Musings on the Most Ridiculous Band I Can't Stop Listening To

Month: May 2018 (Page 2 of 10)

Thoughts On Solo (Spoilers)

  • Some things were so much clearer
  • Once you were in my rearviewmirror.
  • That’s by Pearl Jam; it was playing on the radio when I got out of the theater; it has nothing at all to do with Han: A Scoundrel’s Fairytale.
  • Nope, nothing at all.
  • Nosireebob, the typist said as he listened to a recording made in 1973.
  • Spoilers from here on in.
  • No foolin’.
  • I’m the sun and you’re the mayonnaise; shit will get spoilt.
  • S
  • P
  • O
  • I
  • L
  • T
  • Spoilt.
  • If you’re still here, then let’s go.
  • Punch it, Jewy.
  • Okay, first off: I did not know that Melissa McCarthy was in this.
  • Or that the plot revolved around her returning to college as a grown mom.
  • And that there would be little to no war, be it amongst the stars or anywhere else.
  • Pss pss pss.
  • I have been informed that I watched Life of the Party instead of Vest: A Sideburns Pew Pew. 
  • Gimme 143 minutes.
  • CASUAL WHISTLING NOISE
  • Okay, I have seen the correct film.
  • Movie.
  • This ain’t a “film.”
  • Lawrence of Arabia was a film.
  • This here’s a movie.
  • So, anyway: Young Han Solo is from Corellia, along with Dragonface McEyebrows, and he loooooooooves her and wants to stick it in her BUT SHE IS BAD, it turns out later.
  • You would only see the twist coming if you had ever seen a movie before.
  • Or read a book.
  • Or just weren’t a complete nincompoop.
  • But they start off as street urchins working for Space Fagin.
  • Not lying.
  • There is absolutely a Space Fagin in this movie.
  • He’s a lady Space Fagin, and also a giant tapeworm that’s also a dracula for some reason, but: Fagin.
  • I’ll just give you the plot because there are no themes in this movie.
  • Maybe it’s about how Han learns to not trust anyone?
  • But he should have learned that being a child slave on Corellia.
  • And he learns to trust Tobacco the Space Monkey.
  • Yeah, I’m gonna go back to my first thought: no themes whatsoever.
  • PEW PEW.
  • So, now Han’s an Imperial trooper or something and he runs into Woody Harrelson and Thandie Newton.
  • And you, sitting in your seat, say, “Hey, it’s Woody Harrelson and Thandie Newton.”
  • Which is why you shouldn’t put famous actors in Star Wars.
  • Because instead of thinking, “My, what ferocious adventures these rogues are having,” you think, “Hey, that guy knows Bobby.”
  • And then Paul Bettany shows up and you start wondering if there are Infinity Gems involved in this bullshit.
  • I’m ahead of myself.
  • Han is a lot like Rey, or Luke, or–I’m quite sure–Boba Fett in his upcoming dumb-ass prequel in that he can do whatever the plot requires of him at the time.
  • Meets an angry Wookiee?
  • He can speak Shryiiwook.
  • New ship?
  • He can fly it.
  • Never are we shown him learning these skills, but he has them when he needs them.
  • It’s like the creative team rolled for his attributes and then refused to let anyone else see the character sheet.
  • (There was all sort of Hollywood machinations going on during the making of the film, including the original directors getting fired and replaced by Ralph Malph, but no one cares. Although the movie was written by Lawrence Kasdan–of Empire fame–and his son, which is sweet. I never wrote a Star Wars with my dad. He punched me a couple times, but never a co-writing credit on a Star Wars. Miss ya, Pop.)
  • Fuel!
  • Remember fuel?
  • We learned in The Last Jedi that ships in Star Wars required fuel.
  • Never before had this fact been brought to our attention, but now it’s a thing and Han and his crew have to steal the fuel.
  • The fuel is called Plottinium.
  • (It’s not, but I’m gonna call it that. Fuck it: Disney doesn’t have a private army. Yet.)
  • They gotta get it, and the Plottinium is on a train because it’s not like there’s any other way to transport stuff in the Star Wars Universe.
  • Say, a ship that, if under attack, could veer off course and run instead of staying on a track where the robbers would be able to plant bombs and stuff.
  • But the plan goes wrong and Thandie Newton and a CG character whose name I didn’t care to listen for die!
  • Oh, noes!
  • Woody Harrelson is all like, “NOOOOOOO!”
  • Because apparently we were supposed to care about Thandie Newton.
  • I had not been informed of that fact.
  • And the Plottinium gets away with the bad guys, who will later turn out to be multi-ethnic good guys.
  • So Han and Chewie and OH, WAIT.
  • Woody Harrelson’s name was Tobias Beckett.
  • WHAT THE FUCK KIND OF STAR WARS NAME IS TOBIAS FUCKING BECKETT?
  • Tobias Beckett is the name of, like, one of Pennsylvania’s representatives at the Constitutional Convention.
  • Or your fussy uncle who brings his “friend” Lawrence to family holidays.
  • We all know who Lawrence is, Uncle Tobias.
  • Stop it with the roommate bullshit.
  • Tob Asbeck.
  • Kett Siabot.
  • Moogoo Gai Pan.
  • Those are fucking Star Wars names, Kasdan family.
  • Not Tobias fucking Beckett.
  • What was Thandie Newton’s name, Ellen Carter?
  • Now I’m angry.
  • Stop it and get on with whatever this is.
  • It’s not a review.
  • Clearly not.
  • Where was I?
  • Oh, right: LANDO!
  • Who is Donald Glover in a cape doing a Billy Dee Williams impression.
  • AND THEY’RE PLAYING SABACC!
  • THAT THING THEY MENTIONED IN ONE OF THE STUPID NOVELS!
  • PIUGUH JBIYUWDO{UOUHFG.
  • And since they’ve lost the Plottinium, they have to go find more.
  • Where could it be?
  • Is it under your space bed?
  • Did you leave it next to the sink while you were shaving?
  • In the freezer next to the banana guacamole?
  • No, of course notIT’S ON KESSELKESSELOMIGODKESSEL.
  • THAT THING THEY MENTIONED!
  • So they go to Kessel, but Kessel is located in some sort of Space Bad Neighborhood and some retconning bullshit about parsecs–THEY MENTIONED PARSECS!–and whatnot and now there’s a “heist.”
  • I put heist in quotes because Ocean’s 11 is a heist movie.
  • Heist movies require elaborate plans and disguises and things go wrong and everyone is charming.
  • They just pretty much walk into the mine and take the stuff.
  • Oh, and Lando has a fuckbot.
  • Because they can’t give a black man a real girlfriend.
  • This is Kessel.
  • Stormtroopers be trippin’ now.
  • Anyway, the fuckbot dies and Lando is all like “NOOOOOO!”
  • Because apparently we were supposed to care about the fuckbot.
  • AND THEN THEY MAKE THE KESSEL RUN!
  • THAT THING THEY MENTIONED!
  • And there is a monster along the way that tries to eat the Millennium Falcon while Han and Chewie try to pilot the ship out of a rapidly-closing exit.
  • Because otherwise how would you know it was a Star Wars movie?
  • (Oh, yeah: the Falcon is there and all shiny and new and juuuuuuust different enough to require the purchase of a new piece of stamped plastic.)
  • YAY!
  • They win!
  • Only to be double-crossed.
  • Betcha didn’t see that coming.
  • Oh, you saw that coming?
  • Yeah, we all did.
  • Han and Paul Bettany and The Pretty One Who Can’t Act shoot at each other–PEW PEW–and there are swords because why wouldn’t there be swords in a galaxy that had learned to control gravity?
  • Then, Young Han Solo (I would have paid extra if everyone else in the movie had referred to him as “Young Han Solo” the entire time) gives the Plottinium back to the bad guys who were actually good guys.
  • He does the right thing!
  • Which, if you think about for more than a second, nullifies his entire arc in Star Wars.
  • Ah, well, whatever: WE SAW WHERE HE GOT HIS BLASTER!
  • Woody Harrelson gave it to him!
  • See you back here in two years for Guards! Guards! A Tale of Gamorrea.

A Yellow Submarine

“General, it’s not gonna happen.”

“Jenkins, the hatch is Captain America’s shield! What could possibly go wrong?”

“I could drown.”

“Well, obviously. I meant besides that.”

“There are no other worries in a submarine, sir.”

“Oh, pish-posh. There’s nothing but terror in a tube. Violent decompression. Tortuous recompression. You might get Jonahed.”

“I don’t think a whale would eat that, sir.”

“Never pretend to know the mind of fish, Jenkins.”

“Mammals, sir.”

“We are, aren’t we? Fine and hairy and half of us have teats.”

“No, sir. Whales are mammals.”

“Nonsense. Far too wet to be mammals. And stop distracting me, you puzzleheaded mump.”

“Yes, sir.”

“This is the next step in technology, Jenkins.”

“Yes, but the step is backwards.”

“Flabbergast! She’s modern as all get-out. Look at those ropes. Used to be that you couldn’t get ropes in that color. Rope used to be rope-colored. It’s a brave new world, Jenkins.”

“I see the rope, sir.”

“Or cable. Or wire. Or whatever the hell they call a rope on a boat. You know boat people: everything needs to have a different name to confuse the landlubber.”

“Yes, sir. The toilet is the head, and so forth.”

“I’ll call the damned toilet anything I want! They can’t shame me for landlubbing. I lub land, Jenkins!”

“You’re renowned for your lub, sir. But that does bring up a question.”

“I go in raw, or I don’t go in at all.”

“Different question, sir.”

“Shoot.”

“We’re in the Army, sir. Aren’t submarines more of a Navy thing?”

“Yes, but so is furtive homosexuality and I don’t let that stop me.”

“It just doesn’t look safe, sir.”

“There’s two floaties, Jenkins!”

“Yes, sir.”

“TWO!”

“You’ve spared no expense.”

“R & D stole every part in the thing. You know R & D, right?”

“Rudy and Dave built this?”

“Those two are my boys, Jenkins. Not like you, you whiny wienie. I tell R&D to make me a submarine, they do it. And they don’t even have to ask whether the hatch should be Captain America’s shield. They just know that’s what I want. Love those two. I’d replace you with them in a second.”

“Why don’t you, sir?”

“Oh, you know why, you simpering nonny! I can’t have a drug addict and a pervert as my Jenkins! Especially since they keep switching back and forth. It’s just confusing keeping track of which one’s which that week. So I’m stuck with you.”

“Thank you, sir. I have another question.”

“Pirogi.”

“My question wasn’t about lunch, but I’ll make a note of your preference.”

“Wonderful dumplings, but you wouldn’t want them building your submarine.”

“No, sir.”

“The Polish.”

“I know the offensive joke to which you’re referring, sir.”

“Screen doors!”

“There’s the punchline. Sir, what are we going to do with this thing?”

“Submarinate.”

“Uh-huh. Why and when and where?”

“Our enemies need killing, Jenkins. Death from the depths! That’s why and as for when and where…how about Afghanistan?”

“Landlocked, sir. Very dry country.”

“Are we still in Iraq?”

“Yes.”

“There.”

“Okay.”

“What about Iran?”

“Not yet.”

“Not there. Oh, oh! The border! We could use the Sea Cock at the border.”

“You named it?”

“After my cock, Jenkins.”

“Your call your cock ‘Cock?'”

“I believe in straightforward relations with my inferiors. I give him orders. ‘Cock, rouse yourself!’ And then when I’m done with my mission, ‘Cock, resume your tumescence!’ I like that. Everyone knows where they stand.”

“I’m not getting in the Sea Cock, sir.”

“You’ll love it, Jenkins. You’ll see fish.”

“It’s covered in rust.”

“No, not rust. Nanites.”

“Nanites, sir?”

“That’s what R&D told me.”

“I thought so.”

Casey Jones At The Bat

FUN FACT: Parish isn’t trying to look threatening. He just looks threatening. It’s like Resting Bitch Face, but with a bat.

OR

Hey, Bobby. Whatcha doing?

“Stepping into the bucket, looks like.”

Gotta stride towards the pitcher. And keep your elbows up.

“Oh, yeah. 90% of baseball is keeping your elbows up.”

You guys should get a team together now.

“Like, in 2018?”

Yeah.

“Huh. Yeah, no. We tried playing what’s left of Journey in 2016, and everyone was on the ground after an inning-and-a-half. Knees, backs, you name it. Neil Schon required light defibrillation.”

Wow.

“Time, you know, marches on.”

OR

SHOCKING FACT: The Dead went to the sporting-goods store and bought a cheap backstop like normal people instead of having Alembic custom-build them one out of carbon fiber.

Expo Exposed

Hey, it’s the Baby Dead in Montreal! This was at what was called the Montreal Expo (which was really a World’s Fair, but you know Quebecois can’t call anything by its Anglo name) in 1967, and it marked the Dead’s first gig outside the United States*. They played at the Youth Pavilion along with the Jefferson Airplane (seen at the end of the clip), Thelonious Monk, the Supremes (Diana Ross-led version), and Tiny Tim. Sadly, Mr. Tim did not sit in for Dark Star. There’s no recording, but they did play Viola Lee Blues and Alligator; they repeated the two songs at the Monterey Pop Festival a week or so later, so why don’t you just listen to this and pretend that it’s Montreal?

And hey! Here’s another shot of Garcia and Bobby getting waaaaaaay too close to the Airplane’s gear:

Check out Dorkenheimer in the shorts back there.

And here’s one of The Boys playing:

FUN FACT: The set is a direct result of one 50-year-old Montrealer asking another, “Wot do ze children like zese days when zey take ze drugs?”

*The Expo gig was actually the last show in a Canadian mini-tour, but I still stand by the tenets of Without Research.

A New (Korean) Light

“Hold Kim Jong-Un closer, tiny dancer.”

“Okay, we should maybe–”

“Count headlight on highway.”

“Please stop singing.”

“Love you, Moonie.”

“Please don’t call me that.”

“Looooooove you.”

“I think we should stop hugging now.”

“Never stop hugging my guy.

“Really, I think we should–”

“Reach in pocket, Moon Man. Have surprise.”

“I don’t want to reach into your pocket.”

“You like. Is tasty.”

“There’s lunch waiting for us.”

“This no will be at lunch. Reach.”

“I don’t want to–”

“I tell you. Is pirogi. Polish dumpling.”

“I know what a pirogi is.”

“Is like mandoo, but Polish. Has so much yum in such little space.”

“Again, I know what–”

“Father invent Poland.”

“We really should get to the meeting.”

“Meeting so important. Kim Jong-Un love to meet. Hold on one second.”

“Why am I–”

CELL PHONE NOISE

“Bud Light Fan John Mayer here.”

“Hot Dog Dick! You get endorsement?”

“It’s a one-time thing.”

“You sell out, bro.”

“There’s no such thing as ‘selling out’ any more. Now it’s a ‘Brand Team-Up.'”

“Boo. You sell-out. Kim Jong-Un no run through halls of high school no more.”

“Sad to hear that. Why are you calling?”

“You want talk Moon Jae-In?”

“Does he design sneakers?”

“Is president South Korea.”

“Oh. Then, uh, no.”

“Good call. Is no fun.”

“Wait, are you having a summit right now?”

“As speak.”

“Dude, you should be doing that.”

“Kim Jong-Un multi-task.”

“Go talk to Blue Moon.”

“Blue Moon! Is good! I call that. Smell you later.”

DIAL TONE NOISE EVEN THOUGH PHONES NO LONGER DO THAT

“Hey, Blue Moon.”

“Please don’t call me that.”

“Kim Jong-Um no come up with. Credit where credit due. My boy John Mayer write. He so creative.”

“I don’t know who that is.”

“Is okay. Kim Jong-Un brought computer. Play Moon new video. Is ironic!”

“We have more important–”

“Moon watch Hot Dog Dick video or die in nuclear holocaust.”

“Fine.”

Salty Margaritas For Little Aleppo

The situation is the boss. Precarious Lee said that all the time, enough so that Big-Dicked Sheila made fun of him for it, but he didn’t give a shit. He said he learned it humping amplifiers and groupies. Respond to what’s happening. That’s the key, don’t sit there with your thumb up your ass (or the ass of some chick you just met) saying “Well, this isn’t how it’s supposed to be.” Who told you anything was supposed to be anything? Use your eyes, and then your hands. Toilet backstage explode? Now you’re a plumber. Guy running on the stage? Now you’re a security guard. Going through the airport? Now you’re a smuggler. You could tell the situation, “Hey, that’s not my job,” but then the situation will hold you down and go in dry.

“We can’t let the situation go in dry.”

“You keep saying that, and I keep telling you I don’t understand any of the metaphor.”

“We need to respond to what’s in front of us,” Sheila said, spilling half her margarita. The situation, which was the boss, had ordered her and Tiresias Richardson to stop in a Mexican place in West Hollywood that made their trademark salty cocktails one part tequila to one part battery acid. Sheila had hers on ice, because it was a drink and therefore you should drink it. Tiresias had hers blended because booze slushee. The glasses were the shape of champagne coupes, but with deeper bowls, and the stems were saguaro cactuses.

“I am,” Tiresias answered, and slurped some of her drink into her mouth. “Holy shit, these are strong. We should move here.”

“I was talking about the briefcase.”

“Right. About that.”

The Halliburton Zero. You’d recognize the model if you saw it in its natural habitat: an illicit business deal, or handcuffed to a guy in a suit and sunglasses. This one was aluminum (though you could order kevlar-impregnated titanium that could constrain the explosion of up to three ounces of C4 within itself) and held no shine even though Sheila kept wiping her fingerprints off the damn thing. The ‘case had two sets of doubled ridges going horizontally and when you opened it up, you wish that you hadn’t. It was everything you’d need to assassinate some actress who lived in Holmby Hills

The bar was el-shaped–so many bars are–and Sheila and Tiresias were seated along the little line segment; their backs were to the window fronting Santa Monica Boulevard. They were not very good assassins.

“I think we should throw out everything that’s not the money and find a new place in, like, Venice. Forget this happened.”

“First of all, I’m keeping the briefcase.”

“You love that thing.”

“I’m gonna put stickers on it,” Sheila said. “And I’m keeping the gun.”

“You can’t keep the gun. It’s a criminal gun. Maybe it did crimes. They can track it. Forensics.” Tiresias realized she was running out of thoughts somewhere around “Maybe” but she soldiered on. She’s a professional.

“So I’ll sell it.”

“Oh, then you’re golden.”

“We’re not throwing any of this shit away,” Sheila said, “this shit” being the photos of the woman and the map to the house and the directions and the phone number to call after the deed was done. The gun and the money had been transferred to Sheila’s purse; it was a safe place. Tiresias had made a mental note to ask whether the money wouldn’t be even safer if split evenly between them, but she had scribbled the mental note and now could not read it after a few margaritas. There was originally five grand in hundreds and fifties, but they had stopped for cigarettes and were tipping the bartender rather grandly. Sheila was also playing the jukebox, so figure $4800 left.

“A woman’s in danger, Tirry.”

“Two are. Us.”

“No, the actress. The lady in the mansion we’re supposed to kill.”

“We don’t kill her. Problem solved.”

“Problem not solved. If we don’t kill her, someone else will. We have to warn her.”

“Send her a letter.”

“Takes too long.”

“Write her a letter, and we’ll drive up there and slip it under the door. And then run.”

Sheila KAH-CHOCKED the locks open–the code to both was 000–and flipped up the lid and removed the photos. Black and white. A blonde in her 30’s. Head shots and sneaky pics. Posing and fucking. Sheila spread the 8×10″s across the top of the bar, and Tiresias peered in. They were simply the worst assassins.

“She’s got chubby arms,” Tiresias said.

“Doesn’t mean she should be murdered.”

“Not what my mother used to tell me.”

“She’s rich.”

“Fuck her double, then.”

“And I’m sure she’ll be very thankful for our actions,” Sheila said. Her Camels were on the bar, under a picture of the intended victim fucking a guy in a horse trailer. She handed Tiresias the photo.

“I don’t trust horse people.”

“Never met one who wasn’t a raving loon,” Sheila answered and found her lighter FFT PHWOO and Tiresias snatched the cigarette from her fingers, so Sheila lit another and they blew out PHWOO together and both tapped their smokes against the ashtray even though there was not yet any ash.

It was the middle of the afternoon, and there were too many people in the bar. It pretended to be a restaurant and made most everyone sit at tables, but the food was almost deliberately bad–how could Mexicans make Mexican food this bad if not on purpose–and everything erupted with grease and cheese, everything: the rice, the napkins, and the waiters brought it to you on the brims of their oversized sombreros. The roaming mariachis had a tamale gun. You’d get a song, and then a 60 mph tamale to the face. This was the highlight of many tourists’ visits to Los Angeles, besides comparing hand sizes with the attractive dead at the Chinese Theater. Cocaine use was frowned upon unless you were at a back table.

“We should get some coke.”

“Tirry.”

“I mean, just to put in the briefcase. That thing doesn’t look right without some coke in it. AAAAHahaha!”

“Tirry, listen. We need to go to this house–”

She waved around the paper with the address on it.

“–and rescue this woman. This rich woman. Who will be very grateful to us for saving her.”

The bar was silent, except for the mariachi band and all the talking and yelling and tamale-shooting. Sheila was nodding up and down and so was Tiresias, but she had no idea why.

“A reward, dummy.”

“Names aren’t necessary.”

“There’s money in this.”

“So you don’t wanna save this chick. You wanna shake her down.”

Sheila’s smile had a tell. The real ones flared her nostrils. This one did not.

“Nooooo.”

“You’re a monster,” Tiresias said and upended her glass. The last grotty chunks of her margarita slimed down the side and she slid the glass across the bar and got the bartender’s eye. Sheila noticed, chugged, slid her glass, held up two fingers. Bartender nodded.

“I’m a small business owner.”

“Backbone of America.”

“We’re doing the right thing. And getting paid for it.”

“You don’t know that there’s money in this.”

“She’ll pony up.”

“Holy shit, you really are gonna shake her down.”

“Nooooo.”

The drinks arrived, were sipped, set down. Sheila swiveled her seat around to face Tiresias; Sheila’s skinny, leather-clad legs were in between Tiresias’ long, sweatpant-wearing ones, and she put her hands on the tall woman’s knees.

“I’m serious. We need to help this chick. I’m going with or without you, but you’re coming with me.”

Tiresias rested her head in her hand and said,

“Fine. But we need to change.”

“I’m wearing this. I look fucking hot.”

“I don’t. This requires a whole different approach.”

“Yeah, you look like shit.”

“And we need to finish our drinks.”

“Obviously.”

“Were we getting coke?”

“Yes, but later.”

“Aw.”

It took an hour to get to the car because they got coke; it was the harsh lull in the afternoon that exists in Southern California: the light was too bright, and everyone on the streets had aggressive necks. Sheila drove. Tiresias was in the backseat with her makeup case and hairbrush. She was going for severe. Mysterious. She had a black suit on–straight-cut slacks and a slim-fitting jacket that was darted both in and out–and the stilettos that made her almost 6’2″.

“You want a flat, sweetie.”

“You don’t like these?”

“Are you kidding? I would suck those shoes’ dick. They’re just not right for the occasion.”

“I’m doing a sexy spy thing.”

“Why?”

“When else am I gonna get this chance?”

“Your lipstick’s not red enough.”

“Y’think?”

Down the scuzzy patch of Santa Monica Boulevard. Shops that repaired vacuum cleaners with signs in Russian. Bookstores of both the religious and adult varieties. There was a place called Cuffs & Collars; it had a neon sign, and the women debated whether it was an S & M bar or a pet store. Hasidim walked down the sidewalk. They looked like chimney brushes, Sheila thought. Knock-off perfumeries that also sold luggage and fried shrimp. Mortuaries and set-back strip malls, and a place that rented exotic fruits. 7-11’s.

“We should open an inconvenience store,” Tiresias said.

“We’ll never open and we won’t have anything.”

“Coming over.”

She clicked the latches of the makeup box and slid it into the driver’s side footwell, and then bumbled over the back of the mile-long black leather bench; she clocked Sheila with her forehead and the Continental slid around in the white lines, fish-like, and then Tiresias FWOMPED onto the seat with her head in Sheila’s black leather lap.

“You’re on my nuts.”

“Sorry, sweetie,” she said and wrestled herself towards a vaguely-upright position; she tried reaching for the dashboard for purchase, but it was a dozen feet away. She got there, after a fashion.

“Do you have the coke?”

“You do.”

“Right,” Tiresias said, and launched back over the bench so that her torso was waving and swaying upside down in the rear of the car, legs kicking like the bottom partner of the old saw-the-lady-in-half trick; she bopped Sheila in the ear with her ass, and then whacked her again with an elbow returning entirely to the front of the vehicle clutching her rust-colored hoodie. She dug the baggie out of the pocket–it was bar coke and clumpy and sharp-smelling–and rummaged through Sheila’s enormous black purse until she came up with a flick knife, so she flicked the knife and edged out a shnarf’s worth of the powder, which she shnarfed, and then another pass with the knife. She held it out to Sheila.

“Don’t put the knife in my face, sweetie. There’s potholes and shit.”

So Tiresias shnarfed for a second time and Sheila stayed straight at Holloway and on through to the Sunset Strip–there it was, just like Mötley Crüe promised–and there was a marquee advertising the Waning Possums and the Roxy and the Rainbow, too. If the tables in there could talk, Sheila thought, they’d probably say, “Stop putting hot food on my face.” She rolled down her window to get some air after that thought, sober up a bit. The Riot House and several diners and the free clinic and that parking meter right there, no the next one, yes that’s it: Jim Morrison pissed on it. And that driveway up the road a bit. And also the road. Jim Morrison pissed on everything the eye can see: the Sunset Strip!

“We should come back here when we’re done.”

“Let’s concentrate on one thing at a time. And we should find a place to live first.”

“Oh, yeah,” Tiresias nodded. “We should totally find a new place to live. You think we can get Chateau Marmont money out of this chick?”

“Positive. Look at the house. It’s huge.”

Tiresias popped the briefcase opened and flipped through the papers until she found the map, directions, drawing of the house.

“Gimme the directions,” Sheila said, and Tiresias did, and Sheila squinted at them, and Tiresias took the directions back and read them out loud. The Strip was behind them and green all around, into the hills and away from the noise and blowjobs and dirt: everything was neat and groomed and murders were hired out. It was simply more dignified. The higher they went, the healthier they felt. The Hollywood Hills do that to you; both women contemplated donating part of their supposed gains to charity, but each woman kept that to herself. The houses were so expensive that they didn’t exist at all. Just hedges with slices taken from them on either side of the road. There was a rumor of a neighborhood.

Tiresias guided them through the winds and twists by the simply-drawn map, and then said, “This is it,” at a cut-out in the towering hedges that would barely register if you drove by.

“I wanna be rich and hide my front door,” Tiresias said.

“Now what?”

“Punch in the code.”

There was a security box outside Tiresias’ window.

“No.”

“Why?”

“We can’t sneak in. That’ll freak her out.”

“We were hired to kill her. We’re supposed to sneak in.”

“You just wanna sneak in.”

“A little. What if she’s not home? We could steal shit.”

“Sheel.”

“Tir.”

“I’m gonna buzz.”

Sheila was now half-buried in her purse looking for her cigarettes.

“And say what?”

“I’ll say–”

Tiresias thought for a second, then another. One more, and then a last for luck, and finally she said,

“We need to start thinking up plans before we do shit.”

“Improv it. That’s why we’re in this mess. Do your improv.”

“I love you so much and you get like this.”

“You’re right, I’m sorry.”

“You get like this all the time. Just a horrendous bitch.”

“I’m a Sagittarius, you know that.”

There was a TOCK TOCK that sounded–for very good reason–like a cowboy boot being gently tapped against the driver’s side door of a 1961 Lincoln Continental. Sheila turned to see the underside of a saddled horse, and then craned her head out and up. She recognized the blonde woman in her 30’s. She had Western-style denim clothes, but an English-style helmet. She also recognized the horse.

“Can you have horses up here?”

“You can have anything you want if you have enough lawyers,” the blonde said. “Are you the ones my husband hired to murder me?”

“YES, WE ARE!” Tiresias called from inside the car.

Sheila blinked once, twice; said,

“Yes, we are.”

The blonde leaned over and down and peered in to the front seat, where Tiresias waved, and then she sat back up and said,

“Great. Come on in.”

She took a garage door opener from her shirt pocket, and the iron bars dissolved into the shrub wall; slight pressure on the horse’s ribs with her heels and off smoothly and within the compound. The two women threw themselves into the ever-changing present; into gear and off smoothly and right behind.

Donald Trump Drafts A Letter To North Korea

THE OVAL OFFICE – THIS MORNING

“…and this morning at nine o’clock Pyongyang time, the North Korean government sent out a communique calling Vice-President Pence–and I’m quoting–a dog that wishes to lick its own dick, but cannot due to the smallness of the dick. The translators said that was as close as they could get to the meaning.”

“The Vice-President is being treated very unfairly. That’s funny, but very unfair. Write that line down. I’m gonna tweet it out about Hillary, who many people have told me has a dick. Probably why I beat her so badly in an Electoral College win that no one saw coming. I said I would win, but no one agreed with me, which is why there were so many spies in the campaign. Lot of spies!”

“Mr. President–”

“Y’know what? I can’t look at the mustache, Bolton. Turn around. Face the wall.”

BELLIGERENT, HIRSUTE MAN TURNING TOWARDS THE WALL NOISE

“Better. Clean-shaven! All my life, even though I could grow maybe the greatest, thickest beards that anyone’s ever seen. Sylvester Stallone, who is a good friend, he always says that. ‘Mr. Trump, I would love to see you with a beard and I know that it would be spectacular.’ He says that, and he was Rambo. Bolty, you know Rambo?”

“Yes, I know–”

“Vietnam, Afghanistan. Rambo goes and wins. Got the machine gun, shirt off, the whole thing. Very strong. How many Rambos do we have in the military? Do we have a Rambo brigade?”

“I don’t think we–”

“I’m gonna cancel! I was gonna do it, and everyone knows it, because we are being treated very rough. Very rough, and we’re gonna walk away. I knew I was gonna cancel before I did, but now I am. Cancel!”

“Sir, maybe you–”

“Bolton, out! Get out. I need my General. Where’s my General?”

“Here.”

“General?”

“I’ve been in the room for 90 minutes, sir.”

“General?”

“You’re looking in your desk drawer, Mr. President. I’m too big to–”

“General?”

“Oh, there you are.”

“Yes, sir?”

“I knew where you were. General, I think Bolton’s mustache is a spy.”

“I would have to disagree, sir.”

“Sent by Obama! He still runs the FBI and he’s sending mustache-spies after me.”

“There’s no such thing as a mustache-spy, sir.”

“I canceled! Canceled, done, we’re not doing that. The North Korea thing, not gonna do it. Canceled.”

“Yes, sir. I was sitting six feet away from you when you did it.”

“We should tweet this out.”

ILL-FITTING SUIT POCKET-PATTING NOISE

“I left my phone at Burger King.”

“Oh, God.”

“It’s okay. They’ll hold it for me. They know me there. Not blacks! Mostly Puerto Ricans at the Burger King I like, and that’s weird. Burger King is irresistible to blacks. Most people think Popeye’s because of the fried chicken, but blacks love Burger King. Not too many at the one I go to, though. Right amount. Just the right amount of blacks.”

“I’ll send the Secret Service to get your phone.”

“And a Whopper. Make it two. One for you.”

“No, thank you, sir.”

“French toast sticks?”

“No.”

“Get me French toast sticks. Extra syrup packets. Make sure they look in the bag and count the syrup! They try to jew you out of your syrup. Okay, we’ll just have to use your phone.”

“My phone doesn’t have Twitter, sir. Why don’t we write a letter?”

PAD BEING PRODUCED NOISE

“Letter, excellent. Like back in the old days. Obama never sent letters. I’ve heard he was completely illiterate. Sean Hannity is sure of it. He has videotape of Obama trying to read and he just can’t do it. Not a bright man. We should say something about the Mexicans in the letter. They’re pouring in. Pouring. Buses and buses of these animals, and all of them rape. 91% of Mexicans rape, General. Can you believe that? Big on rape, the Mexicans.”

“Sir, we should try to keep the letter to one topic.”

“Which is?”

“North Korea, sir.”

“I canceled!”

“Okay, let’s just get started. How about ‘Dear President Kim.'”

“Too casual. Y’know, this is why I’m President and you’re General. Although I could have been a great, great general. The guns, the uniforms, all of that. I would have been the top soldier, I think and many people agree with that. Address it to Your Galactic Omniprescence; First in War, Love, and Golf; Stallion of the Heavenly Grasslands; Installer of Water Parks, and Nemesis of Death.

“I’m gonna shave that down a bit.”

“Sure, great, whatever. Finesse it. Okay, write this down: You have been very, very unfair to me and not lived up to your side of the bargain, which was to get rid of all your nuclear weapons without us giving you anything, which I know you agreed to because all the Friends on Fox & Friends nodded when I said that you did when I called in the other day and got them the best ratings. When Trump calls in, the ratings are through the roof, right through the roof, and later the Friends call me and they thank me and that’s a huge, huge compliment to me, I think. You got that?”

“Most of it.”

“Okay, I got more. Little Fatty Chopsticks, we have the most deadly, beautiful nuclear weapons in the world. They are so shiny and I hope that we never have to shoot them at you, even though we would definitely hit you because you’re such a good target because you’re so fat. That’s good. You write that down, General?”

“Mm-hmm.”

“Is my Whopper here yet?”

“Let’s just push through, sir.”

“Sure, sure, letter, okay. You wanna run this by Lou Dobbs? I could put him on speaker.”

“No, sir.”

“Okay, here’s more: It is so sad that you have thrown away this wonderful chance at peace that I brought you, and you owe me $3 million for the commemorative coins.”

“Got it. I’ll polish it up and release it after we tell our embassies.”

“No, no, just release it. Have it be a surprise. Diplomacy is all about surprises.”

“Yes, sir.”

“General?”

“I’ll check on the French toast sticks, sir.”

“Great, great, perfect, great.”

Pyongyang, Do I Declare

Why aren’t you at Dead & Company rehearsal?

“Dude, this content isn’t going to provide itself.”

Uh-huh.

“Do you think I should start a beef with Lil Tay?”

I think you should get to Mill Valley and rehearse.

“Ugh. They’re all so old, man.”

Jeff and Oteil are younger than you.

“Both of them are in their 50’s.”

Right. You’re, what, a youthful 54?

“I see what you’re doing and it’s not working.”

That forehead of yours is getting some furrows in it.

“It is not.”

Maybe a little ‘tox? Little bit of ‘tox?

“Botox doesn’t work for me.”

Why not?

“Because after I get the injections, I can’t do my guitar faces.”

Makes sense.

“The kids love the faces.”

They do.

CELL PHONE NOISE

“We were kind of getting along.”

I know. Just free-floating aggression.

“I should hire someone to hurt you.”

Give me the money; I’ll do it myself.

“John Mayer, Maker of Content.”

“Hot Dog Dick! You read papers?”

“I read Variety, Buzzfeed, and sometimes my accountant tells me the hockey scores.”

“Summit cancelled. Dotard call off. Kim Jong-Un so sad.”

“Is that why you’re at the water park?”

“Some sadness, only water park can fix.”

“Well, I’m sorry. I know you were looking forward to working towards peace.”

“Peace!? Ha! Hot Dog Dick is funny. Triple threat. Guitar, friendship, humor. So talent.”

“You didn’t want peace?”

“No. Want to humiliate Creamsicle Face.”

“Can’t you leave him alone?”

“Is too much fun. He like wind-up doll made of stupidity and french fries.”

“True.”

“Father invent french fries.”

“Can I go? I have an ironic video that I have to promote.”

“We still doing irony? It 1998 again?”

DIAL TONE EVEN THOUGH PHONES NO LONGER DO THAT

“Can I opt out?”

Go to rehearsal.

La Porcherie

Hey, Pig. Whatcha doing?

“Takin’ in the scenery! Foxes abound!”

Isn’t that your girlfriend right behind you?

“She knows the score! The ol’ Pig gets t’ look, and she gets t’ take me home at the end o’ the night!”

Seems fair.

“Fair as any fox is gonna get in 1967, anyway.”

You are well and truly in the past, Pig.

“Don’t I know it! You see Jackie Kennedy back there?”

I do.

“That ain’t no costume, brother! Chicks dressed like that all the time! I mean, not the chicks I made it with, but you know that the ol’ Pig is sayin’.”

This is Montreal, right?

“What they named the ball team after! Like a World’s Fair, but named different.”

Your first time in Canada?

“Jus’ about the ol’ Pig’s first time anywhere! Wasn’t f’r the Dead, I never woulda left California!”

Why not?

“California got wine?”

It does.

“California got foxes?”

Yes.

“Then I guess I got everything I need, don’t I?”

You’re never wrong.

“Nah. The ol’ Pig’s wrong all the time, but I does it with style!”

Yup.

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