point. I do like the bit about Sea to shining sea.”
“Wraps it up in a nice, wet bow. Big sloppy salty bow. Say, Jenkins–”
“Have you talked yourself into wanting saltwater taffy, sir?”
“You betcha.”
“I’ll get the car.”
“Atlantic City, here we come!”
Weren’t you gonna talk about the game?
Stay on target, you bag of skin and complaints.
I’ve heard so many glowing things about Phoebe Bridger-Walls, and I will be checking out her album after I finish re-listening to all my KISS records for the 90th time, but this…this is not a good start to our relationship. I was led to believe you were above the Sincere Acoustic Cover, Phobia Bridgerton.
Everyone stop fucking doing this. It wasn’t funny the first time, and now it bespeaks a feculence of thought.
And I’m betting you’ve gotten mighty high, Enthusiast. My audience is nothing but reprobates and skeezoids, but that doesn’t matter: Elvis got higher than you.
Yet more compliments for long-time FoTotD Mr, Completely:
What does this have to do with KISS?
Had you waited ten seconds, you would have found out. It was literally the next Bullet Point.
Hop to it, then.
I’ll hop up your asshole with a machete, muchacho.
You don’t have the balls to take on my asshole.
…
…
…
Shall we move on and pretend the last few lines didn’t happen?
For the best, I imagine.
Yeah. So, the point I was trying to make before I was so rudely interrupted is this: Once again, Mr. Completely has completed us. He kicks down three KISS shows from the Makeup Era: 4/1/74 from the famed Agora Ballroom in Cleveland, 6/13/75 from the Tulsa Fairgrounds, and 9/3/76 from the Richfield Coliseum (also in Cleveland). All three are Pre-FM feeds from the SBD, and quite acceptable as far as sound quality goes (and you know I’m picky about that).
These shows are a bit of a revelation: To hear the stories about early KISS and the legends about how much overdubbing was necessary to get Alive! and Alive II! into shape for release, you’d think the raw tapes would sound like deranged chimps banging on orphans. But no! They were a tight, well-rehearsed combo. I mean, they weren’t about to break into a set of Mahavishnu covers, but neither are they all playing in different keys simultaneously, unlike some semi-defunct, choogly-type bands I could mention.
Is Mr. Completely done? Has he finished his task and then withdrawn beatifically, leaving only joy and sunshine and a fresh, citrus-y smell in his wake? No! Of course not! He also points shit out, specifically the fact that KISS went–in just a bit over two years–from the 2,000-seat Agora to the 20,000-seat Richfield Coliseum, which is some impressive fan-garnering.
Download those shows presently, however: They’ll only stay up for the weekend. We close with a picture I like to call What? And leave Show Biz?
*Some of you may be happy to see this theme explored, but no one was like “TotD, can we have more disjointed and semi-random spewings on the Silly Rock band from the 70’s?”
Hey, Garcia. I see you sneaky-peepin’.
“What, man?”
Sneaky-peepin’. Everybody else is looking this way and that, but not the Big Guy. Big Guy’s a sneaky-peeper.
…
“Parish?”
Aw.
OR
Is Mrs. Donna Jean toking on a doobie, or eating a cracker? Could go either way.
READ THIS BOOK You must. If you’ve been coming around here for any length of time, then it’s for you. The Trick flames out! KISS destroys! Aerosmith is, you know, fine for what they were! Starz literally chokes their powerful manager in public and then wonders why their career tanked! And constant dickishness from Gene and Paul! It’s everything you want in a book. Go, read, do.
WATCH THIS SHOW You should! Plebs is perhaps the purest sitcom I’ve ever seen. It has no influences aside from other sitcoms: Nothing–absolutely zilch–is original; everything is stolen from previous, better, shows. The premise is The In-Betweeners set in Ancient Rome. Guy in the left is the Oversexed Doofus; the one in the middle is the Uptight Plot Driver; on the right is Baldrick. They have a Sleazy Landlord and a Slutty Boss, and there are many Guest Stars. One can, with no effort, predict the rest of the story (and even individual jokes) within the first seconds of the program beginning.
I love this show. Just what I needed right now.
EAT THIS SOUP Fancy folks’ll scoff, but fuck ’em. Never be ashamed of being common. Takeout wonton soup from the dodgy Chinese place is one of life’s glories. Eat it in your car while REO Speedwagon cranks. Wonton’ll help you roll with the changes.
LOOK AT THIS PICTURE One of my favorite categories of pictures of KISS is “KISS where they’re not supposed to be.” This was 4/24/74, and they didn’t have the money for the high-quality costumes just yet, but still: Check the fit. John Mayer wishes he had a fit like that.
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